CHITARRA E VOCE

311, FROM CHAOS. SHEET MUSIC BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA ROCK.

SPARTITI PER CHITARRA E VOCE :
ACCORDI, PENTAGRAMMA, TABLATURE.

SONGS 

Amber
Champagne
From Chaos
Full Ride
Hostile Apostle
I Told Myself
I'll Be Here Awhile
Sick Tight
Uncalm
Wake Your Mind Up
You Get Worked
You Wouldn't Believe

3 DOORS DOWN, AWAY FROM THE SUN. TABLATURE

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA E VOCE.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: 3 Doors Down

The sophomore release from these Mississippi rockers went platinum within two months. Our matching folio includes the hits "When I'm Gone" and "Here Without You", plus:

Away From The Sun
Changes
Dangerous Game
Going Down In Flames
Here Without You
I Feel You
The Road I'm On
Running Out Of Days
Sarah Yellin'
This Time
Ticket To Heaven
When I'm Gone

99 pages

311, 311. GUITAR TABLATURE

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA E VOCE.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

GOSPEL GUITAR, VOLUME 1. FINGERPICKING AND TRAVIS STYLE. La musica Gospel è la musica dei canti religiosi dei neri d'America. Negli anni venti, prima della grande depressione che colpì gli Stati Uniti nel 1929, quando ai neri fu concesso di avere le proprie chiese, la canzone gospel si definì maggiormente, ed iniziò a diffondersi anche attraverso i dischi. In questo libro troverete alcuni tra i titoli più famosi di musica Gospel (Vangelo). Numerosi artisti della scena americana degli anni '50, iniziarono cantando in chiesa le canzoni sacre di questo libro. Ogni titolo è arrangiato in tre modi: per chitarra e canto, per chitarra fingerstyle e in Merle Travis style. Casualmente nel 1956 Elvis Presley, Carl Perkins, Jerry Lee Lewis e Johnny Cash si trovarono nello studio di registrazione nello stesso periodo, e durante gli intervalli cantarono insieme, divertendosi con alcune canzoni del repertorio Gospel. Siamo certi che questo libro vi aiuterà ad organizzare una vostra divertente Gospel "jam session" improvvisando con queste semplici e chiare melodie. Amazing grace -angel band -can the circle be unbroken -give me that old time religion -in the sweet bye and bye -just a closer walk with thee -life is like a mountain railroad -old gospel ship -rock of ages -swing low, sweet chariot -this train -walking in Jerusalem just like John -wayfaring stranger -when the saints go marching in. TABLATURE

Bluegrass and country singing are firmly rooted in Gospel music: in fact, many of the great bluegrass and country singers learned to sing in church. These are some of the hymns they sang--and later performed and recorded. They are some of the most popular and oldest sacred songs, and they have spread a lot of happiness, comfort and faith over the years. The arrangements are for beginners and intermediate players; and there are a few licks advanced pickers might find interesting! Each song is written three ways:

First, there's a "Carter-style" arrangement in the key of C. This is the universal country style in which you pick the melody notes on the bass strings with a flatpick (or with your thumb) and fill in the rhythm with brush downup strokes on the higher strings.

Second, there's a "Carter-style" arrangement in the key of G.

Third, there's a fingerpicking version a la Merle Travis: You pick the melody with your fingers on the high strings while your thumb keeps a steady beat on the bass strings.

Since the songs are written in two (and sometimes three) keys, you can play them in any key you like, with a little help from your capo. If you have a banjo-playing friend, you can match up your playling with the solos in the compainion books: GOSPEL BLUEGRASS BANJO vol.! and vol.2 A final word about Gospel music: A recent release from Memphis' Sun Studios dramatized the importance of hymns in American pop music. A jam session occurred in 1956 when Elvis Presley, Carl Perkins, Jerry Lee Lewis and Johnny Cash all turned up at the studio at the same time. They sang and played together for a few hours, just for fun, and some smart engineer turned on the tape. The first batch of songs they sang--the most obvious common ground for the four young men who would indelibly change the American music scene--was from the Gospel repertory .. .including one of the songs in this collection. It's interesting to note that the hymns led very naturally to a set of Bill Monroe tunes! I hope this book helps you organize your own Gospel jam session. I know that playing these arrangements will teach you a lot about the Carter style and fingerpicking.

Contents:

JOBIM ANTONIO CARLOS, FOR SOLO GUITAR. Fred Sokolow. 16 Titoli. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA BOSSA NOVA. 

SPARTITI PER VOCE E CHITARRA, E SOLA CHITARRA, CON:  

ACCORDI, PENTAGRAMMA, TABLATURE.

Sixteen chord-melody arrangements by Fred Sokolow. Includes 'The Girl From Ipanema', 'How Insensitive', 'One Note Samba' and 'Desafinado'. Also includes introduction and discography.

