CHITARRA - GUITAR

IMPELLITTERI CHRIS, THE SPEED SYSTEM. Il velocismo neo-classical. Solo su carta: Brett Garsed & TJ Helmerich exercise.

GUITAR TRANSCRIPTIONS : 

-I like the rock (Gilbert)

-killing me (Harem Scarem)

-stand in line (Impellitteri)

-pipeline (Ventures) e molto altro.

DVD VIDEO LESSON WITH GUITAR TABLATURE . 

RENBOURN JOHN, RARE PERFORMANCES 1965-1995. TAB. DVD

This 90 minute DVD captures thirty years of music by John Renbourn. It follows him from the legendary London basement club 'Les Cousins' to his work with Bert Jansch and their group Pentangle to his traditional/medieval adventures with The John Renbourn Group and to his duet performances with Stefan Grossman. John has also constantly been touring solo. This video chronicles his evolving growth as one of today's foremost acoustic guitar masters. Tab/music transcriptions for many of the tunes are presented in the accompanying 64 page booklet.

[Unknown]
Abide With Me
Blues In A, Rosslyn
Candyman
Cherry
Goodbye Porkie Hat
Great Dreams From Heaven
I Know My Rider, Bert And John Rehearsing
In Time
Lord Franklin, Little Niles
Medley:
Mist Covered Mountains Of Home
Pavane/Tourdion
Round Midnight
Sweet Potato
The English Dance, Whitehouse Blues
The Fair Flower Of Northumberland
The Lament For Owen Roe O'neil
The Wedding
Travelling Song, Let No Man Steal Your Thyme
Trotto
Young Man Who Wouldn't Sow Corn

This 90 minute dvd captures thirty years of music by John Renbourn. It follows him from the legendary London basement club 'Les Cousins' to his work with Bert Jansch and their group Pentangle to his traditional/medieval adventures with The John Renbourn Group and to his duet performances with Stefan Grossman. John has also constantly been touring solo. This video chronicles his evolving growth as one of today's foremost acoustic guitar masters. Tab/music transcriptions for many of the tunes are presented in the accompanying 64 page booklet.

Robert Palmer writing in The New York Times said it best: "John Renbourn plays a lot of Celtic traditional music, and he plays it surpassingly well. But he is also an eclectic who is liable to throw in jazz pieces, revamped soul music and whatever strikes his fancy. He brandishes a haunting technique, but by and large he does not use it to daunt. His music is first of all a music of feeling."

Titles include: England, 1965 I Know My Rider, Bert & John Rehearsing · England, 1968 (w. Pentangle) Travelling Song, Let No Man Steal Your Thyme · England, 1971 (w. Pentangle) In Time · England, 1974 Blues In A, Rosslyn · Italy, 1977 Medley: Trotto/The English Dance, Whitehouse Blues · U.S.A., 1981 (w. The John Renbourn Group) The Fair Flower Of Northumberland, Medley: Pavane/Tourdion U.S.A., 1982 (w. Stefan Grossman) Candyman, Goodbye Porkpie Hat · Sweden, 1988 (w. Stefan Grossman) 'Round Midnight · Canada, 1990 Medley: Abide With Me/Great Dreams From Heaven · Northern Ireland, 1992 Sweet Potato · Spain, 1993 Lord Franklin, Little Niles · U.S.A., 1995 Young Man Who Wouldn't Sow Corn, Medley: The Lament For Owen Roe O'Neil and Mist Covered Mountains Of Home, Medley: The Wedding/Cherry

ROCKABILLY GUITAR, T. Dexter. Musiche di: Scotty Moore, Carl Perkins, Brian Setzer, Cochran, Duane Eddy. TABLATURE DVD

Series: DVD
Publisher: Hal Leonard
Medium: DVD

Artist: Brian Setzer
Artist: Carl Perkins
Artist: Duane Eddy
Artist: Eddie Cochran
Artist: Scotty Moore
Author: Troy Dexter

On this dynamic DVD, Troy Dexter plays examples in the style of such rockabilly greats as Scotty Moore, Carl Perkins, Brian Setzer, Eddie Cochran and Duane Eddy. He demonstrates effects devices (tremolo, echo, reverb and distortion) and how they were used by each player. Troy also shows chord voicings and application, and the scales inherent in rockabilly. He gives examples of thirds and fifths, intervals, whole-tone licks, chromatic lead-ins, horn stab riffs, chord raking, vibrato bar techniques, bends, slides, shuffle rhythms and more. The accompanying booklet comes complete with easy-to-follow notation and diagrams that correspond exactly to the DVD.

