BAND - TRASCRIZIONE DI OGNI STRUMENTO - CHITARRA - VOCE - CHITARRA BASSO - BATTERIA - TASTIERE - ECC.

METHENY PAT GROUP, THE WAY UP. Transcribed score.

THE COMPLETE SCORE COMPOSED BY: PAT METHENY, LYLE MAYS
EDITED BY: STEVE RODBY FOR ALL INSTRUMENTS

Artist: Pat Metheny
This is the complete score for the four-part composition from this new release by the Pat Metheny Group. NPR says the album has an ambitious compositional style that amounts to an epic journey. 256 pages, NO TABLATURE

Songlist:
Opening - PAT METHENY, LYLE MAYS - 2005
Part One - PAT METHENY, LYLE MAYS - 2005
Part Three - PAT METHENY, LYLE MAYS - 2005
Part Two - PAT METHENY, LYLE MAYS - 2005

VAI STEVE, SELECTIONS FROM THE ELUSIVE LIGHT AND SOUND, VOL. 1. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK.

SPARTITI PER CHITARRA, BASSO, PIANOFORTE, VOCE, BATTERIA, STRINGS, BRASS, ECC. CON: 

ACCORDI, PENTAGRAMMA, CHITARRA E BASSO CON TABLATURE.

32 lavori che Vai ha preparato per film e TV, con la trascrizione della famosa scena del "duello" tra Vai e Ry Cooder, ispirato al capriccio n.5 di Paganini, dal film Crossroads. 256 pagine. Air Guitar Hell -Amazing Grace -Fried Chicken (da Crossroads) -Butler's Bag (due Tab, Vai e Ry Cooder da Crossroads) -Head Cuttin' Duel (due Tab, di Vai e Ry Cooder da Crossroads) -Eugene's Trick Bag (due Tab, William Kanengiser e Vai da Crossroads) -Don't Sweat It -Drive The Hell Out Of Here -Final Guitar Solo -Find The Meat -Get The Hell Out Of Here -Hey Jack -How Hidge -Initiation -Introducing The Wylde Stallions -Louisiana Swamp Swank -Love Blood -Meet The Reaper -Now We Run -Pins & Needles -Plug My Ass In -See Ya Next Year -Still Running -The Ax Will Fall -The Battle -The Cause Heads -The Dark Hallway -The Reaper -The Reaper Rap -We're Not Gonna Protest -Welcome Pre-Frosh -What! TABLATURE

32 tunes from all of Vai's work for film and TV soundtracks - including transcriptions of the searing duel scene in Crossroads between Vai and Ry Cooder. 256 Pages.

Le parti di chitarra che suona Macchio nel film Crossroads del 1986, sono in realtà suonate da Ry Cooder.

Ry Cooder plays Macchio's guitar parts throughout the movie.

Most of the battle is played by Vai, except for Eugene's blues parts at the beginning of the duel which are played by Ry Cooder and can be heard on Vai's album The Elusive Light and Sound, volume 1.

Macchio's fingering on the guitar was a studied acting job in itself because he didn't know how to play guitar prior to taking on the part of a guitarist. He received intensive training from classical guitarist William Kanengiser of the Los Angeles Guitar Quartet and Blues guitar Master Arlen Roth to approximate playing realistically enough to hide his inexperience.

William Kanengiser can be heard playing his version of Mozart's Rondo Alla Turca (Turkish March) in the beginning of the movie.

Musician Tom Morello has stated that Crossroads is one of his favorite movies.

Blues guitarist Joe Bonamassa said he was influenced by the movie after hearing the song "feelin' bad blues" and learning by ear on guitar.

The classical-influenced piece played by Eugene during the climactic scene is based on the Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach. The piece also contains parts of Caprice No. 5 by Nicolo Paganini.
There was no classical guitar program at the Juilliard School during the creation of the movie, but the school has since added one.
The guitar used by Jack Butler (Steve Vai) is a Charvel San Dimas.

La chitarra usata da Jack Butler (Steve Vai) è una Charvel San Dimas.

The guitar amplifier used by Jack Butler (Steve Vai) is a Carvin X100B.

