CLASSICAL AND FLAMENCO GUITARS, & ACCESSORIES

GIBSON PURE CAVO JACK PLACCATO ORO CHITARRA VIOLA PURPLE METRI 5,5 SILENT PLUG GOLD PLATED

GIBSON CAVO PER CHITARRA VIOLA SCURO. 

GIBSON PURE PREMIUM INSTRUMENT CABLES - 18 FOOT . CABLE 

metri 5,50 

1/4 SILENT PLUG

OXYGEN FREE CABLE

24K GOLD PLATED  -  JACK PLACCATI CON ORO A 24 CARATI 

SILENT 1/4"

CONNECTOR SLEEVE

HIGHEST SOUND QUALITY AND LOWEST HANDLING NOISE

CONNETTORE IN LEGNO DI NOCE

 

MADE IN USA

 

$91.99
The Gibson Pure 18’ Premium Instrument Cable is made with a stranded oxygen-free copper conductor and military-spec 24-carat gold over nickel 1/4" plugs, with pure copper tips to get your tone from guitar jack to amp or effects jack in pristine condition. Beyond that, we use a densely braided 95%-copper shield with a totally re-invented dielectric insulation, with an additional semi-conductive PVC shield between inner and shielding cables to virtually eliminate noise from static electricity, electro-magnetic fields, and handling, especially effective through high-gain amps. To top it all off, we terminate one end in a newly redesigned silent plug with genuine walnut hardwood barrel that lets you plug and unplug your guitar with no pop or noise from the amp. Compared to other high-end cable competitors Gibson Pure Instrument Cables offer significantly lower handling and interference noise, and an extremely low-loss signal transference through a conductor with capacitance optimized to hit the sweet spot for magnetic pickups. All this, and the 18’ cable comes in a super-cool dark purple insulation that’s super supple, easily lying flat and hugging the stage, with a aluminum, nickel covered barrel at the amp end. 

 

CAVI PER STRUMENTI GIBSON PURE - CAVO DA 5.5 METRI. 

Il cavo per strumenti Gibson Pure 18 'Premium è realizzato con un conduttore in rame senza ossigeno e connettori in oro 24 carati su spina in nickel da 1/4 ", con punte in rame puro per ottenere il suono dal jack per chitarra all'amplificatore o al jack effetti Oltre a questo, utilizziamo uno schermo trecciato al 95% con un isolamento dielettrico totalmente reinventato, con un'ulteriore schermatura semi conduttiva in PVC tra cavi interni e schermati per eliminare virtualmente il rumore dall'elettricità statica, elettromagnetica campi e maneggevolezza, particolarmente efficaci con amplificatori HIGH GAIN. Per completare il tutto, chiudiamo un'estremità in una presa silenziosa appena riprogettata con un vero JACK in legno di noce che consente di collegare e scollegare la chitarra senza rumore o rumore dall'amplificatore Rispetto ad altri concorrenti di cavi di fascia alta, i cavi per strumenti Gibson Pure offrono una gestione e un rumore di interferenza notevolmente inferiori e un trasferimento del segnale a bassissima perdita attraverso un conduttore con capacità ottimizzata per colpisci il punto debole per i pickup magnetici. Tutto questo, e il cavo da 18 'è dotato di un isolante super-cool viola scuro che è super-flessibile, facilmente disteso e avvolgente sul palco, con un connettore di alluminio rivestito di nichel all'estremità dell'amplificatore.

Price: €99,99
€99,99

MARSHALL DSL5C AMPLIFICATORE VALVOLARE CHITARRA 5W AUX IN SEND RETURN USCITA CUFFIA

MARSHALL DSL 5C , AMPLIFICATORE COMPLETAMENTE VALVOLARE PER CHITARRA ELETTRICA .

5 WATT / 1 WATT

VALVOLE : 3 X 12AX7 

VALVOLA : 1X 12BH7

SEND / RETURN

PHONE OUT

AUX IN

16 SPEAKER OUTPUT : PER COLLEGARE LO SPEAKER INTERNO, O SPEAKER ESTERNO DA 16 OHM.  

CON I 5 WATT POTETE ALZARE IL VOLUME A 10, E FARE ASCOLARE LA DISTORSIONE VALVOLARE IN TUTTA LA SUA POTENZA.

IDEALE PER CHI SUONA IN CASA, E PICCOLI AMBIENTI. 

 

2 Canali: Classic Gain & Ultra Gain
Valvole: 3x ECC83, 1x 12BH7 / ECC99
Speaker: Celestion Ten-30
Switch per commutare l'uscita 5W / 1W
EQ condiviso Bassi, Medi, Acuti
Interruttori Tone Shift & Deep per una maggiore versatilità timbrica
Uscita Cuffie / Emulated Line
Ingresso Audio
FX Loop
LED di stato dei canali
PEDALE, Footswitch incluso (pulsante singolo) 

Reissue series - authentic DSL sound
Power: Low power circuit from 5 W to 1 W
2 footswitchable channels with classic gain and ultra gain
Equipment: 10" Celestion Ten-30 loudspeaker
Preamp tubes: 3 x ECC83
Power tube: 1 x 12BH7 / ECC99
Tone-shift key for center configuration
Bass switch that complements a resonant bass boost
Independent volume and gain controls for both channels
Common sound control for treble, mid and bass
Emulated line output
Serial FX loop
Includes footswitch

 

TECHNICAL SPECIFICATION 

Model
DSL5CR

Range
DSL

Technology
Valve

Channels
2 (Split)

ELECTRONICS

Output wattage
5W (with power reduction option, 1W)

Outputs
1 x 1/4" jack speaker output, 16Ω load only, 1 x 3.5mm jack emulated out

Inputs
1 x 1/4" jack instrument input, 3.5mm jack Aux in, footswitch

Controls
Classic gain channel (gain, volume), channel select, ultra gain channel (gain, volume), tone shift button, treble, middle, bass, deep EQ shift, low power option (on rear)

Effects

Effects loop

Yes, series, send/return

SPEAKERS
Speaker configuration
1x10"

Speaker model
Celestion Ten-30 speaker (16Ω, 30w)

Unit impedance
16Ω

VALVES

Preamp valves
2 x ECC83

Power amp valves
1 x 12BH7

ACCESSORIES
Footswitch
PEDL-90012 included

Cable
Detachable power cable included

DIMENSIONS (INCLUDING FEET AND HANDLE)

Weight :12.7 kg / 28 lbs

Width : 455 mm / 17.9"

Height : 420 mm / 16.5"

Depth : 240 mm / 9.4"

Price: €359,99
€359,99

MARSHALL CODE 25 MODELING CHITARRA AMPLIFICATORE MULTIEFFETTO APP GATEWAY AUX IN

MARSHALL CODE 25. 

AMPLIFICATORE PER CHITARRA CON EFFETTI . 

CON IL SOFTWARE MARSHALL CODE EDITOR. 

APPLICAZIONE GATEWAY PER APP STORE E ANDROID . 

