GUITAR SIGNATURE LICKS

GUNS N' ROSES-THE BEST OF-SLASH Guitar Signature Licks-Jeff Perrin CD TABLATURE SPARTITI CHITARRA

GUNS N' ROSES, THE BEST OF. Signature Licks Guitar. Jeff Perrin. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

A STEP BY STEP BREAKDOWN OF THE GUITAR STYLES AND TECHNIQUES OF SLASH !

LIBRO METODO DI MUSICA HARD ROCK, CON CD. 

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE.

MANUALE, TECNICA, STUDIO, 

 

Serie: Signature Licks Guitar
Copertina morbida con CD - TAB
Artista: Guns N' Roses
Autore: Jeff Perrin

Learn the exact styles and techniques Slash used on 10 GN'R classics. 88 pagine

Slash: "Sweet child o'mine" era uno scherzo... Stavo seduto vicino agli altri, facevo le facce buffe come un idiota , suonando questi riffs. Izzy ha cominciato a suonare gli accordi che suonavo io ma strimpellandoli e improvvisamente il suono è piaciuto ad Axel. A me all'inizio non piaceva per niente la canzone, sembrava stupida...(risata). Odiavo la parte della chitarra. Adesso mi piace veramente perchè il suono è realmente bello quando la faccio dal vivo, sono abituato e mi piace molto di più... "

While the name "Guns N' Roses" was actually created by combining the ends of titles from singer Axl Rose's former bands L.A. Guns and Hollywood Rose, it turns out that the name serves as an accurate depiction of the artistic contrasts which saturate much of the band's music. This is especially obvious in the guitar playing: raging power chord riffs and piercing solos are often countered by soulful slide guitar playing or other emotionally-moving guitar melodies. It is this exotic combination of raw energy and melody that is responsible not only for the band's highly successful career, but also for providing the catalyst for the population explosion of L.A. Heavy metal bands in the mid 1980s. With scores of bands having since attempted to emulate the successful sound of Guns N' Roses, there can be no doubt that the band has left their mark on the history of rock music for all time. Guns N' Roses' highly popularized success spawned literally scores of interviews through the form of radio, television, and magazine articles. Unfortunately for guitar-playing admirers, most of these interviews almost always ended up fixating on the band's outrageous stage antics or latest tale of debauchery, rather than focusing on what made them popular in the first place-their music! With controversy and gossip set aside, this book not only attempts to explore the band's distinctive sound, but also serves to help the reader become a better, more proficient guitarist through studying and performing the music of Guns N' Roses. The Guns N' Roses Signature Licks book and accompanying recording effectively serves as an interactive, "hands-on" learning tool with which to study and examine some of Guns N' Roses' best music. Transcription excerpts within the book feature some of the band's more significant and memorable riffs and solos off of selected tracks from Guns N' Roses' four albums. Performance notes are included for each example, and all of the excerpts also appear in audio form on the book's accompanying CD or cassette recording. This not only lets you hear the guitar in context, but allows you to more effectively practice the guitar parts in an ensemble setting. When first listening to the recording, you'll notice the lead or main guitar part is featured in the right channel while the rhythm section is heard in the left channel. This set-up allows you to alter the mix of the music with your stereo's balance control so you can practice with the recording in one of the three following ways:

  1. You could leave the balance control in the middle to hear the riff in context with all the instruments,

  2. or 2. pan the stereo's balance to the right to more clearly hear the featured guitar part, or

  3. pan the balance to the left to allow for rehearsal with just the rhythm section.

By taking full advantage of the described study methods, you should be able to learn the songs more easily and prepare them for a live performance. Editorial Note: The Guns N' Roses Signature Licks book and recording is primarily designed to help you learn and prepare selected G N' R songs for a live performance. Complete, note-for-note transcriptions for the entire Guns N' Roses catalog are available in several folios also distributed by Hal Leonard Publishing. Additional note: Interview excerpts courtesy John Stix, Guitar magazine.