Troy is a studio guitar player/record producer / composer for film, TV, and radio in the Los Angeles area.
He is currently in production of several new projects as well as his own soul/jazz/blues CD with his group "TROYZBOYZ" in his own studio "The Green Room".

Troy plays electric and acoustic guitars and most related doubles such as banjo, mandolin, dobro, bouzouki etc. He plays just about every style, sightreads well, and comes up with very clever guitar parts and solos.

He studied guitar extensively with Ted Greene before his untimely passing.

He also plays keyboards favoring vintage keys such as the piano, Hammond B3 organ, Fender Rhodes, clavinet, Wurlitzer etc. He has studied with Claire Fischer, Terry Trotter, Mike Melvoin and Joyce Collins.

Troy is a graduate of the reknown Dick Grove School of Music and was fortunate enough to have Dick Grove as his primary mentor for most of that time (1979-1984). He studied composition and arranging on a full scholarship and taught a guitar styles course while attending. He is very comfortable writing/arranging for and conducting any size orchestra.

Troy is also a programmer, engineer, mixer and mastering engineer.

MORE SOUNDS... Plath Thorsten. 10 Canzoni in fingerstyle: Spice Girls, Ciccone, Aerosmith, Don Cherry, Janet Damita Jackson, Oasis, Celine Dion, Metallica, Des'ree, Alanis Morissette. CD TABLATURE

ROCK POP for guitar

LIBRO PER CHITARRA CON TABLATURE

Product Description:

Ten songs for acoustic guitar that sound like they've been written for Aerosmith, Celine Dion, Metallica, Alanis Morissette, etc. You can either expand your solo repertoire by playing the etudes unaccompanied, or play along with the tracks on the enclosed CD and get valuable experience practicing in a band situation. For each etude, the author includes preliminary technical exercises for the right and left hands to help eliminate any technical difficulties you may encounter. For the more adventurous or advanced player, the author provides the scales or notes from the songs which can be used for a few years. Those who have been playing longer can have fun with improvisation and chordal accompaniment. In notation and tablature.

Forword
Welcome to the second volume of Rock Pop Studies for
acoustic guitar. Again we have ten studies from ten of the
world's greatest pop stars: from Celine Dion to Eagle Eye
Cherry to Aerosmith. You can either expand your solo
repertoire by playing the etudes unaccompanied, or play
along with the tracks on the enclosed CD and get
valuable experience practicing in a band situation.
I hope again, through the varied working methods in this
book, to be able to offer something to guitarists of every
level. Slowly played, these studies could be the first solo
pieces for someone who has been playing guitar for a
few years. Those who have been playing longer can
have fun with improvisation and chordal accompaniment.
Here I would like to thank AMA Publishing, Konni, and
Juergen Kumlehn, whose skillfull programming of the
playbacks will help guitarists everywhere make the most
of these songs.

Vorwort
Willkommen beim zweiten Band der Rock-Pop-EWden
fUr akustische Gitarre. Wieder standen zehn PopgrbBen
Pate fUr zehn weitere EWden: von Celine Dion Ober
Eagle Eye Cherry bis hin zu Aerosmith. Solo oder mit
dem Play-back auf der beiliegenden CD bieten diese
EWden eine hervorragende Mbglichkeit, das Solorepertoire
zu erweitern oder Erfahrungen im Zusammenspiel
mit einer Band (CD) zu machen.
Durch die verschiedenen Arbeitsmbglichkeiten, die
dieses Buch bietet, hoffe ich wieder, viele Gitarristinnen
und Gitarristen auf unterschiedlichstem Niveau anzusprechen.
Wer ein bis zwei Jahre Gitarre spielt, der findet
hier schon die ersten SolosWcke, wenn auch vielleicht
langsamer gespielt als auf der CD. Diejenigen, die schon
langer musizieren, werden ihre Freude neben den EtOden
auch mit der Akkordbegleitung oder Improvisation haben.
An dieser Stelle mein Dank an den AMA Verlag, an Konni
und an JOrgen Kumlehn, der wiederum wunderbare Playbacks
programmiert hat, so dass viele Gitarristinnen und
Gitarristen aufs neue Neue viel SpaB an den Songs haben
werden.
 