AUX IN 

USCITA CUFFIA

EFFETTI: 

 

15. PRE FX
This is where you will find FX that would typically plug into a conventional amplifier
between the guitar and the amplifier’s input. These FX would typically be in pedal form,
and also known as ‘stompboxes’. The ‘stompbox’ FX in the PRE FX section are:
Compressor
Compressor affects an audio signal’s dynamic range. CODE’s compressor decreases,
or ‘compresses’, any part of your guitar sound that peaks above a certain threshold.
Any part of your guitar sound that remains below the threshold is unaffected.
Compressor can add clarity and consistency to your guitar sound whether clean or
overdriven. Compressor’s editable parameters are:
‘STOMPBOX’ FX
A:>>|<A:<>>|<<
POWER AMP
CABINET PREAMP
ENGLISH ENGLISH
PARAMETER VALUE RANGE DESCRIPTION
Tone 0 - 10 Adjusts the Compressor’s higher and lower
frequencies.
Ratio 0 - 10 Controls how much Compression is applied to a signal
above the threshold.
Compression 0 - 10 Adjusts the point at which Compression is applied to
the signal.
Level 0 - 10 Controls the overall volume level of the Compressor.
Distortion
CODE’s stompbox Distortion’s three Modes simulate solid-state Distortion and
Overdrive FX pedals. GUV Mode is a Marshall Guv’nor™ with Drive and Tone
controls. ODR & DIS Modes provide flavours of classic overdrive and distortion
stompboxes. Stompbox Distortion is particularly effective when used with classic
and vintage MST preamp models to provide more drive and sustain. Distortion’s
editable parameters are:
PARAMETER VALUE RANGE DESCRIPTION
Mode GUV, ODR & DIS Marshall Guv’nor, Classic OD pedal
& Classic Distortion pedal.
Drive 0 - 10 Controls the amount of Overdrive or Distortion
applied to the signal.
Tone 0 - 10 Adjusts the amount of upper mid and higher frequency
content in the Overdrive or Distortion before the
signal reaches the amplifier panel tone controls.
Level 0 - 10 Controls Distortion’s overall volume level.

 

Auto Wah
Auto Wah is a dynamic filter, similar to a Wah Wah pedal. A Wah Wah pedal has a
‘rocker’ footplate to control the frequency at which the filter operates. Auto Wah has
no ‘rocker’ footplate, so in ENV Mode the rocker automation responds to input level.
In LFO Mode the rocker motion is fully automated. Auto Wah’s editable parameters
 

 

Pitch Shifter

Pitch Shifter generates chromatic harmonies with the ability to fine tune. This

enables you to pitch up or down to produce octaves or 3rd, 4th or 5th harmonies.

Pitch Shifter can also produce more discordant, quirkier sounds. Pitch Shifter’s

editable parameters 

 

16. AMP
AMP is short for preamp. MST modelling faithfully recreates classic and modern Marshall
valve tones as well as other famous valve amp tones. Each AMP model creates an authentic
preamp setting. The MST preamp models are classified into three groups: Clean, Crunch &
Overdrive.
Your CODE amplifier’s MST preamp models are:

 

CHORUS

PARAMETER VALUE RANGE DESCRIPTION
Mode CLS & VIB Classic Chorus & Vibrato.
Speed 0 - 10 Controls the rate of the Chorus or Vibrato effect.
Depth 0 - 10 Adjusts the depth of the Chorus or Vibrato effect.
Tone 0 - 10 Boosts or cuts high & low frequency content in the
sound.
Flanger
Flanger can produce Chorus-like sounds, but is more vivid and is harmonically more
complex. It can create weird and wonderful sonic textures, like ‘jet plane’ Doppler FX
and resonant metallic whooshes. Flanger’s editable parameters are:
PARAMETER VALUE RANGE DESCRIPTION
Mode JET & MET Jet Flanger & Metallic Flanger.
Speed 0 - 10 Controls the rate of the Flanger effect.
Depth 0 - 10 Adjusts the depth of the Flanger effect.
Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the
effect input, which makes the Flanger effect sharper.
PARAMETER VALUE RANGE DESCRIPTION
Mode CLS & VBE Classic Phaser & Vibe.
Speed 0 - 10 Controls the rate of the Phaser or Vibe effect.
Depth 0 - 10 Adjusts the depth of the Phaser or Vibe effect.
Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the
effect input, which makes the Phaser effect sharper

 

TREMOLO

 

DELAY

 

REVERSE

 

TAP TEMPO

 

RIVERVERO 

 

 

 

ACCORDATORE

 

 

 

 

 

 

2. INPUT
Use this jack socket to connect your
guitar to the amplifier. Use a good quality
screened/shielded guitar cable to help
prevent noise interference.
3. GAIN
Controls the amount of Gain introduced to
a Preset. The higher the Gain, the harder
the preamp is driven.
4. BASS
Turning the BASS control will adjust the
warmth and low-end depth of your sound.
5. MIDDLE
Adjusting the MIDDLE control will vary the
amount of body in your sound by boosting
or cutting midrange frequencies.
6. TREBLE
Increasing the TREBLE will make your
sound brighter and more cutting. Turning
the TREBLE down will decrease tonal edge
and make the sound softer.
7. VOLUME
Controls the volume level within a selected
Preset (#8 in this manual).
 Because GAIN, BASS, MIDDLE, TREBLE
 & VOLUME are stored as part of a Preset,
these panel tone controls only become active
when they are used. This means that until
they are turned their position is not related to
their setting within a Preset. When you turn
a tone control it becomes active. The display
screen will show its current setting and the
stored setting.
 When a GAIN, BASS, MIDDLE, TREBLE
 or VOLUME control is activated the
EXIT/STORE LED will flash red to show that
the Preset’s stored settings have changed.

 

 

PRESETS 100

WATTAGE 25W

INPUTS 1

CONTROLS BASS, MIDDLE, TREBLE, GAIN, VOLUME, PRE FX, AMP, MOD, DEL, REV, POWER, CAB

PRE AMP MODELS 14

POWER AMP MODELS 4

SPEAKER CABINET MODELS 8

FX 24 (5 SIMULTANEOUSLY)

 

Fully programmable, CODE combines authentic modelling of classic and contemporary Marshall tones with professional quality FX. CODE preamp, power amp and speaker cabinet models have been developed in collaboration with audio software pioneers Softube to create Marshall-Softube (MST) modelling, highly accurate recreations of classic and contemporary Marshall products and more.
CODE has 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets. It has 24 FX including: Compressor, classic stompbox Distortions, Auto Wah, Pitch Shifter, Chorus, Phaser, Flanger and Tremolo. It includes Delays with Tap Tempo, and studio quality Reverbs. CODE’s MST preamps produce some of the most acclaimed and best loved Marshall tones: JTM45 2245, 1962 Bluesbreaker, 1959SLP Plexi, JCM800 2203, JCM2555 Silver Jubilee, JCM2000 DSL100, JVM410H and more. CODE features EL34, 5881, EL84 & 6L6 MST power amps, and MST speaker cabinet models: 1960, 1960V, 1960AX, 1960HW, 1936, 1936V, 1912 & 1974X. CODE25 is loaded with a custom 10″ speaker.
Connect via Bluetooth to control CODE and to stream music from your iOS or Android device using the Gateway App. Connect via USB to use CODE as a DAW interface to record, and to stream audio from you computer. Connect your MP3 player via CODE’s dedicated audio input to jam along with your favourite tracks or plug headphones in for a personal CODE experience. Connect CODE’s programmable footcontroller* to assign up to 30 Presets or control panel functions. *(PEDL-91009 – sold separately). 

 

GATEWAY: THE POWER OF MARSHALL IN THE PALM OF YOUR HAND.
Through Gateway discover the connected world of CODE. Gateway enables you to connect with and control your CODE amplifier, connect with other CODE users and stream audio via Bluetooth® using your iOS or Android device.

Use Gateway to control CODE's Bass, Middle, Treble, Gain and Volume settings, as well as activate and deactivate CODE's Section Switches. You can swipe through CODE's 100 user editable Presets, edit settings and store your personalised Presets straight to CODE's memory. Gateway is intuitively laid out, making controlling and editing CODE more convenient than using the amplifier's panel controls and smaller panel screen. You can easily select CODE's MST preamps, MST power amps, MST Speaker cabinets and professional quality FX, quickly and effortlessly dialling in your own personal settings.

Create up to one hundred personal Presets which can be stored in Gateway's Library and uploaded onto a friend's CODE amp, so you can swap and share your sounds. Stream audio from your device through CODE's speaker(s) using Gateway and jam along with tracks. Plug headphones in for 'silent' practice. The Marshall Gateway App is available now from iTunes or Google Play.  

 

.

7 8 10 12 13 14

21 22 23 11

1. USB

Connect via USB to use CODE as a DAW interface, to play tracks from your music library,

to get firmware updates and control via MIDI..