1991  -  Don't Cry (Original)  -  album: Use Your Illusion 1

1991  -  Garden Of Eden  -  album: Use Your Illusion 1
1987  -  Nightrain  -  album: Appetite for destruction
1987  -  Paradise City  -  album: Appetite for destruction
1988  -  Patience  -  album: GN'R Lies
1987  -  Sweet Child O' Mine  -  album: Appetite for destruction
1987  -  Welcome To The Jungle  -  album: Appetite for destruction
1990  -  Civil War  -  album: Use Your Illusion 2
1991  -  Yesterdays  -  album: Use Your Illusion 2
1991  -  You Could Be Mine  -  album: Use Your Illusion 2

SLASH'S SLIDE GUITAR LICKS:
1991  -  BAD OBSESSION
1987  -  ROCKET QUEEN
1978  -  NICE BOYS

SIGNATURE SLASH LICKS:
1987  -  Mr. BROWNSTONE
1988  -  USED TO LOVE HER
1991  -  NOVEMBER RAIN

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FOO FIGHTERS THE BEST GUITAR SIGNATURE LICKS LIBRO CD TABLATURE SPARTITI ACCORDI CANTO

FOO FIGHTERS, BEST. CD TABLATURE

LIBRO DI MUSICA CON CD, SPARTITI PER CHITARRA. PENTAGRAMMA, ACCORDI E TABLATURE. 

Series: Signature Licks Guitar
Softcover with CD - TAB
Artist: Foo Fighters
Author: Troy Stetina

In this great book/CD pack, Troy Stetina, the senior editor of GuitarOne magazine, provides complete lessons, detailed performance notes, and a step-by-step breakdown of the Foos' guitar styles and techniques. Guitarists will learn to play exact licks from 12 tunes. The CD features full-band demos at both normal and slow speeds.

Songlist
Alone + Easy Target
Big Me
Breakout
Everlong
Hey, Johnny Park!
I'll Stick Around
Learn To Fly
Live-In Skin
Monkey Wrench
My Hero
Stacked Actors
This Is A Call

72 pages

 

 

1 Standard tuning: E-A-D-G-B-E 1:01

2 This Is a Call, Fig. 1 0:40

3 This Is a Call, Fig. 1 slow 1:17

4 This Is a Call, Fig. 2 1:02

5 This Is a Call, Fig. 2 slow 0:22

6 This Is a Call, Fig, 3 0:41

7 This Is a Call, Fig. 3 slow 0:32

8 I'll Stick Around, Fig. 4 1:20

9 I'll Stick Around, Fig. 4 slow 1:06

10 I'll Stick Around, Fig. 5 0:41

11 I'll Stick Around, Fig. 5 slow 0:36

12 I'll Stick Around, Fig. 6 0:59

13 I'll Stick Around, Fig. 6 slow 0:22

14 Big Me, Fig. 7 1:04

15 Big Me, Fig. 7 slow 1:02

16 Drop D tuning: D-A-D-G-B-E 1:14

17 Alone + Easy Target, Fig. 8 1:29

18 Alone + Easy Target, Fig. 8 slow 0:53

19 Alone + Easy Target, Fig. 9 1:13

20 Alone + Easy Target, Fig. 9 slow 1:01

21 Monkey Wrench, Fig. 10 1:21

22 Monkey Wrench, Fig. 10 slow 1:30

23 Monkey Wrench, Fig. 11 1:08

24 Monkey Wrench, Fig. 11 slow 0:58

25 Monkey Wrench, Fig. 12 0:31

26 Monkey Wrench, Fig. 12 slow 0:17

27 Hey, Johnny Park!, Fig. 13 1:40

28 Hey, Johnny Park!, Fig. 13 slow 2:33

29 Hey, Johnny Park!, Fig. 14 0:55

30 Hey, Johnny Park!, Fig. 14 slow 0:51

31 Hey, Johnny Park!, Fig. 15 0:53

32 Hey, Johnny Park!, Fig. 15 slow 0:20

33 Standard tuning: E-A-D-G-B-E 1:19

34 My Hero, Fig. 16 0:38

35 My Hero, Fig. 16 slow 0:55

36 My Hero, Fig. 17 1:03

37 My Hero, Fig. 17 slow 1:24

38 My Hero, Fig. 18 0:57

39 My Hero, Fig. 18 slow 1:18

40 Everlong, Fig. 19 1:30

41 Everlong, Fig. 19 slow 1:50

42 Everlong, Fig. 20 0:44

43 Everlong, Fig. 20 slow 1:21

44 Drop A tuning: A-A-D-G-B-E 1:27

45 Stacked Actors, Fig. 21 1:39

46 Stacked Actors, Fig. 21 slow 0:47

47 Stacked Actors, Fig. 22 0:46

48 Stacked Actors, Fig. 22 slow 1:17

49 Standard tuning: E-A-D-G-B-E 1:19

50 Breakout, Fig. 23 1:07

51 Breakout, Fig. 23 slow 1:12

52 Breakout, Fig. 24 0:53

53 Breakout, Fig. 24 slow 0:55

54 Learn To Fly, Fig. 25 1:28

55 Learn To Fly, Fig. 23 slow 1:33

56 Drop D tuning: D-A-D-G-B-E 1:14

57 Live-In Skin, Fig. 26 1:31

58 Live-In Skin, Fig. 26 slow 1:16

59 Live-In Skin, Fig. 27 0:42

60 Live-In Skin, Fig. 27 slow 0:42

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DOORS GUITAR SIGNATURE LICKS CD BOOK TABLATURE CHITARRA LIBRO SPARTITI HAL LEONARD

