FRED SOKOLOW

THE ROOTS OF ACOUSTIC BLUES GUITAR CD TABLATURE baby,please don't go-Lightnin' Hopkins-come back baby

THE ROOTS OF ACOUSTIC BLUES GUITAR. Sokolow. Canzoni complete con il canto: baby, please don't go, Lightnin' Hopkins -come back baby, Mance Lipscomb -hey hey, Big Bill Broonzy -I'm so glad, Skip James -the prodigal son, Rev. Robert Wilkins -stack o'lee, Mississippi John Hurt. CD TAB.

Price: €19,99
€19,99

THE ROOTS OF COUNTRY GUITAR TABLATURE FRED SOKOLOW CD buckaroo-Don Rich-cotton fields-Maybelle Carter-galloping on guitar-Chet Atkins-I am a pilgrim Merle Travis-twin guitar special Eldon Shamblin-ballad of thunder road Joe Maphis

THE ROOTS OF COUNTRY GUITAR. Sokolow. 6 canzoni complete di canto. buckaroo, Don Rich -cotton fields, Maybelle Carter -galloping on guitar, Chet Atkins -I am a pilgrim, Merle Travis -twin guitar special, Eldon Shamblin -ballad of thunder road, Joe Maphis. CD TAB

Price: €29,99
€29,99

JOBIM ANTONIO CARLOS FOR SOLO GUITAR Fred Sokolow TABLATURE SPARTITI CHITARRA LIBRO

JOBIM ANTONIO CARLOS, FOR SOLO FINGERSTYLE GUITAR. Sokolow. 16 Titoli. TAB.

Sixteen chord-melody arrangements by Fred Sokolow. Includes 'The Girl From Ipanema', 'How Insensitive', 'One Note Samba' and 'Desafinado'. Also includes introduction and discography.

 

The sixteen Antonio Carlos Jobim tunes in this book are arranged for the solo guitarist in the jazz guitar chordmelody style. The beauty of this style is that the guitar, like a piano, plays melody, rhythm, and harmony. The melody is usually the top note of each chord. Whether you use a pick or your fingers, the guitar is the perfect instrument to express these beautiful bossa nova songs. Guitar is essential to Brazilian music in general, and to bossa nova in particular, and Jobim played many of his classic hits on guitar.

Jobim will always be remembered as one of the originators of bossa nova, the melodious and rhythmic blend of Brazilian samba and cool U.S. jazz that became a pop sensation in the early '60s. His 600+ compositions include several pop hits and Grammy winners. Tunes like "The Girl from Ipanema," "Wave," and "Corcovado (Quiet Nights of Quiet Stars)" have been recorded by Frank Sinatra, Ella Fitzgerald, Tony Bennett, and countless other jazz-pop singers. Like George Gershwin and Duke Ellington, Jobim created a catalog of hits that will forever be reinterpreted by singers and instrumentalists.

His songs are among the "standards" that most working musicians find essential to their repertoire. Born January 25, 1927 in Rio de Janeiro, Brazil, Jobim grew up on Rio's bucolic beach of Ipanema. He often said that the beauty of nature that surrounded him -"the sea, the forest, the mountains, the birds, the lagoon" - influenced his musical composition as much as the piano and guitar lessons he took as a child. He was fascinated by chord changes, and loved experimenting with them. Inspired by Duke Ellington and other jazz bands that came through Rio, Jobim began performing in local nightspots in his early twenties. He developed a mellow guitar and piano style uniquely suited to the expression of his original music. In 1956, Jobim and guitarist Luis Bonfa wrote a musical score for the play Black Orpheus, which, in '59, was turned into a popular French-Brazilian film. The movie's intense music drew international attention to Jobim and Bonfa. That same year, singer guitarist Joao Gilberto recorded Jobim's "Chega de Saudade" for Odeon Records, a Brazilian company for which Jobim was musical director. More than a major hit, the tune defined the budding musical form. As Jobim explained it, in Corcova, Brazil, "bossa" refers to the soft hump above a bull's shoulders, which swings gracefully when the animal walks. Bossa nova has the graceful swing of the Brazilian samba, but with subtler chord changes and more relaxed vocalizing.

Subsequent recordings by Gilberto, helped popularize the new sound, but it really took off internationally when U.S. sax player Stan Getz toured Brazil in 1961 and began cutting bossa nova albums, first with jazz guitarist Charlie Byrd, then with Bonfa, Gilberto, and Jobim. These recordings for Verve were very successful (the Getz/Byrd collaboration entitled "Jazz Samba" was 1962's number one pop album), and bossa nova entered the mainstream.

