SPARTITI RACCOLTE '70

ROLLING STONE: SELECTIONS FROM THE 100 GREATEST GUITAR SONGS OF ALL TIME. TABLATURE

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E CHITARRA, CON:

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

Rolling Stone: Selections from the 100 Greatest Guitar Songs of All Time

36 Songs That Defined Rock Guitar
Item: 00-32815
UPC: 038081357263
ISBN 10: 0739061488
ISBN 13: 9780739061480
Category: Guitar Mixed Folio
Format: Book
Instrument: Guitar
Version: Authentic Guitar TAB 

Crossroads
Cream,1968
» No. 3 from Rolling Stone Magazine's 100 Greatest Guitar Songs of All Time
Eric Clapton once described Cream's music as "blues ancient and modern." This track is what he meant. He was not yet 23 when he played this high-velocity version of the Robert Johnson song at San Francisco's Winterland on March 10th, 1968. Everything in Clapton's solos is grounded in the blues vocabulary but pointed to the future. "When Clapton soloed, he wrote wonderful symphonies from classic blues licks in that fantastic tone," Little Steven Van Zandt told Rolling Stone in 2004. "You could sing his solos like songs in themselves."
Appears on: Wheels of Fire (Polydor)

Brown Sugar
The Rolling Stones, 1971
» No. 5 from Rolling Stone Magazine's 100 Greatest Guitar Songs of All Time
“Satisfaction" may be the Rolling Stones' most recognizable riff, but this Sticky Fingers hit – based on a gutbucket guitar part devised by Mick Jagger – is the band's raunchy guitar pinnacle. Keith Richards' secret weapon: He's playing a guitar that's missing its lowest string.
Appears on: Sticky Fingers (Virgin)

Eruption
Van Halen, 1978
» No. 6 from Rolling Stone Magazine's 100 Greatest Guitar Songs of All Time
Eddie Van Halen's 102-second mission statement was a piece he invented onstage: a solo showcase for his mastery of tone and technique, notably the rush of notes he produced with his fretboard tapping. An army of teens would try to duplicate it, emerging years later in every metal band of the Eighties.
Appears on: Van Halen (Warner Bros.)
(Music appears on page)

Stairway to Heaven
Led Zeppelin, 1971
» No. 8 from Rolling Stone Magazine's 100 Greatest Guitar Songs of All Time
"Stairway," Jimmy Page told RS in 1975, "crystallized the essence of the band." It's a masterpiece of dramatic ascension: Page's acoustic picking rising into chiming chords, which introduce the solo, a brilliant succession of phrases that steadily move toward rock& roll ecstasy.
Appears on: Led Zeppelin IV (Atlantic)
(Music appears on page )

Statesboro Blues
The Allman Brothers Band, 1971
» No.9 from Rolling Stone Magazine's 100 Greatest Guitar Songs of All Time
In 1968, Gregg Allman went to visit his older brother, Duane, on his 22nd birthday. Duane was sick in bed, so Gregg brought along a bottle of Coricidin pills for his fever and the debut album by guitarist Taj Mahal as a gift. "About two hours after I left, my phone rang," Gregg remembers. " 'Baby brother, baby brother, get over here now!' " When Gregg got there, Duane had poured the pills out of the bottle, washed off the label and was using it as a slide to play "Statesboro Blues," the old Blind Willie McTellsong that Taj Mahal covered. Duane had never played slide before, says Gregg, but "he just picked it up and started bumin'. He was a natural." The song quickly became a part of the Allman Brothers Band's repertoire, and Duane's slide guitar became crucial to their sound. "Statesboro Blues" was the opening track on their legendary 1971 live double album, At Fillmore East, and ever since, the moaning and squealing opening licks have given fans chills at live shows. "It wasn't something that Duane would play the same way every night," says current Allmans guitarist Warren Haynes, one of many guitarists who have filled Duane's shoes since he died in late 1971. "But in all of our heads, that's the way it goes." There's one thing the current band doesn't try to replicate from the Fillmore East performance: At the end of Duane's sublime "Statesboro" solo, the guitarist hits an off-key note that Gregg calls the "note from hell." "He left it in because he knew I hated it," says Gregg, claiming that the mistake only adds to the song's legend. "It was live. It was something that happened."
Appears on: At Fillmore East (Island/Mercury)
(Music appears on page )

Whole Lotta Love
Led Zeppelin, 1969
» No. 11 from Rolling Stone Magazine's 100 Greatest Guitar Songs of All Time
This thundering rewrite of Muddy Waters' "You Need Love" showcased three of Jimmy Page's specialties: primal, monomaniacal riffs; innovative production; and solos with the savage mastery he'd developed as a top-flight session musician in the pre-Zeppel years.
Appears on: Led Zeppelin II /(Atlantic)
(Music appears on page )