ENGLISH ENGLISH

!

!

9

To record with CODE using your DAW:

• Connect to your computer via USB.

• Select your CODE amplifier as the input

 source on your computer and within

 your DAW.

To stream audio from your computer

through CODE:

• Connect to your computer via USB.

• Select your CODE amplifier as your

 computer’s output source.

• Use the MASTER control to adjust the

 volume level (#9 in this manual).

To get CODE firmware updates:

http://my.marshall.com/Downloads

Follow this link to quickly and easily keep

your CODE amplifier’s firmware up to date.

MIDI data:

• Your CODE amplifier can also send and

 receive MIDI data related to the front

 panel controls via the USB

 

2. INPUT
Use this jack socket to connect your
guitar to the amplifier. Use a good quality
screened/shielded guitar cable to help
prevent noise interference.
3. GAIN
Controls the amount of Gain introduced to
a Preset. The higher the Gain, the harder
the preamp is driven.
4. BASS
Turning the BASS control will adjust the
warmth and low-end depth of your sound.
5. MIDDLE
Adjusting the MIDDLE control will vary the
amount of body in your sound by boosting
or cutting midrange frequencies.
6. TREBLE
Increasing the TREBLE will make your
sound brighter and more cutting. Turning
the TREBLE down will decrease tonal edge
and make the sound softer.

 

7. VOLUME
Controls the volume level within a selected
Preset (#8 in this manual).
 Because GAIN, BASS, MIDDLE, TREBLE
 & VOLUME are stored as part of a Preset,
these panel tone controls only become active
when they are used. This means that until
they are turned their position is not related to
their setting within a Preset. When you turn
a tone control it becomes active. The display
screen will show its current setting and the
stored setting.
 When a GAIN, BASS, MIDDLE, TREBLE
 or VOLUME control is activated the
EXIT/STORE LED will flash red to show that
the Preset’s stored settings have changed.

Price: €199,99
€199,99

BLACKSTAR HT5R 5 WATT LIMITED EDITION LONDON RED AMPLIFICATORE COMBO VALVOLARE CHITARRA

BLACKSTAR HT5R LIMITED EDITION LONDON RED

AMPLIFICATORE COMBO VALVOLARE PER CHITARRA ELETTRICA

L'ideale per suonare a casa con un valvolare. Per portare a saturazione il suono senza disturbare il vicinato. 

L'unico combo a valvole da pochi watt con la possibilità di suonare con le basi con LINE INPUT, l'uscita delle cuffie e per registrare, e il SEND / RETURN per il preamplificatire e gli effetti.   

 

Electric Guitar Combo Amp
5 Watt
1x 12" Blackbird 50 custom designed speaker
12BH7 Dual triode tubes
2 Switchable channels: Clean, overdrive
Controls for master volume treble, middle, bass
Clean: volume, gain, clean volume
ISF switch BRITISH TONE – AMERICAN TONE
Speaker emulation: 1 x 12" or 4 x 12"
Reverb
HEADPHONE OUTPUT
Effects loop - SEND / RETURN
MP3 / LINE INPUT
Dimensions: 443 x 249 x 444 mm
Weight: 12.3 kg
Foot switch included

The HT-5R takes the tone and features of the HT-5C and adds the same stereo reverb as used in the acclaimed HT Venue Series. The HT-5R guitar amp features dedicated tone control on the clean channel, a custom designed 12" speaker and stereo reverb, making it the perfect guitar amp for the studio or home use.

Innovative 5 Watt valve combo
1xECC83 and 1x12BH7 valves
Unique push pull power amp design
Award winning HT Pedal preamp
Two footswitchable channels
12" 50W speaker custom designed by Blackstar
Enhanced tone controls
Patented Infinite Shape Feature (ISF)
Fully equipped for studio or practice
Digital Stereo Reverb
Speaker emulated output with 1x12 or 4x12 voicing
Effects loop with effects level switch
Footswitch included
Cool vintage styling
Technology Type Valve

VALVES
Preamp Valves 1 x ECC83,
Poweramp Valves 1 x 12BH7

ELECTRONICS
Wattage 5
Inputs Guitar Input, MP3 / Line Input
Controls Clean Volume, Clean Tone, Overdrive Select, Overdrive Gain, Overdrive Volume, Bass, Middle, Treble, ISF, Reverb
Channels 2 - Clean, Overdrive

SPEAKERS
Speaker Size 12"
Speaker Model 12" Custom Designed by Blackstar
Speaker Amount 1
SPEAKER OUTPUT 1 X 16 OHM, 1 X 8 OHM or 2 X 16 OHM.

DIMENSIONS
Weight 12.3KG
Dimensions (Width x Height x Depth) 

Price: €549,99
€549,99

FENDER MUSTANG I V2 AMPLIFICATORE MODELING COMBO CHITARRA

FENDER MUSTANG I V2. AMPLIFICATORE MODELING PER CHITARRA, MULTIEFFETO,   

Fender  Mustang con nuove caratteristiche, un nuovo look e tutta la flessibilità che ci si aspetta da un Fender Mustang. La nuova serie di amplificatori Fender Mustang V.2 alza gli standard della versatilità e della potenza, includendo cinque nuovi modelli di amplificatori, cinque nuovi effetti ed un pitch-shift intelligente. La nuova serie Mustang dispone di connettività USB e del software Fender FUSE, lasciando correre la tua creatività e la tua fantasia.

Potenza: 20 Watt
Ingressi: 1x 1/4"
Speaker: 1x 8" Fender Special Design
Canali: 1
Pannello frontale: Nero
Dimensioni: 193 x 400 x H368mm
Peso: 7,7kg

17 modelli di amplificatore e 24 preimpostazioni integrate

Connettività USB per la programmazione da parte dell'utente e uscita di registrazione audio
Software di registrazione con qualità da studio Ableton® Live Lite 8 Fender Edition.

 

Electric Guitar Combo

20 W
1 x 8" Special Fender Design speaker
8 Ohm
1 Channel with 24 presets
Controls for Gain - Volume - Treble - Bass - Master - Preset Select - Modulation Speed - Delay / Reverb Select - Save button - Exit button - Tap Tempo button

12 Modulation Effects:

Chorus
Flanger
Tremolo
Vibratone
Octaver
Phaser
Step filter

 

12 Delay/Reverb Effects:

Tape Delay
Big Fuzz, Green Screamer and Intelligent Pitch Shifting
Stereo / Mono Delay
Room / Plate / Hall Reverb
USB
Built-in tuner
AUX input
Headphone output (simultaneously speaker emulated line out)
Speaker emulated USB output
Dimensions (H x W x D): 36.83 x 40 x 19.3 cm
Weight: 7.7 kg

 

Incl. Download licenses (internet access required) for :

Ableton® Live Lite 8 Fender® Edition studio-quality recording
software compatible with Mustang USB recording output AmpliTube® Fender® LE edition with free 

Fender® FUSE editor / librarian software for Mac and PC

 

MANUALE IN ITALIANO.

POSSIBILITA' DI CONDIVIDERE GRATUITAMENTE CON INTERNET CENTINAIA DI PRESET . 

 

APP  :

SOLO CON CAVO USB OTG, MINI USB / 

A FREE Lite version is available for compatibility testing. Look for "Remuda Lite" in the Play Store.

Finally, an App for your Fender Mustang amplifier! Provides complete "deep" editing of all Presets, Effects, and Amplifiers. Direct mode allows drag and drop re-ordering of presets. Performance mode lets you build a complete "set list" of song-by-song Presets, with multiple presets per song. Requires Android version 3.0 or later and a USB OTG (On-The-Go) adapter/cable to connect your Tablet or Smartphone to the amplifier.

