PAT MARTINO GUITAR ANTHOLOGY. SERIES: GUITAR RECORDED VERSION
SHEET MUSIC METHOD BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA JAZZ.
SPARTITI PER CHITARRA CON :
ACCORDI, PENTAGRAMMA, TABLATURE.

Format: Softcover - TAB
Artist: Pat Martino

This collection of 16 songs from world-renowned jazz guitarist Pat Martino features specially selected highlights from his career, transcribed note-for-note in standard notation and tab. With this book, guitarists can explore the lyrical, melodic style and rapid-fire lines that have made Martino famous, and play the exact melodies and solos hear on his classic recordings. Includes: Alone Together • Both Sides Now • Close Your Eyes • How Insensitive (Insensatez) • Impressions • Just Friends • Lazy Bird • Oleo • You Don't Know What Love Is • and more.

Pat Martino – Guitar Anthology
Series: Guitar Recorded Version TAB
HL #00139168

Song List:
Alone Together
Both Sides Now
Catch
Close Your Eyes
How Insensitive (Insensatez)
Impressions
Just Friends
Lazy Bird
Line Games
Oleo
Once I Loved (Amor Em Paz) (Love In Peace)
Sunny
Three Base Hit
Trick
Waltz For Geri
You Don't Know What Love Is

Inventory #HL 00139168
ISBN: 9781495005756
UPC: 888680035785
Width: 9.0"
Length: 12.0"
200 pages
 

TOMMY EMMANUEL, LITTLE BY LITTLE. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA .
SPARTITI PER CHITARRA CON :
ACCORDI, PENTAGRAMMA, TABLATURE.

SERIES: GUITAR RECORDED VERSION
FORMAT: SOFTCOVER - TAB
ARTIST: TOMMY EMMANUEL

Twenty-two note-for-note transcriptions from the Australian finger-picker virtuoso's double-studio album. Songs include: Countrywide • The Finger Lakes • Haba Na Haba • Half Way Home • Jack Magic • Locomotivation • Moon River • Ruby's Eyes • Smokey Mountain Lullaby • Tapestry • Waiting for a Plane • and more.

Tommy Emmanuel – Little by Little
Series: Guitar Recorded Version TAB
HL #00139220

Song List:
Countrywide
Fingerlakes
Guitar Boogie Shuffle
Haba Na Haba
Half Way Home
He Ain't Heavy, He's My Brother
Jack Magic
The Jolly Swagman
Locomotivation
Mighty Mouse
Moon River (from the Paramount Picture BREAKFAST AT TIFFANY'S)
Mountains Of Illinois
Papa George
Ruby's Eyes
Smokey Mountain Lullaby
Tapestry
Tears For Jerusalem
Tennessee Waltz
The Trails
Waiting For A Plane
The Welsh Tornado
Willie's Shades

Inventory #HL 00139220
ISBN: 9781495006531
UPC: 888680036324
Width: 9.0"

LEGATO & TAPPING. BOOK & DVD. METHOD WITH GUITAR

TABLATURE

METODO DI TECNICA CREATIVA

LIBRO METODO DI MUSICA ROCK, CON DVD. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

TECNICA, 

Autore: Andrea Filippone / Donato Begotti
Editore: Volontè & Co.
Pagine: 72
Formato:libro + DVD 

Descrizione breve
Un metodo di tecnica creativa, un vero e proprio corso di tecnica del legato e del tapping, con dvd allegato con esecuzioni video di tutti gli esempi musicali a velocità originale e ridotta. In una cartella audio, tre tracce per ogni esercizio (esecuzione, base al 100% e base 80% della velocità originale). Concepito sia per il chitarrista che suona da qualche anno, che per quello in carriera. Per ottenere: tecnica, musicalità, impostazione e controllo dell’emotività. Divertente e vario (si suona in generi musicali dal progressive al pop rock, al metal, al fusion all’alternative).

Andrea Filippone
Chitarrista
Si avvicina alla musica all’età di otto anni grazie
al padre. Dopo un periodo da autodidatta, segue
le lezioni private con il Maestro Marco Roagna.
Successivamente, si iscrive al corso per la carriera
chitarristica “MCR
®” presso la Rock Guitar Academy.
Nel 2011, sotto la guida di Donato Begotti, si
diploma con votazione 9.75/10.
Insegnante
Insegna dal 2007. Ha collaborato in diverse strutture
in qualità di insegnante di chitarra elettrica e acustica. Dal 2011
è docente dei corsi CCR
® presso la Rock Guitar Academy.
Progetti e Live
Ha suonato con: • The Mirror (tribute band Dream Theater) • Subliminal Verses (tribute band Slipknot), con intensa
attività live in tutto il territorio nazionale su palchi di rilievo
tra cui Alcatraz (Milano), Live Club (Trezzo sull’Adda), Urban
(Perugia), Qube (Roma, in collaborazione con Radio Rock),
Puerto Baracoa (Grosseto), Rock’n Roll Arena (Novara)
• Twisted Transistor (tribute band Korn) • Psychical Contact (inediti Progressive Rock) • Ordem (inediti Pop Rock, con i quali si esibisce a Tavagnasco
Rock, in apertura ai Punkreas)
• Living Corpse (inediti Metal Core)
Attualmente è il chitarrista di:
DOGS (rivisitazioni in chiave Rock “tamarro” di brani EDM)
Discografia
Compone, arrangia ed incide le parti di chitarra nell’EP di
debutto di Giuseppe Torrente. Il primo singolo “There’s No
Time”, mixato all’Abbey Road Studios di Londra, è distribuito in
Italia, Svizzera, Slovenia, Polonia e Australia.