Layla
Derek and the Dominos, 1970
» No. 13 from Rolling Stone" Magazine's 100 Greatest Guitar Songs ofAll Time
"I didn't do it - it was Duane," Eric Clapton said, laughing, in 1988. Guest guitarist Duane Allman
created one of rock's most exciting and memorable licks, pinching the vocal line from Albert King's "As the Years Go Passing By"and speeding it up. App~ars on: Layla and Oth~r Assorted Love Songs (Polydor)
(Music appears on page )

My Generation
The Who, 1965
» No. 15 from Rolling Stone" Magazine's 100 Greatest Guitar Songs ofAll Time
Before smashing guitars was a cliche, it was a shock, and The Who's signature song was one shock after another, from Pete Townshend's pile-driving two-chord riff to his sudden disappearance while bassist John Entwistle solos to the glitchy feedback that ends the original recording.
Appears on: My Generation (Geffen)
(Music appears on page )

Black Sabbath
Black Sabbath, 1970
» No. 17 from Rolling Stone" Magazine's 100 Greatest Guitar Songs ofAll Time
Tony Iommi invented heavy-metal guitar out of necessity: He'd lost two fingertips on his fretting hand, and he used thimbles and dropped tunings to make playing easier. His crawling, dissonant riff (also called "the devil's chord") became the basis of thousands of metal songs.
Appears on: Black Sabbath (Warner Bros.)
(Music appears on page )

Blitzlaieg Bop
Ramones, 1976
» No. 18 from Rolling Stone" Magazine's 100 Greatest Guitar Songs ofAll Time
There's no guitar solo, because guitarist Johnny Ramone hated solos. But his down-stroke barre chords were fat with Dick Dale's twang and Bo Diddley's strumming. Joey Ramone once said that in Johnny's guitar, he heard organ, piano and other instruments that weren't really there.
Appears on: Ramones (Rhino)
(Music appears on page )

People Get Ready
The Impressions, 1965
» No. 20 from Rolling Stone" Magazine's 100 Greatest Guitar Songs of All Time
Curtis Mayfield's deepest civil rights anthem is powered by his eloquent open-tuned guitar-playing: The backbeat echoed the new sounds coming out of Jamaica, and the subtle, fluid solo spirals are as expressive as his singing. Bob Marley later synthesized it with "One Love."
Appears on: Ultimate Collection (Hip-O)
(Music appears on page )

Can't You Hear Me Knocking
The Rolling Stones, 1971
» No. 25 from Rolling Stone" Magazine's 100 Greatest Guitar Songs ofAll Time
The fist-on-your-door riff was classic Keith Richards, while the solo showed Mick Taylor's disciplined touch. "Mick was so lyrical on songs like 'Knocking,' " Charlie Watts has said, noting his love of the song's long instrumental coda. "That was a complete jam, one take at the end."
Appears on: Sticky Fingers (Virgin)
(Music appears on page )

Back in Black
AC/DC, 1980
» No. 29 from Rolling Stone" Magazine's 100 Greatest Guitar Songs of All Time
Angus and Malcolm Young's dual-guitar masterpiece is the platonic ideal of hard rock. The bridge alone is heavier than most axmen ever manage, and the riff is instantly recognizable: "Black"has been covered by everyone from Living Colour to Shakira, and sampled by the Beastie Boys and Eminem.
Appears on: Back in Black (Epic)
(Music appears on page )

Sweet Child 0' Mine
Guns n' Roses, 1987
»No. 63 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
Slash was sitting on the floor in Guns n' Roses' squalid East Hollywood house sometime in 1986 when he started fooling around with a chiming, circular melody. "It was an interesting sort of pattern," Slash says. "But Jesus Christ, I never thought it was going to become a song." As he kept playing, fellow G n' R guitarist Izzy Stradlin joined in, playing a simple chord progression. They didn't realize that Ax}Rose was listening in from upstairs - and writing lyrics. At rehearsal the next day, the band hashed out what would become "Sweet Child" - over the objections of Slash, who was convinced that the music was too lightweight for what he saw as a "thrash band," But he relented, and soon came up with the lyrical, multisectioned solo that ended up on the finished song. "It's a combination of influences," Slash says. "From Jeff Beck, Cream and Zeppelin to stuff you'd be surprised at: the solos in Manfred Mann's version of 'Blinded by the Light' and Gerry Rafferty's 'Baker Street.''' Despite the solo's complexity, it was the song's precise intro that proved challenging onstage. "It's easy now, but it was very daunting in the early days," Slash says. "Especially because I drank exorbitant amounts of alcohol and had other chemical things going on. I hated playing that song for years."
Appears on: Appetite for Destruction (Geffen)
(Music appears on page)

