MEL BAY

FLATPICKIN' THE GOSPELS STEVE KAUFMAN LIBRO CD TABLATURE CHITARRA SPARTITI ACCORDI

FLATPICKIN' THE GOSPELS, BY STEVE KAUFMAN. Compresa: when the saints go marching in, e sweet by and by. CASSETTA TAB.

Price: €43,99
€43,99

GOSPEL DOBRO BOOK & CD TABLATURE MEL BAY LIBRO SPARTITI CHITARRA MUSICA METODO

GOSPEL DOBRO. CASSETTA TAB.

Price: €29,99
€29,99

LEARN TO PLAY BOTTLENECK GUITAR Fred Sokolow LIBRO CD TABLATURE OPEN D G TUNING Fred McDowell-Robert Johnson

LEARN TO PLAY BOTTLENECK GUITAR. F. Sokolow. CD TAB.

Price: €20,99
€20,99

HILAND JOHNNY LICKS & TRICKS VOL.1 LIBRO CD TABLATURE CHITARRA COUNTRY

HILAND JOHNNY, LICKS & TRICKS VOL.1. CD TAB.

Product Description:
Recorded lessons from one of America's greatest guitarists Johnny Hiland teaches essential Licks and Tricks every great Blues and Rock player should know. Lessons in standard notation and TAB with complete audio instruction.

Song Title: Composer/Source:
Bending Blues Licks Johnny Hiland
Blues Rhythm Pattern Johnny Hiland
Classic Blues Licks Johnny Hiland
Heavy Metal Style Harmonics Johnny Hiland
Pick-Hand Finger Tapping Johnny Hiland
Slide Licks in Standard Tuning Johnny Hiland
Slide/Rhythm Licks in Open G Tuning Johnny Hiland

Price: €24,99
€24,99

HOT CLUB SESSION BASIC ACOUSTIC SWING JAZZ GUITAR Felix Schell LIBRO CD TABLATURE

HOT CLUB SESSION BASIC ACOUSTIC SWING JAZZ GUITAR. F. Schell. 7 Pezzi completi, e 5 basi complete, arpeggios, scales, symetrical scales, melodic embellishments. CD TAB.

Product Description:
Finally, a great method which will show you how to play the acoustic jazz guitar in the style of players like Django Reinhardt, Oscar Alleman and Eddie Lang - their style is characterized by a powerful rhythm guitar and a vital swinging single-note solo line. Due to the fact that it can be very hard to master the original transcriptions, this book simplifies this style without losing the essence of the original sound. Written in standard notation and TAB, the material can be played by students and players that master the easy to intermediate level on plectrum style jazz guitar. All titles are included on CD, as well as some play along tracks which offer a great possibility to improvise on typical gypsy chord changes and rhythms.

Format: Book/CD Set

Song Title: Composer/Source:

Arpeggios
Blues of the Gypsys Felix Schell
Chromatic Line Felix Schell
Dark Eyes Felix Schell
Improvisation
Le Reve Felix Schell
Major & Minor Scales
Melodic Embellishments
Minor Stomp (1) Felix Schell
Minor Stomp (2) Felix Schell
One Note Rhythm (1) Felix Schell
One Note Rhythm (2) Felix Schell
One Note Rhythm (3) Felix Schell
Special Effects
Symmetrical Scales
Waltz for Django Felix Schell

Price: €18,99
€18,99

BOSSA NOVA & SAMBA FOR GUITAR Mike Christiansen LIBRO CD TABLATURE SPARTITI ACCORDI CHITARRA

BOSSA NOVA AND SAMBA FOR GUITAR, M. Christiansen. CD TAB.

Product Description:
This book contains the elements necessary to learn to play authentic bossa nova and samba accompaniment patterns. The material is presented in a sequential easy-to-follow format. As well as accompaniment techniques, the book contains sections on chord voicings, common progressions, and playing bossa nova and samba solos. The student is taught how to apply the techniques to sheet music and lead sheets. All of the examples are demonstrated on the accompanying CD.