 

In the next few years, Jobim, Bonfa, and Gilberto recorded many hit albums and concertized at Carnegie Hall and all over the world. The bossa nova craze peaked with the 1964 release of "The Girl from Ipanema," featuring Getz, Gilberto, Jobim, and a sultry vocal by Gilberto's then-wife, Astrud. The tune went to #5 on pop charts and won a "Record of the Year" Grarnmy. It has become one of the ten most recorded songs of all time.

During the next few decades, Jobim lived in Los Angeles and continued to write hit tunes, perform, and create film scores. His concerts often featured members of his family including his son Paulo on guitar and his vocalizing second wife, Ana Lontra and daughter, Elizabeth. There was a "second wave" of interest in bossa nova in the late '80s, but Jobim was scornful of the vagaries of the pop music business. In 1989 he told and interviewer, "How boring, how annoying to be modern. I want to be eternal, not modernal." "Tom," as Jobim was called in Brazil, lived his last years in a Manhattan penthouse with his family, making music and devoting much of his time to environmental causes. He was inducted into the Songwriters Hall of Fame in 1991 and received numerous other awards and honors. Since his death in December of 1994, several tribute albums have been released by jazz luminaries. There is no doubt that his music will continue to bring enjoyment to millions in the decades to come. As his colleague Oscar Neves said, "The beauty of his music is everlasting."

A Felicidade

Agua De Beber (Water To Drink)

Chega De Saudade (No More Blues)

Desafinado (Slightly Out Of Tune)

Dindi

How Insensitive (Insensatez)

Meditation (Meditacao)

O Morro Nao Tem Vez (Favela) (Somewhere In The Hills)

Once I Loved (Amor Em Paz) (Love In Peace)

One Note Samba (Samba De Uma Nota So)

Quiet Nights Of Quiet Stars (Corcovado)

So Danco Samba (Jazz 'N' Samba)

The Girl From Ipanema (Garota De Ipanema)

Triste

Vivo Sonhando (Dreamer)

Wave

Price: €49,99
€49,99

BERRY CHUCK GUITAR RECORDED VERSIONS TABLATURE LIBRO SPARTITI CHITARRA Johnny B. Goode

BERRY CHUCK, RECORDED VERSION. TAB.

Series: Guitar Recorded Version TAB
Artist: Chuck Berry

17 of his greatest hits including:

Almost Grown
Around And Around
Back In The U.S.A.
Beautiful Delilah
Carol (O Carole)
Guitar Boogie
I'm Talking About You
Johnny B. Goode
Let It Rock
Little Queenie
Maybelline
Memphis, Tennessee
No Particular Place To Go
Roll Over Beethoven
School Day (Ring! Ring! Goes The Bell)
Sweet Little Rock And Roller
The Promised Land

98 pages

Price: €29,99
€29,99

DIDDLEY BO GUITAR SOLOS RECORDED VERSION TABLATURE CHITARRA LIBRO SPARTITI MONA-I'M A MAN

DIDDLEY BO, GUITAR SOLOS, RECORDED VERSION. TAB.

Series: Guitar Collection
Medium: Softcover
Artist: Bo Diddley

Legendary blues guitarist Bo Diddley passed away in 2008. This songbook features note-for-note transcriptions with tab for 18 of his best-known songs, with detaled information about his unique style. Includes: Bo's Guitar - Crackin' Up - Diddy Wah Diddy - Hey! Bo Diddley - I'm a Man - Mumblin' Guitar - Oh Yea - Road Runner - She's Fine, She's Mine - Who Do You Love - and more, plus a bio and discography. 96 pages

Table of contents:

Bo Diddley
Bo's Guitar
Bring It To Jerome
Crackin' Up
Diddley Daddy
Diddy Wah Diddy
Gun Slinger
Hey! Bo Diddley
I'm A Man
Mona (I Need You Baby)
Mumblin' Guitar
Oh Yea
Road Runner
Sad Sack
Say Man
She's Fine, She's Mine
Who Do You Love
You Don't Love Me (You Don't Care)

Price: €24,99
€24,99

DYLAN BOB MUSIC OF ARRANGED FOR FINGERSTYLE GUITAR BOOK/2-CD TABLATURE CHITARRA SOKOLOW

DYLAN BOB, MUSIC OF ARRANGED FOR FINGERSTYLE GUITAR. Sokolow. 2-CD TAB.