The guitar used by Macchio is a Fender Telecaster.
The battery-powered guitar amplifier used by Macchio is Pignose Legendary 7-100.
In reality Willie Brown played the guitar, not the harmonica as stated in the film. He also died in 1952, so the premise of such a story is impossible.
The Notes and tab for all songs from the movie can be found in the Elusive Light and Sound Volume One book.
In the beginning of the guitar duel, Butler (Steve Vai) plays a riff that he later reused for his song "Bad Horsie" from his 1995 E.P Alien Love Secrets.
The movie was filmed in some of the same Mississippi Delta locations where screenwriter Fusco once hitchhiked and hopped trains, searching for lost blues legends much like his characters.

Air Guitar Hell
Amazing Grace
The Ax Will Fall
The Battle
Butler's Bag
The Cause Heads
The Dark Hallway
Don't Sweat It
Drive The Hell Out Of Here
Eugene's Trick Bag
Final Guitar Solo
Find The Meat
Fried Chicken
Get The Hell Out Of Here
Head Cuttin' Duel
Hey Jack
How Hidge
Initiation
Introducing The Wylde Stallions
Louisiana Swamp Swank
Love Blood
Meet The Reaper
Now We Run
Pins & Needles
Plug My Ass In
The Reaper
The Reaper Rap
See Ya Next Year
Still Running
We're Not Gonna Protest
Welcome Pre-Frosh
What!

Series: Guitar Recorded Version

EARLY ROCK SET GIG GUIDE. CD TABLATURE

CD include full-band demonstrations
vocal, guitar, keyboard, bass, drums

The Performance Guide for Bands
Series: Gig Guide
Softcover with CD - TAB
Artist: Various

The Gig Guides series is designed to provide musicians with a blueprint for building bands. We select the songs, put 'em in order, and show you how to play 'em. The format is simple; there are no unwieldy note-for-note scores to sightread or complicated theory to understand. Just here's the lead sheet, here are the parts you really need to know, and away you go! These book/CD packs are the ultimate do-it-yourself kit for gigging musicians and up-and-coming performers alike. Can be used by a full band or individual players. Early Rock Set features 12 songs with a CD of full-band demos of each song so you can hear what you should be sounding like. Songs include, 104 pages.

How to Use the Gig Guide

This book is laid out with performance in mind. The setlist we have selected reflects a wide selection of the most accessible, "field-tested" material available, arranged for a four-piece band with vocals in a sequence that's meant to keep your audience entertained. Use it in rehearsal and performance, following along with the lead sheets and individual parts. Each song in the set includes:
• A lead sheet with chords, melody, and lyrics;
• An overview page with song facts, song form, and performance tips for the full band;
• A page of guidelines for each band member, including crucial parts and performance tips for vocals, guitar, keyboards, bass, and drums. Overview pages contain useful information about each song: the story behind it, when and by whom it was recorded, the form, and how to present it. Parts and performance tips are written by professional musicians with field experience (not just some guy in a cubicle). If all band members follow their parts in the book and the accompanying CD, and the band rehearses well, you will be gig-ready in no time.

About the CD
The audio CD represents a live performance of the setlist by a four-piece group. The songs are played in the most standard, tried-and-true arrangements for vocals, guitar, keyboards, bass, and drums, remaining faithful (within reason) to the original versions. In order to cover the vocals as recorded, at least three-if not all-band members should be able to sing. Listen to the recording as you practice your individual parts, paying attention to the feel and the sounds used.

