BERKLEE LABS

BERKLEE PRACTICE METHOD BASS CD TABLATURE JOHN REPUCCI GET YOUR BAND TOGETHER comping-improvisation-rhythm

BERKLEE PRACTICE METHOD: BASS. GET YOUR BAND TOGETHER. CD TABLATURE

Berklee Practice Method: Bass
Series: Berklee Methods
Publisher: Berklee Press Publications
Format: Softcover with CD - TAB
Author: John Repucci
Author: Rich Appleman

Make your band better, or prepare yourself to join one! This sensational series lets you improve your intuitive sense of timing and improvisation, develop your technique and reading ability, and master your role in the groove. Play along with a Berklee faculty band on the accompanying CD, then play with your own band!

Inventory #HL 50449427
ISBN: 9780634006500
UPC: 073999494273
Width: 9.0"
Length: 12.0"
176 pages

 

Foreword
Berklee College of Music has been training musicians for over fifty years. Our graduates go onto successful careers in the music business, and many have found their way to the very top of the industry, producing hit records, receiving the highest awards, and sharing their music with millions of people.
An important reason why Berklee is so successful is that our curriculum stresses the practical application of musical principles. Our students spend a lot of time playing together in bands. When you play with other musicians, you learn things that are impossible to learn in any other way. Teachers are invaluable, practicing by yourself is critical, but performing in a band is the most valuable experience of all. That's what is so special about this series: it gives you the theory you need, but also prepares you to play in a band.
The goal of the Berklee Practice Method is to present some of Berklee's teaching strategies in book and audio form. The chairs of each of our instrumental departments-guitar, bass, keyboard, percussion, woodwind, brass, string, and voice-have gotten together and discussed the best ways to teach you how to play in a band.
They teamed with some of our best faculty and produced a set of books with play-along audio tracks that uniquely prepares its readers to play with other musicians.
Students who want to study at Berklee come from a variety of backgrounds. Some have great technique, but have never improvised. Some have incredible ears, but need more work on their reading skills. Some have a very creative, intuitive sense of music, but their technical skills aren't strong enough, yet, to articulate their ideas.
The Berklee Practice Method teaches many of these different aspects of musicianship. It is the material that
our faculty wishes all Berklee freshmen could master before arriving on our doorstep.
When you work through this book, don't just read it. You've got to play through every example, along with the recording. Better yet, play them with your own band.
Playing music with other people is how you will learn the most. This series will help you master the skills you need to become a creative, expressive, and supportive musician that anyone would want to have in their band.
Gary Burton
Executive Vice President,
Berklee College of Music


Preface
Thank you for choosing the Berklee Practice Method for bass. This book/CD package, developed by the faculty of Berklee College of Music, is part of the Berklee Practice Method series-the instrumental method that teaches how to play in a band.
The recording included with this method provides an instant band you can play along with, featuring great players from Berklee's performance faculty. Each tune has exercises and practice tracks that will help prepare you to play it. Rock, blues, and funk are just some of the styles you will perform.
The lessons in this book will guide you through developing reading skills and playing basic grooves, walking bass lines, and other standard bass techniques. This book is for bass players who are just beginning lessons with their teacher, though players learning on their own will also find it invaluable. You should have some knowledge of fingering on the low part of the neck and a sense for how to play the bass notes. These are reviewed in the "Basics" chapter.
Most importantly, you will learn the skills you need to play bass in a band. Play along with the recording, and play with your friends. This series coordinates methods for many different instruments, and all are based on the same tunes, in the same keys. If you know a drummer, guitarist, hom player, etc., have them pick up the Berklee Practice Method for their own instruments, and then you can jam together.
Work hard, make music, have fun!
Rich Appleman
Chair of the Bass Department
Berklee College of Music
John Repucci
Assistant Chair of the Bass Department
Berklee College of Music

 

This series coordinates methods for many different
instruments, and all are based on the same tunes, in the same
keys. !fyou know a guitarist, drummer, keyboardist, vocalist,
horn player, etc., have them pick up the Berklee Practice
method for their own instrument, and jam together!

Lessons throughout this book guide you through playing basic
grooves, walking bass lines, and other standard bass
techniques. Daily practice routines are designed for practicing
by yourself or with other musicians. The accompanying CD
features outstanding Berklee players and covers a variety of
styles including rock, funk, jazz, blues, swing, and bossa nova.