Il Collaboratore
Donato Begotti
Chitarrista
Votato tra i migliori chitarristi rock Italiani, dal 1987 svolge un’intensa attività live con artisti, cover
band, in televisione, in tournée, nei locali di musica dal vivo e come dimostratore di strumenti
musicali. Ha svolto più di 2.500 esibizioni live, 200 clinic in Italia e 27 fiere nel mondo.
Insegnante
Insegna dal 1993. È fondatore, titolare e docente della “Rock Guitar Academy”, la prima
scuola europea specializzata in Chitarra Rock. In passato ha collaborato con CPM. Ha ideato,
oltre che i corsi TAPI®, PGA®, PMT®, CCR® e RLS®, l’MCR®: il corso per la carriera al quale si
sono diplomati alcuni tra i più grandi chitarristi rock italiani.

Ciao e benvenuto in “Legato & Tapping”
 Che cos’è?
È un vero e proprio corso avanzato di tecnica del legato e del tapping, con DVD allegato. È concepito sia per il chitarrista
che suona da qualche anno, sia per quello in carriera.
 Obiettivi
Mediante lo studio di questi esercizi otterrai:
• Tecnica: velocità, tocco, precisione, dinamiche
• Musicalità: timing, conoscenza di lick in diversi generi musicali
• Impostazione: controllo degli arti e della postura
• Controllo dell’emotività: sicurezza nell’esecuzione
 È divertente e vario!
Grazie alle basi musicali, arrangiate come un vero e proprio disco, applicherai in maniera creativa e moderna queste due tecniche
suonando diversi generi musicali, quali: Alternative, Progressive, Swing, Pop Rock, Metal, Dubstep, Breakbeat, Fusion e altri!
 Com’è strutturato?
Il metodo si divide in otto lezioni di progressiva difficoltà. All’interno delle prime sei, alternando una di legato e una di
tapping, svilupperai la tua tecnica lavorando su:
1. Accelerazione. Durante l’esercizio il tempo aumenta di cinque BPM ad ogni giro. Sviluppa velocità
2. Scatto. Suonerai una frase musicale per tre volte ad una velocità confortevole e la quarta di scatto. Sviluppa velocità, controllo delle divisioni ritmiche, dei cambi di tempo e motivazione personale
3. Resistenza. Eseguirai un lick ininterrottamente per almeno 60 secondi. Sviluppa resistenza e rilassamento degli Arti
4. Arpeggio. Applicherai in ambito solistico gli accordi in forma di arpeggio. Sviluppa conoscenza verticale della tastiera e costruzione di fraseggi melodici efficaci
5. Assolo riassuntivo. Metterai in pratica le abilità ottenute ad ogni esercizio del capitolo riunendole in un assolo vero e proprio 

La settima e l’ottava lezione (denominate “Extreme Lesson”), tramite due assoli particolarmente virtuosi, ti permetteranno di portare ad un livello tecnico ancora più alto le abilità ottenute nelle sei lezioni precedenti.
 DVD
Video. Il DVD allegato contiene le esecuzioni in video di tutti gli esempi musicali sia a velocità originale sia ridotta, con inquadrature provenienti da diverse angolazioni e distanze. Ti saranno utili per vedere applicate, fin nei minimi dettagli, tutte le tecniche trattate nel libro.
Audio. In una cartella separata troverai, per ogni esercizio, tre tracce:
1. Esecuzione. Per ascoltare l’esercizio
2. Base al 100%. Per praticare l’esercizio a velocità originale
3. Base all’80%. Per agevolarti nello studio praticando all’80% della velocità originale
Come accedere ai file audio
Windows. Doppio click su cartella Computer, click con il tasto destro su Unità DVD - Apri in una nuova finestra. Doppio click su
cartella Audio Files.
Mac. Ctrl+click sull’icona DVD sul desktop, selezionare Apri (in alternativa doppio click sull’icona del DVD sul desktop). Cliccare
due volte su cartella Audio Files.
BUON DIVERTIMENTO!

VIDEO
7
Note riguardanti i video
Per permetterti di ottenere il miglior risultato nello studio, i video che hai a disposizione per ogni esercizio saranno sempre di due tipi:
Queste inquadrature sono “mixate” all’interno dello stesso video. Visionando da più angolazioni e distanze la stessa esecuzione sarai in grado di ottenere le migliori informazioni per svolgere i tuoi esericizi.
A velocità originale
Sono a tre inquadrature:
• Campo totale. Ti permette di vedere sia il musicista sia lo strumento. Utile per ottenere una visione globale dell’esercizio
• Vicino alla chitarra. Leggermente laterale, garantisce la visione contemporanea e ravvicinata di entrambe le mani. La migliore per comprendere “come è stato suonato”
• A pochi centimetri dalle mani. Garantisce una visione simile a quella che otterresti avvicinandoti di molto all’esecutore
(es. 50 cm) in modo da poterne osservare i “trucchi” da una posizione privilegiata e angolata (come utilizza il plettro,
quanta forza imprime sulle corde, come le stoppa per non farle risuonare, con che angolazione esegue il colpo di tapping,
ecc.). Utile per ottenere dettagli importanti, non ottenibili da inquadrature tradizionali
8
A bassa velocità
In un metodo come questo non potevano mancare esecuzioni video lente, dal 50 al 70% della velocità originale, sul click,
per ogni esercizio. Sono state realizzate per farti di osservare anche il minimo dettaglio esecutivo. Sono a camera fissa, con un’inquadratura concentrata sul corpo della chitarra, o stretta sulle mani.
Garantiscono una visione simile a quella che hai del tuo insegnante quando sei a lezione e lo osservi suonare: semplice, pulita
e fondamentale.
Note riguardanti i video
BUONA VISIONE!