DOORS, GUITAR SIGNATURE LICKS. Commento di Robby Krieger per ogni canzone, su equipaggiamento strumentazione, tecnica chitarristica, racconti sulla band. Estratti da: Break On Through -Hello I Love -L.A. Woman -Light My Fire -Love Her Madly -Love Me 2 Times -People Are Strange -Riders On The Storm -Roadhouse Blues. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE .

LIBRO DI MUSICA ROCK CON CD .

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE. 
 

Series: Signature Licks Guitar
Medium: Softcover with CD TAB
Artist: The Doors

Master instructor Wolf Marshall provides a step-by-step breakdown on the styles and techniques of Doors guitarist Robby Krieger so players can learn the trademark riffs and solos of one of rock's most influential bands! This instruction-filled book/CD pack features EXCLUSIVE COMMENTARY AND BACKGROUND INFORMATION FROM KRIEGER, a history of the band, a discography, and 9 of The Doors' biggest hits :

TiTOLi / songs : 
Break On Through To The Other Side
Hello, I Love You (Won't You Tell Me Your Name?)
L.A. Woman
Light My Fire
Love Her Madly
Love Me Two Times
People Are Strange
Riders On The Storm
Roadhouse Blues

72 pages

Prezzo: €29,99
€29,99

DEF LEPPARD THE BEST GUITAR SIGNATURE LICKS LIBRO CD BASI TABLATURE-PHIL COLLEN-

DEF LEPPARD, THE BEST. GUITAR SIGNATURE LICKS. CD DI BASI TABLATURE 

LIBRO DI MUSICA CON CD, SPARTITI PER CHITARRA. PENTAGRAMMA, ACCORDI E TABLATURE. 


A Step-By-Step Breakdown of the Band's Guitar Styles and Techniques
Series: Signature Licks Guitar
Medium: Softcover with CD
Artist: Def Leppard

12 songs from four of Def Leppard's best albums are covered in this book/CD pack, which breaks down their styles and techniques. Includes: Bringin' On the Heartbreak - Hysteria - Love Bites - Photograph - Pour Some Sugar on Me - Rock of Ages - Wasted , and more. The CD presents each song in a stereo split with full band backing. 90 pages

Table of contents
Another Hit And Run
Bringin' On The Heartbreak
Foolin'
Hysteria
Let It Go
Love Bites
Photograph
Pour Some Sugar On Me
Rock Brigade
Rock Of Ages
Rocks Off
Wasted

Prezzo: €27,99
€27,99

DEEP PURPLE GREATEST HITS Guitar Style Techniques Ritchie Blackmore CD TABLATURE Lazy LIBRO

DEEP PURPLE, GREATEST HITS. A Step-by-Step Breakdown of the Guitar Style and Techniques of Ritchie Blackmore. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA HARD ROCK, CON CD.

SPARTITI PER CHITARRA : 

ACCORDI, NOTE, PENTAGRAMMA E TABLATURE.

 

Tecnica e stile di Ritchie Blackmore, e: Black Night -Burn -Highway Star -Hush -Knocking At Your Back Door -Lazy -Smoke On The Water -Space Truckin' -Strange Kind Of Woman -Woman From Tokyo. 

HAL LEONARD
Series: Signature Licks Guitar
Softcover with CD - TAB
Artist: Deep Purple
Author: Troy Stetina

Inventory #HL 00695625
ISBN: 9780634029424
UPC: 073999956252
Width: 9.0"
Length: 12.0"
64 pages


The Guinness Book of World Records once deemed Deep Purple the world's loudest band. Ritchie Blackmore's masterful axe playing no doubt helped them earn this distinction. Learn his trademark riffs and solos with this book/CD pack. It includes detailed background notes, lessons and examples on CD so you can be playing like Blackmore in no time. Explores 10 classics, 64 pages.