Product Description:
Learn how to play and sing nine classic Bob Dylan tunes from start to finish. You will learn how to fingerpick backup arrangements while singing. You will learn to play instrumental solos and how to begin and end each song. While studying Fred’s arrangements of these Dylan hits you will also learn a lot about fingerpicking: backup patterns, soloing ideas and various chord positions. Each song is played at regular speed and then slowed down with a split-screen that gives you a close-up look at the picking as well as chording hand. All the arrangements are clearly written out in tab and music in the accompanying booklet along with lead sheets and lyrics. 90 MINUTES.

Song Title:
Blowin' In The Wind
Don't Think Twice
I Shall Be Released
Just Like Tom Thumb's Blues
Lay Lady Lay
Mr. Tambourine Man
My Back Pages
The Times They Are A Changing
Too Much Of Nothing

Price: €39,99
€39,99

CLASSIC ROCK INSTRUMENTALS Guitar Recorded Version TABLATURE LIBRO Sleepwalk-Santo Farina

CLASSIC ROCK INSTRUMENTALS. 30 Songs ove lei è tutto, solamente lei. E' lei che canta, che ritma, è lei che urla, ti parla con dolcezza senza dire verbo, è lei con le sue corde che ti rasserena, e da brio, gioia. Apache -Beck's bolero -Bo's guitar -Dee -(ghost) riders in the sky -guitar boogie shuffle -Hawaii five-0 -hideway -Jessica -misiriou -mumblin' guitar -pipeline -put it where you want it -ramrod -raunchy -rawhide -rebel 'rouser -red river rock -rumble -sabre dance -san-hu-zay -scuttle buttin' -slaughter on tenth Avenue -sleepwalk -tequila -walk don't run -wham -wheels -wipe out. 144 pagine. TABLATURE

 

IT's ONLY NATURAL THAT INSTRUMENTALS WERE HITS AT THE DAWN OF ROCK HISTORY. ROCK WASALWAYS DANCE MUSIC, AND THE MUSICAL STYLES IT DREW UPON - BLUES, R&B, COUNTRY AND SWING - HAD STRONG BEATS AND ENGENDERED DANCEABLE INSTRUMENTALS THEMSELVES. BECAUSE ROCK IS ECLECTIC, MANY INSTRUMENTS CAN TAKE THEIR PLACE IN THE SPOTLIGHT. SAXOPHONE PLAYERS - THOSE HEROES OF JAZZ AND SWING - WERE THE STARS OF MANY EARLY ROCK INSTRUMENTALS ("RAUNCHY" AND "TEQUILA," FOR EXAMPLE). ORGANISTS AND DRUMMERS WERE LEADERS OF SOME COMBOS (IN "RED RIVER ROCK" AND "TOPSY II"). HOWEVER, GUITAR PLAYERS WERE IMPORTANT SOLOISTS IN COUNTRY, BLUES AND R&B, SO IT DIDN'T TAKE LONG FOR ROCK TO CREATE A NEW POP HERO, THE ELECTRIC GUITAR PLAYER.

INTO ROCK CAME GUITAR HEROES FROM AN R&B BACKGROUND, LIKE CHUCK BERRY AND BoDIDDLEY, COUNTRY-INFLUENCED STARS LIKE CARL PERKINS AND DUANE EDDY, AND MAVERICKS WHO BRIDGED THE GAPS BETWEEN STYLES, LIKE LONNIE MACK. THEN AT THE BEGINNING OF THE'60s THERE WAS THE VENTURES, A GUITAR INSTRUMENTAL BAND THAT SPAWNED COUNTLESS GUITAR/BAR BANDS ALL OVER THE COUNTRY. A FEW YEARS LATER, DICK DALE, THE BEACH BOYS AND OTHER SOUTHERN CALIFORNIA GROUPS TURNED THE WHOLE COUNTRY ON TO SURF MUSIC, WHICH, INSTRUMENTALLY, WAS JUST LIKE THE VENTURES: A COMBINATION OF POP INFLUENCES WITH GUITAR IN THE FOREFRONT AND POUNDING DRUMS BEHIND.