Indice
Dediche ..............................................................................................
Credits.................................................................................................
Indice...................................................................................................
L’Autore...............................................................................................
Andrea Filippone........................................................................
Il Collaboratore .............................................................................
Donato Begotti............................................................................
Ciao e benvenuto in “Legato & Tapping”.......................
Che cos’è?....................................................................................
Obiettivi .........................................................................................
È divertente e vario!..................................................................
Com’è strutturato?.....................................................................
DVD.................................................................................................
Note riguardanti i video ..........................................................
Nozioni Fondamentali ..............................................................
Il legato ..........................................................................................
Il tapping.....................................................................................
La mano sinistra... ...................................................................
La mano destra........................................................................
Come stoppare le corde durante il tapping..................
Lezione 1
Legato........................................................................................
Accelerazione ...........................................................................
Scatto...........................................................................................
Resistenza..................................................................................
Arpeggio .....................................................................................
Assolo..........................................................................................
Lezione 2
Tapping.....................................................................................
Accelerazione ...........................................................................
Scatto...........................................................................................
Resistenza..................................................................................
Arpeggio .....................................................................................
Assolo..........................................................................................
Lezione 3
Legato........................................................................................
Accelerazione ...........................................................................
Scatto...........................................................................................
Resistenza..................................................................................
Arpeggio .....................................................................................
Assolo..........................................................................................
Lezione 4
Tapping.....................................................................................
Accelerazione ...........................................................................
Scatto...........................................................................................
Resistenza..................................................................................
Arpeggio .....................................................................................
Assolo..........................................................................................
Lezione 5
Legato........................................................................................
Accelerazione ...........................................................................
Scatto...........................................................................................
Resistenza..................................................................................
Arpeggio .....................................................................................
Assolo..........................................................................................
Lezione 6
Tapping.....................................................................................
Accelerazione ...........................................................................
Scatto...........................................................................................
Resistenza..................................................................................
Arpeggio .....................................................................................
Assolo..........................................................................................
Lezione 7
Extreme Legato....................................................................
Assolo..........................................................................................
Lezione 8
Extreme Tapping .................................................................
Assolo..........................................................................................
Saluti.................................................................................................
Strumentazione utilizzata....................................................
Ringraziamenti

FRETLIGHT GUITAR 521 TRADITIONAL ELECTRIC TOBACCO SUNBURST

MODELLO TIPO STRATOCASTER

CHITARRA ELETTRICA CON SPECIALE TASTIERA CON ALL'INTERNO 132 LUCI LED !

QUESTA SORPRENDENTE 6 CORDE NON è SOLAMENTE UNA NORMALE CHITARRA ELETTRICA.

HA UNA INNOVATIVA TASTIERA CHE ''LEGGE LA MUSICA'' E LE TABLATURE DEL SOFTWARE ''GUITAR PRO'', DI DIVERSI DVD ''GUITAR PLAY-ALONG'', DI ALCUNI DELLA ''LICK LIBRARY'', E ALTRI. 

MENTRE GUARDATE UNO DI QUESTI DVD, O STATE SENTENDO UN PEZZO DI MUSICA CON IL SOFTWARE GUITAR PRO, IL COMPUTER MANDA UN SEGNALE ALLA TASTIERA DELLA VOSTRA CHITARRA CHE ACCENDE I LED CONTEMPORANEAMENTE ALLA MUSICA CHE STATE ASCOLTANDO.

CON IL PROGRAMMA GUITAR PRO, è POSSIBILE RICEVERE SULLA TASTIERA DI QUESTA CHITARRA ANCHE I SEGNALI DELLO SPARTITO DI ALTRI STRUMENTI COME IL BASSO, IL PIANOFORTE, ECC. . 

SOLO SE LA CHITARRA è COLLEGATA ALLA USB DEL COMPUTER, TRAMITE L'INGRESSO A 8 PIN CON IL SUO SPECIALE CAVO, SI ACCENDONO I LED DELLA TASTIERA. 

QUESTO STRUMENTO INSEGNA CENTINAIA DI SCALE, ARPEGGI, INTERVALLI, INVERSIONI, ACCORDI.  

PUOI RALLENTARE LA VELOCITà DEL METRONOMO, PER IMPARARE PIù RAPIDAMENTE. 

SARà PIù FACILE IMPARARE A SUONARE NOTA PER NOTA YNGWIE MALMSTEEN, JOE SATRIANI, STEVE VAI, KIKO LOUREIRO, AL DI MEOLA, ECC. .

CON QUESTA CHITARRA IMPARI A SUONARE ANCHE SENZA SAPER LEGGERE LA MUSICA.

FUNZIONA COME UNA NORMALE CHITARRA ELETTRICA CON IL CAVO JACK. 

PERCHè COMPRARE UNA NORMALE CHITARRA ELETTRICA SE CON QUESTA AVETE MOLTO MOLTO DI PIù?

Hanno una chitarra fretlight: 

Carlos Santana,

Kirk Hammett of Metallica,
Edge of U2,
Neal Schon of Journey,
David Gilmour of Pink Floyd,

This Strat-styled guitar incorporates sleek lines and supple contours to fit snuggly to your body.

The FG-521 has a robust, one-custom humbucker/two single coil set-up that provides you with a palette ofLearn to play guitartones to choose from. The Fretlight neck includes our patented Advanced Polymer Fretboard and the worlds only built-in LED learning system. Finished with chrome hardware including a fixed bridge, a two-way truss rod and fully adjustable bridge saddles give you complete adjustability for a playing experience that can only be described as pure heaven. And don't forget, the Advanced Polymer Fretboard and Stratabond birch neck gives your tone a sustain that you've only dreamed about!

The NEW Fretlight FG-500 guitar sports some significant changes, all aimed toward making the Fretlight the world’s easiest guitar to play.

The FG-500’s electronics have been upgraded to an all-new Sonix Flash chipset, complete with on-board capability for future growth, and fully compatible with all existing Fretlight software. The new high efficiency electronics produce the brightest and most consistent LED lights ever. Whether you’re lighting a simple riff, or a scale across the entire fretboard, the lights will maintain a consistent brightness.

Additionally, all FG-500 guitars have a Stratabond™ neck. Stratabond is a state-of-the-art engineeredLearn to play guitarhardwood that yields uncommon strength and rigidity across ever changing environmental conditions. Perfect for a guitar necks that are susceptible to expansion and contraction due to varying humidity levels. The FG-500’s Stratabond birch neck will provide very consistent performance for years to come.