TITOLI :
Black Night
Burn
Highway Star
Hush
Knocking At Your Back Door
Lazy
Smoke On The Water
Space Truckin'
Strange Kind Of Woman
Woman From Tokyo

Prezzo: €33,99
€33,99

CREAM THE BEST GUITAR SIGNATURE LICKS LIBRO CD TABLATURE-Sitting On Top Of The World-SWLABR

CREAM, THE BEST. GUITAR SIGNATURE LICKS. CD TABLATURE

LIBRO DI MUSICA CON CD, SPARTITI PER CHITARRA. ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Signature Licks Guitar
Medium: Softcover with CD
Artist: Cream

A thorough breakdown of the guitar styles and techniques of Eric Clapton during his Cream days, including lessons and transcriptions for 12 classic tracks, 56 pages

Badge
Cross Road Blues (Crossroads)
I Feel Free
Sitting On Top Of The World
Spoonful
Steppin' Out
Strange Brew
Sunshine Of Your Love
Swlabr
Tales Of Brave Ulysses
White Room
World Of Pain

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CLAPTON ERIC UNPLUGGED-GUITAR SIGNATURE LICKS LIBRO CD TABLATURE RUNNING ON FAITH

CLAPTON ERIC, UNPLUGGED SIGNATURE LICKS. A step-by-step breakdown of his acoustic guitar style and technique. CD TABLATURE

Clapton with acoustic, 12-string acoustic, nylon string and Dobro guitar.

SIGNE
BEFORE YOU ACCUSE ME
HEY HEY
TEARS IN HEAVEN
LONELY STRANGER
NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT
LAYLA
RUNNING ON FAITH
WALKIN' BLUES
ALBERTA
SAN FRANCISCO BAY BLUES
MALTED MILK
OLD LOVE
ROLLIN' AND TUMBLIN'

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CLAPTON ERIC THE BEST OF GUITAR SIGNATURE LICKS CD TABLATURE badge-before you accuse me-cocaine-SPARTITI

CLAPTON ERIC, THE BEST OF GUITAR SIGNATURE LICKS. Contiene estratti da: -after midnight -badge -before you accuse me -cocaine -crossroads -have you ever loved a woman -I shot the sheriff -knockin' on heaven's door -lay down sally -Layla -little wing -pretending -sunshine of your love -tears in heaven -white room -wonderful tonight. SHEET MUSIC BOOK WITH CD GUITAR TABLATURE. 

LIBRO METODO DI MUSICA ROCK BLUES CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

The Best of Eric Clapton
Series: Signature Licks Guitar
Format: Softcover with CD
Artist: Eric Clapton
Inventory #HL 00695038

ISBN: 9780793558018
UPC: 073999950380
Width: 9.0"
Length: 12.0"
88 pages

Series: Signature Licks Guitar
Medium: Softcover with CD
Artist: Eric Clapton
This terrific book/CD pack in Hal Leonard's acclaimed Signature Licks series provides a step-by-step breakdown of Slowhand's playing techniques through hands-on analysis of 14 of his best songs. Includes: After Midnight - Badge - Before You Accuse Me (Take a Look at Yourself) - Cocaine - Cross Road Blues (Crossroads) - Have You Ever Loved a Woman - I Shot the Sheriff - Knockin' on Heaven's Door - Lay Down Sally - Layla - Little Wing - Pretending - Sunshine of Your Love - Tears in Heaven - White Room - Wonderful Tonight. 88 pages

After Midnight
Badge
Before You Accuse Me (Take A Look At Yourself)
Cocaine
Cross Road Blues (Crossroads)
Have You Ever Loved A Woman
I Shot The Sheriff
Knockin' On Heaven's Door
Lay Down Sally
Layla
Little Wing
Pretending
Sunshine Of Your Love
Tears In Heaven
White Room
Wonderful Tonight

 

PENTATONIC SCALE POSITIONS

After Midnight - words and Music: J.J. CALE - 1966
Badge - words and Music: ERIC CLAPTON, GEORGE HARRISON - 1969
Before You Accuse Me (Take A Look At Yourself)
Cocaine - words and Music: J.J. CALE - 1975
Cross Road Blues (Crossroads) - words and Music: ROBERT JOHNSON - 1978
Have You Ever Loved A Woman - words and Music: MILLY MYLES - 1960
I Shot The Sheriff - words and Music: BOB MARLEY - 1974
Knockin' On Heaven's Door - words and Music: BOB DYLAN - 1973
Lay Down Sally - words and Music: ERIC CLAPTON, MARCY LEVY, GEORGE TERRY - 1977
Layla - words and Music: ERIC CLAPTON, JIM GORDON - 1970
Little Wing - words and Music: JIMI HENDRIX - 1968
Pretending - words and Music: JERRY WILLIAMS - 1985 
Sunshine Of Your Love - words and Music: JACK BRUCE, PETE BROWN, ERIC CLAPTON - 1968
Tears In Heaven - words and Music: ERIC CLAPTON, WILL JENNINGS - 1992
White Room - words and Music: JACK BRUCE, PETE BROWN - 1968
Wonderful Tonight - words and Music: ERIC CLAPTON - 1977