How To Use This Book
For all of those who didn't read, or more accurately, didn't
play through the first volume of Rock Pop Studies for
Guitar, here are a few tips for using this book.
Try playing the studies alone on the guitar. If you can
read music, use the music provided. Otherwise you can
try the tabulature notation. You can play along with the
band or the CD. Unfortunately, we couldn't send the band
along with this book, the drums were too heavy!
For each etude I've included preliminary technical
exercises for the right and left hands to help eliminate
any technical difficulties you may encounter. We've
printed chord diagrams and the harmony for each song
before each study. So, for example, if you can't
remember how to play Bm7, just look at the diagrams
above the music. We've also listed many different ways
to playa chord, an F for example, so that you can start
collecting them for your musical future. Most chords are
kept to three- or four-part voicings. Maybe we'll see
Fmaj7/9 # 11 the next time!
Lastly, for the more adventurous, we've provided the
scale or notes from the song which can be used for
improvisation. There is a great deal of literature available
for learning improvisation. In this book we want to
concentrate on fully utilizing the playbacks. Try improvising
using the given scales. You can notate your own
improvised melodies on the tab and music paper
provided after the tab version of each song.
If something doesn't work the first time, try it again a few
times. This is called practice, a word we sometimes fear.
Let me help you to enjoy practicing with these studies!

Was kann man mit diesem
Buch machen?
Fur aile, die den ersten Band nicht gelesen, oder besser
gesagt, nicht gespielt haben - bitte schnell nachholen -
gebe ich hier noch einmal ein paar Arbeitshinweise oder
besser Spielhinweise, weil an dieser Stelle das Wort
Arbeit merkwurdig klingt.
Zunachst kannst du die EtUden einfach nur solo spielen.
Wer die Notenschrift beherrscht, nimmt die Notenversion,
dagegen konnen die anderen die Tabulaturnotation benutzen.
Dann kannst du das Ganze mit Band bzw. CD
spielen. Wir haben leider keine Band beilegen konnen,
das Schlagzeug war einfach zu groB.
Damit die EtUden keine technischen Probleme bereiten,
werden in kurzen Vorubungen fUr die linke und die rechte
Hand die Schwierigkeiten der jeweiligen StUcke vorweggenommen.
Weiterhin gibt es Akkorddiagramme der
einzelnen Songs, deren Akkordablaufe direkt darunter
stehen. Falls also einem Hm7 wieder nicht einfallt, Augen
einfach nach oben. Die Akkorde habe ich, wie zum
Beispiel bei F-Dur, verschiedenartig dargestellt und du
kannst dich freuen, denn in deiner gitarristischen Zukunft
wird es hundert weitere Moglichkeiten geben F-Dur zu
greifen. Da ich in diesem Buch niemanden verwirren
mochte, habe ich mich meist auf Drei- bzw. Vierklange
beschrankt. Fj7/91,l11 gibt es dann nachstes Mal - vielleicht.
Um die Transparenz in dem zweisprachigen Buch
zu erhalten, wird, auBer im Text, bei Tonen und Akkorden
die internationale Bezeichnung (v. a. h= b und b = bb)
verwendet.
Zuletzt werden noch fUr die Mutigen immer einige Tone
des Songs notiert, die sich zur Improvisation eignen. Zum
Erlernen der Improvisation erschien bereits sehr viel
Literatur. In diesem Buch soil Flber nur die Moglichkeit
geschaffen werden, die Play-backs in ihren Funktionen
voll auszunutzen. Probiere einfach, mit den vorgegebenen
Tonleitern zu improvisieren. Hinter der Tabulatur
findest du wieder ein freies Noten- und Tabulaturblatt, auf
dem du improvisierte Melodien aufschreiben kannst.
So lite das Eine oder Andere nicht gleich auf Anhieb
funktionieren, wiederhole es ofters. Wir benutzen dafUr in
der Musik das grassliche Wort "uben". Aber wenn schon
uben, dann mit SpaB, und den hoffe ich mit diesen
Rock-Pop-EtUden erneut vermitteln zu haben.
 

"Little Alanis", Alanis Morissette, was already performing
on American TV at the age of ten. At the tender age of
eleven she precociously took the money she had made
performing and financed her first single, "Fate Stay With
Me", which sold 2000 copies. Ten years later Flea and
Dave Navarro, the string virtuosos from the Red Hot Chili
Peppers played on her 1995 album "Jagged Little Pill",
and on the hit single "You Oughta Know". With this song
and "Ironic" she had two smash hits.
We would like to honor this exceptional career with
LITTLE ALANIS, the last and most difficult study in this
volume. The rhythm and some of the guitar voicings are
not easy. That's why it's good that there are preliminary
exercises and a CD to listen to. Bar five, which begins
with a pickup, is studied in a left- and right-hand exercise.
When you understand both studies, apply the finger
positions to bar five. Bar 17 is also not easy. There is also
a left- and right-hand exercise for this bar. Separating the
left and right hands is generally a good way to overcome
difficulties. Often it's not the left but the right hand which
causes the problems in difficult sections. Be careful with
the right hand because it's responsible for your tone.
Have fun switching between your left and right hands,
and of course with LITTLE ALANIS!