SOME OF THE EARLY ROCK INSTRUMENTALS WERE RECORDED BY GROUPS WHO WERE THROWNTOGETHER BY A STUDIO PRO OR PRODUCER ("TEQUILA" AND "RAUNCHY" WERE TWO EXAMPLES). OTHERS WERE THE PRODUCT OF TEEN HIGH SCHOOL BANDS LIKE THE CHANTAYS OR JOHNNY AND THE HURRICANES. OTHERS CAME FROM POWERHOUSE INNOVATORS LIKE DUANE EDDY AND LONNIE MACK WHOSE PLAYING WOULD INSPIRE FUTURE GENERATIONS OF GUITARISTS. TOGETHER, THEY ESTABLISHED A ROCK TRADITION, AND THEIR ROCK INSTRUMENTALS STILL APPEAR ON THE CHARTS OVER THREE DECADES LATER.

IT's INTERESTING THAT MANY OF THE CLASSIC INSTRUMENTALS IN THIS COLLECTION CAME NOT FROM HOLLYWOOD OR NEW YORK CITY, BUT FROM TOLEDO, CINCINNATI AND SEATILE ... AND ANYWHERE FOLKS DANCED TO ROCK AND ROLL IN BARS! MANY CLASSIC HITS ("TEQUILA," "WIPE OUT," "HIDEAWAY") WERE THROWAWAYS, B-SIDES RECORDED HASTILY IN ONE OR TWO TAKES, AS BIG A SURPRISE TO THE RECORDING ARTIST AS THEY WERE TO THE PUBLIC-WHICH ONLY PROVES THAT THE PUBLIC LIKES A SIMPLE, UNPRETENTIOUS GROOVE TUNE!

HOPE YOU ENJOY THIS COLLECTION OF CLASSIC ROCK INSTRUMENTALS. THE TRADITION OF ROCK INSTRUMENTALS IS ALIVE AND WELL, AND INCLUDES A WIDE RANGE OF GUITAR STYLES, AS THIS BOOK PROVES. IT ALSO INCLUDES ESSENTIAL KNOWLEDGE FOR YOU ROCK GUITAR ADDICTS: YOUR MUSICAL EDUCATION IS FAR FROM COMPLETE IF YOU CAN'T PLAY "WIPE OUT," "REBEL 'ROUSER," "WALK DON'T RUN" OR "PIPELINE!"


Series: Guitar Recorded Version TAB
Artist: Various

A big collection of 29 songs that have become classics because of their guitar riffs, including:

Apache
Beck's Bolero
Bo's Guitar
Dee
Guitar Boogie Shuffle
Hawaii Five-O Theme
Hide Away
Jessica
Misirlou
Mumblin' Guitar
Pipeline
Put It Where You Want It
Ramrod
Raunchy
Rawhide
Rebel 'Rouser
Red River Rock
(Ghost) Riders In The Sky (A Cowboy Legend)
Rumble
Sabre Dance
San-Ho-Zay
Scuttle Buttin'
Slaughter On Tenth Avenue
Sleepwalk
Tequila
Walk Don't Run
Wham
Wheels
Wipe Out

144 pages

Price: €29,99
€29,99

GENUINE ROCKABILLY GUITAR HITS Guitar Recorded Version TABLATURE Rock this town-rock around the clock CHITARRA

GENUINE ROCKABILLY GUITAR HITS. Contiene 24 canzoni: -American music (the Blaster) -believe what you say (Rick Nelson) -bluejean bop (Gene Vincent) -boppin' the blues (Carl Perkins) -boppin' the blues (Rick Nelson) -everybody's tryin to be my baby (Carl Perkins) -good rockin' tonight (Elvis Presley, Scotty Moore) -holly hop (Buddy Holly) -Marie, Marie (The Blaster) -my baby thinks he's a train (Rosanne Cash) -Oh bay babe (Johnny Burnette) -put your cat closes on (Carl Perkins) -rock around the clock (Bill Haley and the comets) -rock billy boogie (Johnny Burnette) -Rock this town (Stray cats) -rockabilly music (Ray Campi) -skinny Jim (Eddie Cochran) -strollin guitar (Eddie Cochran) -summertime blues (Eddie Cochran) -Susie-Q (Dale Hawkins) -tear it up (Johnny Burnette) -train kept a rollin' (Johnny Burnette) -twenty flight rock (Eddie Cochran) -wake up little Susie (the Everly brothers).  TABLTURE