Song Title: Composer/Source:
Accompaniment Patterns
Altered Chords
Chord Embellishment
Chromatic Bass Line
Combining Accompaniment Patterns with Arpeggios
Common Chord Progressions
Four-String Chords
Movement
Notation
Pickstyle
Playing Bossa Nova and Samba Solo Guitar
Samba
Slash Chords
Stop-Time Patterns
Syncopation
Two-Measure Patterns

Price: €24,99
€24,99

GUITAR SETUP MAINTENANCE & REPAIR by John LeVan REGOLAZIONE Action-MONTAGGIO CORDE-pickup

GUITAR SETUP, MAINTENANCE & REPAIR, by John LeVan.

Product Description:
This guide will use photographs, diagrams and sketches made by the author and some provided by various manufacturers to teach how to clean, condition, adjust the action and properly intonate your acoustic guitar, as well as: John's trade secrets on hand-carving bone nuts and bridge saddles, wiring and fretwork. John has also included a chapter on identifying and diagnosing problem guitars. It even includes a forward written by Bob Taylor of Taylor Guitars. This book is perfect to teach a beginner or a reference for the guitar repair professional.

 

Foreword
Some years back, while walking through my factory, I was introduced to a young man by my then service manager
at Taylor Guitars,Terry Myers."Bob," he said,"this is John LeVan, the guy l've told you about who's got a repair
hop going up in Aubum." "Aubum?" I thought,"What kind of business can a guy do in repairs up in Aubum?"
Aubum is a little wooded town just north of Sacramento, California, and among my favorite spots, actually. The
year was 1994 and John was determined to become one of our very first authorized service centers.Terry has since
moved to other duties at Taylor Guitars, but at the time he was envisioning repairmen across the country that had
the talent to work on our guitars the way we would; fast, efficient, and above all, able to diagnose the true problem
wilh the guitar. Terry worked hard on that goal, but he needed raw talent and a good attitude from the applicants in
order to accomplish the task. So here was John Le Van, spending his time in our repair shop leaming our guitars,
our methods, our diagnosing procedures; he was leaming to have our eyes.
Well, he went home to Aubum, and it carne to pass that he grew tremendously in knowledge and eventually relocated
to Nashville.This was music to our ears because we now had a man in pIace in Music City, USA to take care
of the many, many Taylor owners there. Nashville is the pIace with probably the highest population of professionals
who use our guitars. John established himself there as an expert guitar repairman who could give great service
to people who needed it, both the players and us at Taylor. Our relationship with John has been a joy.
We all know the idea of any category being divided into good, better, and best. I see a lot of people who want to do
guitar repairs and be an expert at it. But I don't see people who are hungry for knowledge and experience on how
to real1y be an expert, and are willing to put in the time necessary and check their ego at the door in order to leam.
This expertise l'm referring to starts with the skill of looking at a guitar and deciding what the problem is. (You
have no idea how many times a neck is refretted when what the guitar actually needs is to be humidified!) After
that, it moves on to the expertise of how to effectively accomplish the repair, all in the given time allotted, and
then retuming that guitar to its owner at the promised time. John LeVan has done more than gather knowledge, he
has amassed it.When I read this book I see John's habits on the page -look at the guitar, assess the problem, clean
the workbench and gather the right tools, wash your hands, put on a smile, and get it done properly with the least
effort. It's amazing that after less than a lifetime of guitar repair John can be so organized and energized to put
it all in the form of a book like this, thus, passing on the information to others. Please take a good look and leam
some things from a person who is an expert leamer himself.
 


Chapter 1 - Tools and Materials

Guitar Maintenance Kit - Basic tools needed to perform setups.
Materials - Materials and supplies you'll need
Recommended Tools - List of luthrie tools.
Sources - Where to purchase tools and materials.

Chapter 2 - General Maintenance

Hygiene - Keep it clean.
Cleaning and Conditioning - Proper care of your instrument.
Restringing - Professional tips and techniques.
Transporting and Shipping - Tips on packing and shipping a guitar.
Humidity Effects - Too much, too little or too late.