- For Fender Mustang I, II,III, IV, and V (v.1 & v.2) and Mustang Floor series amplifiers.
- Requires USB OTG adapter/cable for connection to amplifier.
- Drag & Drop preset re-ordering.
- Preset deep editing. Edit all parameters of all effects and amplifier simulations.
- Edit the Preset Signal Chain using Drag & Drop
- Performance Mode designed for gigging musicians. Set up complete "sets" of multiple Presets.
- Import .FUSE preset definitions.
- Supports wireless operation using Bluetooth to connect to a second Android device.
- Access the Amplifier's built-in tuner with on-screen tuner display.
- Set a Start-up preset of your choice.
- Effect "Memory" remembers how you like your effects and amplifiers to be set when added to a Preset.
- Dynamic mapping of Quick Access presets in performance mode.
- Preset and Performance Back up and Restore.
- Performance Mode and Direct modes can be "locked" to avoid "fat finger" errors.
- Supports EXP-1 Expression pedal on Mustang III/IV/V amplifiers.
- Includes comprehensive in-app Help Document.

Remuda is the only known App designed to "talk" to Fender Mustang guitar amps. Regularly updated and supported by a guitar playing programmer.

Price: €130,00
€130,00

LINE 6 SPIDER IV WATT 75 AMPLIFICATORE MODELING CHITARRA ELETTRICA 520 PRESET

LINE 6 SPIDER IV 75. AMPLIFICATORE PER CHITARRA ELETTRICA. 

L'AMPLIFICATORE MODELING CON IL MAGGIOR NUMERO DI PRESET PREPARATI DA MUSICISTI E TECNICI ESPERTI . 

OLTRE 500 PRESET MEMORIZZATI NELL'AMPLIFICATORE, SUBITO PRONTI E MODIFICABILI ! 

INSERISCI IL JACK DELLA CHITARRA E HAI SUBITO ACCESSO AL SUONO DI SONGS FAMOSE, SENZA DOVER USARE IL COMPUTER O TABLET, ANDROID, ECC. ...

75-watt guitar amp
16 amp models
76 effects
12" custom Celestion speaker

AUX IN 

USCITA CUFFIA

 

Get ready to experience the distinct tonal nuances of some of the most celebrated American, British and European guitar amps. Choose from 16 amazing amp models—from a classic rockabilly sound inspired by the bite of a pint-sized Gretsch® 6156, to the beautiful high-end shimmer inspired by a Marshall® JCM-900, to a killer crunch inspired by an Orange® AD30. And that’s just the beginning.*

CLEAN RED

Inspired by* the tone of a Marshall® JCM-900, Clean Red is scooped and highly responsive to the player’s touch, Clean Red has a beautiful high-end shimmer for one of the best feeling clean tones we’ve ever made.

CLEAN GREEN

Inspired by* some aspects of a Hiwatt® Custom 100, Clean Green emulates the classic clean tones of the late 60s/early 70s. This model is full-bodied with a creamy mid-range and a tight low-end.

TWANG RED

Twang Red is inspired by* the sound of a 60s Fender® Blackface Twin Reverb® to produce a classic Nashville spank. Crank the Drive knob for some extra grit and growl!

TWANG GREEN

More aggressive than Twang Red, Twang Green has plenty of cut, punch and attitude inspired by* a 60s Fender® Blackface Deluxe Reverb®.

CLASS A RED

Brilliant, singing tones with an addictive chime made famous by generations of Brit-rockers, Class A Red is inspired by* a Vox® AC30 Top Boost.

CLASS A GREEN

Terrifically dynamic, Class A Green offers boutique-style feel inspired by* some of our favorite amps including the Divided by 13 9/15. Sweet tones on the edge of breaking up give way to seriously throaty Overdrive when the Drive knob is cranked.

BLUES RED

The vintage charm of Blues Red is inspired by* the classic tones of a ‘50s wide panel Fender® Deluxe Reverb®.

BLUES GREEN

Voiced with more attitude than Blues Red, Blues Green delivers a more forward mid-range for a classic rockabilly sound inspired by* the bite of a pint-sized Gretsch® 6156.

CRUNCH RED

A celebration of the tone used by numerous early metal bands, Crunch Red was inspired by* the signature crunch of a ‘68 Marshall® Plexi 50-Watt.

CRUNCH GREEN

Crunch Green provides a rounded off British-style distortion with a cool mid-honk and great cut. Inspired by* the killer crunch of an Orange® AD30.

HI GAIN RED

Hi Gain Red is inspired by* the infamous brown sound of a ‘68 Marshall® Plexi 100-Watt with a Variac and jumped input channels.

HI GAIN GREEN

A modern, scooped metal sound, Hi Gain Green is a refined distortion inspired by* the high-gain mayhem of a Diezel® Herbert.

METAL RED

A one-way ticket to tight and punchy high-gain heaven, Metal Red is inspired by* the high-gain tone of a Mesa/Boogie® Dual Rectifier®.

METAL GREEN

Metal Green delivers high-gain aggression with supreme versatility. Sweep the Mid knob to control the character of the distortion. (Set to minimum for fuzz pedal characteristics; set to noon for creamy, modern high-gain tones; set to max to conjure the Class A sound.)

INSANE RED

Dialed in for shredding, Insane Red combines the intensity and impact of Metal Red but it delivers more mid-range teeth for that bone-crushing grind. Inspired by* the tone of a Mesa/Boogie® Dual Rectifier® (red channel).

INSANE GREEN

As much input gain distortion as possible short of a complete meltdown! Insane Green delivers an obscene helping of distortion while still retaining tonal definition and character.

* All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.

 

AMAZING TONE.
IN AN INSTANT.
Dialed-in and ready to rock.
Professional guitarists, acclaimed producers, and the experienced engineers and sound designers at Line 6® spent countless hours creating and dialing in every last guitar amp model—so you don’t have to. Whether you’re looking for a practice amp or a rig for gigging, Spider is like having your own personal amp tech ready to dial in your tone for you at a moments notice.

Price: €299,99
€299,99

DEAN DIMEBAG SERIES ML SHOWDOWN DIME CHITARRA ELETTRICA FLOYD ROSE SPECIAL

DIMEBAG SERIES ML / DIMEBAG SHOWDOWN ML

 

CHITARRA ELETTRICA DEAN ML MODELLO DIME. 

Darrell Lance Abbott

Dimebag Darrell

Diamond Darrell

PANTERA

 

MANICO INCOLLATO 

 

https://youtu.be/NjB1npbHxyM

 

The first time you pick up Dimebag Showdown ml and play it, you will notice that this is a top quality guitar. Hardware is no exception; it is carefully chosen and will last you for a long time. Dimebag Showdown ml is both durable and reliable, and it will stand the test of time whilst still performing and looking great as it did when it was brand new.

 

Item IDDB SHOWDOWN

Model Name Dimebag Showdown ML

Dexterity Right Handed

Top Material Mahogany

Top Contour Flat Top

Neck Material Mahogany

Scale Length 24 3/4" (629mm)

Construction Set Neck - MANICO INCOLLATO

Neck Shape C

Fretboard Material Rosewood

Inlays Pearl Dime Razor

# of Frets 22 Jumbo

Fretboard Radius12" (305mm)

NutFloyd Rose R3 (43mm)

Nut Width1 11/16" (43mm)

Tuners Grover

Knobs DBD Traction (Black)

Hardware Color Black

Bridge Floyd Rose Special

Pickup (Neck) DMT Design BK CR

Pickup (Bridge) DMT Series DimeTime BK BK

Binding Single Ply White Neck Binding

Finish Classic Black

Case Options DHS ML / LL MLVZ

Country of Origin China

Truss Rod Dual Action

Controls Vol / Vol / Tone/ 3-Way Toggle

Strings D'Addario EXL120 (.009-.042)

Price: €997,99
€997,99

FG-651 Orianthi Wireless Electric FRETLIGHT GUITAR CHITARRA FRETBOARD LUCI LED LIGHT GUITAR PRO

FG-651 Orianthi Wireless Electric

CHITARRA ELETTRICA CON TASTIERA A 132 LUCI LED.