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CLAPTON ERIC THE BLUESMAN GUITAR SIGNATURE LICKS CD TABLATURE Sunshine of Your Love-Hideaway-I Feel Free

CLAPTON ERIC, THE BLUESMAN. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA BLUES CON CD. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

Eric Clapton - Selections from Blues
Series: Signature Licks Guitar
Format: Softcover with CD
Artist: Eric Clapton

This instructional book/CD pack will let players see why Clapton is such a legend! Examines 11 songs: Have You Ever Loved a Woman - Hideaway - I Feel Free - I'm So Glad - Steppin' Out - Strange Brew - Sunshine of Your Love - more.

Inventory #HL 00695040
ISBN: 9780793558032
UPC: 073999950403
Width: 9.0"
Length: 12.0"
96 pages

Song List:

All Your Love (I Miss Loving) - BLUESBREAKERS - OTIS RUSH - 1965
Have You Ever Loved A Woman - DEREK AND THE DOMINOS - BILLY MILES - 1960
Hide Away - BLUESBREAKERS - FREDDY KING, SONNY THOMPSON - 1961
I Ain't Got You - YARDBIRDS - CALVIN CARTER - 1955
I Feel Free - CREAM - JACK BRUCE, PETE BROWN - 1967
I'm So Glad - CREAM – NEHEMIAH SKIP JAMES - 1967
I'm Tore Down - ERIC CLAPTON - SONNY THOMPSON - 1962
Politician - CREAM - JACK BRUCE, PETE BROWN - 1968
Steppin' Out - BLUESBREAKERS - JAMES BRACKER - 1955
Strange Brew - CREAM - ERIC CLAPTON, FELIX PAPPALARDI, GAIL COLLINS - 1967
Sunshine Of Your Love - CREAM - JACK BRUCE, PETE BROWN, ERIC CLAPTON - 1968

 

INTRODUCTION
The Golden Age of Rock-generally defined as the mid/late sixties through the early seventies-produced an incredible number of trailblazing guitarists, each possessing a singular and unique approach to the instrument. Together, they set the standard by which rock guitarists will forever be measured. Eric Clapton, Jimi Hendrix, Jimmy Page, Duane Allman, Johnny Winter, and Jeff Beck were the most influential guitarists of this era, and their high-spirited playing styles continue to inspire millions today.
But of this list of rock's greatest guitarists, Eric Clapton stands out as the man who initially inspired all of the others with his dazzling fretwork and cutting-edge sound. Eric Clapton is deserving of recognition for a great many reasons. First and foremost, he is responsible for creating a new, high-powered guitar sound, heard first on the hugely influential Bluesbreakers: John Mayall with Eric Clap ton (London, 1966). At this session, Eric plugged his stock 1959 Les Paul Flametop into a Marshall JTM 45 and turned it "full up." As he told Guitar World in December of '94, "I thought the obvious solution was to get an amp and play it as loud as it would go-until it was just about to burst." With a handful of licks inspired by B.B. King, Albert King, Buddy Guy, Otis Rush, and Freddie King, Eric had by this point developed his own way of speaking on the instrument; he performed beautifully articulated, seamless improvisations fueled by the pure energy of his youth. His mind-boggling performance captured on Bluesbreakers spun the heads of guitarists the
world over, and gave birth to a sound that is still considered "state of the art" more than 30
years later.
Eric skyrocketed past the high watermark of Bluesbreakers as a member of rock's
greatest power trio, Cream, with whom his playing grew by leaps and bounds. Cream's
extended forays into group improvisation brought rock into unchartered territories, and Eric
used this platform to experiment with new sounds and approaches. But, no matter what the
context, at the core of Eric's musical spirit remained his deep love of the blues.
The most impressive distinction held by Clapton is the fact that he has sustained a
prolific, illustrious career over a span of four decades. This type of longevity is virtually
unheard of in the ever-evolving world of pop music. No other rock guitarist has retained as
viable a career for as long as Eric Clapton; incredibly, he is more popular today than ever.
Eric Clapton: The Bluesman Signature Licks focuses on Eric's greatest guitarwork
within the context of blues-based material. Eleven selections are presented in this book,
beginning with examples of his work with the Yardbirds, John Mayall's Bluesbreakers, and
Cream, moving on to Derek and the Dominos, and ending with a tune from his blues-based
album of 1994, From the Cradle.
Each of the selections illustrated in this book is segmented into the individual song
sections, such as intro, verse, chorus, bridge, solo, and outro, enabling one to study each
section individually. Each song segment is presented with all of the guitar parts fully transcribed,
plus accompanying audio on the CD, as performed by a full band. All of the guitar
solos, as well as complex rhythm parts, are also performed slowly to a click track for easier
understanding. Performance notes, outlining chord voicings, scale use, fingerings, and
unusual techniques are included in the text for each song.
On the accompanying CD, an attempt was made to recreate the sound of the original
recordings, primarily in terms of guitar tone and panning. Each tune offers a description
of the guitar/amp combination chosen to emulate Clapton's tone. The overall intent of
this recording is to present a mix that accentuates the guitar more clearly than as it
appears on the original recordings, enabling one to focus on all of the subtle nuances of
each performance.
On the CD, each song segment begins with a four-count ("one-two-three-four") as
sounded by the hi-hat. On the examples that are played slowly to a click track, the fourcount
is sounded by the clicking together of drumsticks.