Chapter 3 - Adjusting the Neck

Diagram of Components - Frets, fingerboard and trussrod.
Measurements - Before and after.
Sighting the Neck - Foolproof techniques.
Proper Adjustments - Adjusting for playing style and design.
Types of Trussrods - Single-action and double-action.
Troubleshooting - Identifying stripped and frozen trussrods.

Chapter 4 - Adjusting the Action at the Bridge

Diagram of Components - Parts of a guitar bridge.
Measurements - Before and after.
Acoustic Bridge Saddles - Concept, materials and common problems.
Tunematic
Hard Tail Bridge
Floating Tremolo Systems

Chapter 5 - Adjusting the Action at the Nut

Diagram of Components - Different shapes, sizes and materials.
Measurements - Before and after.
Angles, Width and Spacing - How to correctly cut string slots.
Proper Adjustments - Calculating the correct height for each string.
Replacement and Repair - Do I film, shim or replace the nut?

Chapter 6 - Adjusting the Pickups

Diagram of Components - Parts of an electric pickup.
Proper Heights and Effects - Pole pieces, adjustable and fixed.

Chapter 7 - Intonation

Definitions - What is intonation?
Tools Needed - Tuners, hex keys and screwdrivers.
Sharp, Flat and Hopeless
Variables and Tempering - Fret placement, nut placement and Bach.

Chapter 8 - Basic Fretwork

Diagram of Components - Tools, jigs and materials.
Fret Leveling - My steel bar and buckshot method.
Recrowning Frets - A tight crown is better than a flathead.
Partial Refretting - How many should you replace?
Burnishing the Edges - Final buff and polish.

Chapter 9 - Basic Electric Guitar Wiring

Diagram of Components - Anatomy of a pickup.
Pickup Harness Color Codes - So many colors, so little time
RW/RP, LFT/W - Fun with acronyms.
Pots, Switches and Jacks - How they work? And what do they do?
Wiring Diagrams - The proper way to read a wiring diagram.
Acoustic Pickup Systems - Application and function.
Troubleshooting - Pickup failure causes.

Chapter 10 - Top 10 Signs of a Problematic Guitar

Electric - Common Problems.
Acoustic - Common Roblems.

Chapter 11 - Miscellaneous Upgrades and Repair

Strap Buttons - Drilling, countersinks and felt washers.
Tuning Keys - Replacement and repair.
Bridge Pins - Too loose, too tight and just right.

Chapter 12 - Other Training Resources

Apprenticeships - Understudy programs.
Factory Training - Crash courses in real guitar repair.
Workshops - ASIA, GGAL and schools on guitar building.

Price: €32,99
€32,99

SOR IN TABLATURE BEN BOLT Libro 2CD TABLATURE allegro allegretto andantino andante moderato FERDINANDO