COMPATIBILE CON GUITAR PRO. 

 

 

Wireless Guitars
The New Fretlight Wireless guitars are an amazing blend of traditional instrument craftsmanship and technology. Fretlight is the only guitar in the world with a built-in lighted learning system. The instruments have all the features you'd expect from a normal guitar such as 1/4" output jacks, pickup selections, two-way truss rods and incredibly straight necks. The learning system is there at the push of a button when you want it - or need it. And like all guitars you can customize pickups, put on your favorite strings and have it set up to your liking.

 

Play like a rock star with the new FG-651 Orianthi Limited Edition Fretlight Wireless Guitar. Designed by Ori herself, this guitar is one of a kind. Orianthi wanted to make a statement in both sound, design, and functionality.

 

The FG-651 Electric includes our patented wireless lighted learning system and allows a player to light-up songs, chords, scales and riffs right on the neck of the guitar. The Fretlight Wireless Ori Electric connects to a smartphone or tablet via Bluetooth BLE. A variety of apps are available on the App store and Google play which allow users to see chords and scales, purchase video lessons, see tablature, improvise over progressions and much more!

 

“My limited edition Fretlight is crazy cool! I wanted to create a guitar that was so different that players just don’t want to put it down. Fretlight worked with me to create my Orianthi Attitude pickups which are completely custom and speak to my tone. Playing this guitar reminds me of my playing roots and having it be a Fretlight too – wow – now that’s amazing.” 

 

The Fretlight Wireless guitar utilizes Bluetooth BLE technology. Your mobile device must have Bluetooth BLE, commonly referred to as Bluetooth 4.0, to connect to a Fretlight Wireless guitar. Transmission range will vary, 10-15 feet is best, up to 50 feet is common.

 

 

Go here to check out all the apps that are available for the Fretlight Wireless guitar. The Fretlight Wireless guitar works with Apple (iOS 8.4+) and Android (OS 4.4+) devices with Bluetooth BLE (v4.0+).

 

Price: €959,99
€959,99

ALICE COOPER FRETLIGHT GUITAR CHITARRA ELETTRICA TASTIERA LUCI LED SUONARE SENZA LEGGERE MUSICA

ALICE COOPER'S FG-521 Traditional Electric. 

Alice Cooper rocks out with this enhanced Fretlight. Black pickguard, black guitar, built-in tuner - it's all here in this custom model.

CHITARRA ELETTRICA CON TASTIERA SPECIALE A 132 LUCI LED !

MODELLO ALICE COOPER, 

ACCORDATORE INCORPORATO

 

SUONI SUBITO SENZA SAPER LEGGERE LA MUSICA ! SENZA FATICA !

- IL MODO PIù SEMPLICE, IMMEDIATO, VELOCE, PER IMPARARE A SUONARE UNA QUALSIASI CANZONE, ASSOLO, SCALE, ACCORDI, INTERVALLI, ARPEGGI, ECC.

- PUOI RALLENTARE LA VELOCITà DEL METRONOMO. 

- IMPARI A IMPROVVISARE, LA CHITARRA TI SUGGERISCE QUALI SCALE PUOI USARE.

 

 

Alice Cooper's FG-521 Traditional Electric
Alice Cooper rocks out with this enhanced Fretlight.

Black pickguard, black guitar, built-in tuner - it's all here in this custom model.

This Strat-styled guitar incorporates sleek lines and supple contours to fit snuggly to your body.Learn to play guitar

The FG-521 features our Shelby Designs Custom Pickup Assembly with a high-output, one-custom humbucker/two single coil set-up that provides you with a palette of tones to rock out with. The Shelby also inclues the N-Tune Tuner for convienant, fast, and accurate tuning. The Fretlight neck includes our patented Advanced Polymer Fretboard and the worlds only built-in LED learning system. Finished with chrome hardware including a fixed bridge, a two-way truss rod and fully adjustable bridge saddles give you complete adjustability for a playing experience that can only be described as pure heaven. And don't forget, the Advanced Polymer Fretboard and Stratabond birch neck gives your tone a sustain that you've only dreamed about!

The NEW Fretlight FG-500 guitar sports some significant changes, all aimed toward making theFretlight the world’s easiest guitar to play.

The FG-500’s electronics have been upgraded to an all-new Sonix Flash chipset, complete with on-board capability for future growth, and fully compatible with all existing Fretlight software. The new high efficiency electronics produce the brightest and most consistent LED lights ever. Whether you’re lighting a simple riff, or a scale across the entire fretboard, the lights will maintain a consistent brightness.

Additionally, all FG-500 guitars have a Stratabond™ neck. Stratabond is a state-of-the-art engineeredLearn to play guitarhardwood that yields uncommon strength and rigidity across ever changing environmental conditions. Perfect for a guitar necks that are susceptible to expansion and contraction due to varying humidity levels. The FG-500’s Stratabond birch neck will provide very consistent performance for years to come.

The Fretlight lighted guitar learning system allows a player to light-up songs, over five thousand chords and scales patterns, and riffs right on the neck of the Fretlight guitar. The Fretlight connects to a PC or Mac and there are lessons, songs and interactive videos available which all light up the guitar.

Features:

Alice Cooper's FG-521 guitar includes our Shelby Designs Alnico Pickups high-output retrofit pickup assembly that gives you four awesome benefits:

Optek's proprietary Shelby Designs Alnico Pickups have flat-matched Alnico II magnets that give you a sweet, smooth responsive tone yet punch with attack when you drive them. These hotter wound pickups also yield increased sustain through the mid-range frequency thus balancing out your overall sound. Get the originality of passive pickups and the benefits of today's technology.

Optek's custom pickup and control wiring allows the tone to remain the same even at different volume levels. Yes, our volume control is actually usable throughout its entire range! We changed the capacitors and the wiring so that finally, the volume and tone knobs actually work the way they are supposed to.

A hot custom look – The black Pearloid pickguard with solid black pickup covers give your Fretlight guitar the custom Alice Cooper look it deserves.

The Shelby's builtin N-Tune is the world's most convenient solution for fast, accurate guitar tuning.

Whether you're in the studio, on stage, or just practicing, simply pull your guitar's volume knob and use N-Tune's super-bright display to silently tune up in seconds. Then push it back down to play -- with no affect on your instrument's tone, thanks to N-Tune's true bypass design which removes all tuning circuitry from your signal path.

Fast, accurate tuning.
Pull your volume knob to tune up silently; push knob back down to play.
True bypass design preserves your instrument's original tone.
Auto shut off to preserve battery life.

Stratabond™ is a Trademark of the Rutland Corporation

 

 

Technical Specifications

Guitar Features

 

Colors: Black, 

Neck Material: Stratabond birch      LEGNO DEL MANICO: BETULLA
Neck Type: Modern C-Shape
Body: Alder, Stratocaster* styling    LEGNO DEL BODY: ONTANO
Frets: Medium/High Frets
Fingerboard: Advanced Polymer with LED's for all 21 Frets
Bridge: Fixed
Pickup Switching
5-Way-Position Switch:
Position 1: Neck Pickup.
Position 2: Neck - Middle Pickup.
Position 3: Middle Pickup.
Position 4: Middle-Bridge Pickup.
Position 5: Bridge Pickup.

Hardware Chrome
Weight: 12 lbs.
Includes: 10 ft. Fretlight Guitar-to-USB cable, Fretlight owners manual and software install disc with FREE Fretlight Studio software and FREE video lessons

Two-way adjustable truss rod.
LED's for all 21 Frets.
1 Humbucker / 2 Single Coils
Guitar String Ferrules
Chrome fixed bridge with fully adjustable saddles
1/4 inch output for guitar audio-to-amp din-to-USB connector for Fretlight data

(a) Advanced polymer fretboard.
(b) LED circuit board layer.
(c) Guitar Neck.
(d) All of the layers put together.