Adam Raised a Cain
Bruce Springsteen, 1978
»No. 67 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
Before he was known as a songwriter, Springsteen was the fastest guitar player in Asbury Park. And in this bluesy hard-rock blast, he lets those chops loose again, pushing the E Street Band to garage-land with the angriest lead guitar on record.
Appears on: Darkness on the Edge of Town (Columbia)
(Music appears on page 10)

Money
Pink Floyd, 1973
»No. 69 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
David Gilmour hangs back for the first three minutes of this definitive Floyd rocker, which started as an acoustic blues song in rehearsals. Then the song shifts from a 7/4 stomp into straight time, and he delivers a rampaging freakout, ending up on notes so high most guitars don't even reach them.
Appears on: Dark Side of the Moon (Capitol)
(Music appears on page)

Summertime Blues
Blue Cheer, 1968
» No. 73 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
This power trio's cover of Eddie Cochran's classic was their only hit, sometimes called the first heavy-metal record. It's a showcase for the massive roar of Leigh Stephens' guitar, so fuzzed-up it scrapes like steel wool, dragging the rockabilly riff through the dust.
Appears on: Vincebus Eruptum (Island/Mercury)

Beat It
Michael Jackson, 1982
» No. 81 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
There had never been a soul hit with as much heavy guitar as this or a heavy-metal hit with as much soul. Paul Jackson Jr. and Steve Lukather play the menacing riff, but Eddie Van Halen's speed-shred solo is the coup de grace. Van Halen says producer Quincy Jones' only advice was "go be yourself."
Appears on: Thriller (Epic)

How Soon Is Now?
The Smiths, 1985
» No. 90 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Trm<
Trading guitarist Johnny Marr's spidery technique for a sobbing oscillation on a few extended chords and a tone-bending wail that sounds like the world racingby, this song became a club standard, opening the passageways between underground rock and dance music.
Appears on: Meat Is Murder (Sire) (Music appears on page )

Memo From Turner
Mick Jagger, 1970
» No. 92 from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of AllTrmtt
Guitar virtuoso Ry Cooder, who played on the Stones' Let It Bleed, accused Keith Richards of stealing his open-G tuning technique on singles like "Jumpin' Jack Flash" and "Gimme Shelter." Cooder's jittery slide guitar defines Jagger's first solo recording, which was written for his film role as a decadent rock star in 1970's Performance.
Appears on: The Very Best of Mick Jagger (Rhino)
(Music appears on page )

WhiteRoom
Cream, 1968
» No. 55from Rolling Stone"' Magazine's 100 Greatest Guitar Songs of All Time
The first rock supergroup, Cream gave Jack Bruce and Ginger Baker as much playas Eric Clapton, but Clapton's unrelenting wah-wah cascade signs his name in foot-high letters over the song. Along with Jimi Hendrix's "Voodoo Child (Slight Return)," it made that pedal the sound of '68 psychedelia. Appears on: Wheels of Fire (Polydor) (Music appears on page 246)

Eight Miles High
The Byrds, 1966
» No. 56from Rolling Stone"' Magazine's 100 Greatest Guitar Songs of All Time
Roger McGuinn's chiming 12-string solos helped to mold Sixties rock. But what he was inspired by here wasn't rock at all: Indian classical music and saxophonist John Coltrane's explorations of single
chords and phrases. McGuinn said his guitar "breathes like a wind instrument."
Appears on: The Byrds Greatest Hits (Columbia/Legacy)
(Music appears on page 80)

Dark Star
Grateful Dead, 1969
» No. 57from Rolling Stone"' Magazine's 100 Greatest Guitar Songs of All Time
Considered the Dead's greatest live track, this definitive near-half-hour version from an acid-soaked Fillmore West show is Jerry Garcia at his spaciest and most exploratory. Framed by Bob Weir and Phil Lesh, Garcia's free-form improvisation is the song's "nightfall of diamonds" come to life. Appears on: Live/Dead (Rhino) (Music appears on page 76)

Rumble
Link Wray, 1958
» No. 58from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
In 1958, guitar distortion and power chords were virtually unheard of, but Wray stabbed a pencil through his amplifier to make it sound nastier, dragged his pick like a switchblade, and got this blues riff banned by radio stations as an incitement to violence. Not bad for
an instrumental. Appears on: Rumble! The Best of Link Wray (Rhino)
(Music appears on page 186)