SOR IN TABLATURE, BEN BOLT. 2CD TABLATURE

LIBRO CON 2 CD E TABLATURE

Fernando Sor (1778-1839) è stato il più importante chitarrista-compositore spagnolo della prima metà dell’Ottocento. Si cimentò anche in altri generi come l’opera, il balletto, la musica corale, orchestrale e per pianoforte. ... essenzialmente nelle composizioni per chitarra sola e per due chitarre, il genere nel quale riuscì a esprimersi più congenialmente. La sua biografia – scritta dal musicologo britannico Brian Jeffery e validamente integrata dagli apporti di altri musicologi quali Josep María Mangado, Richard Long, Emili olcina, Matanya ophee – ci rivela un uomo dal carattere difficile e finanche conflittuale, affetto – almeno per quanto riguarda la sua presenza nel mondo della chitarra, allora fittamente popolato – dal complesso del primo della classe e acribiosamente impegnato nel dimostrare al mondo la propria superiorità. Questa era di per sé evidente nelle pagine per chitarra che egli andava scrivendo e non avrebbe avuto bisogno di alcun sostegno polemico: l’osservazione si rende necessaria di fronte al fatto che una considerevole parte della Méthode pour la Guitare, pubblicata a Parigi nel 1830, è spesa da sor nel difendersi dalle sciocche insinuazioni di chitarristi suoi coevi, dei quali non sapremmo nulla, se non fosse lui stesso a informarci della loro insignificante esistenza. sor era figlio di una famiglia della borghesia catalana ed era perciò destinato alla carriera nella pubblica amministrazione o nell’esercito. il padre, un impiegato, non incoraggiò, ma tollerò il suo spontaneo avvicinamento alla musica e, fin dall’infanzia, lo portò ad assistere alle rappresentazioni operistiche, quasi tutte di autori italiani. Alla prematura morte del genitore, il fanciullo, che cantava spontaneamente arie da opera, aveva ricevuto qualche lezione di violino e suonava la chitarra di suo, fu portato all’Abbazia di Montserrat, dove prosperava una famosa schola cantorum. L’istruzione musicale di sor ebbe quindi anche un’impronta polifonica, che più tardi si rivelerà chiaramente nella sua musica per chitarra.

FOREWORD
The dream of Andres Segovia was to take the guitar out of the hands of the Spanish folklore guitarists, who
performed mostly in taverns and place it on the concert stage. He decided that in order to have the guitar
receive the respect that he felt it deserved, it would need to be taught in the colleges, universities, and conservatories. Because of this intense concert career and his mature years, for his dream to be fulfilled he had to
train teachers, who he called his disciples. Segovia accomplished his dream. Today the guitar has respect and
credibility because of his vision and work. Bravo to the maestro!
While my performing career began in Miami nightclubs, much like the Spanish folklore guitarist, I went on to
study with Segovia, who personally awarded me scholarships that he paid for. I have performed on the concert
stage with symphonic orchestras, and I am now a college professor. I have come to understand the significance
of his dream.
Ironically, my dream is the complete opposite to that of Segovia. I believe that for the acoustic classical style to
flourish, it must be put back into the hands of the people. My vision includes all guitarists, regardless of style
or background, becoming familiar with the classical guitar technique and repertoire. Tosee my dream fulfilled,
I have had to make learning fun and simple, without sacrificing the integrity of the information. By the mid
1980s my vision came to life in the form of a book entitled A Rock Player's Guide to Classical Guitar. It was the
first classical guitar book that included the notation / tablature / tape format. I chose the rock market because
at that time they were the only guitarists who were genuinely interested and eager to learn "classical" from me.
This, of course, didn't surprise me, since I too began as a rock guitarist. It was obvious that when classical
guitar was accessible to all guitarists, more people would hear and enjoy the beauty of the pure guitar style.
Since my first publication, thousands of new classical guitarists have surfaced.
All of my books come in notation / tablature / CD format. The recordings prove that all of my arrangements
have been tested and do sound guitaristic. All of the great late composers were fine musicians, as well as
composers. They could play the music they composed. You can also play the great classics! With the tablature
and the recording, great music is closer to your fingertips than you might imagine.
Ben Bolt

 


STROKES
Third String - p m a
The rest stroke using the thumb: Place a on the first string, m on the second string, and i on the third
string. Play the sixth string slowly.As you glide over the string, followthrough until you reach the fifth string.
You should end up resting on the string number 5. Practice on all bass strings (6, 5, and 4).
The rest stroke using the fingers: Place the thumb (p) on the sixth string. Play the third string slowly
with your index(i) finger. As your finger glides slowly over the string, follow through until you rest on string number 4. Practice using your middle finger (m) on the second string and your ring finger (a) on the first string. Also, practice alternating i m, i a, and m a on the treble strings (1, 2, and 3). I use i and a because they are similar in length on my hand. You should collapse the joint closest to the tip of the finger during the follow-through.
Free stroke: In using free stroke, the finger does not rest. The joint closest to the tip of the finger does not collapse. Youmust be careful not to get under the string and pull up with the finger. As an experiment, you can try pulling the string straight up and releasing it. This will cause a slap against the fingerboard and should be avoided. However, rock bass players use this technique as an effect that sounds good!
Regardless of which stroke is used, the flesh and fingernail should touch the string at the same time when you're preparing to play. This technique produces the best tone.