Every guitar comes with a beautiful finish.

Scale/Length: 25.5"

(a) Width at Nut: 1.640"

(b) Width Last Fret: 2.125"

(c) Thickness 1st Fret: 0.900"

(d) Thickness 12th Fret: 0.900"

Radius: 12"  

Price: €799,99
€799,99

FRETLIGHT GUITAR 621 TRADITIONAL ELECTRIC TOBACCO SUNBURST TASTIERA LUCI LED CHITARRA

FRETLIGHT GUITAR 521 TRADITIONAL ELECTRIC TOBACCO SUNBURST

MODELLO TIPO STRATOCASTER

 

CHITARRA ELETTRICA CON SPECIALE TASTIERA CON ALL'INTERNO 132 LUCI LED !

QUESTA SORPRENDENTE 6 CORDE NON è SOLAMENTE UNA NORMALE CHITARRA ELETTRICA.

HA UNA INNOVATIVA TASTIERA CHE ''LEGGE LA MUSICA'' E LE TABLATURE DEL SOFTWARE ''GUITAR PRO'', DI DIVERSI DVD ''GUITAR PLAY-ALONG'', DI ALCUNI DELLA ''LICK LIBRARY'', E ALTRI. 

MENTRE GUARDATE UNO DI QUESTI DVD, O STATE SENTENDO UN PEZZO DI MUSICA CON IL SOFTWARE GUITAR PRO, IL COMPUTER MANDA UN SEGNALE ALLA TASTIERA DELLA VOSTRA CHITARRA CHE ACCENDE I LED CONTEMPORANEAMENTE ALLA MUSICA CHE STATE ASCOLTANDO.

CON IL PROGRAMMA GUITAR PRO, è POSSIBILE RICEVERE SULLA TASTIERA DI QUESTA CHITARRA ANCHE I SEGNALI DELLO SPARTITO DI ALTRI STRUMENTI COME IL BASSO, IL PIANOFORTE, ECC. . 

SOLO SE LA CHITARRA è COLLEGATA ALLA USB DEL COMPUTER, TRAMITE L'INGRESSO A 8 PIN CON IL SUO SPECIALE CAVO, SI ACCENDONO I LED DELLA TASTIERA. 

QUESTO STRUMENTO INSEGNA CENTINAIA DI SCALE, ARPEGGI, INTERVALLI, INVERSIONI, ACCORDI.  

PUOI RALLENTARE LA VELOCITà DEL METRONOMO, PER IMPARARE PIù RAPIDAMENTE. 

SARà PIù FACILE IMPARARE A SUONARE NOTA PER NOTA YNGWIE MALMSTEEN, JOE SATRIANI, STEVE VAI, KIKO LOUREIRO, AL DI MEOLA, ECC. .

CON QUESTA CHITARRA IMPARI A SUONARE ANCHE SENZA SAPER LEGGERE LA MUSICA.

FUNZIONA COME UNA NORMALE CHITARRA ELETTRICA CON IL CAVO JACK. 

PERCHè COMPRARE UNA NORMALE CHITARRA ELETTRICA SE CON QUESTA AVETE MOLTO MOLTO DI PIù?

 

Hanno una chitarra fretlight: 

Carlos Santana,

Kirk Hammett of Metallica,
Edge of U2,
Neal Schon of Journey,
David Gilmour of Pink Floyd,

 

This Strat-styled guitar incorporates sleek lines and supple contours to fit snuggly to your body.

The FG-521 has a robust, one-custom humbucker/two single coil set-up that provides you with a palette ofLearn to play guitartones to choose from. The Fretlight neck includes our patented Advanced Polymer Fretboard and the worlds only built-in LED learning system. Finished with chrome hardware including a fixed bridge, a two-way truss rod and fully adjustable bridge saddles give you complete adjustability for a playing experience that can only be described as pure heaven. And don't forget, the Advanced Polymer Fretboard and Stratabond birch neck gives your tone a sustain that you've only dreamed about!

The NEW Fretlight FG-500 guitar sports some significant changes, all aimed toward making the Fretlight the world’s easiest guitar to play.

The FG-500’s electronics have been upgraded to an all-new Sonix Flash chipset, complete with on-board capability for future growth, and fully compatible with all existing Fretlight software. The new high efficiency electronics produce the brightest and most consistent LED lights ever. Whether you’re lighting a simple riff, or a scale across the entire fretboard, the lights will maintain a consistent brightness.

Additionally, all FG-500 guitars have a Stratabond™ neck. Stratabond is a state-of-the-art engineeredLearn to play guitarhardwood that yields uncommon strength and rigidity across ever changing environmental conditions. Perfect for a guitar necks that are susceptible to expansion and contraction due to varying humidity levels. The FG-500’s Stratabond birch neck will provide very consistent performance for years to come.

The Fretlight lighted guitar learning system allows a player to light-up songs, over five thousand chords and scales patterns, and riffs right on the neck of the Fretlight guitar. The Fretlight connects to a PC or Mac and there are lessons, songs and interactive videos available which all light up the guitar.

Stratabond™ is a Trademark of the Rutland Corporation

 

Scale/Length: 25.5"                       SCALA FENDER: mm 648 LUGHEZZA DELLA CORDA DAL CAPOTASTO AL PONTE :
(a) Width at Nut: 1.640"                 LARGHEZZA DELLA TASTIERA AL CAPOTASTO: mm 41,656
(b) Width Last Fret: 2.125"             LARGHEZZA DELLA TASTIERA ALL'ULTIMO TASTO: mm 53,975
(c) Thickness 1st Fret: 0.900"        SPESSORE DEL MANICO AL 1° TASTO: mm 22,8600
(d) Thickness 12th Fret: 0.900"      SPESSORE DEL MANICO AL 12° TASTO: mm 22,8600
Radius: 12"

 

Color: Tobacco Sunburst,

Neck Material: Stratabond birch          LEGNO DEL MANICO: BETULLA

Neck Type: Modern C-Shape

Body: Alder, Stratocaster* styling        LEGNO DEL CORPO: ONTANO

Frets: Medium/High Frets

Fingerboard: Advanced Polymer with LED's for all 21 Frets      TASTIERA CON 132 LUCI LED 

Bridge: Fixed

Pickup Switching:
5-Way-Position Switch:
Position 1: Neck Pickup.
Position 2: Neck - Middle Pickup.
Position 3: Middle Pickup. Position
4: Middle-Bridge Pickup. Position
5: Bridge Pickup.

Hardware: Chrome

Weight: 12 lbs.     PESO in Kg: 5,44

Includes: 10 ft. Fretlight Guitar-to-USB cable,      SPECIALE CAVO LUNGHEZZA: 3 m

Fretlight owners manual and software install disc with FREE Fretlight Studio software and FREE video lessons

TWO-WAY ADJUSTABLE TRUSS ROD.
LED's for all 21 Frets.
1 Humbucker / 2 Single Coils
Guitar String Ferrules
Chrome fixed bridge with fully adjustable saddles
1/4 inch output for guitar audio-to-amp din-to-USB connector for Fretlight data

 

149 basi di vario genere, Blues, Rock, Metal, Bluegrass, Country, Latin, Etnic, Jazz, Reggae, Folk, Salsa, Waltz, ecc. modificabili per strumenti utilizzati, tonalità, velocità metronomo, visualizzazione accordi, scale, su quali corde accendere i LED della tastiera che suggeriranno quali scale suonare.

ACCORDI, SCALE, ARPEGGI, TRIADI, INTERVALLI, DEL PROGRAMMA ''STUDIO''. 