THE RECORDING
My car played a major role in the recording of this CD, because I drove allover the
map borrowing guitars to suit each track. On "I Ain't Got You," I used a 1970 Telecaster (with
a killer bridge pickup); on "Hideaway," I used a "historic" mid-90s Les Paul Standard; on
"Steppin' Out" and "All Your Love," I used a magnificent 1952 Goldtop Les Paul Standard,
converted to 1957 specs (oh, the tone); "I'm So Glad" features a 1968 Les Paul Custom
(one-piece body and neck); "I Feel Free," "Sunshine of Your Love" and "Politician" were performed
on a 1961 Les Paul/SG Custom (previously owned by Allan Holdsworth); "Strange
Brew" and "I'm Tore Down" were performed with a 1960 dot-neck 335; and, for "Have You
Ever Loved a Woman," I used my stock 1961 Stratocaster. Strings are D'Addario XL 125s
and EXL 11Os.
For every track except "Sunshine of Your Love" and "Politician," the guitar amp used
was a 1967 "blackface" Fender Super Reverb (purchased from the one and only Gary
Blankenburg of Music Services, Wantagh, NY). This amp is the greatest-thanks, Gary! On
"Sunshine of Your Love" and "Politician," I used a 1978 Marshall MK II 1959 Master Model
100-watt head, into a 300-watt Marshall 1960A 4x12 cabinet. The amps were miked with a
combination of Shure SM-57s, SM-58s, and Beta-58s. The only distortion pedal used, on
a few of the tracks, was an Ibanez TS-9 Tube Screamer.
Two basses were used on this recording: a 1967 Gibson EB-2 and a 1986 ESP J-
Bass, fitted with Seymour Duncan "Bass Lines" pickups. Strings are D'Addario Chromes
(flat-wounds) and XL-170s (roundwounds). The amp used was a 1972 Fender Bassman
135 played through a 1988 Marshall JCM 800 1551 2x15 cabinet. This was miked with a
Shure Beta-58. All bass tracks were transcribed from the original recordings and recreated
as faithfully as possible.
The drum tracks were all transcribed from the original recordings and meticulously
programmed into an Alesis SR-16 drum machine, so what you hear is essentially exactly
what was played (those Ginger Baker parts were, um, time-consuming).
Last but certainly not least, the keyboard and synthesized horn parts were performed
by Steve DiMieri. The harp lick in "I Ain't Got You" was supplied by Eddie Mac.
In recreating the bass and drum parts faithfully, the goal was to bring as much of
the "vibe" of the original recordings into this presentation. This was also the goal in the performance
of Eric's guitar parts. Playing these great guitar parts "correctly" is not only about
where the notes are played on the neck, or the rhythmic syncopations employed. What
makes these guitar parts great is the intense feeling Eric conveys to the listener; it was my
goal to recreate as much of that feeling as possible when recording these transcriptions.
When you play these parts, I encourage you to put as much feeling as you can into your
performance, because that's really what it's all about.
All of the tracks were recorded onto a Tascam DA-88 digital eight-track, using a
Mackie 1604 mixing console and mixed down to a Tascam DA-30 MK II DAT machine.
Signal processing included Alesis Midiverb 4, Microverb III, 3630 compressor, and M-EQ
230 equalizer.