The sixteen Antonio Carlos Jobim tunes in this book are arranged for the solo guitarist in the jazz guitar chordmelody style. The beauty of this style is that the guitar, like a piano, plays melody, rhythm, and harmony. The melody is usually the top note of each chord. Whether you use a pick or your fingers, the guitar is the perfect instrument to express these beautiful bossa nova songs. Guitar is essential to Brazilian music in general, and to bossa nova in particular, and Jobim played many of his classic hits on guitar.

Jobim will always be remembered as one of the originators of bossa nova, the melodious and rhythmic blend of Brazilian samba and cool U.S. jazz that became a pop sensation in the early '60s. His 600+ compositions include several pop hits and Grammy winners. Tunes like "The Girl from Ipanema," "Wave," and "Corcovado (Quiet Nights of Quiet Stars)" have been recorded by Frank Sinatra, Ella Fitzgerald, Tony Bennett, and countless other jazz-pop singers. Like George Gershwin and Duke Ellington, Jobim created a catalog of hits that will forever be reinterpreted by singers and instrumentalists.

His songs are among the "standards" that most working musicians find essential to their repertoire. Born January 25, 1927 in Rio de Janeiro, Brazil, Jobim grew up on Rio's bucolic beach of Ipanema. He often said that the beauty of nature that surrounded him -"the sea, the forest, the mountains, the birds, the lagoon" - influenced his musical composition as much as the piano and guitar lessons he took as a child. He was fascinated by chord changes, and loved experimenting with them. Inspired by Duke Ellington and other jazz bands that came through Rio, Jobim began performing in local nightspots in his early twenties. He developed a mellow guitar and piano style uniquely suited to the expression of his original music. In 1956, Jobim and guitarist Luis Bonfa wrote a musical score for the play Black Orpheus, which, in '59, was turned into a popular French-Brazilian film. The movie's intense music drew international attention to Jobim and Bonfa. That same year, singer guitarist Joao Gilberto recorded Jobim's "Chega de Saudade" for Odeon Records, a Brazilian company for which Jobim was musical director. More than a major hit, the tune defined the budding musical form. As Jobim explained it, in Corcova, Brazil, "bossa" refers to the soft hump above a bull's shoulders, which swings gracefully when the animal walks. Bossa nova has the graceful swing of the Brazilian samba, but with subtler chord changes and more relaxed vocalizing.

Subsequent recordings by Gilberto, helped popularize the new sound, but it really took off internationally when U.S. sax player Stan Getz toured Brazil in 1961 and began cutting bossa nova albums, first with jazz guitarist Charlie Byrd, then with Bonfa, Gilberto, and Jobim. These recordings for Verve were very successful (the Getz/Byrd collaboration entitled "Jazz Samba" was 1962's number one pop album), and bossa nova entered the mainstream.

In the next few years, Jobim, Bonfa, and Gilberto recorded many hit albums and concertized at Carnegie Hall and all over the world. The bossa nova craze peaked with the 1964 release of "The Girl from Ipanema," featuring Getz, Gilberto, Jobim, and a sultry vocal by Gilberto's then-wife, Astrud. The tune went to #5 on pop charts and won a "Record of the Year" Grarnmy. It has become one of the ten most recorded songs of all time.

During the next few decades, Jobim lived in Los Angeles and continued to write hit tunes, perform, and create film scores. His concerts often featured members of his family including his son Paulo on guitar and his vocalizing second wife, Ana Lontra and daughter, Elizabeth. There was a "second wave" of interest in bossa nova in the late '80s, but Jobim was scornful of the vagaries of the pop music business. In 1989 he told and interviewer, "How boring, how annoying to be modern. I want to be eternal, not modernal." "Tom," as Jobim was called in Brazil, lived his last years in a Manhattan penthouse with his family, making music and devoting much of his time to environmental causes. He was inducted into the Songwriters Hall of Fame in 1991 and received numerous other awards and honors. Since his death in December of 1994, several tribute albums have been released by jazz luminaries. There is no doubt that his music will continue to bring enjoyment to millions in the decades to come. As his colleague Oscar Neves said, "The beauty of his music is everlasting."

A Felicidade

Agua De Beber (Water To Drink)

Chega De Saudade (No More Blues)

Desafinado (Slightly Out Of Tune)

Dindi

How Insensitive (Insensatez)

Meditation (Meditacao)

O Morro Nao Tem Vez (Favela) (Somewhere In The Hills)

Once I Loved (Amor Em Paz) (Love In Peace)

One Note Samba (Samba De Uma Nota So)

Quiet Nights Of Quiet Stars (Corcovado)

So Danco Samba (Jazz 'N' Samba)

The Girl From Ipanema (Garota De Ipanema)

Triste

Vivo Sonhando (Dreamer)

Wave