Freeway Jam
Jeff Beck, 1975
» No. 59from Rolling Stone'" Magazine's 100 Greatest Guitar Songs of All Time
After years of leading bands with vocalists, Beck proved he is his own best singer. There's a howling quality to his string-bending in this brisk funk. "There were thousands of guitarists playing with their Les Pauls cranked up bloody blaring loud," he later told RS. "I needed to try something new." Appears on: Blow by Blow (Epic) (Music appears on page 90)

Soul Man
Sam and Dave, 1967
» No. 61from Rolling Stone"' Magazine's 100 Greatest Guitar Songs of All Time
"Play it, Steve!" shouts Sam Moore - he's calling out to Steve Cropper, the genius who powered Stax Records' house band. Cropper's fluttering, high-end riffs provide the song's rhythmic mojo, and his squealing fills (for which he used a cigarette lighter in lieu of an actual slide) are its third singing voice. Appears on: Soul Men (Rhino) (Music appears on page 179)

- Adam Raised a Cain, Bruce Springsteen 

- Back in Black, AC/DC

-Beat It, Michael Jackson Van Halen

-Black Magic Woman/Gypsy Queen, Santana

-Black Sabbath, Black Sabbath

-Blitzkrieg Bop, Ramones

-Brown Sugar, The Rolling Stones

-Can’t You Hear Me Knocking, The Rolling Stones

-Crossroads, Cream

-Dark Star, Grateful Dead

-Eight Miles High, The Byrds

-Eruption, Van Halen

-Freeway Jam, Jeff Beck

-How Soon Is Now? The Smiths

-I Can See for Miles, The Who

-Layla, Derek and the Dominos

-London Calling, The Clash

-Memo from Turner, Mick Jagger

-Money, Pink Floyd

-My Generation, The Who

-My Iron Lung, Radiohead

-Panama, Van Halen 

-People Get Ready, The Impressions

-(We’re Gonna) Rock Around the Clock, Bill Haley and His Comets

-Rumble, Link Wray - Words and Music: Link Wray, Milton Grant - 1958

-Soul Man, Sam and Dave

-Stairway to Heaven, Led Zeppelin - Words and Music: Jimmy Page, Robert Plant - 1997

-Statesboro Blues, The Allman Brothers Band - Words and Music: Will McTell - 1929

-Stay with Me, The Faces - Words and Music: Ron Wood, Rod Stewart - 1972 

-Summertime Blues, Blue Cheer - Words and Music: Eddie Cochran, Jerry Capehart - 1958

-Sweet Child O’ Mine, Guns n’ Roses - Words and Music: Steven Adler, Saul Hudson, Duff McKagan, W. Axl Rose, Izzy Stradlin - 1987

-That’s All Right, Elvis Presley - Arthur Crudup - 1947

-White Room, Cream - Words and Music: Jack Bruce, Peter Brown - 1968

-Whole Lotta Love, Led Zeppelin - Words and Music: Jimmy Page, Robert Plant, John Paul Jones, John Bonham, Willie Dixon - 1969

SELECTIONS FROM ROLLING STONE MAGAZINE'S 500 GREATEST SONGS OF ALL TIME: CLASSIC ROCK TO MODERN ROCK, 67 SONGS! TAB.

SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

67 Songs!
344 pages

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE.  

Sixty-seven of the best songs of the rock era, all chosen from Rolling Stone® magazine's "500 Greatest Songs of All Time." The book covers 67 classic songs spanning the classic rock era to the modern rock era all arranged to include all important guitar parts and yet remain easily playable.

Songs Include: Alison * Another Brick in the Wall Part 2 * Back in Black * Bad Moon Rising * Beat It * Billie Jean * Bitter Sweet Symphony * Bizarre Love Triangle * Black Dog * Blitzkrieg Bop * Born in the U.S.A. * Born to Run * The Boys of Summer * Brown Sugar * Come Together * Comfortably Numb * Fake Plastic Trees * Family Affair * Fast Car * Get Up (I Feel Like Being a) Sex Machine * Gimme Shelter * Go Your Own Way * God Save the Queen * Good Times * Graceland * Heartbreaker * Highway to Hell * Hotel California * I Wanna Be Sedated * Into the Mystic * Iron Man * Kashmir * Knocking on Heaven's Door * Layla * Like a Prayer * Lola * London Calling * Losing My Religion * Lust for Life * Maggie May * Moondance * No Woman, No Cry * Paradise City * Paranoid * Paranoid Android * (What's So Funny 'Bout) Peace Love and Understanding? * Personality Crisis * Radio Free Europe * (Don’t Fear) the Reaper * Respect * Sheena Is a Punk Rocker * Should I Stay or Should I Go * Spirit in the Sky * Stairway to Heaven * Stayin’ Alive * Sweet Child O' Mine * Tangled Up in Blue * Thank You (Falettinme Be Mice Elf Agin) * Thunder Road * Walk on the Wild Side * Welcome to the Jungle * What’s Going On * Whipping Post * Whole Lotta Love * Wild Horses * Wish You Were Here * You Can't Always Get What You Want.