Early rock 'n' roll (mid 1950s-early '60s) remains one of the world's most popular and enduring musical forms. Born in a simpler, more innocent era, this good-time party music was chiefly enjoyed by the younger set; but because it appeals to the youngster that lives within all of us, regardless of age, it has thrived for almost half a century.
We'll start our early rock set in a mellow tone with "Under the Boardwalk," an easy-going, romantic classic by the Drifters. This 1964 Top 10 hit encapsulates the very essence of this acclaimed vocal group: strong lead vocals (courtesy of Johnny Moore) backed by sophisticated harmonies, topped off with superior production standards and a spotless arrangement-qualities that are echoed in other hits such as "On Broadway," "Up on the Roof," "Save the Last Dance for Me," and "There Goes My Baby."
"Under the Boardwalk" is based on I-IV-V changes (G-C-D7) in the key of G, with a modulation to the relative key of E minor at the end of the chorus (Em-D). The first great hook lies in the melodic bass line. The guitarist plays muted arpeggios throughout-make sure they remain "in the pocket" of the groove. The keyboard player needs to dial up a rich string section patch for the solo section and the melody lines that sprinkle the arrangement. Whichever bandmember sings should use an intimate delivery in the verses and power it up a bit on the chorus. Background vocals are mostly unison, so be extra careful with the pitch; make sure you can hear yourselves clearly in the monitors.
Before you start your set, go over this quick checklist to make sure that:
• Everyone has a clean monitor mix and can hear each other clearly;
• The guitar and bass are in tune with the keyboards;
• The stage volume is balanced and the lead vocals can be heard over the top of the mix;
• All bandmembers can see each other and can be seen by the audience;
• Everyone is set up, relaxed, and ready to play.
Section Length 1st Chord
Intro 4 bars G
Verse 1 8 bars G
Chorus 18 bars C
Verse 2 8 bars G
Chorus 18 bars C
Instrumental (Keyboard Solo) 8 bars G
Chorus 18 bars C
 

All I Have to Do Is Dream - The Everly Brothers - Words and Music: Boudleaux Bryant - 1958
Crying - Roy Orbison - Words and Music: Roy Orbison, Joe Melson - 1961
The Twist - Chubby Checker - Words and Music: Hank Ballard - 1958
Help Me Rhonda - The Beach Boys - Words and Music: Brian Wilson, Mike Love - 1965
Runaway - Del Shannon - Words and Music: Del Shannon anc Max Crook - 1961
That'll Be the Day - Buddy Holly - Words and Music: Jerry Allison, Norman Petty, Buddy Holly - 1957
Tutti Frutti - Little Richard - Words and Music: Little Richard Penniman and Dorothy La Bostrie - 1955
Louie, Louie - The Kingsmen - Words and Music: Richard Berry - 1957
Under the Boardwalk - The Drifters - Words and Music: Artie Resnick and Kenny Young - 1964
Rock Around the Clock - Bill Haley and His Comets - Words and Music: Max C. Freedman, Jimmy DeKnight - 1953
Hound Dog - Elvis Presley - Words and Music: Jerry Leiber and Mike Stoller - 1956
The Loco-Motion - Little Eva - Words and Music: Gerry Goffin, Carole King - 1962

STRAY CATS, ORIGINAL COOL. SHEET MUSIC BOOK. BAND SCORE TABLATURE

LIBRO DI MUSICA ROCKABILLY.

SPARTITI PER VOCE, CHITARRA, BASSO, BATTERIA, ECC. ECC. 

ACCORDI, PENTAGRAMMA E TABLATURE.

BRIAN SETZER, 

14 classici del rock n' roll & billy interpretati dagli Stray Cats. Contiene:

-Oh boy

-twenty-flight rock

-I fought the law

-lonesome tears

-your true love

-be-bop-a-lula

-flying saucer rock'n'roll

-train kept a rollin'

-stood up

-let it rock

-trying to get to you

-chet detty (hidden charms). 

SOUL & FUNK & DISCO BEST. BAND SCORE TABLATURE 

LIBRO DI MUSICA SOUL, FUNK, DISCO. 

SPARTITI DI OGNI STRUMENTO: VOCE, CHITARRA 1, CHITARRA 2, CHITARRA BASSO, TASTIERE, BATTERIA, ECC.

TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA, NOTE, CHITARRA E BASSO CON TABLATURE.

Contiene:

-get up (I feel like being a) sex machine/ JAMES BROWN

-le freak/Chic -fantasy/september/ Earth, wind & fire

-respect/A. Franklin

-pow/L. Graham and G.C.S.

-what's goin' on/Donny N. -once you get started/Rufus, C. Khan

-what is hip/Tower of power

-play that funky music/Wild Cherry

-Sir. Duke/isn't she lovely/S. Wonder.