Get Your Band Together
This is the first-ever method that teaches you how to play in a
rock band. learn what all the great musicians seem to know
intuitively-how to listen, interact and respond, improvise, and
become part of the groove. The book and play-along CDwill help
improve your timing, technique, and reading ability. Become the
great player that everyone wants to have in their band.

Topics include:
• learning by ear
• theory and technique
• rhythmic interpretation
• improvisation
• comping
• reading
• song form
• interpreting lead sheets

"THE BEST WAY TO LAUNCH YOUR PLAYING TO THE NEXT LEVEL IS BY PERFORMING REAL TUNES WITH SEASONED MUSICIANS. THIS BOOK/CD COMBO PROVIDES THAT KIND OF EXPERIENCE FOR ASPIRING BASSISTS, ALONG WITH A TREASURY OF MUSIC-THEORY KNOWLEDGE AND PRACTICAL INSIGHTS."
RICHARD JOHNSTON, EDITOR, BASS PlAYER MAGAZINE

"By FAR THE MOST INFORMATIVE BOOK I'VE EVER SEEN. GREAT FOR BASSISTS OF BEGINNER OR ADVANCED STAGES. FROM TUNING AND HOLDING THE BASS, TO TRANSPOSING AND IMPROVISING BASS LINES, IT COVERS EVERYTHING. THE WAY THAT THE DIFFERENT BASS
STYLES ARE THOROUGHLY BROKEN DOWN ALONG WITH DIFFERENT PRACTICE TIPS IS FANTASTIC. " CHRISTIAN McBRIDE

"AN EFFECTIVE WAY FOR YOU TO READ CHARTS AND PLAY ALONG WITH OTHER MUSICIANS IN A REAL-TIME PLAYING ENVIRONMENT. THE BOOK WIll KEEP YOUR NOSE IN THE MUSIC AND THE CD WIll KEEP YOUR EARS OPEN TO THE GOINGS-ON OF THE OTHER MUSICIANS WHO ARE PLAYING. HAVE FUN, PRACTICE REGULARLY, ANO ENJOY THIS FINE BOOK."
JEFF BERLIN

"TRUE TO THE TRADITION OF BERKLEE COLLEGE OF MUSIC TO THOROUGHLY TRAIN STUDENTS TO BE PROFESSIONAL MUSICIANS, THIS METHOD IS A GREAT WORKOUT. AN EXCELLENT PRACTICE BOOK COVERING MANY STYLES, WHICH WIll HELP YOU LEAR THE NECESSITIES OF WORKING IN THE RHYTHM SECTION CREATIVELY. "
CAROL KAYE, BASS RECORDING LEGEND, PIONEER IN AUTHORING TUTORS FOR THE ELECTRIC BASS, EDUCATOR AT THE HENRY MANCINI INSTITUTE-UCLA

"THE PRACTICE METHOD RULES! IT's A GREAT WAY TO LEARN RIFFS, LATCH ONTO SOME BASIC SONG STRUCTURES, AND SEE HOW TUNES ARE PUT TOGETHER. THIS LETS YOU FOCUS ON PLAYING IN A BAND, AND ON CREATING YOUR OWN INTERPRETATIONS IN ANY STYLE. "
JOE STUMP, SHRED GUITAR MASTER, ASSISTANT PROFESSOR, BERKLEE COLLEGE OF MUSIC

Berklee Practice Method is also available for:
• drum set • alto sax
• guitar • tenor sax
• Keyboard • trombone
• voice • trumpet
• Vibraphone ·violin

"TEACHERS ARE INVALUABLE, PRACTICING BY YOURSELF IS CRITICAL, BUT PERFORMING IN A BAND IS THE MOST VALUABLE EXPERIENCE OF ALL. THAT's WHAT IS SO SPECIAL ABOUT IS SERIES: IT GIVES YOU THE THEORY YOU NEED, BUT ALSO PREPARES YOU TO PLAY IN A BAND.
THIS SERIES WILL HElP YOU MASTER THE SKILLS YOU NEED TO BECOME A CREATIVE, EXPRESSIVE, AND SUPPORTIVE MUSICIAN THAT ANYONE WOULD WANT TO HAVE IN THEIR BAND."
GARY BURTON, EXECUTIVE VICE PRESIDENT, BERKLEE COLLEGE OF MUSIC

Berklee Press, a publishing activity of Berklee College of Music, is a not-for-profit educational publisher. Available proceeds from the sales of our products are contributed to the scholarship funds of the college.
Cover design: mooremoscowitz
Berklee Press