Chords Forms
Open Position Major Chords
Open Position Minor Chords
Open Position Suspended 2nd Chords
Open Position Suspended 4th Chords
Open Position 7th Chords
Open Position Major 7th Chords
Open Position Minor 7th Chords
Moveable Major Chord Forms
Moveable Major 6th Chord Forms
Moveable Major 6th Add 9th Chord Forms
Moveable Major 7th Chord Forms
Moveable Major 9th Chord Forms
Moveable Major Add 9th Chord Forms
Moveable Major 13th Chord Forms
Moveable Minor Chord Forms
Moveable Minor 6th Chord Forms
Moveable Minor 7th Chord Forms
Moveable Minor 7th b5 Chord Forms
Moveable Minor/Major 7th Chord Forms
Moveable Minor 9th Chord Forms
Moveable Minor Add 9th Chord Forms
Moveable Minor 13th Chord Forms
Moveable 7th Chord Forms
Moveable 9th Chord Forms
Moveable 11th Chord Forms
Moveable 13th Chord Forms
Moveable Suspended 2nd Chord Forms
Moveable Suspended 4th Chord Forms
Moveable 7th Suspended 4th Chord Forms
Moveable Augmented Chord Forms
Moveable Augmented 7th Chord Forms
Moveable Diminished 7th Chord Forms
Moveable 5th Chord ("Power Chord") Forms

--------------------------------------------------------------------------------
Chords Tones/Arpeggios (Entire Fretboard)
Major Chords - Chord Tones
Major 6th Chords - Chord Tones
Major 6th Add 9th Chords - Chord Tones
Major 7th Chords - Chord Tones
Major 9th Chords - Chord Tones
Major Add 9th Chords - Chord Tones
Major 13th Chords - Chord Tones
Minor Chords - Chord Tones
Minor 6th Chords - Chord Tones
Minor 7th Chords - Chord Tones
Minor 7th b5 Chords - Chord Tones
Minor/Major 7th Chords - Chord Tones
Minor 9th Chords - Chord Tones
Minor Add 9th Chords - Chord Tones
Minor 13th Chords - Chord Tones
7th Chords - Chord Tones
9th Chords - Chord Tones
11th Chords - Chord Tones
13th Chords - Chord Tones
Suspended 2nd Chords - Chord Tones
Suspended 4th Chords - Chord Tones
7th Suspended 4th Chords - Chord Tones
Augmented Chords - Chord Tones
Augmented 7th Chords - Chord Tones
Diminished Chords - Chord Tones
Diminished 7th Chords - Chord Tones
5th Chords ("Power Chords") - Chord Tones

--------------------------------------------------------------------------------
Open Position Slash Chords
Open Position Slash Chords - Part One - A Chord Variations
Open Position Slash Chords - Part Two - C Chord Variations
Open Position Slash Chords - Part Three - D Chord Variations
Open Position Slash Chords - Part Four - E Chord Variations
Open Position Slash Chords - Part Five - F Chord Variations
Open Position Slash Chords - Part Six - G Chord Variations

--------------------------------------------------------------------------------
Cool Chord Forms
Cool Chord Forms - Part One - Common A Chord Variations
Cool Chord Forms - Part Two - Common B Chord Variations
Cool Chord Forms - Part Three - Common C Chord Variations
Cool Chord Forms - Part Four - Common D Chord Variations
Cool Chord Forms - Part Five - Common E Chord Variations
Cool Chord Forms - Part Six - Common F Chord Variations
Cool Chord Forms - Part Seven - Common G Chord Variations

--------------------------------------------------------------------------------
Scale Forms
Major Scale Forms
Minor Scale Forms
Major Pentatonic Scale Forms
Minor Pentatonic Scale Forms
Major Blues Scale Forms
Minor Blues Scale Forms
Ionian Mode Forms
Dorian Mode Forms
Phrygian Mode Forms
Lydian Mode Forms
Mixolydian Mode Forms
Aeolian Mode Forms
Locrian Mode Forms
Harmonic Minor Scale Forms
Ionian #5 (Ionian Augmented) Scale Forms
Dorian #4 (Overtone Minor) Scale Forms
Spanish Phrygian (Phrygian Dominant) Scale Forms
Lydian #2 Scale Forms
Melodic Minor (Jazz Minor) Scale Forms
Lydian #5 (Lydian Augmented) Scale Forms
Lydian b7 (Lydian Dominant) Scale Forms
Mixolydian b6 (Aeolian Dominant) Scale Forms
Locrian #2 Scale Forms
Altered Dominant (Super Locrian) Scale Forms
Harmonic Major Scale Forms
Dorian b5 Scale Forms
Lydian b3 (Lydian Diminished) Scale Forms
Mixolydian b2 Scale Forms
Bebop Major Scale Forms
Bebop Minor Scale Forms
Bebop Dominant Scale Forms
Bebop Blues Scale Forms
Whole Tone Scale Forms
Whole/Half Diminished Scale Forms
Half/Whole Diminished Scale Forms

--------------------------------------------------------------------------------
Scale Tones (Entire Fretboard)
Major Scale - Scale Tones
Minor Scale - Scale Tones
Major Pentatonic Scale - Scale Tones
Minor Pentatonic Scale - Scale Tones
Major Blues Scale - Scale Tones
Minor Blues Scale - Scale Tones
Ionian Mode - Scale Tones
Dorian Mode - Scale Tones
Phrygian Mode - Scale Tones
Lydian Mode - Scale Tones
Mixolydian Mode - Scale Tones
Aeolian Mode - Scale Tones
Locrian Mode - Scale Tones
Harmonic Minor - Scale Tones
Ionian #5 (Ionian Augmented) - Scale Tones
Dorian #4 (Overtone Minor) - Scale Tones
Spanish Phrygian (Phrygian Dominant) - Scale Tones
Lydian #2 - Scale Tones
Melodic Minor (Jazz Minor) - Scale Tones
Lydian #5 (Lydian Augmented) - Scale Tones
Lydian b7 (Lydian Dominant) - Scale Tones
Mixolydian b6 (Aeolian Dominant) - Scale Tones
Locrian #2 - Scale Tones
Altered Dominant (Super Locrian) - Scale Tones
Harmonic Major - Scale Tones
Dorian b5 - Scale Tones
Lydian b3 (Lydian Diminished) - Scale Tones
Mixolydian b2 - Scale Tones
Bebop Major - Scale Tones
Bebop Minor - Scale Tones
Bebop Dominant - Scale Tones
Bebop Blues - Scale Tones
Whole Tone - Scale Tones
Whole/Half Diminished - Scale Tones
Half/Whole Diminished - Scale Tones

--------------------------------------------------------------------------------
Triads And Inversions
Root Position Major Triads
Root Position Minor Triads
Root Position Augmented Triads
Root Position Diminished Triads
1st Inversion Major Triads
1st Inversion Minor Triads
1st Inversion Augmented Triads
1st Inversion Diminished Triads
2nd Inversion Major Triads
2nd Inversion Minor Triads
2nd Inversion Augmented Triads
2nd Inversion Diminished Triads

--------------------------------------------------------------------------------
Intervals
Intervals From The Root Note A
Intervals From The Root Note Bb
Intervals From The Root Note B
Intervals From The Root Note C
Intervals From The Root Note Db
Intervals From The Root Note D
Intervals From The Root Note Eb
Intervals From The Root Note E
Intervals From The Root Note F
Intervals From The Root Note Gb
Intervals From The Root Note G
Intervals From The Root Note Ab

--------------------------------------------------------------------------------
Musical Alphabet Notes
The 12 Notes Of The Chromatic Scale On The Entire Fretboard

 

 

LEZIONI DEL PROGRAMMA ''STUDIO''.