 

Ben Bolt is credited with being the first classic guitar instructor to introduce the classic style of pIaing
to the masses. Because of his worldwide success, his work has been mimicked throughout the
publishing world. Several Ben Bolt books have consistently appeared on Mel Bay's "Best Seller" list.
He also appears on Mel Bay's DVDs of the complete volumes of "The Modern Guitar Method", a huge
commercial success, selling in the millions of copies. His publications are distributed internationail
and have been featured at all the major conventions and music shows, including the National Association
of Music Merchants in Germany. His DVD "Anyone Can Play the Classic Guitar" has become a
reference for college students as the authority on the fundamentals ofclassic technique. He is endorsed
by D'Addario Strings and Takamine Guitars. He has recorded the classic guitar work for HGTV and
can be heard in the background of programs such as "America's Castles".
Ben Bolt first met Andres Segovia in the American Embassy in Madrid, Spain on his 18th birthday.
Bolt was registering for the draft as Maestro Segovia was getting his Visa together to tour the U.S.
This fortuitous meeting was the beginning of their relationship. Andres Segovia, the Father of the
classic guitar, was quoted saying "Ben Bolt is an excellent guitarist with fine tone." After studying
with Segovia, the Maestro personally paid for scholarships so that Bolt could continJue his studies
abroad, as well as setting up lessons with his assistants while he was on tour.
Ben Bolt first met Abel Carlevaro in Paris. Carlevaro then invited the 20 year old to study with him
under full scholarship at the yearly Master Classes held in Brazil. After Brazil, Bolt moved to Montevideo,
Uruguay. He won first place in the "Concurso Internacional Aemus" by unanimous decision.
Carlevaro awarded him the coveted "Premio de Merito" at the National Library of Montevideo for his
outstanding efforts in music. In 1978, Bolt assisted maestro Carlevaro in his first master's class in
the states held at the San Francisco Conservatory of music. Bolt completed his music studies under
the direction of Maestro Guido Santorsola, who bestowed him with an original composition for guitar
entitled "Seis Bagatelas" as a graduation gift. After returning to the States he became the first guitarist
inducted as a National Patron of Delta Omicron's International Music Fraternity.

 

Product Description:
This text includes fifty-eight pieces of music as well as a recorded CD of the entire book. Ben Bolt believes these pieces are the "best of the best" for developing technique, musicianship, and exposing the guitarist to the ingenious musical world of Fernando Sor. Regardless of your current level of expertise, this music will be a joy to learn and listen to. Titles include: Napoleon's Theme; E Minor at Midnight; Rhapsody in D; March of the Wooden Soldier; and Easter Hymn are sure to please any audience. Ben Bolt's digital recordings of his arrangements are superb. His warm tone and singing vibrato bring Sor's music to life. All interpretations are classically correct. He plays on his Fleta and Sons concert guitar made in Barcelona, Spain (1976). Fernando Sor was born in Barcelona, Spain (1778).