TITLE COMPOSER

Radio Free Europe William T. Berry (composer); Michael Stipe (composer); Peter Buck (composer); Michael Mills (composer)

Personality Crisis David Johansen (composer); Johnny Thunders (composer)

You Can't Always Get What You Want Mick Jagger (composer); Keith Richards (composer)

Born in the U.S.A. Bruce Springsteen (composer)

What's Going On Marvin Gaye (composer); Al Cleveland (composer); Renaldo Benson (composer)

Whipping Post Gregg Allman (composer)

Lola Ray Davies (composer)

Get Up I Feel Like Being Like a Sex Machine James Brown (composer); Bobby Byrd (composer); Ronald Lenhoff (composer)

Stayin' Alive (from "Saturday Night Fever") Barry Gibb (composer); Robin Gibb (composer); Maurice Gibb (composer)

Whole Lotta Love Jimmy Page (composer); John Bonham (composer); Willie Dixon (composer); Robert Plant (composer); John Paul Jones (composer)

Knockin' on Heaven's Door Bob Dylan (composer)

Heartbreaker Jimmy Page (composer); John Bonham (composer); Robert Plant (composer); John Paul Jones (composer)

Go Your Own Way Lindsey Buckingham (composer)

Don't Fear the Reaper Donald Roeser (composer)

Tangled Up in Blue Bob Dylan (composer)

Respect Otis Redding (composer)

Paranoid William E. Ward (composer); Terence Butler (composer); John Osbourne (composer); Frank Iommi (composer)

Bad Moon Rising John Fogerty (composer)

Alison Elvis Costello (composer)

Walk on the Wild Side Lou Reed (composer)

No Woman No Cry Vincent Ford (composer)

Wild Horses Mick Jagger (composer); Keith Richards (composer)

Bitter Sweet Symphony Mick Jagger (composer); Richard Ashcroft (composer); Keith Richards (composer)

Highway to Hell Angus Young (composer); Malcolm Young (composer); Bon Scott (composer)

God Save the Queen Paul Cook (composer); John Lydon (a/k/a Johnny Rotten) (composer); Steve Jones (composer); Glen Matlock (composer)

Blitzkrieg Bop Douglas Colvin (a/k/a Dee Dee Ramone) (composer); John Cummings (a/k/a Johnny Ramone) (composer); Thomas Erdelyi (a/k/a Tommy Ramone) (composer); Jeffrey Hyman (a/k/a Joey Ramone) (composer)

I Wanna Be Sedated Douglas Colvin (a/k/a Dee Dee Ramone) (composer); John Cummings (a/k/a Johnny Ramone) (composer); Jeffrey Hyman (a/k/a Joey Ramone) (composer)

Sheena Is a Punk Rocker Douglas Colvin (a/k/a Dee Dee Ramone) (composer); John Cummings (a/k/a Johnny Ramone) (composer); Thomas Erdelyi (a/k/a Tommy Ramone) (composer); Jeffrey Hyman (a/k/a Joey Ramone) (composer)

London Calling The Clash (contributor); Joe Strummer (composer); Mick Jones (composer)

Good Times Nile Rodgers (composer); Bernard Edwards (composer)

Family Affair Sylvester Stewart (a/k/a Sly Stone) (composer)

Thank You (Falletin' Me Be Mice Elf Again) Sylvester Stewart (a/k/a Sly Stone) (composer)

Moondance Van Morrison (composer)

Into the Mystic Van Morrison (composer)

Billie Jean Michael Jackson (composer)

Beat It Michael Jackson (composer)

Hotel California Glenn Frey (composer); Don Henley (composer); Don Felder (composer)

Black Dog Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)

Stairway to Heaven Jimmy Page (composer); Robert Plant (composer)

Iron Man William E. Ward (composer); Terence Butler (composer); John Osbourne (composer); Frank Iommi (composer)

Spirit in the Sky Norman Greenbaum (composer)