Bereits mit zehn Jahren schauspielerte die "kleine Alanis",
Alanis Morissette, im amerikanischen Fernsehen. 1m
zarten Alter von elf Jahren nahm sie wie selbstverstandlich
das mit dieser Rolle verdiente Geld und
bezahlte damit ihre erste Singleaufnahme. "Fate Stay
With Me" hieB dieser Song und verkaufte sich immerhin
2000-mal. Zehn Jahre spater, 1995, zupften auf ihrer CD
"Jagged Little Pill" schon die Saitenvirtuosen der Red Hot
Chili Peppers, Flea und Dave Navarro, und zwar auf der
Hitsingle "You Oughta Know". Mit diesem Song und mit
"Ironic" erzielte sie zwei groBe Erfolge.
Diese sprunghafte Karriere wurdigen wir mit LITTLE
ALANIS, der letzten und zugleich wohl auch schwersten
EtUde in diesem Band. Der Rhythmus wie auch manche
Griffverbindungen sind nicht einfach. Wie gut, dass es
Vorubungen und eine CD gibt, auf der man sich dieses
StUck anhbren kann. Zu Takt 5, der mit einem Auftakt
beginnt, findst du jeweils eine Vorubung fOr die linke wie
fOr die rechte Hand. Wenn du jede fOr sich verstanden
hast, ubertrage die Fingersatze auf Takt 5. Auch Takt 17
ist nicht leicht. Hierfur hast du ebenfalls zwei Vorubungen,
eine fOr die Iinke und eine fOr die rechte Hand.
Die Trennung beider Hande ist generell eine gute
Methode, um gitarristische Schwierigkeiten in den "Griff"
zu bekommen. Haufig sorgt nicht die linke, sondern die
rechte Hand bei schwierigen Stellen fOr Unruhe.
AuBerdem macht die rechte Hand den Ton und
deswegen sollte man sie schon mal gesondert betrachten.
Dann viel SpaB beim Hin- und Herschauen
zwischen linker und rechter Hand und natUrlich bei
LITTLE ALANIS!
 

CD Track List
How to use this book

ROSEMARY (SPICE GIRLS)
Introduction, Preliminary exercises, Chords
ROSEMARY - Music
ROSEMARY - Tab

SUBSTITUTE (LOUISE VERONICA CICCONE)
Introduction, Preliminary exercises, Chords
SUBSTITUTE - Music
SUBSTITUTE - Tab

MOUTH (AEROSMITH)
Introduction, Preliminary exercises, Chords
MOUTH - Music
MOUTH - Tab

WINGS OF AN EAGLE (DON CHERRY)
Introduction, Preliminary exercises, Chords
WINGS OF AN EAGLE - Music
WINGS OF AN EAGLE - Tab

AGAIN AND AGAIN (JANET DAMITA JACKSON)
Introduction, Preliminary exercises, Chords
AGAIN AND AGAIN - Music
AGAIN AND AGAIN - Tab

MAYBE (OASIS)
Introduction, Preliminary exercises, Chords
MAYBE - Music
MAYBE - Tab

DON'T GO DOWN (CELINE DION)
Introduction, Preliminary exercises, Chords
DON'T GO DOWN - Music
DON'T GO DOWN - Tab

LARS' GARAGE (METALLICA)
Introduction, Preliminary exercises, Chords
LARS' GARAGE - Music
LARS' GARAGE - Tab

NATURAL (DES'REE)
Introduction, Preliminary exercises, Chords
NATURAL - Music
NATURAL - Tab

LITTLE ALANIS (ALANIS MORISSETTE)
Introduction, Preliminary exercises, Chords
LITTLE ALANIS - Music
LITTLE ALANIS - Tab

Glossary

ATKINS CHET, IN THREE DIMENSIONS VOLUME.2.