Song Title: Composer/Source:
A Minor March (Andante) F. Sor and Ben Bolt
Allegretto F. Sor and Ben Bolt
Allegretto in C F. Sor and Ben Bolt
Allegro in D F. Sor and Ben Bolt
Allegro Moderato F. Sor and Ben Bolt
Andantino in A F. Sor and Ben Bolt
Basso Profundo F. Sor and Ben Bolt
Best of Show F. Sor and Ben Bolt
Changing Tides F. Sor and Ben Bolt
Chord March F. Sor and Ben Bolt
D Minor Double-stop (Moderato) F. Sor and Ben Bolt
Diez (a Study in Tenths) F. Sor and Ben Bolt
Double Trouble F. Sor and Ben Bolt
E Minor at Midnight F. Sor and Ben Bolt
E Minor Etude (Allegro Moderato) F. Sor and Ben Bolt
Easter Hymn F. Sor and Ben Bolt
Easy Study in 3/8 F. Sor and Ben Bolt
Easy Study in C F. Sor and Ben Bolt
El Maestro F. Sor and Ben Bolt
Elegant Desire F. Sor and Ben Bolt
Estudio in Two (Andante) F. Sor and Ben Bolt
Etude in Six Eight F. Sor and Ben Bolt
Etude in Three Eight F. Sor and Ben Bolt
Forward Roll Arpeggio Study (Andante) F. Sor and Ben Bolt
Funeral March F. Sor and Ben Bolt
Harmony in G F. Sor and Ben Bolt
Hermosa F. Sor and Ben Bolt
Imitations F. Sor and Ben Bolt
Jig in G F. Sor and Ben Bolt
Lament of the Giant F. Sor and Ben Bolt
Lesson in A (Andante) F. Sor and Ben Bolt
Lesson in A Minor (Andante) F. Sor and Ben Bolt
Lesson in B Minor (Andante) F. Sor and Ben Bolt
Lesson in C (Andante) F. Sor and Ben Bolt
Lesson in Cut Time (Andante) F. Sor and Ben Bolt
Lesson in D (Allegro Moderato) F. Sor and Ben Bolt
Lesson in E (Allegretto) F. Sor and Ben Bolt
Lesson in E Minor (Movido) F. Sor and Ben Bolt
Lesson in F (Moderato) F. Sor and Ben Bolt
Lesson in G (Moderato) F. Sor and Ben Bolt
Lesson in Serenade F. Sor and Ben Bolt
Lullaby in Two Four F. Sor and Ben Bolt
March of the Wooden Soldier F. Sor and Ben Bolt
Melody on an E String F. Sor and Ben Bolt
Moderato F. Sor and Ben Bolt
Napoleon's Theme F. Sor and Ben Bolt
Rhapsody in D F. Sor and Ben Bolt
Romance F. Sor and Ben Bolt
Simpatico en Sol F. Sor and Ben Bolt
Singing Violins F. Sor and Ben Bolt
Song in D Major F. Sor and Ben Bolt
Song in D Minor F. Sor and Ben Bolt
The Happy Woodpecker F. Sor and Ben Bolt
The Precocious Pupil F. Sor and Ben Bolt
Three's a Charm (a Study in Thirds) F. Sor and Ben Bolt
Valse F. Sor and Ben Bolt
Victory Dance F. Sor and Ben Bolt
Waltz of the Robins F. Sor and Ben Bolt
When Guardsmen Sleep F. Sor and Ben Bolt 

Price: €31,99
€31,99

CARCASSI IN TABLATURE BEN BOLT LIBRO CD GUITAR TABLATURE ALLEGRO BRILLANTE ARPEGGIO ALLEGRETTO

CARCASSI IN TABLATURE, BEN BOLT. CD TABLATURE

Product Description:
The book includes over 100 pages of the best of Carcassi's works. All music is digitally recorded by Ben Bolt in the order of publication. Carcassi has been proven to be a" best seller" among retailers. Now with the man who is credited with being the innovator of classic guitar in notation/tab/recording; this one is a no brainer. 128 PAGES

