2016

SIMPLIFIED SIGHT-READING FOR BASS, Josquin des Pres. LIBRO & CD. 

SHEET MUSIC METHOD BOOK WITH CD.

LIBRO METODO DI MUSICA CON CD.
SPARTITI PER BASSO CON PENTAGRAMMA. 

Series: Bass Instruction

Format: Softcover Audio Online -
Authors: Josquin Des Pres,

This book/audio pack helps bass players expand their reading skills. Beneficial for beginners through advanced players, this pack covers rhythms, notes, intervals, accidentals, and key signatures, as well as common bass patterns in blues, R&B, funk, rock, and more. The accompanying online audio includes 97 demo tracks!

Inventory #HL 00695085
ISBN: 9780793565184
UPC: 073999950854
Width: 9.0"
Length: 12.0"
72 pages 

HAL LEONARD BASS TAB METHOD BOOK 2. CD TABLATURE.

SHEET MUSIC BOOK WITH CD & BASS TABLATURE.

LIBRO METODO DI MUSICA ROCK CON CD.
SPARTITI PER BASSO CON:
ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Tab Method
Format: Softcover Audio Online - TAB
Author: Various

This innovative method for electric bass guitar picks up where Book One leaves off. Learn notes up the fretboard with riffs like “Sunshine of Your Love” and “Sweet Emotion,” scales with songs by Ozzy Osbourne and R.E.M., beginning slap technique with songs like “Panic Station” and “Higher Ground,” and much more. The method's unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like the Beatles, Green Day, and the Red Hot Chili Peppers will keep them playing and having fun. The accompanying online audio features demos of all 69 riffs and songs in the book.

Song List:

Ace Of Spades
Addams Family Theme (Theme from the TV Show and Movie)
Aeroplane
American Woman
Beast Of Burden
Black Sunshine
The Boys Are Back In Town (featured in the Motion Picture A KNIGHT'S TALE)
Brick House
By The Way
Can't Stop
Come Together
Crazy Little Thing Called Love
Dani California
Day Tripper
Detroit Rock City
Do-Re-Mi (from THE SOUND OF MUSIC)
Drive
Driven To Tears
Eight Days A Week
Exodus
Fly Away
Forty Six & 2
Get Ready
Get Up Stand Up
Good People
Green Stew
Hard To Handle
Hide Away
Higher Ground
Hold The Line
Holiday In Cambodia
Hound Dog (featured in the Motion Picture A FEW GOOD MEN)
Hysteria
I Wish
I'm Your Hoochie Coochie Man (featured in the Motion Picture ROADHOUSE)
In The Midnight Hour (featured in the Motion Picture THE COMMITMENTS)
Iris (from the Motion Picture CITY OF ANGELS)
Jamming
Joy To The World (Tune Name: ANTIOCH)
La Grange (from the Touchstone Picture ARMAGEDDON)
Lean On Me
Lessons In Love
London Calling
Longview
Michelle
Money
Mountain Song
My Girl (featured in the Motion Picture MY GIRL)
No More Tears
Nowhere Man
One Love
Orange Crush
Peace Sells
Percussive
Plush
Rock Lobster
Root Down
Roundabout
Runaway Baby
Self Esteem
Shake Your Body Down To The Ground
Sixteen
Smooth Criminal
Sunshine Of Your Love
Sweet Emotion
Take Five
Thank You (Falletinme Be Mice Elf Again)
Thumbing
Treasure
Triplet Walk
The Trooper
Two Ways Of One
Under Pressure
White Wedding
With Or Without You
Would?
You Can Call Me Al
You've Got To Hide Your Love Away

Inventory #HL 00124754
ISBN: 9781480370203
UPC: 884088984212
Width: 9.0"
Length: 12.0"
32 pages
 

JIMI HENDRIX SMASH HITS GUITAR PLAY-ALONG DVD VOLUME 44

SHEET MUSIC VIDEO WITH GUITAR TABLATURE.

VIDEO DVD METODO DI MUSICA ROCK.

BASI

SPARTITI PER CHITARRA CON: 

ACCORDI, TABLATURE. 

Series: Guitar Play-Along DVD

Format: DVD

Artist: Jimi Hendrix

The Guitar Play-Along DVD series lets you hear and see how to play songs like never before. Just watch, listen and learn! Each song starts with a lesson from a professional guitar teacher. Then, the teacher performs the complete song along with professionally recorded backing tracks. You can choose to turn the guitar off if you want to play along or leave the guitar in the mix to hear how it should sound. You can also choose from multiple viewing options; fret hand with tab, wide view with tab, pick & fret hand close-up, and others.

12 songs from the album of the same name, including: All Along the Watchtower • Crosstown Traffic • Fire • Foxey Lady • Hey Joe • Manic Depression • Purple Haze • The Wind Cries Mary • and more.