THANKS TO: My family-Tracey, Rory, and Wyatt, and my mom; Brad Tolinski, Dennis
Page, Jimmy Brown, and everyone at Guitar World; Jeff Schroedl, John Cerullo, Karen
Waldkirk, and everyone at Hal Leonard Corp.; the incomparable Flip Scipio; Leroy Aiello
and everyone at Mandolin Brothers. And of course a major thank you to all of the great guitarists
and all-around good guys who lent me their guitars: Nicky Skopelitis, Danny
Begelman, Dave Nesdall, and John Ellis.

SPECIAL THANKS TO: Greg Romano at D'Addario Strings; Larry Brooks at Seymour
Duncan Pickups; Bill Mohroff at TEAC, America; the folks at Mackie Designs; Mitch Colby
and Nick Bowcott at Marshall/Korg; Gary Blankenburg at Music Services.
This book is dedicated to my mother.


This instructional book/CD pack will let players see why Clapton is such a legend! Examines 11 songs, 96 pages

All Your Love (I Miss Loving)
Have You Ever Loved A Woman
Hide Away
I Ain't Got You
I Feel Free
I'm So Glad
I'm Tore Down
Politician
Steppin' Out
Strange Brew
Sunshine Of Your Love

Prezzo: €43,99
€43,99

BLACK SABBATH THE BEST LICKS Signature Licks Guitar CD TABLATURE-Sabbath Bloody Sabbath-War Pigs

BLACK SABBATH, THE BEST LICKS. Troy Stetina. Oltre ''10 sacchi'' contenenti i riff più noti dell'hard rock. Accordi pesanti come lenti vagoni carichi si spostano sui binari, scivolando; rapidi scambietti, veloci terzine ne danno la direttoria. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA HARD ROCK CON CD,

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA, TABLATURE. 

TECNICA, PER IMPARARE A SUONARE NOTA PER NOTA LA MUSICA DI TONY IOMMI,  

 

MASTODONTICI BLACK SABBATH !
UN LIBRO DEDICATO A UNO DEI GRUPPI PIU' ORIGINALI DELLA MUSICA ROCK, AUTORE DI RIFF PESANTI, DELICATE CANZONI, BRANI ORCHESTRALI, PROGRESSIVE, ACCOMPAGNAMENTI JAZZATI, 
I BLACK SABBATH SONO MASTODONTICI PER LA LORO VARIETA' SONORA, PER GLI IMPROVVISI CAMBI DI TEMPO. IL LORO "ARMADIO MUSICALE" E' UNA VERA COUNUCOPIA DI CHITARRE ELETTRICHE, ACUSTICHE, BASSI, PIANOFORTI, FLAUTI, TASTIERE, PERCUSSIONI, SCACCIAPENSIERI, ARMONICHE, EFFETTI SONORI, VOCI, ECC. CHE CONTINUA ANCORA OGGI DOPO PIU' DI 40 ANNI A SORPRENDERCI E AD ESSERE ASCOLTATO CON AMMIRAZIONE, 

 

The Best of Black Sabbath
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist: Black Sabbath
Author: Troy Stetina
Inventory #HL 00695249
ISBN: 9780793587902
UPC: 073999952490
Width: 9.0"
Length: 12.0"
64 pages