Most of the world first learned about rock and roll in the second half of the '50s when Elvis Presley, Buddy Holly and Carl Perkins had their first hits. The rockabilly guitarists of this period - Scotty Moore, Eddie Cochran, Cliff Gallup, Carl Perkins, Paul Burlison, James Burton, Buddy Holly and the rest - became the idols of '60s, '70s and '80s rockers, and their music will always be the touchstone for rock guitar. You'll find their solos and backup playing transcribed and their style analyzed in the pages that follow. There are also some transcriptions of music from their disciples - contemporary players like Albert Lee, Dave and Phil Alvin of the Blasters, and The Stray Cats. Rockabilly started when white Southern performers began playing electric rhythm and blues. They recorded "covers" of R&B hits, like "Good Rockin' Tonight" (Wynonie Harris' version was the biggest R&B record of '48). They also wrote their own tunes and covered country and bluegrass songs. In all cases, they borrowed the flavor and styles of African-American artists, whose music was unlikely to reach white audiences. Naturally, the rockabilly players brought their country, bluegrass and gospel music roots to R&B. The new music that emerged was ROCK AND ROLL. To Alan Freed and other disc jockeys who promoted it, the formula was clear: get white musicians to play popular '50s race music.

One of the ways rockabilly differed from R&B was that the guitar was more prominent. The early rockabilly band consisted of an upright bass, electric guitar, a singer and a drummer. Rhythm guitar (often acoustic) and piano were optional, horns were rare; some two-guitar bands even lacked a drummer. Nearly all solos were played on electric guitar. The lead guitar borrowed heavily from the single and double-note styles of Chuck Berry and T-Bone Walker, the up-the-neck fingerpicking of Merle Travis, and the more basic fingerpicking blues styles of acoustic blues guitarists like Lightnin' Hopkins and Big Bill Broonzy. A little Les Paul-style jazz added to the brew.

THE TWELVE BAR BLUES. Most of the early rockabilly hits were twelve-bar blues tunes, or were based on that form. In this book, "American Music," "Boppin' The Blues," "Everybody's Tryin' To Be My Baby," "Holly Hop," "My Baby Thinks He's A Train," "Put Your Cat Clothes On," "Rock Around The Clock," "Oh Baby Babe," "Rock Billy Boogie," "Skinny Jim," "Tear It Up," "Train Kept A-Rollin" and "Twenty Flight Rock" are all twelve-bar blues tunes and five others are only slight variants of the blues format! Here's the twelve-bar form, expressed in terms of I, IV and V chords (tonic, subdominant and dominant) in the key of E. The final bar of this twelve-bar form is often called a "turnaround," because the V chord "turns the progression around" and leads the ear back to a repeat of the whole twelve bars or to an ending. 


Series: Guitar Recorded Version TAB
Artist: Various

Over 20 classics, including:

INTRODUCTION

AMERICAN MUSIC (The Blasters - Dave and Phil AlvIn)
BEUEVE WHAT YOU SAY (Rick Nelson - James Burton)
BLUEJEAN BOP (Gene Vincem - Cliff Gallup)
BOPPIN' THE BLUES (Carl Perkins)
BOPPIN' THE BLUES (Rick Nelson - Joe Maphis)
EVERYBODY'S TRYlN' TO BE MY BABY (Cart Perkins)
GOOD ROCKlN' TONIGHT (Elvis Presley - Scotty Moore)
HOLLY HOP (Buddy Holly)
MARIE, MARIE (The Blasters - Dave and Phil AlvIn)
MY BABY THINKS HE'S A TRAIN (Rosanne Cash - Albert Lee)
OH BABY BABE (Johnny Burnette and The Rock and Roll Trio - Paul Burlison)
PUT YOUR CAT CLOTHES ON (Cart Perkins)
ROCK AROUND THE CLOCK (Bill Haley and The Cornets - Danny Cedrone)
ROCK BILLY BOOGIE (Johnny Burnette and The Rock and Roll Trio - Paul Burlison)
ROCK THIS TOWN (The Stray Cats - Brian Setzer)
ROCKABILLY MUSIC (Ray Campi - Richard Bennett)
SKINNY JIM (Eddie Cochran)
STROLLIN' GUITAR (Eddie Cochran)
SUMMERTIME BLUES (Eddie Cochran)
SUSIE-Q (Dale Hawkins - James Bunon)
TEAR IT UP (Johnny Burnette and The Rock and Roll Trio - Paul Burlison)
TRAIN KEPT A ROLLIN' (Johnny Burnette and The Rock and Roll Trio - Paul Burlison)
TWENTY FLIGHT ROCK (Eddie Cochran)
WAKE UP, UTTLE SUSIE (The Everty Brothers - Chet Atkins)
NOTATION LEGEND
 