The Fretlight lighted guitar learning system allows a player to light-up songs, over five thousand chords and scales patterns, and riffs right on the neck of the Fretlight guitar. The Fretlight connects to a PC or Mac and there are lessons, songs and interactive videos available which all light up the guitar.

Stratabond™ is a Trademark of the Rutland Corporation

Scale/Length: 25.5"                       SCALA FENDER: mm 648 LUGHEZZA DELLA CORDA DAL CAPOTASTO AL PONTE :
(a) Width at Nut: 1.640"                 LARGHEZZA DELLA TASTIERA AL CAPOTASTO: mm 41,656
(b) Width Last Fret: 2.125"             LARGHEZZA DELLA TASTIERA ALL'ULTIMO TASTO: mm 53,975
(c) Thickness 1st Fret: 0.900"        SPESSORE DEL MANICO AL 1° TASTO: mm 22,8600
(d) Thickness 12th Fret: 0.900"      SPESSORE DEL MANICO AL 12° TASTO: mm 22,8600
Radius: 12"

Color: Tobacco Sunburst,

Neck Material: Stratabond birch          LEGNO DEL MANICO: BETULLA

Neck Type: Modern C-Shape

Body: Alder, Stratocaster* styling        LEGNO DEL CORPO: ONTANO

Frets: Medium/High Frets

Fingerboard: Advanced Polymer with LED's for all 21 Frets      TASTIERA CON 132 LUCI LED 

Bridge: Fixed

Pickup Switching:
5-Way-Position Switch:
Position 1: Neck Pickup.
Position 2: Neck - Middle Pickup.
Position 3: Middle Pickup. Position
4: Middle-Bridge Pickup. Position
5: Bridge Pickup.

Hardware: Chrome

Weight: 12 lbs.     PESO in Kg: 5,44

Includes: 10 ft. Fretlight Guitar-to-USB cable,      SPECIALE CAVO LUNGHEZZA: 3 m

Fretlight owners manual and software install disc with FREE Fretlight Studio software and FREE video lessons

TWO-WAY ADJUSTABLE TRUSS ROD.
LED's for all 21 Frets.
1 Humbucker / 2 Single Coils
Guitar String Ferrules
Chrome fixed bridge with fully adjustable saddles
1/4 inch output for guitar audio-to-amp din-to-USB connector for Fretlight data

149 basi di vario genere, Blues, Rock, Metal, Bluegrass, Country, Latin, Etnic, Jazz, Reggae, Folk, Salsa, Waltz, ecc. modificabili per strumenti utilizzati, tonalità, velocità metronomo, visualizzazione accordi, scale, su quali corde accendere i LED della tastiera che suggeriranno quali scale suonare.

ACCORDI, SCALE, ARPEGGI, TRIADI, INTERVALLI, DEL PROGRAMMA ''STUDIO''. 

Chords Forms
Open Position Major Chords
Open Position Minor Chords
Open Position Suspended 2nd Chords
Open Position Suspended 4th Chords
Open Position 7th Chords
Open Position Major 7th Chords
Open Position Minor 7th Chords
Moveable Major Chord Forms
Moveable Major 6th Chord Forms
Moveable Major 6th Add 9th Chord Forms
Moveable Major 7th Chord Forms
Moveable Major 9th Chord Forms
Moveable Major Add 9th Chord Forms
Moveable Major 13th Chord Forms
Moveable Minor Chord Forms
Moveable Minor 6th Chord Forms
Moveable Minor 7th Chord Forms
Moveable Minor 7th b5 Chord Forms
Moveable Minor/Major 7th Chord Forms
Moveable Minor 9th Chord Forms
Moveable Minor Add 9th Chord Forms
Moveable Minor 13th Chord Forms
Moveable 7th Chord Forms
Moveable 9th Chord Forms
Moveable 11th Chord Forms
Moveable 13th Chord Forms
Moveable Suspended 2nd Chord Forms
Moveable Suspended 4th Chord Forms
Moveable 7th Suspended 4th Chord Forms
Moveable Augmented Chord Forms
Moveable Augmented 7th Chord Forms
Moveable Diminished 7th Chord Forms
Moveable 5th Chord ("Power Chord") Forms

--------------------------------------------------------------------------------
Chords Tones/Arpeggios (Entire Fretboard)
Major Chords - Chord Tones
Major 6th Chords - Chord Tones
Major 6th Add 9th Chords - Chord Tones
Major 7th Chords - Chord Tones
Major 9th Chords - Chord Tones
Major Add 9th Chords - Chord Tones
Major 13th Chords - Chord Tones
Minor Chords - Chord Tones
Minor 6th Chords - Chord Tones
Minor 7th Chords - Chord Tones
Minor 7th b5 Chords - Chord Tones
Minor/Major 7th Chords - Chord Tones
Minor 9th Chords - Chord Tones
Minor Add 9th Chords - Chord Tones
Minor 13th Chords - Chord Tones
7th Chords - Chord Tones
9th Chords - Chord Tones
11th Chords - Chord Tones
13th Chords - Chord Tones
Suspended 2nd Chords - Chord Tones
Suspended 4th Chords - Chord Tones
7th Suspended 4th Chords - Chord Tones
Augmented Chords - Chord Tones
Augmented 7th Chords - Chord Tones
Diminished Chords - Chord Tones
Diminished 7th Chords - Chord Tones
5th Chords ("Power Chords") - Chord Tones

--------------------------------------------------------------------------------
Open Position Slash Chords
Open Position Slash Chords - Part One - A Chord Variations
Open Position Slash Chords - Part Two - C Chord Variations
Open Position Slash Chords - Part Three - D Chord Variations
Open Position Slash Chords - Part Four - E Chord Variations
Open Position Slash Chords - Part Five - F Chord Variations
Open Position Slash Chords - Part Six - G Chord Variations