 

Contents
CD Tracks
Foreword
Preface
Basics .
Chapter I. Playing Rock ("Sweet") .
Lesson 1. Technique/Theory .
Lesson 2. Learning the Groove .
Lesson 3. Improvisation .
Lesson 4. Reading .
Daily Practice Routine .
Chapter II. Playing Blues ("Do It Now") .
Lesson 5. TechniquelTheory .
Lesson 6. Learning the Groove .
Lesson 7. Improvisation .
Lesson 8. Reading .
Daily Practice Routine .
Chapter III. Playing Blues Swing ("I Just Wanna Be With You") .
Lesson 9. Technique/Theory .
Lesson 10. Learning the Groove .
Lesson 11. Improvisation .
Lesson 12. Reading .
Daily Practice Routine .
Chapter IV. Playing Funk ("Leave Me Alone") .
Lesson 13. TechniquelTheory .
Lesson 14. Learning the Groove .
Lesson 15. Improvisation .
Lesson 16. Reading .
Daily Practice Routine .


Chapter V. Playing Light Funk ("Affordable") .
Lesson 17. Technique/Theory .
Lesson 18. Learning the Groove
Lesson 19. Improvisation .
Lesson 20. Reading .
Daily Practice Routine .
Chapter VI. Playing Hard Rock ("Don't Look Down") .
Lesson 21. Technique/Theory .
Lesson 22. Learning the Groove .
Lesson 23. Improvisation .
Lesson 24. Reading .
Daily Practice Routine .
Chapter VII. Playing Bossa Nova ("Take Your Time") .
Lesson 25. Technique/Theory .
Lesson 26. Learning the Groove .
Lesson 27. Improvisation .
Lesson 28. Reading .
Daily Practice Routine .
Chapter VIII. Playing Stop Time ("Stop It") .
Lesson 29. Technique/Theory .
Lesson 30. Learning the Groove .
Lesson 31. Improvisation .
Lesson 32. Reading .
Daily Practice Routine .
Final Remarks .

Price: €16,00
€16,00

SLAP BASS LINES. Berklee Press Publications JOE SANTERRE CD TABLATURE

INTRODUCTION. Welcome to Slap Bass Lines. This book is designed to help bass players create solid slap bass grooves in rock, funk, and jazz music. The examples throughout the book will help you understand how to create a good slap bass line.
The Basics
Bass players using this book should know:
• basic music theory;
• the notes on the bass fingerboard (at least through fourth position);
• how to play in position, keeping a finger on each fret;
• how to mute open strings so that the only note heard is the one being played.
"Theory Review" pages are a resource for any items you may need to look up as you go through the
exercies.
The Role of the Bass Player
In any style, the bass's role in the groove is the same: to keep time and to outline the tonality. When
developing bass lines, these two things should always be your goal.
About the Book
There are eight lessons in Slap Bass Lines. Each lesson contains several practice exercises, a song that
utilizes the exercises, and play-along tracks on the accompanying CD. Also included in each
lesson are blank staffs for you to write out your own slap bass grooves.
Examples are given in regular notation and in tablature. The suggested fingerings are my own preferences.
If you prefer a different fingering, use that instead.
In addition to the exercises and play-along opportunities in this book, you can learn a lot by listening
to bass players on recordings and trying to imitate what they are playing. The suggested listening lists
at the beginning of each lesson will get you started. You will come across many other inspiring artists
on your own.
Though there are a variety of tempos and types of slap grooves in this book, it remains a very general
overview of how to create a solid slap bass line. Each track of the CD contains keyboards, drums, and
bass, and is designed for you to concentrate on the rhythm section sound. They are similar to rhythm
section tracks of the songs and music that you will come across in your usual listening.
Before you get started, make sure:
• your bass is in tune;
• your attacks on each note are consistent;
• you play with some attitude!

 

Series: Berklee Labs
Publisher: Berklee Press Publications
Softcover with CD - TAB
Author: Joe Santerre

Learn the art of creating a solid slap bass groove. Whether you're an aspiring or seasoned bassist, this workshop will teach you many of the slap bass lines and styles found in your favorite rock, funk and jazz tunes, and inspire you to experiment with your own creations. Includes helpful exercises, strategies for locking in with the drummer, tips for reading chord symbols, standard notation & tab, a list of suggested recordings to check out, and an accompanying CD with play-along tracks. 58 pages

Price: €19,99
€19,99

AFRO CUBAN SLAP BASS LINES. Oscar Stagnaro. CD TABLATURE

AFRO CUBAN SLAP BASS LINES. CD TAB.