152 pages
 

American Music Performed by The Blasters, Dave and Phil Alvin

Believe What You Say Performed by Rick Nelson, James Burton

Bluejean Bop Performed by Gene Vincent, Cliff Gallup

Boppin' The Blues Performed by Carl Perkins

Everybody's Trying To Be My Baby Performed by Carl Perkins

Good Rockin' Tonight Performed by Elvis Prelsy, Scotty Moore

Holly Hop Performed by Buddy Holly

Marie, Marie Performed by The Blasters, Dave and Phil Alvin

My Baby Thinks He's A Train Performed by Rosanne Cash, Albert Lee

Oh Baby Babe Performed by Johnny Burnette and the Rock and Roll Trio, Paul Burlison

Put Your Cat Clothes On Performed by Carl Perkins

Rock Around The Clock Performed by Bill Haley & the Comets

Rock Billy Boogie Performed by Johnny Burnette and the Rock and Roll Trio, Paul Burlison

Rock This Town Performed by The Stray Cats, Brian Seltzer

Rockabilly Music Performed by Ray Campi, Richard Bennet

Skinny Jim Performed by Eddie Cochran

Strollin' Guitar Performed by Eddie Cochran

Summertime Blues Performed by Eddie Cochran

Susie-Q Performed by Dale Hawkins, James Burton

Tear It Up Performed by Johnny Burnette and the Rock and Roll Trio, Paul Burlison

Train Kept A-Rollin' Performed by Johnny Burnette and the Rock and Roll Trio, Paul Burlison

Twenty Flight Rock Performed by Eddie Cochran

Wake Up Little Susie Performed by The Everly Brothers, Chet Atkins

Price: €199,99
€199,99

THE ROOTS OF ROCK GUITAR LIBRO CD TABLATURE Blue suede shoes-bluejean bop-no particular place to go-Susie-Q-not fade away-walk don't run.

THE ROOTS OF ROCK GUITAR. Sokolow. Blue suede shoes -bluejean bop -no particular place to go -not fade away -Susie-Q -walk don't run. CD TAB.

Series: Guitar Collection
Softcover with CD - TAB
Author: Fred Sokolow

This comprehensive collection is a great overview of rock guitar. Includes: instruction on the essential playing styles, using six note-for-note transcriptions as examples; notes on the history and development of rock guitar; biographies of the pioneering artists; and more. Songs include: Blue Suede Shoes (Carl Perkins) - Bluejean Bop (Cliff Gallup with Gene Vincent) - No Particular Place to Go (Chuck Berry) - Not Fade Away (Buddy Holly) - Susie Q (James Burton with Dale Hawkins) - Walk Don't Run (The Ventures). The CD features all of the songs, exercises and licks.

Blue Suede Shoes
Bluejean Bop
No Particular Place To Go
Not Fade Away
Susie-Q
Walk Don't Run

56 pages

Price: €29,99
€29,99

PORTER COLE, SONGBOOK. TABLATURE DVD Fred Sokolow GUITAR TABLATURE Night and Day-At Long Last Love-Let's Do It-All Of You-You'd Be So Nice to Come Home To and Easy To Love

PORTER COLE, SONGBOOK. TAB. DVD

The Cole Porter Songbook DVD
Guitar arrangements
taught by Fred Sokolow  

Product Description:
Cole Porter's beautiful, witty songs have become timeless jazz standards, and they sound great on guitar. In this dvd, Fred plays and teaches six complete arrangements of Cole Porter gems, including guitar backup (for singing) and instrumental chord solos for each tune. Just for fun, Fred includes the rarely-heard introductory verses to three of the songs, as well as ad-lib instrumental solos.

After playing each tune, Fred gives you a run-down on the arrangement, going over tricky spots and analyzing the chord progression and substitutions. Then he replays it, slower, on a split screen with close-ups of both hands. A detailed tab/music instructional booklet is included as a PDF file on the DVD.

Chord soloing (playing the melody and chords at the same time) is a very complete and satisfying guitar style. This lesson will get you playing some of the classiest jazz tunes ever written: Night and Day, At Long Last Love, Let's Do It, All Of You, You'd Be So Nice to Come Home To and Easy To Love.

Price: €39,99
€39,99
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