--------------------------------------------------------------------------------
Cool Chord Forms
Cool Chord Forms - Part One - Common A Chord Variations
Cool Chord Forms - Part Two - Common B Chord Variations
Cool Chord Forms - Part Three - Common C Chord Variations
Cool Chord Forms - Part Four - Common D Chord Variations
Cool Chord Forms - Part Five - Common E Chord Variations
Cool Chord Forms - Part Six - Common F Chord Variations
Cool Chord Forms - Part Seven - Common G Chord Variations

--------------------------------------------------------------------------------
Scale Forms
Major Scale Forms
Minor Scale Forms
Major Pentatonic Scale Forms
Minor Pentatonic Scale Forms
Major Blues Scale Forms
Minor Blues Scale Forms
Ionian Mode Forms
Dorian Mode Forms
Phrygian Mode Forms
Lydian Mode Forms
Mixolydian Mode Forms
Aeolian Mode Forms
Locrian Mode Forms
Harmonic Minor Scale Forms
Ionian #5 (Ionian Augmented) Scale Forms
Dorian #4 (Overtone Minor) Scale Forms
Spanish Phrygian (Phrygian Dominant) Scale Forms
Lydian #2 Scale Forms
Melodic Minor (Jazz Minor) Scale Forms
Lydian #5 (Lydian Augmented) Scale Forms
Lydian b7 (Lydian Dominant) Scale Forms
Mixolydian b6 (Aeolian Dominant) Scale Forms
Locrian #2 Scale Forms
Altered Dominant (Super Locrian) Scale Forms
Harmonic Major Scale Forms
Dorian b5 Scale Forms
Lydian b3 (Lydian Diminished) Scale Forms
Mixolydian b2 Scale Forms
Bebop Major Scale Forms
Bebop Minor Scale Forms
Bebop Dominant Scale Forms
Bebop Blues Scale Forms
Whole Tone Scale Forms
Whole/Half Diminished Scale Forms
Half/Whole Diminished Scale Forms

--------------------------------------------------------------------------------
Scale Tones (Entire Fretboard)
Major Scale - Scale Tones
Minor Scale - Scale Tones
Major Pentatonic Scale - Scale Tones
Minor Pentatonic Scale - Scale Tones
Major Blues Scale - Scale Tones
Minor Blues Scale - Scale Tones
Ionian Mode - Scale Tones
Dorian Mode - Scale Tones
Phrygian Mode - Scale Tones
Lydian Mode - Scale Tones
Mixolydian Mode - Scale Tones
Aeolian Mode - Scale Tones
Locrian Mode - Scale Tones
Harmonic Minor - Scale Tones
Ionian #5 (Ionian Augmented) - Scale Tones
Dorian #4 (Overtone Minor) - Scale Tones
Spanish Phrygian (Phrygian Dominant) - Scale Tones
Lydian #2 - Scale Tones
Melodic Minor (Jazz Minor) - Scale Tones
Lydian #5 (Lydian Augmented) - Scale Tones
Lydian b7 (Lydian Dominant) - Scale Tones
Mixolydian b6 (Aeolian Dominant) - Scale Tones
Locrian #2 - Scale Tones
Altered Dominant (Super Locrian) - Scale Tones
Harmonic Major - Scale Tones
Dorian b5 - Scale Tones
Lydian b3 (Lydian Diminished) - Scale Tones
Mixolydian b2 - Scale Tones
Bebop Major - Scale Tones
Bebop Minor - Scale Tones
Bebop Dominant - Scale Tones
Bebop Blues - Scale Tones
Whole Tone - Scale Tones
Whole/Half Diminished - Scale Tones
Half/Whole Diminished - Scale Tones

--------------------------------------------------------------------------------
Triads And Inversions
Root Position Major Triads
Root Position Minor Triads
Root Position Augmented Triads
Root Position Diminished Triads
1st Inversion Major Triads
1st Inversion Minor Triads
1st Inversion Augmented Triads
1st Inversion Diminished Triads
2nd Inversion Major Triads
2nd Inversion Minor Triads
2nd Inversion Augmented Triads
2nd Inversion Diminished Triads

--------------------------------------------------------------------------------
Intervals
Intervals From The Root Note A
Intervals From The Root Note Bb
Intervals From The Root Note B
Intervals From The Root Note C
Intervals From The Root Note Db
Intervals From The Root Note D
Intervals From The Root Note Eb
Intervals From The Root Note E
Intervals From The Root Note F
Intervals From The Root Note Gb
Intervals From The Root Note G
Intervals From The Root Note Ab

--------------------------------------------------------------------------------
Musical Alphabet Notes
The 12 Notes Of The Chromatic Scale On The Entire Fretboard

LEZIONI DEL PROGRAMMA ''STUDIO''.