Series: Berklee Methods
Publisher: Berklee Press
Softcover with CD - TAB
Author: Oscar Stagnaro

Afro-Cuban rhythms are hot, and the bass is the beating heart of the groove! Now you can learn to play slap bass in seven popular Afro-Cuban styles: cha cha, son montuno, songo, timba, Afro-Cuban 6/8, Latin jazz, and Latin jazz in 7. Whether you read tab or standard notation, you will quickly learn all these styles and develop your slap bass techniques to create style-appropriate articulations. The included CD has percussion tracks, play-along tracks and complete songs to help you improve your groove to an Afro-Cuban rhythm. Grammy-winning bassist Oscar Stagnaro is one of today's top players and a pioneer in bass education. He is an associate professor at Berklee College of Music, where he helped found the Latin bass studies department. He is co-author of The Latin Bass Book. 56 pages.

Price: €21,00
€21,00

PLAYING THE CHANGES GUITAR Improvising Mitch Seidman-Paul Del Nero CD BERKLEE PRESS-IMPROVISATION

PLAYING THE CHANGES: GUITAR. A Linear Approach to Improvising. Paul Del Nero. CD TABLATURE

Series: Berklee Labs
Publisher: Berklee Press
Medium: Softcover with CD
Author: Mitch Seidman
Author: Paul Del Nero

Effective improvisation can add fun and individuality to guitar performances. This book presents a unique improvisation strategy based on ear training and a linear interpretation of note/chord relationships. You'll learn how to: develop an expectation of sound - master the relationships between notes, modes and harmonies - improvise over jazz standards - identify pitch tendencies within chord progressions, and more. 128 pages.

 

 

Create more expressive solos

Effective improvisation can add fun and individuality to guitar solos. In Playing the Changes—Guitar, Mitch Seidman and Paul Del Nero present a unique improvisation strategy based on ear training and a linear interpretation of note relationships.

In this technique, improvised lines are derived from the harmonic construction of chord progressions. Learn how to choose appropriate notes by listening for the tendencies of pitches within modes and tetrachords—groupings of four notes in a scale. InPlaying the Changes—Guitar, you'll explore the possibilities of focused and linear improvisation, and develop your ability to create musically effective melodies with greater freedom and depth of expression.

Comprehensive, step-by-step instruction will guide you as you:

  • Develop an expectation of sound—an intuitive sense for which notes to choose and where your chosen notes will lead the melody.
  • Master the movement of notes over modes and harmonies.
  • Use and learn from the examples on the included CD.
  • Become comfortable improvising over jazz standards such as "Blue Bossa," "Tune Up," and "Long Ago and Far Away."
  • Create your own chord pads to use as you practice recognizing the tendencies of pitches within chord progressions.
  • Tablature included.

If you can read traditional notation and chord symbols, have a basic understanding of functional harmony and have a basic technical capability, you can use this book to learn how to improvise and become more expressive and creative in your music making.

BUZZ

"Very thoughtful and insightful book by Mitch Seidman and Paul Del Nero. This is geared to an intermediate to advanced level of student, but a beginner can certainly find good practice material. The tetrachord ideas are a unique way of addressing the problems of improvisation. If students apply themselves to the exercises, much progress can be made. Highly recommended!"

—Jack Wilkins, Guitarist and Educator

"Mitch Seidman and Paul Del Nero have assembled an impressive and comprehensive book of patterns, exercises, and etudes that really get inside the secrets to jazz improvisation and open up new possibilities to the guitarist at any level of their development. Complemented with a great sounding CD of many different examples, I know I. myself', will find it helpful for a long time to come. Great job, Mitch and Paul!"

—Duke Robillard, Award-Winning Blues Guitarist

"Playing the Changes is a nuts-and-bolts, hands-on method for soloing. Real concepts that will yield real results. A great piece of work!"

—Joe Beck, Jazz Guitarist

"Playing the Changes—Guitar: A Linear Approach to Improvising presents a great way to develop ear training, melodic and harmonic awareness, and the corresponding technique on the guitar. The clearly laid out and demystified program builds a sensitivity and understanding that will enrich any player's improvisational skills, transcending stylistic boundaries. A great contribution to a complete musician's education!"

—Howard Alden, Jazz Guitarist, Concord Recording Artist

Price: €27,99
€27,99
Syndicate content