Beginner Lessons
  1. The Parts Of The Fretlight Guitar (LP1)
  2. Adjusting The Settings On Your Fretlight Guitar (LP1)
  3. Holding The Guitar (LP1)
  4. The Musical Alphabet (LP1)
  5. Tuning Your Guitar (LP1)
  6. Technique And Hand Position (LP1)
  7. Beat, Counting, And Picking (LP1)
  8. Rhythm And Rhythmic Notation (LP1)
  9. Eighth Note Rhythms (LP1)
  10. Combining Different Rhythms (LP1)
  11. Musical Alphabet Letters On The Fretboard (LP1)
  12. Reading Guitar Tablature (LP1)
  13. Combining Melody With Rhythm (LP1)
  14. Reading Notes On The Music Staff (LP1)
  15. Practicing Song Melodies (LP1)
  16. Intervals In The Musical Alphabet (LP1)
  17. Linear Scales (LP1)
  18. Accidentals In The Musical Alphabet (LP1)
  19. Accidentals In The Open Position (LP1)
  20. The Chromatic Scale (LP1)
  21. Accidentals On The Music Staff (LP1)
  22. Song Melodies With Accidentals (LP1)
  23. Harmony And Chords (LP1)
  24. New Chords A Major And D Major (LP1)
  25. New Chords C Major And G Major (LP1)
  26. Chord Progressions (LP1)
  27. Strumming Chord Progressions (LP1)
  28. Minor Chords (LP1)
  29. 7th Chords (LP1)
  30. More 7th Chords (LP1)
  31. New Chord Progressions (LP1)
  32. Linear Chromatic Scales (LP2)
  33. Song Melodies With Linear Scales (LP2)
  34. Rhythm, Rests And Muting (LP2)
  35. Song Melodies With Rests (LP2)
  36. Rhythms And Ties (LP2)
  37. Song Melodies With Ties (LP2)
  38. The F Major Chord And The Barre Technique (LP2)
  39. Chord Progressions With Rests (LP2)
  40. Chord Progressions With Ties (LP2)
  41. Chords And Music Notation (LP2)
  42. Harmonic Rhythm (LP2)
  43. Bass Note Strums (LP2)
  44. Chord Progressions With Bass Note Strums (LP2)
  45. Chords And Arpeggios (LP2)
  46. Chords Progressions With Arpeggios (LP2)
  47. Slash Chords (LP3)
  48. Slash Chords With Bass Note Strums (LP3)
  49. Slash Chords With Arpeggios (LP3)
  50. More Chord Progressions With Slash Chords (LP3)
  51. Suspended Chords (LP3)
  52. Suspended Chords With Bass Note Strums (LP3)
  53. Suspended Chords With Arpeggios (LP3)
  54. Progressions With Slash Chords And Sus Chords (LP3)
  55. The Ten Minute Workout (LP3)
  56. Dotted Quarter Notes And Synchopation (LP3)
  57. Song Melodies With Synchopation (LP3)
  58. Practicing The Major Scale (LP3)
  59. The Key Of G Major (LP3)
  60. The Key Of D Major (LP3)
  61. Four New Open Position Major Scales (LP4)
  62. Song Melodies With New Major Scales (LP4)
  63. The Complete Fretboard (LP4)
  64. Eighth Note Triplet Rhythms (LP4)
  65. Song Melodies With Eighth Note Triplets (LP4)
  66. Building Technique With Eighth Note Triplets (LP4)
  67. Chord Tones And Chord Construction (LP4)
  68. The Full Barre Technique (LP4)
  69. Major Barre Chord Shape #1 (LP4)
  70. Minor Barre Chord Shape #1 (LP4)
  71. 7th Barre Chord Shape #1 (LP4)
  72. Major Barre Chord Shape #2 (LP4)
  73. Minor Barre Chord Shape #2 (LP4)
  74. 7th Barre Chord Shape #2 (LP4)
  75. Combining Barre Chord Shapes (LP4)

Intermediate Lessons
  1. Barre Chord Arpeggios (LP5)
  2. New Major Chord Voicings (LP5)
  3. New Major Scale Forms (LP5)
  4. Introduction To Style Elements (LP5)
  5. Hammer On Technique Exercises (LP5)
  6. Pull Off Technique Exercises (LP5)
  7. Trill Technique Exercises (LP5)
  8. The Valued Slide Technique (LP5)
  9. The Grace Note Slide Technique (LP5)
  10. Vibrato Technique (LP5)
  11. Bending Technique And Intonation (LP5)
  12. The Bend And Release Technique (LP5)
  13. The Reverse Bend Technique (LP5)
  14. Bending And Vibrato (LP5)
  15. Combining Style Elements (LP5)

Style Paks - Blues
  1. Blues Rhythms (SP - BLUES 1)
  2. Blues Chord Progressions (SP - BLUES 1)
  3. Blues Shuffle Patterns (SP - BLUES 1)
  4. Blues Shuffle Variations (SP - BLUES 1)
  5. The Minor Pentatonic Scale (SP - BLUES 1)
  6. Minor Pentatonic Scale Sequences (SP - BLUES 1)
  7. Minor Pentatonic Scale Licks (SP - BLUES 1)
  8. More Minor Pentatonic Licks (SP - BLUES 1)
  9. Blues Guitar Solos (SP - BLUES 1)
  10. Blues Improvisation (SP - BLUES 1)

Style Paks - Rock
  1. Power Chord Forms (SP - ROCK 1)
  2. Power Chord Progressions (SP - ROCK 1)
  3. Introduction To Riff Playing (SP - ROCK 1)
  4. Combining Riffs And Chords (SP - ROCK 1)
  5. More Riff And Chord Combinations (SP - ROCK 1)
  6. Introduction To Rock Lead Guitar (SP - ROCK 1)
  7. More Lead Guitar Licks (SP - ROCK 1)
  8. Rock Guitar Solos (SP - ROCK 1)
  9. Rock Guitar Improvisation (SP - ROCK 1)
  10. More Rock Guitar Improvisation (SP - ROCK 1)

Style Paks - Jazz
  1. Jazz Rhythms With Swing Eighths (SP - JAZZ 1)
  2. Jazz Harmony And Jazz Chords (SP - JAZZ 1)
  3. Jazz Chord Progressions (SP - JAZZ 1)
  4. More Jazz Chord Progressions (SP - JAZZ 1)
  5. Major Scale Sequences (SP - JAZZ 1)
  6. Major Scale Phrases And Licks (SP - JAZZ 1)
  7. Jazz Phrases With Chromatic Notes (SP - JAZZ 1)
  8. Jazz Guitar Solos (SP - JAZZ 1)
  9. Jazz Improvisation (SP - JAZZ 1)
  10. More Jazz Improvisation (SP - JAZZ 1)

Style Paks - Finger Style
  1. Finger Style Basics (SP - FINGERSTYLE 1)
  2. Combining Thumb And Index Techniques (SP - FINGERSTYLE 1)
  3. Combining Pinches And Walking (SP - FINGERSTYLE 1)
  4. Introduction To Travis Picking (SP - FINGERSTYLE 1)
  5. Travis Picking With Chords (SP - FINGERSTYLE 1)
  6. Travis Picking Chord Progressions (SP - FINGERSTYLE 1)
  7. Advanced Travis Picking Patterns (SP - FINGERSTYLE 1)
  8. More Travis Picking Progressions (SP - FINGERSTYLE 1)
  9. Music In Two Parts (SP - FINGERSTYLE 1)
  10. More Music In Two Parts (SP - FINGERSTYLE 1)

Quizzes
  1. Lesson Pak One Quiz (LP1)
  2. Lesson Pak Two Quiz (LP2)
  3. Lesson Pak Three Quiz (LP3)
  4. Lesson Pak Four Quiz (LP4)
  5. Lesson Pak Five Quiz (LP5)
  6. Blues Style Pak One Quiz (SP - BLUES 1)
  7. Rock Style Pak One Quiz (SP - ROCK 1)
  8. Jazz Style Pak One Quiz (SP - JAZZ 1)
  9. Finger Style Pak One Quiz (SP - FINGERSTYLE 1)

Miscellaneous
  1. Tuning Notes (LP1)
  2. Changing The Strings On Your Fretlight Guitar (LP1)
  3. Tuning Your Guitar With Unisons (LP3)
  4. Guitar Tone And Effects (LP5)

 

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