Song List:

All Along The Watchtower

Can You See Me

Crosstown Traffic

Fire

Foxey Lady

Hey Joe

Manic Depression

Purple Haze

Red House

Remember

Stone Free

The Wind Cries Mary

Inventory #HL 00130592

ISBN: 9781480396586

UPC: 888680022006

Width: 5.5"

Length: 7.5"

Run Time: 2:39:00

LED ZEPPELIN, ULTIMATE BASS PLAY-ALONG: VOLUME 2. SHEET MUSIC BOOK WITH 2 CD & BASS TABLATURE .

LIBRO DI MUSICA ROCK CON 2 CD.
CD DI BASI PER VOCE E, VOCE E BASSO.
SPARTITI PER VOCE E BASSO CON:
ACCORDI, PENTAGRAMMA, TABLATURE.

Play Along with 8 Great-Sounding Tracks
Led Zeppelin
Item: 00-32201
UPC: 038081353036
ISBN 10: 0739059432
ISBN 13: 9780739059432

Series: Ultimate Play-Along
Category: Bass Guitar Method or Supplement
Format: Book & 2 CDs
Instrument: Bass Guitar
Version: Authentic Bass TAB

All new transcriptions and tracks drawn from more than 30 years of documentation, interviews, and recorded footage. These TABs and tracks deliver unprecedented accuracy and insight into the music of Led Zeppelin. This book includes complete music notation and TAB transcriptions to eight Led Zeppelin classics. There are two versions of every song on the included CDs: an instrumental sound-alike recording, and an instrumental accompaniment track (without bass) so you can play along. When you use the CDs in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily loop sections for practice, slow tracks down or speed them up without changing the pitch, change the key, and switch back and forth between full instrumental and accompaniment tracks. Titles: Stairway to Heaven * The Song Remains the Same * Over the Hills and Far Away * Trampled Under Foot * Kashmir * Achilles Last Stand * Nobody's Fault But Mine * All My Love.

TITLE COMPOSER
The Song Remains the Same Jimmy Page (composer); Robert Plant (composer)
Stairway to Heaven Jimmy Page (composer); Robert Plant (composer)
Achilles Last Stand Jimmy Page (composer); Robert Plant (composer)
Nobody's Fault but Mine Jimmy Page (composer); Robert Plant (composer)
Trampled Under Foot Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Kashmir Jimmy Page (composer); John Bonham (composer); Robert Plant (composer)
Over the Hills and Far Away Jimmy Page (composer); Robert Plant (composer)
All My Love Robert Plant (composer); John Paul Jones (composer)
 

ESSENTIAL FLAMENCO GUITAR: VOLUME 1 (BOOK/2-DVD SET)

30458DP

BY JUAN MARTIN AND PATRICK CAMPBELL

SHEET MUSIC BOOK WITH 2 DVD & GUITAR TABLATURE.

LIBRO METODO DI MUSICA FLAMENCO CON 2 DVD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

This book and accompanying video provide a thorough introduction to flamenco guitar. What are the essential elements and techniques of flamenco guitar playing? How does one capture the real essence of authentic flamenco guitar? These are questions that Juan Martin, celebrated virtuoso flamenco guitarist and teacher, addresses in this first book of a projected three-volume series. The method is designed for the complete beginner and requires no prior knowledge of the guitar or flamenco music. It also provides invaluable insight and material for more advanced players who want to capture the essential sounds, rhythms and emotional power of true flamenco.The series begins with in-depth demonstrations of how the basic building blocks of flamenco guitar technique are used in actual flamenco music. The material then progresses to a detailed exploration of the individual rhythmic forms - the palos. In this book, the fundamental palos of Solea and Alegrias are presented to emphasize the basic rhythms and provide examples of falsetas - the melodic passages. Martin then shows how to apply these when collaborating with a dancer and singer. The music is transcribed in standard notation and tablature (cifra), and the two DVDs contain over 3.5 combined hours of explanation and demonstrations. The first DVD provides a detailed introduction to basic techniques, using examples of authentic flamenco to show these techniques in action. The second DVD progresses to demonstrations of the Solea and Alegrias, including music for the soloist and the guitar accompanying the dancing and singing.

Product Number:30458DP

Format:BOOK/2-DVD Set

Skill Level:Multiple Levels

Notation Type:Standard Notation and Tab

Pages:140

Binding:Squareback Saddle Stitched

Size:8.75 x 11.75

ISBN:0-7866-8572-7

ISBN13:978-07866-8572-1

Series:None

Publisher:Mel Bay Publications, Inc.