Rare photographs. Presents the much-anticipated second book in the highly acclaimed series that showcases personal insights into the life and music of "Mr. Guitar." Chet Atkins was a man of many layers: producer, record executive, friend and one of the greatest all-round guitarist in music history. This book is dedicated to the musicians and songwriters that meant so much to him. Interviews include: Dolly Parton, Steve Wariner, John D. Loudermilk, Mark Knopfler, Paul Yandell, Jerry Byrd, Janis Ian, Boots Randolph, Wayne Carson and many more of Chet's closest friends. As in Volume 1, Chet Atkins in Three Dimensions, Volume 2 provides definitive transcriptions (many for the first time) of 26 of Chet's greatest solos and duets such as "Gallopin' on the Guitar," "Liza," "Muskrat Ramble," "Frankie and Johnny," "Mister Sandman," "Smile," "Sweet Georgia Brown," "The Early Dawn," "The Entertainer," "Stump Water," "Dark Eyes," "Winter Walkin'," "Embraceable You," the tour de force piece- Jerry Reed's "Lightning Rod" (a work recorded by Jerry Reed and produced by Chet Atkins) and many other great pieces . Rare photographs, loving tributes and great music are the heart of this wonderful volume-a must for all fans of the guitar.
Song Title: Alice Blue Gown -Autumn Leaves, Joseph Kosma -Black Mountain Rag -Cancion del Viento "Song Of The Wind", arr. by Jorge Morel -Canned Heat, Chet Atkins -Dark Eyes -Embraceable You, George and Ira Gershwin -Estudio Brillante, Francisco Tarrega -Flop Eared Mule (and Other Classics) -Frankie and Johnny -Gallopin' On The Guitar, Chet Atkins -La Madrugada (The Early Dawn), Jerry Hubbard -Levee Walking, Jerry Reed and Henry Strzelecki -Lightning Rod, Jerry Hubbard -Little Music Box "La Alborada", Francisco Tarrega -Liza, George Gershwin -Long Long Ago, Thomas Bayly -Mister Sandman, Pat BallardMuskrat Ramble, Edward "Kid" Ory -Rainbow -Smile, Charles Chaplin -Stump Water, Jerry Reed -Sweet Georgia Brown, Ben Bernie, Kenneth Casey, and Maceo Pinkard -The Entertainer, Scott Joplin (arranged by John Knowles) -Winter Walkin', Jerry Reed. 375 pages. TAB.

By John McClellan and Deyan Bratic. For Guitar (Fingerpicking). Transcribed solos. Country. Book. Level: Advanced. The much-anticipated second book in the highly acclaimed series that showcases personal insights into the life and music of 'Mr. Guitar.' Chet Atkins was a man of many layers: producer, record executive, friend and one of the greatest all-round guitarist in music history. This book is dedicated to the musicians and songwriters that meant so much to him. Interviews include: Dolly Parton, Steve Wariner, John D. Loudermilk, Mark Knopfler, Paul Yandell, Jerry Byrd, Janis Ian, Boots Randolph, Wayne Carson and many more of Chet!s closest friends. As in Volume 1, Chet Atkins in Three Dimensions, Volume 2 provides definitive transcriptions (many for the first time) of 26 of Chet!s greatest solos and duets such as Gallopin on the Guitar, Liza, Muskrat Ramble, Frankie and Johnny, Mister Sandman, Smile, Sweet Georgia Brown, The Early Dawn, The Entertainer, Stump Water, Dark Eyes, Winter Walkin, Embraceable You, the tour de force piece- Jerry Reed's Lightning Rod (a work recorded by Jerry Reed and produced by Chet Atkins) and many other great pieces . Rare photographs, loving tributes and great music are the heart of this wonderful volume-a must for all fans of the guitar.

Song Title: Composer/Source:
Alice Blue Gown
Autumn Leaves Joseph Kosma
Black Mountain Rag
Cancion del Viento "Song Of The Wind" arr. by Jorge Morel
Canned Heat Chet Atkins
Dark Eyes
Embraceable You George and Ira Gershwin
Estudio Brillante Francisco Tarrega
Flop Eared Mule (and Other Classics)
Frankie and Johnny
Gallopin' On The Guitar Chet Atkins
La Madrugada (The Early Dawn) Jerry Hubbard
Levee Walking Jerry Reed and Henry Strzelecki
Lightning Rod Jerry Hubbard
Little Music Box "La Alborada" Francisco Tarrega
Liza George Gershwin
Long Long Ago Thomas Bayly
Mister Sandman Pat Ballard
Muskrat Ramble Edward "Kid" Ory
Rainbow
Smile Charles Chaplin
Stump Water Jerry Reed
Sweet Georgia Brown Ben Bernie, Kenneth Casey, and Maceo Pinkard
The Entertainer Scott Joplin (arranged by John Knowles)
Winter Walkin' Jerry Reed