Beginner Lessons
  1. The Parts Of The Fretlight Guitar (LP1)
  2. Adjusting The Settings On Your Fretlight Guitar (LP1)
  3. Holding The Guitar (LP1)
  4. The Musical Alphabet (LP1)
  5. Tuning Your Guitar (LP1)
  6. Technique And Hand Position (LP1)
  7. Beat, Counting, And Picking (LP1)
  8. Rhythm And Rhythmic Notation (LP1)
  9. Eighth Note Rhythms (LP1)
  10. Combining Different Rhythms (LP1)
  11. Musical Alphabet Letters On The Fretboard (LP1)
  12. Reading Guitar Tablature (LP1)
  13. Combining Melody With Rhythm (LP1)
  14. Reading Notes On The Music Staff (LP1)
  15. Practicing Song Melodies (LP1)
  16. Intervals In The Musical Alphabet (LP1)
  17. Linear Scales (LP1)
  18. Accidentals In The Musical Alphabet (LP1)
  19. Accidentals In The Open Position (LP1)
  20. The Chromatic Scale (LP1)
  21. Accidentals On The Music Staff (LP1)
  22. Song Melodies With Accidentals (LP1)
  23. Harmony And Chords (LP1)
  24. New Chords A Major And D Major (LP1)
  25. New Chords C Major And G Major (LP1)
  26. Chord Progressions (LP1)
  27. Strumming Chord Progressions (LP1)
  28. Minor Chords (LP1)
  29. 7th Chords (LP1)
  30. More 7th Chords (LP1)
  31. New Chord Progressions (LP1)
  32. Linear Chromatic Scales (LP2)
  33. Song Melodies With Linear Scales (LP2)
  34. Rhythm, Rests And Muting (LP2)
  35. Song Melodies With Rests (LP2)
  36. Rhythms And Ties (LP2)
  37. Song Melodies With Ties (LP2)
  38. The F Major Chord And The Barre Technique (LP2)
  39. Chord Progressions With Rests (LP2)
  40. Chord Progressions With Ties (LP2)
  41. Chords And Music Notation (LP2)
  42. Harmonic Rhythm (LP2)
  43. Bass Note Strums (LP2)
  44. Chord Progressions With Bass Note Strums (LP2)
  45. Chords And Arpeggios (LP2)
  46. Chords Progressions With Arpeggios (LP2)
  47. Slash Chords (LP3)
  48. Slash Chords With Bass Note Strums (LP3)
  49. Slash Chords With Arpeggios (LP3)
  50. More Chord Progressions With Slash Chords (LP3)
  51. Suspended Chords (LP3)
  52. Suspended Chords With Bass Note Strums (LP3)
  53. Suspended Chords With Arpeggios (LP3)
  54. Progressions With Slash Chords And Sus Chords (LP3)
  55. The Ten Minute Workout (LP3)
  56. Dotted Quarter Notes And Synchopation (LP3)
  57. Song Melodies With Synchopation (LP3)
  58. Practicing The Major Scale (LP3)
  59. The Key Of G Major (LP3)
  60. The Key Of D Major (LP3)
  61. Four New Open Position Major Scales (LP4)
  62. Song Melodies With New Major Scales (LP4)
  63. The Complete Fretboard (LP4)
  64. Eighth Note Triplet Rhythms (LP4)
  65. Song Melodies With Eighth Note Triplets (LP4)
  66. Building Technique With Eighth Note Triplets (LP4)
  67. Chord Tones And Chord Construction (LP4)
  68. The Full Barre Technique (LP4)
  69. Major Barre Chord Shape #1 (LP4)
  70. Minor Barre Chord Shape #1 (LP4)
  71. 7th Barre Chord Shape #1 (LP4)
  72. Major Barre Chord Shape #2 (LP4)
  73. Minor Barre Chord Shape #2 (LP4)
  74. 7th Barre Chord Shape #2 (LP4)
  75. Combining Barre Chord Shapes (LP4)

Intermediate Lessons
  1. Barre Chord Arpeggios (LP5)
  2. New Major Chord Voicings (LP5)
  3. New Major Scale Forms (LP5)
  4. Introduction To Style Elements (LP5)
  5. Hammer On Technique Exercises (LP5)
  6. Pull Off Technique Exercises (LP5)
  7. Trill Technique Exercises (LP5)
  8. The Valued Slide Technique (LP5)
  9. The Grace Note Slide Technique (LP5)
  10. Vibrato Technique (LP5)
  11. Bending Technique And Intonation (LP5)
  12. The Bend And Release Technique (LP5)
  13. The Reverse Bend Technique (LP5)
  14. Bending And Vibrato (LP5)
  15. Combining Style Elements (LP5)

Style Paks - Blues
  1. Blues Rhythms (SP - BLUES 1)
  2. Blues Chord Progressions (SP - BLUES 1)
  3. Blues Shuffle Patterns (SP - BLUES 1)
  4. Blues Shuffle Variations (SP - BLUES 1)
  5. The Minor Pentatonic Scale (SP - BLUES 1)
  6. Minor Pentatonic Scale Sequences (SP - BLUES 1)
  7. Minor Pentatonic Scale Licks (SP - BLUES 1)
  8. More Minor Pentatonic Licks (SP - BLUES 1)
  9. Blues Guitar Solos (SP - BLUES 1)
  10. Blues Improvisation (SP - BLUES 1)

Style Paks - Rock
  1. Power Chord Forms (SP - ROCK 1)
  2. Power Chord Progressions (SP - ROCK 1)
  3. Introduction To Riff Playing (SP - ROCK 1)
  4. Combining Riffs And Chords (SP - ROCK 1)
  5. More Riff And Chord Combinations (SP - ROCK 1)
  6. Introduction To Rock Lead Guitar (SP - ROCK 1)
  7. More Lead Guitar Licks (SP - ROCK 1)
  8. Rock Guitar Solos (SP - ROCK 1)
  9. Rock Guitar Improvisation (SP - ROCK 1)
  10. More Rock Guitar Improvisation (SP - ROCK 1)

Style Paks - Jazz
  1. Jazz Rhythms With Swing Eighths (SP - JAZZ 1)
  2. Jazz Harmony And Jazz Chords (SP - JAZZ 1)
  3. Jazz Chord Progressions (SP - JAZZ 1)
  4. More Jazz Chord Progressions (SP - JAZZ 1)
  5. Major Scale Sequences (SP - JAZZ 1)
  6. Major Scale Phrases And Licks (SP - JAZZ 1)
  7. Jazz Phrases With Chromatic Notes (SP - JAZZ 1)
  8. Jazz Guitar Solos (SP - JAZZ 1)
  9. Jazz Improvisation (SP - JAZZ 1)
  10. More Jazz Improvisation (SP - JAZZ 1)