Song Title: Composer/Source:
Allegretto in A M. Carcassi, Arranged by Ben Bolt
Allegretto in C M. Carcassi, Arranged by Ben Bolt
Allegretto in D M. Carcassi, Arranged by Ben Bolt
Allegretto in E M. Carcassi, Arranged by Ben Bolt
Allegretto in F M. Carcassi, Arranged by Ben Bolt
Allegretto in G M. Carcassi, Arranged by Ben Bolt
Allegro Brillante M. Carcassi, Arranged by Ben Bolt
Allegro in D Major M. Carcassi, Arranged by Ben Bolt
Allegro in E Minor M. Carcassi, Arranged by Ben Bolt
Allegro in Triplets M. Carcassi, Arranged by Ben Bolt
Andante in G M. Carcassi, Arranged by Ben Bolt
Andantino M. Carcassi, Arranged by Ben Bolt
Andantino in E M. Carcassi, Arranged by Ben Bolt
Andantino in F M. Carcassi, Arranged by Ben Bolt
Andantino in G M. Carcassi, Arranged by Ben Bolt
Arpeggio in A M. Carcassi, Arranged by Ben Bolt
Arpeggio in A Minor M. Carcassi, Arranged by Ben Bolt
Arpeggio in D M. Carcassi, Arranged by Ben Bolt
Arpeggio in E M. Carcassi, Arranged by Ben Bolt
Arpeggio in E Minor M. Carcassi, Arranged by Ben Bolt
Arpeggio in F M. Carcassi, Arranged by Ben Bolt
Arpeggio in G M. Carcassi, Arranged by Ben Bolt
Dance in A M. Carcassi, Arranged by Ben Bolt
Danza in C M. Carcassi, Arranged by Ben Bolt
Frolica in A M. Carcassi, Arranged by Ben Bolt
Frolica in E M. Carcassi, Arranged by Ben Bolt
Galop M. Carcassi, Arranged by Ben Bolt
Grazioso M. Carcassi, Arranged by Ben Bolt
Grazioso in C M. Carcassi, Arranged by Ben Bolt
Intro in A M. Carcassi, Arranged by Ben Bolt
Jig in A M. Carcassi, Arranged by Ben Bolt
March in A M. Carcassi, Arranged by Ben Bolt
March in F M. Carcassi, Arranged by Ben Bolt
Melody in C Major M. Carcassi, Arranged by Ben Bolt
Melody in F Major M. Carcassi, Arranged by Ben Bolt
Moderato in G M. Carcassi, Arranged by Ben Bolt
Music Theory
Octave Study M. Carcassi, Arranged by Ben Bolt
Prelude in A M. Carcassi, Arranged by Ben Bolt
Prelude in A Minor M. Carcassi, Arranged by Ben Bolt
Prelude in B Minor M. Carcassi, Arranged by Ben Bolt
Prelude in C M. Carcassi, Arranged by Ben Bolt
Prelude in C# Minor M. Carcassi, Arranged by Ben Bolt
Prelude in D M. Carcassi, Arranged by Ben Bolt
Prelude in D Minor M. Carcassi, Arranged by Ben Bolt
Prelude in E M. Carcassi, Arranged by Ben Bolt
Prelude in E Minor M. Carcassi, Arranged by Ben Bolt
Prelude in F M. Carcassi, Arranged by Ben Bolt
Prelude in F# Minor M. Carcassi, Arranged by Ben Bolt
Prelude in G M. Carcassi, Arranged by Ben Bolt
rolica in A Minor M. Carcassi, Arranged by Ben Bolt
Romance in E Minor M. Carcassi, Arranged by Ben Bolt
Rondino in D M. Carcassi, Arranged by Ben Bolt
Rondo M. Carcassi, Arranged by Ben Bolt
Study in A M. Carcassi, Arranged by Ben Bolt
Study in A Major M. Carcassi, Arranged by Ben Bolt
Study in E Major M. Carcassi, Arranged by Ben Bolt
The Left Hand
The Right Hand
Triste in E Minor M. Carcassi, Arranged by Ben Bolt
Waltz in A M. Carcassi, Arranged by Ben Bolt
Waltz in C M. Carcassi, Arranged by Ben Bolt
Waltz in D M. Carcassi, Arranged by Ben Bolt
Waltz in E M. Carcassi, Arranged by Ben Bolt
Waltz in F M. Carcassi, Arranged by Ben Bolt
Waltz in G M. Carcassi, Arranged by Ben Bolt

Price: €25,99
€25,99

COMPLETE DOBRO PLAYER Stacy Phillips LIBRO 2CD TABLATURE LIBRO METODO SPARTITI CHITARRA

COMPLETE DOBRO PLAYER, Phillips. 245 Pagine. 2CD TAB.