Date Published:1/10/2014

Essential Flamenco Guitar: Volume 1

Introduction by Juan Martín . . . . . . . . . . . . . . . 6

Key to Symbols and Notation . . . . . . . . . . . . . . 7

Tuning the Guitar . . . . . . . . . . . . . . . . . . . . . . . 9

First Rumba . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 

Simple Rumba with Ami7 chords . . . . . . . . . . . . 12

Alternative Simple Rumba Patterns . . . . . . . . . . 13

Second Rumba . . . . . . . . . . . . . . . . . . . . . . . . . . 14

A Modern-Style Rumba Technique . . . . . . . . . . 15

Index Finger and Apagado (Bulerías from Lebrija) 16

The 4-Stroke Rasgueo (in Verdiales) . . . . . . . . . 17

Verdiales Falseta . . . . . . . . . . . . . . . . . . . . . . . . 18

Verdiales Song . . . . . . . . . . . . . . . . . . . . . . . . . 19

por medio Chords . . . . . . . . . . . . . . . . . . . . . . . 20

Tientos Chords and Rhythm . . . . . . . . . . . . . . . 20

First Tientos . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Ligado Exercise . . . . . . . . . . . . . . . . . . . . . . . . . 24

Falseta for Alegrías por Rosas . . . . . . . . . . . . . . 24

4-Stroke Rasgueo in Tangos. . . . . . . . . . . . . . . . 25

Tangos por arriba (El agua se va). . . . . . . . . . . . 26

Song Tune (picado) . . . . . . . . . . . . . . . . . . . . . . 28

Picado Exercises . . . . . . . . . . . . . . . . . . . . . . . . 28 

Zapateado Falseta . . . . . . . . . . . . . . . . . . . . . . . 30

Another Zapateado Falseta . . . . . . . . . . . . . . . . 32

A Fast Triplet Ending . . . . . . . . . . . . . . . . . . . . . 33

More Picado Exercises . . . . . . . . . . . . . . . . . . . . 29

Ligado in Taranto . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

The Arrastre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Taranto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Comparing the 4-Stroke, 5-Stroke and 3-Stroke Rasgueos 36

Introduction to the Soleá. . . . . . . . . . . . . . . . . . . . . . 37

Alegrías Escobilla . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

p, i, m Arpegio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Back and Forward Arpegios . . . . . . . . . . . . . . . . . . . 39

Campanela Arpegio . . . . . . . . . . . . . . . . . . . . . . . . . 41

Campanela in Zapateado . . . . . . . . . . . . . . . . . . . . . 42

Arpegios in Farruca . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Continual Rasgueo, Alzapúa . . . . . . . . . . . . . . . . . . . 46

The Triplet Rasgueo . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Rasgueo followed by the Thumb . . . . . . . . . . . . . . . . 48

The Flamenco Trémolo . . . . . . . . . . . . . . . . . . . . . . . 48

Exercises for Trémolo . . . . . . . . . . . . . . . . . . . . . . . . 49

Fandangos por medio (SLOW). . . . . . . . . . . . . . . . . . 50

The Compás of Soleá. . . . . . . . . . . . . . . . . . . . . . . . . 53

Continuing the Rhythm of Soleá . . . . . . . . . . . . . . . . 54

Chords for Soleá de Alcalá . . . . . . . . . . . . . . . . . . . . 55

Adding Interest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Adding Syncopation . . . . . . . . . . . . . . . . . . . . . . . . . 58

Simpler Ritmeo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Transition to Falsetas. . . . . . . . . . . . . . . . . . . . . . . . . 66

Bass-side Golpes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Simple Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Thumb Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Repeated-Note Falseta. . . . . . . . . . . . . . . . . . . . . . . . 71

Arpegio Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Wistful Falseta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Falseta to Open the Fingers. . . . . . . . . . . . . . . . . . . . 76

Another Arpegio Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Picado and Arpegio Falseta . . . . . . . . . . . . . . . . . . . . . . . . 78

Trémolo Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

LA CAÑA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Falseta for La Caña . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Polo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Soleá por medio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

More Soleá por medio. . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Basic Alegrías por arriba. . . . . . . . . . . . . . . . . . . . . . . . . . 98

Chords and Ritmeo for Singer . . . . . . . . . . . . . . . . . . . . . 101

‘A More Advanced Form’ . . . . . . . . . . . . . . . . . . . . . . . . . 102

A Modern Entrada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Subida. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Silencio to Escobilla . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Escobilla . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Transition to Bulerías . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Bulerías Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Bulerías de Cádiz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

The Silencio in the Dance . . . . . . . . . . . . . . . . . . . . . . . . . 116

Falseta A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

An Alternative Ending for Falseta A . . . . . . . . . . . . . . . . . . 121

Falseta B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Trémolo Falseta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Falseta C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Falseta D. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

More Falsetas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Falseta de Niño Ricardo . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Falseta de Ramón Montoya . . . . . . . . . . . . . . . . . . . . . . . . 132

About the Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Juan Martín’s Other Publications . . . . . . . . . . . . . . . . . . . 139