Style Paks - Finger Style
  1. Finger Style Basics (SP - FINGERSTYLE 1)
  2. Combining Thumb And Index Techniques (SP - FINGERSTYLE 1)
  3. Combining Pinches And Walking (SP - FINGERSTYLE 1)
  4. Introduction To Travis Picking (SP - FINGERSTYLE 1)
  5. Travis Picking With Chords (SP - FINGERSTYLE 1)
  6. Travis Picking Chord Progressions (SP - FINGERSTYLE 1)
  7. Advanced Travis Picking Patterns (SP - FINGERSTYLE 1)
  8. More Travis Picking Progressions (SP - FINGERSTYLE 1)
  9. Music In Two Parts (SP - FINGERSTYLE 1)
  10. More Music In Two Parts (SP - FINGERSTYLE 1)

Quizzes
  1. Lesson Pak One Quiz (LP1)
  2. Lesson Pak Two Quiz (LP2)
  3. Lesson Pak Three Quiz (LP3)
  4. Lesson Pak Four Quiz (LP4)
  5. Lesson Pak Five Quiz (LP5)
  6. Blues Style Pak One Quiz (SP - BLUES 1)
  7. Rock Style Pak One Quiz (SP - ROCK 1)
  8. Jazz Style Pak One Quiz (SP - JAZZ 1)
  9. Finger Style Pak One Quiz (SP - FINGERSTYLE 1)

Miscellaneous
  1. Tuning Notes (LP1)
  2. Changing The Strings On Your Fretlight Guitar (LP1)
  3. Tuning Your Guitar With Unisons (LP3)
  4. Guitar Tone And Effects (LP5)

COMPRANDO LA CHITARRA RICEVERETE:

IL CAVO SPECIALE PER COLLEGARE L'INGRESSO  8 PIN DELLA CHITARRA, ALLA USB DEL COMPUTER.

IL SOFTWARE ''STUDIO'',

5 DVD-ROM DIDATTICI.

2 CHIAVI A BRUGIOLA PER LA REGOLAZIONE DELLA TRUSS-ROD E DELLE SELLETTE DEL PONTE.

PAGAMENTI AL MOMENTO DELL'ORDINE.

PER L'ITALIA SOLO SPEDIZIONE CON CORRIERE.
 

FRETLIGHT GUITAR 529 PRO ACOUSTIC

New! The Fretlight FG-529 Pro Acoustic is a concert-styled acoustic guitar that incorporates a contour fit with classical acoustic lines and a built-in Fishman® Pre amp / tuner. It's simple beautiful.

CON QUESTA SUPER CHITARRA, SUONI TUTTA LA MUSICA CHE VUOI, ANCHE SENZA SAPER LEGGERE LA MUSICA !!!

SENZA FATICA, SENZA PROBLEMI !!!

CHITARRA ACUSTICA CON TASTIERA A LUCI LED,  

CON PREAMP FISHMAN ISYS+ CON ACCORDATORE  

RICEVE I SEGNALI PER ACCENDERE I LED SULLA TASTIERA DELLA CHITARRA, DAL PROGRAMMA DI SCRITTURA MUSICALE CON TABLATURE ''GUITAR PRO''.

OGNI FILE CHE ASCOLTI CON ''GUITAR PRO'' ACCENDE I LED DELLA TASTIERA, PER IMPARARE IN POCO TEMPO A SUONARE ANCHE LE PARTI PIù DIFFICILI, RALLENTANDO IL METRONOMO.   

RICEVE I SEGNALI ANCHE DA: 

- HAL LEONARD DVD GUITAR PLAY-ALONG

- DVD LICK LIBRARY

- BAND IN THE BOX
https://youtu.be/dTXfHDYw2sk

- ALTRI DVD

Details
Tech Specs
Videos
Fretlight Myths

Our new FG-529 Pro Acoustic not only sounds great, but has a stylish look. A spruce top adorns the concertLearn to play guitarstyle body with light walnut back and sides. Abalone inlay decorates the sound hole while the top edge is finished with an ornamental cream colored binding. The gloss finish on the front, sides, back and neck gives this Pro Acoustic an elegant look to match an exquisite sound. The Stratabond™ birch neck ensures that no matter what the environmental conditions, the neck remains straight and true.

The Pro Acoustic is equipped with the Fishman Isys onboard pre-amp system that includes bass, treble and phase controls as well as a digital tuner.

The Pro Acoustic includes our patented lighted learning system and allows a player to light-up songs, chords, scales and riffs right on the neck of the Fretlight guitar. The Fretlight connects to a PC or Mac and there are lessons, songs and interactive videos available which all light up the guitar.

Learn to play guitar

Stratabond™ is a Trademark of the Rutland Corporation

Technical Specifications

Guitar Features

Neck Material: Stratabond birch         LEGNO DEL MANICO: BETULLA 
Neck Type: Modern C Shape w/2 Way Truss Rod 
Body: Light walnut back and sides,    LEGNO DEL FONDO E DELL FASCE: NOCE CHIARO
Spruce top           LEGNO DEL TOP: ABETE
Frets: Stainless Steel     ACCIAIO INOX
Fingerboard: Advanced Polymer with 22 Frets and LED's for 21 Frets
Bridge: Compensated Acoustic Bridge
HW Color: Chrome
Tuners: Closed Back

Two-way adjustable truss rod.

LED's for all 21 Frets.

Fishman Controls

Stratobond Neck

Compensated Acoustic Bridge

Din-to-USB Connector for Fretlight Data

(a) Advanced polymer fretboard.
(b) LED circuit board layer.
(c) Maple Guitar Neck.
(d) All of the layers put together.

Every guitar comes with a beautiful finish.