Comfortably Numb David Gilmour (composer); Roger Waters (composer)

Wish You Were Here David Gilmour (composer); Roger Waters (composer)

Another Brick in the Wall (Part 2) Roger Waters (composer)

Paradise City Duff McKagan (composer); W. Axl Rose (composer); Izzy Stradlin (composer); Steven Adler (composer); Saul Hudson (composer)

Sweet Child o' Mine Duff McKagan (composer); W. Axl Rose (composer); Izzy Stradlin (composer); Steven Adler (composer); Saul Hudson (composer)

Fast Car Tracy Chapman (composer)

Welcome to the Jungle Duff McKagan (composer); W. Axl Rose (composer); Slash (composer); Izzy Stradlin (composer); Steven Adler (composer)

Paranoid Android Thomas Yorke (composer); Edward O'Brien (composer); Jonathan Greenwood (composer); Colin Greenwood (composer); Philip Selway (composer)

Lust for Life David Bowie (composer); Iggy Pop (composer)

Gimme Shelter Mick Jagger (composer); Keith Richards (composer)

Should I Stay or Should I Go Mick Jones (composer); Joe Strummer (composer)

Layla Eric Clapton (composer); Jim Gordon (composer)

Bizarre Love Triangle Stephen Morris (composer); Peter Hook (composer); Bernard Sumner (composer); Gillian Gilbert (composer)

Back in Black Brian Johnson (composer); Angus Young (composer); Malcolm Young (composer)

Fake Plastic Trees Thomas Yorke (composer); Edward O'Brien (composer); Jonathan Greenwood (composer); Colin Greenwood (composer); Philip Selway (composer)

(What's So Funny 'Bout) Peace, Love and Understanding Nick Lowe (composer)

Kashmir Jimmy Page (composer); John Bonham (composer); Robert Plant (composer)

Losing My Religion William T. Berry (composer); Michael Stipe (composer); Peter Buck (composer); Michael Mills (composer)

Graceland Paul Simon (composer)

Come Together John Lennon (composer); Paul McCartney (composer)

Maggie May Rod Stewart (composer); Martin Quittenton (composer)

Like a Prayer Madonna Ciccone (composer); Pat Leonard (composer)

Brown Sugar Mick Jagger (composer); Keith Richards (composer)

The Boys of Summer Don Henley (composer); Mike Campbell (composer)

Born to Run Bruce Springsteen (composer)

Thunder Road Bruce Springsteen (composer)

Respect Otis Redding (composer)

PROGRESSIVE ROCK GUITAR. By GLENN RILEY. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO METODO PER CHITARRA, DI MUSICA ROCK CON CD . 

SPARTITI, PENTAGRAMMA, TABLATURE . 

CATEGORY: GUITAR METHOD OR SUPPLEMENT
FORMAT: BOOK & CD

FROM THE SECOND HALF OF THE 20TH CENTURY INTO THE NEW MILLENIUM, SOME BANDS HAVE STRETCHED THE LIMITS OF ROCK. THE GREAT PROGRESSIVE ROCK ARTISTS OF THE WORLD SUCH AS YES, KIM CRIMSON, QUEENSRYCHE, DREAM THEATER, AND SYMPHONY X HAVE EXPANDED THE POSSIBILITIES, EXPLORING ELEMENTS OF CLASSICAL, JAZZ AND OTHER STYLES WHILE MAINTAINING THE EXCITEMENT AND EDGE OF ROCK. THIS BOOK PROVIDES A LOOK AT THE INNER WORKINGS OF THIS MUSIC, PROVIDING THE TOOLS AND INSPIRATION YOU NEED TO CREATE YOUR OWN PROGRESSIVE ROCK SOUND. YOU'LL LEARN FASCINATING CHORDS, ODD TIME SIGNATURES, METRIC AND HARMONIC MODULATIONS, EXOTIC SCALES AND ADVANCED GUITAR SOLOING CONCEPTS.
FINALLY, HERE IS GUIDANCE FOR THE GUITARIST WHO'S READY TO RISE ABOVE AND BEYOND THE CONFINES OF SIMPLE ROCK 'N' ROLL AND PUSH THE BOUNDARIES WHERE FEW DARE TO GO. THE CD DEMONSTRATES THE EXAMPLES IN THE BOOK. 96 PAGES.