INTRODUCTION
Black Sabbath is the original "black metal" band, replete with horror-film
themes and gothic imagery. They pushed music to previously uncharted levels of
heaviness throughout the seventies, and set the stage for the hard-edged styles
of 1980s thrash and death metal, as well as the heavier side of 1990s alternative
rock. Their powerful influence upon countless guitarists throughout the world
cannot be denied.
The story of Black Sabbath began in Birmingham, England in the late
1960s. The quartet-originally composed of vocalist John "Ozzy" Osbourne,
guitarist Tony lommi, bassist Terry "Geezer" Butler, and drummer Bill Wardgained
a fervent local following as a blues band called Earth. After learning that
there was another band going by that name, however, the four renamed
themselves, adopting the monicker Black Sabbath-the title of both an old horror
movie starring Boris Karloff as well as that of a song the group had already
composed. This name perfectly reflected the group's growing interest in
supernatural and occult themes, which would come to dominate their lyrics and
fuel the band's dark image and signature sound.
Their debut self-titled release, Black Sabbath (1970), initially attained only
moderate success. It was their follow-up album later that same year, Paranoid,
which first earned the band international acclaim with such classic metal
masterpieces as "Iron Man," "War Pigs," and of course the title track, "Paranoid."
After extensive touring in both Europe and the United States, a third release,
Master of Reality (1971), cemented the band's growing popularity and commercial
success. Also, on this landmark recording, the band began to experiment for the
first time with ultra-low (C#) tuning, to accompany their dark lyrical sorties with a
deeper and darker tone. This would come to be a dominant and unique
characteristic of the band's sound over the next number of years.
The group's creative powers were still in high gear as the fourth and fifth
albums, Black Sabbath Vol. 4 and Sabbath Bloody Sabbath, were released in
1972 and 1973, respectively. After five ground-breaking albums in just four short
years, their status as the musical voice of the underworld was secured. Further
efforts, including 1975's Sabotage continued to build upon their visionary art-rock
tradition.
As with all important rock, it is as much a social commentary as a musical
force, and Black Sabbath was no exception. Perhaps less obvious than their "evil"
image, one finds upon closer inspection that the majority of lyrics invoke not evil
messages at all, but simply social issues of the time as well as cryptic warnings.
One common theme is to warn of the fate that will befall our evil ways, either as
individuals ("Black Sabbath," "Paranoid") or as a world bent on nuclear
destruction and hatred ("War Pigs," "Children of the Grave")-essentially as if the
band were setting to music the biblical book of Revelation. Another theme is farreaching
science fiction and space travel ("Iron Man," "Into the Void") sometimes
interlaced with mind travel via drug-induced, astral projection ("Supernaut"). The
late sixties psychedelic drug culture morays were also explicitly set forth ("Sweet
Leaf'). In many ways, the band's music was a backdrop reflecting society's
ongoing dialog on priorities, right and wrong, good and evil, and where we are
headed as a culture. Their focus on anti-war, ecology, and mind-expanding drug
themes rode the forefront of controversy and continued to help push these 60s
issues into the next decade.
Looking beyond the black-magic trappings, guitarist Tony lommi is actually
a fairly straight-ahead electric blues-rock player in the vein of Eric Clapton and
Jimmy Page-in particular this is apparent when one examines his lead guitar ...

 

SABBATN, BLOODY SABBATN
Words and Music by Frank lommi, John Osbourne, William Ward, and Terence Butler
Figure 20 -Intro, Verse, and Interlude
The recording of Sabbath Bloody Sabbath, the band's fifth effort, was the
occasion of a famous band story. They had set up in an old English casti e to compose
and record a bit. Strange things began to happen right away. A fire spread
unexpectedly from the fireplace, and Ozzy, sleeping nearby, woke at the last moment
and narrowly escaped. Shortly thereafter, several members of the band witnessed an
unknown man walk into a room, and upon following him, found that the room was
empty and the only other door out of it was locked from the inside. They began to tell
each other horrifying stories, and in the end, were ali so scared they had to leave the
castle that same night!
The album was finally completed (in the welcome security of the recording
studio) and released in December, 1973. The title track shows a broadening influence
in terms of arrangement and textures. Acoustic guitars were implemented in a
significant way, and Rick Wakeman (Yes) was brought on board for keyboard duties.
Again played in the slack down tuning, the riff makes clever, Hammering straight, also, palm mutes are maintained entirely on the, natural minor scale (Aeolian mode). Structurally, this tune is somewhat of a departure from Sabbath's norm, as it includes a vocal-driven, chorus-type section which acts as a lower-energy point,
counterbalancing the main riff with acoustic textures. Clean electric guitars (Gtrs. 2 &
3) add relaxed pentatonic-style melodies over the six-string acoustic guitar (Gtr. 4)
which strums a cycling Am9-G/D progression. In measure 33, the G/D chord appears
as a Gmaj7/D, lending a jazz-inspired feel. Measures 39-40 replace the G/D chord
with a revolving D-A progression over a D string pedal tone which functions to build
back into the original riff...

Learn the trademark riffs and solos of one of hard rock's greatest bands, with this excellent book/CD pack that breaks down the guitar styles and techniques of Tony Iommi. Songs include:

Black Sabbath
Children Of The Grave
Heaven And Hell
Into The Void
Iron Man
N.I.B.
Paranoid
Sabbath, Bloody Sabbath
Supernaut
Sweet Leaf
Symptom Of The Universe
War Pigs (Interpolating Luke's Wall)
64 pages

Prezzo: €27,99
€27,99
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