Watch The Video

Listen to this guitar

Scale/Length: 25.5"      LUNGHEZZA DELLA CORDA DAL CAPOSTATO AL PONTE 6,477 Cm
(a) Width at Nut: 1.640"    LARGHEZZA DELLA TASTIERA AL CAPOTASTO: 4.165 Cm
(b) Width Last Fret: 2.125"  LARGHEZZA DELLA TASTIERA ALL'ULTIMO TASTO 5.397 Cm
(c) Thickness 1st Fret: 0.850"   SPESSORE DEL MANICO AL 1° TASTO: 2.159 Cm
(d) Thickness 12th Fret: 0.900"  SPESSORE DEL MANICO AL DODICESIMO TASTO 2.286
Radius: 12"   

The FG-529 Includes:
10 ft. Fretlight Guitar-to-USB cable, Fretlight owners manual and software install disc with FREE Fretlight Studio software and FREE video lessons 

Myth #1: The Fretlight is a teacher killer – it will put guitar teachers out of business.

False. Like any tool used for any job, there’s a proper way to use that tool and there are invaluable tips that only a human being can give you in order to get the most out of that tool. We have many teachers using Fretlight guitars in their lessons and they have said that their students learn to play guitar faster, seem more engaged, and are more apt to continue with lessons when using a Fretlight. Instead of the teacher focusing most of the lesson on placing the student’s fingers in the right place, the teacher can now focus on playing techniques, along with insights that come from many years of playing. Without a Fretlight, the student may not be ready to absorb that wisdom because they are too concerned with where to put their fingers.?

Myth #2: The Fretlight guitar just teaches you to stare at the fretboard.

False. Actually, the Fretlight guitar simply eliminates the tedious back and forth routine of standard guitar learning. The Fretlight has moved the chord book, scale chart or sheet music a couple of feet so that the information is now right under your fingers instead of sitting on a table in front of you, forcing the player to look away from their fretboard, and over at the chord book or scale chart. Imagine your computer keyboard without letters and numbers – but instead, those letters and numbers were on a piece of paper to the side of the computer. You would look back and forth from that sheet of paper trying to plunk away at a blank keyboard. The Fretlight guitar gives you the information you need to learn to play songs on guitar, right where you need it – on the neck of the instrument.?

Myth #3: The Fretlight guitar is cheating, the only way to really play guitar is by hard work and memorization.

False. The Fretlight guitar doesn’t play notes for you; it simply allows you to see a roadmap on the fretboard. Think for instance a GPS vs. a map book, a microwave oven vs. a regular oven, the computer vs. a typewriter. All of these devices were once thought of as “cheating” and are now accepted as technological breakthroughs, and the same applies for the Fretlight guitars. You still need to practice and memorize; however the Fretlight Guitar simply makes the journey more fun and rewarding.?

Myth #4: You won’t learn from the Fretlight guitar – it will be become a crutch.

False. The Fretlight guitar is no more a crutch than a pitching machine is to a baseball player. A pitching machine throws the ball at the same speed to the same location. You might think hitters would only then be able to hit only a ball at that speed and in that location, but really the hitter is working on their timing and hand-eye coordination to hit the balls in any location. The same holds true for the Fretlight guitar: it helps you see where to play, it is a tool that helps propel the learning process. It’s up to you to play those notes and develop your technique. This is one reason a guitar teacher is so valuable. Even so, being able to hear the correct notes of a scale or chord allows you to play it right the first time and train your ear – just like a baseball player trains their “eye.”?

Myth #5: There are no shortcuts to playing guitar. Your fingers have to bleed and the Fretlight guitar won’t help you get great.

False. The Fretlight will not only help you become a better player, it has helped the “greats” stay great! Carlos Santana, Kirk Hammett of Metallica, Edge of U2, Neal Schon of Journey, David Gilmour of Pink Floyd, and many others use a Fretlight to experiment with new scales and new chord fingerings. They don’t need to learn how to play, but where to play to create new sounds and new combinations. Once given the roadmap their creativity handles the rest and so will yours. Yes, you do have to practice to learn to play songs on guitar and to become a great guitar player but why not give yourself every tool you can in order to get there faster while having a lot more fun.?

Myth #6: You won’t ever learn to read music or tab

False. Guess what – You don’t have to! Most people who play guitar can’t read a lick of music – and actually, a lot of very well known, seasoned professionals can’t either! That’s because guitar is a different animal compared to other instruments. When you learn to play guitar, it is really all about patterns – fingering patterns. That’s why Fretlight is an amazing tool – seeing the pattern right on the neck allows you to learn to play songs on guitar much faster than other methods. ?

Myth #7: The Fretlight is not a real guitar – it’s a toy.

False. The whole goal of Fretlight, even from the earliest Fretlight guitars made in 1990, was that this amazing learning system had to be on a real guitar. If we put the light system on a toy you would see the patterns, then have to put the toy down and pick up your real guitar and attempt to play them. That’s no different than the current method of looking back and forth from a chart or book to learn to play guitar. By having the Fretlight system on a real guitar, you look down at the fretboard and not only see the lights but you put your fingers on the strings and start playing – learning is instantaneous. Every Fretlight electric guitar can be plugged into a standard amplifier and played just like a normal guitar. The Fretlight uses real strings, has a wood body and wood neck, and real frets and pickups.?

Myth #8: If you’re an advanced player you don’t need a Fretlight.

False. The Fretlight allows advanced players to audition new scales and chord patterns in order to create new solos and songs. Here’s an analogy: Imagine a seasoned driver being transported to a foreign country – they have driven cars for years but now they’re not going to know where to go. Give them a map and they can go anywhere. Advanced players don’t need to learn how to play – they need to know where to play to create new sounds. Fretlight is the only tool that can do that quickly and efficiently.?

Myth #9: You have to crane your neck and lean over to see the lights.

False. Whether you’re learning by looking back and forth from charts and books or from the Fretlight, you still have to look at the fretboard to see where to put your fingers. As you learn to play songs on guitar, take a moment to look at a rock guitar God poster – even those greats look down to see where they are.?

Myth #10: It only lights up beginner chords in one key.

False. The Fretlight lights up chords and scales in all twelve keys. We even have left-handed Fretlight guitars. Rest assured, Fretlight can light up anything from ‘Mary had a little lamb’ to the hardest Stevie Ray Vaughn solo, and everything in-between.?