Welcome to Progressive Rock Guitar. This book is designed to open up a world of music and guitar technique that goes beyond the normal boundaries of rock. It covers a variety of areas in progressive rock guitar playing including chords and chord progressions, odd meter and syncopated rhythm, scales and soloing strategies and how to put it all together. This book assumes you have a solid knowledge of music notation and! or tablature, major and minor pentatonic scales, modes of the major scale, basic theory such as diatonic harmony and chord construction, lead guitar techniques such as sweep picking, legato and so on. Books such as The Guitar Technique Encyclopedia and Theory for the Contemporary Guitarist would be good companions to this one. Many prog rock guitarists use an assortment of guitar tones. To perform many of the examples in this book, either (or both) a clean or a distorted guitar tone is required. Use an amplifier that can provide both clean and distorted tones with a footswitch, or set your amp to a clean sound and use a distortion effect pedal. Most of the etudes require you switch from one sound to the other while playing. Having the right amp set-up will help you do so. Most progressive rock music is composed, then memorized and performed by the artists. While being able to read the examples is important, you will need to memorize most of the etudes to play them fluently. The CD that accompanies this book has all the examples along with backing tracks for jamming. Progressive rock (often called "art rock") is based on experimentation. It borrows heavily from other styles of music-such as classical, jazz, blues and fusion-to make a "musical goulash." Progressive rock emerged in the late 1960s with acts such as King Crimson, Yes, Iron Butterfly and Jethro Tull, who paved the way for many prog rockers to come. These groups composed epic-length pieces of music with themed lyrical concepts and extended solos, while experimenting (and breaking rules) in the areas of harmony and rhythm. These extensive, artistic musical sculptures found little radio play, but developed a cult-like following. Prog rock groups such as Rush, Kansas and Genesis moved forward in the 1970s and '80s and found more commercial success than their predecessors. The music of many heavy metal bands, such as Queensryche and Fates Warning, had a progressive edge. Progressive solo artists such as Joe Satriani and Yngwie Malmsteen, all with unique voices, also emerged in the 1980s. The 1990s and the new millennium found bands such as Dream Theater and Spock's Beard spearheading a "neo progressive" movement. These bands go about finding new ways to go beyond the old limits and progress along musical pathways that have no boundaries. I hope you do the same.

TABLE OF CONTENTS

About the Author .

Introduction 

Chapter 1-Prog Chords 

Inverted Power Chords 

Power Chords with Open Strings 

Power Chords with Extensions 

Triads 

Suspended Chords 

Add9 Chords 

Add #11 Chords 

Add 11 Chords 

7sus4 Chords 

Chapter 2- 4/4 Rhythms 

Eighth-Note Rhythms 

Sixteenth-Note Rhythms 

Eighth-Note Triplet Rhythms 

Combining Rhythms 

The 4/4 Etude 

Chapter 3-0dd Time Signatures

3/4 Rhythms 

5/4 Rhythms 

7/4 Rhythms 

7/8 Rhythms

5/4 Rhythms 

11/8 Rhythms 

Chapter 4-Metric Modulation 

Unstructured Chaos in Arpeggio Land

Math Metal Etude 

Chapter 5-Chord Progressions .

Progressions Over Static Bass Lines .

Progressions With Moving Bass Lines 

Single-Note Riffing 

Single-Note Riffing Etude 

Other Harmonic Concepts 

The Chord Prog Etude 

Chapter 6-Exploring Scales

The Harmonic Minor Scale

Te Phyrgian Dominant Mode

The Jazz Minor Scale

The Lydian b7Mode

The Whole-Tone Scale

The Diminished Whole/Half Scale

The Diminished Half/Whole Scale

The Chromatic Scale

Chapter 7-Prog Rock Soloing

Phrasing Concepts

Phrase Daze Etude

Octave Displacement

Gotta Get Outta Dis Place Blues

Soloing Over Odd Time Signatures

Lucky 7

Five on the Half Shell

Odd Time For a Solo

Soloing Over Static Chords and Bass Notes

Static Groove

Soloing Over Non-Diatonic Chords

See the Light

Out to Lunch

New Horizon

Painting an Invisible Picture

Progressive Pentatonic Concepts

ii-iii-vi Etude

Colors and Resolving/Outside and Inside

A Spectrum of Color

Chapter 8-Monster Etude

The Prog Monster Etude

Final Thoughts/ Suggested Listening

A compact disc is included with this book. The symbol shown at the left appears next to every example that is on the CD. Use the CD to help ensure that you're capturing the feel of the examples and interpreting the rhythms correctly. The numeral below the symbol corresponds directly to the CD track number. Track 1 will help ou tune our guitar to the CD.