Product Description:
Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument, studying new Resonator techniques and interviewing other Resonator greats. This book achieves the following objectives: 1. To present an in-depth survey of the styles in which well-rounded lap guitarist should be competent. 2. To examine the playing styles and techniques of some of the world's greatest Resonator guitarists. 3. To catalog many of the licks that are lingua franca in the world of Resonator guitarists. 4. To indicate some of the underlying relationships between notes, keys, and chords by introducing some basic music theory as it relates specifically to the six-string guitar in G tuning. 5. To gain insights into the world of Resophonic guitar stylings and performance through interviews with some of the top players. 6. To demonstrate unconventional concepts in order to stimulate fresh approaches to playing the instrument. Tablature included.

The double-CD set presents more than 90 minutes of stereo recording featuring Stacy Phillips on Dobro and Paul Howard on guitar. Play-along tracks are included for several of the tunes.

Format: Book/2-CD Set

Acknowledgments
Introduction
Reading the Tablature
A Survey of Techniques for Resonator Guitarists (String Damping; Hammering On; Pulling Off; Forward Slants; Reverse Slants; Harmonics; Pulling the Strings; Some Bar Control Exercises; Vibrato; Fingering)
Elements of Variation and Improvisation for Resonator Guitarists (Position Playing; Playing in First Position; Nuances of Sliding and Approaching a Note; Thinking Chordally; A Sampling of 3 Note Chords; The Problem of Major Second Intervals and Chromatic Licks in G Tuning; Rhythmic Phrasing; Some General Thoughts about Improvising)
The Sweet and the Simple/Scalar Manipulation and the Melodic Line( Go Tell Aunt Rhodie; I Never Will Marry; Tennessee Waltz; Mike Auldridge Style House of the Rising Sun)
Blues, Boogie and Acoustic Rock (Frankie and Johnnie; Blues Pentatonic Solos; Albert King Style Solos; Bottleneck Guitar Style Solo; Backing Up a Vocalist; Rhythm Grooves; Eric Clapton Style Blues Solo)
Bluegrass and Open String Licks (Aunt Rhodie Bluegrass Style; Bluegrass Breakdown Licks; Roll in My Sweet Baby's Arms; Dark Hollow; Over the Waterfall; Buck Graves Style Solos; Don't Let Your Deal Go Down)
A Resonator Guitar Approaches Jazz (Aunt Rhodie Swing Style; Corrine, Corrina Swing Blues; Bring It on Down to My House; II-V-I Jazz Licks; Modern Jazz Blues; Leon McAuliffe Style Swing Blues; Bob Dunn Style Solos; Shine on Harvest Moon; Deep Elm Swing; Comping)
Hawaiian Roots, Retunings and the Pedal Prodigal Grandchild( A Primer of Hawaiian Style Licks; B Minor Tuning; Modal Tuning; G add 2 or G9 Tuning; G6 Tuning; Mike Auldridge's Eight String Swing; Pedal Steel Licks Transferred to Resonator Guitar.
Playing in Minor Keys (The Dorian, Aeolian and Harmonic Minor Scales; Saint James Infirmary; G Minor Tuning; David Grisman's Opus 57 in G Minor and G Modal Tunings)
A Garland of Tunes and Resonator Guitarists (Shot Jackson Style Fort Worth Drag; Gene Wooten Style Rainbow; Rob Ickes' Style Deep Elm Blues; Stacy Phillips' Style Leather Britches; Stacy Phillips' Style Panhandle Rag; Jerry Douglas' Style Panhandle Rag; Jerry Douglas' Style John Henry; Jerry Douglas' Style Sally Ann; Jerry Douglas' Style Saint Anne's Reel; Jerry Douglas' Style Swing Blues; Genial Hawaiians' Style Saint Louis Blues)
The Interviews (Mike Auldridge; Bob Brozman; Cindy Cashdollar; Gene Wooten; Buck Graves; Archduke of the DOBRO®; Jim Bennett; Jerry Douglas)
Resonator Guitar Shopping Mall
Discography and Bibliography
Basic Music Theory for Resonator Guitarists
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