44 ECLECTIC HITS FOR CLASSIC ROCK GUITAR. Annie's Song performed by John Denver -Bad Company performed by Bad Company -Born To Run performed by Bruce Springsteen -Box of Rain performed by Gratefull Dead -Bridge Over Troubled Water performed by Simon & Garfunkel -Carefree Highway performed by Gordon Lightfoot -Casey Jones performed by Grateful Dead -Cat's In The Cradle performed by Harry Chapin -The Chain performed by Fleetwood Mac -Cinnamon Girl performed by Neil Young -Crazy Love performed by Van Morrisson -Day After Day performed by Badfinger -Domino performed by Van Morrisson -Don't Let The Sun Go Down On Me performed by Elton John -Fell Like Makin' Love performed by Bad Company -Fly Away performed by John Denver -For What It's Worth performed by The Buffalo Springfield -Forever Young performed by Bob Dylan -Fortunuate Son performed by Creedence Clearwater Revival -Firend of the Devil performed by Grateful Dead -Heart of Gold performed by Neil Young -Helpless performed by Neil Young -Hotel California performed by Eagles -I've Gotta Get A Message To You performed by Bee Gees -I Started A Joke performed by Bee Gees -I'll Have To Say I Love You In A Song performed by Jim Croce -If You Could Read My Mind performed by Gordon Lightfoot -A Love Song performed by Loggins & Messina -Moondance performed by Van Morrisson -Never Going back Again performed by Fleetwood Mac -No Matter What performed by Badfinger -Old Man performed by Neil Young -The Road performed by Jackson Browne -Rock & Roll Band performed by Boston -Rocky Mountain High performed by John Denver -Roundabout performed by Yes -Shelter from the Storm performed by Bob Dylan -Sister Golden Hair performed by America -Southern Man performed by Neil Young -Take It Easy performed by Eagles -Time In A Bottle performed by Jim Croce -Uncle John's Band performed by Grateful Dead -Winter Song performed by Harry Chapin -Woodstock performed by Crosby, Stills, Nash, & Young. TAB.

Authentic Guitar-Tab Editions. 260 pages

POP/ROCK, Guitar Chord Songbook. 80 canzoni: Against All Odds -All I Wanna Do -Angie -Closer to Free -Come Sail Away -Drops of Jupiter (Tell Me) -Every Breath You Take -Give a Little Bit -Hard Habit to Break -Heartache Tonight -Hurts So Good -I Want You to Want Me -I Will Remember You -I'll Be -Imagine -Iris -Learning to Fly -More Than Words -Mr. Jones -Push -Smooth -So Far Away -Summer of '69 -Superman (It's Not Easy) -Time After Time -Torn -What I Like About You -Wheel in the Sky -Wonderful Tonight, e altre. Parole e accordi, 258 pagine.

Guitar Chord Songbook
Series: Guitar Chord Songbook
Artist: Various

Includes the chords and lyrics to 80 chart hits, 258 pages

Against All Odds (Take A Look At Me Now)
All I Wanna Do
All Out Of Love
Alone
Angie
Best Of My Love
Borderline
Closer To Free
Come Sail Away
Crazy Little Thing Called Love
Don't Let The Sun Go Down On Me
Dreamer
Dreams
Drops Of Jupiter (Tell Me)
867-5309/Jenny
Every Breath You Take
Fooling Yourself (The Angry Young Man)
Give A Little Bit
Give Me One Reason
Glory Of Love
Hard Habit To Break
Heart And Soul
Heartache Tonight
Heaven
Heroes
Honesty
Hurts So Good
I Fought The Law
I Want You To Want Me
I Will Buy You A New Life
I Will Remember You
I'll Be
I'm The Only One
If I Ever Lose My Faith In You
If You Leave Me Now
Imagine
Iris
Jack And Diane
Joy To The World
Kokomo
Learning To Fly
Let It Be
Looks Like We Made It
Love Of A Lifetime
Missing You
More Than Words
Mr. Jones
No Rain
One More Night
Only Wanna Be With You
Push
Rainy Days And Mondays
R.O.C.K. In The U.S.A. (A Salute To 60's Rock)
Run Around
Runnin' Down A Dream
She's Always A Woman
Show Me The Way
Smooth
So Far Away
Somebody To Love
Sorry Seems To Be The Hardest Word
Summer Of '69
Superman (It's Not Easy)
Surrender
Thirty Days In The Hole
Time After Time
Time For Me To Fly
To Be With You
Torn
Twist And Shout
Walking In Memphis
What I Like About You
Wheel In The Sky
Wherever You Will Go
Wonderful Tonight
Working For The Weekend
You Are So Beautiful
You're In My Heart
You're The Inspiration
You've Got A Friend