Jerry Willard

BACH INVENTIONS FOR GUITAR DUET JERRY WILLARD 2CD TABLATURE DUO CHITARRA LIBRO SPARTITI

BACH, INVENTIONS FOR GUITAR. Willard. Per duo. SHEET MUSIC BOOK WITH 2CD & GUITAR TABLATURE. 

LIBRO DI MUSICA CLASSICA CON 2 CD.

SPARTITI PER CHITARRA :

PENTAGRAMMA, TABLATURE. 

BACH INVENTIONS
for Guitar Duet
Series: Music Sales America
Publisher: Music Sales America
Format: Softcover with CD – TAB
Composer: Johann Sebastian Bach
Arranger: Jerry Willard


Since their introduction, Bach's Two-Part Inventions have been an essential resource for developing hand independence and ornamentation technique. Keyboard players have enjoyed these etudes for centuries and now this body of work is available to guitarists in this collection of fifteen pieces. They have been transcribed and arranged for the classical guitar duet by Jerry Willard, and are presented in notation and tab. The title is accompanied by two CDs, the first of which features demonstration recordings of all inventions. The second CD offers single guitar recordings so you can play along.

Inventory #HL 14002913
ISBN: 9780825628290
UPC: 752187978459
Publisher Code: AM978450
Width: 9.0"
Length: 12.0"
64 pages

This collection contains fifteen of Bach's 2-part inventions. These fifteen inventions have been transcribed and arranged for the classical guitar duet by Jerry Willard, and are presented in notation and Tab. The title is accompanied by two CDs, the first of which features demonstration recordings of all inventions. The second CD offers single guitar recordings with which you may play along by means of solo rehearsal.

Johann Sebastian Bach (1685-1750) penned his inventions as a formal method of study, originally for his eldest son Wilhelm Friedemann, and subsequently, refined the collection for his young pupils. These musical gems are the finest examples of music ever written for the sole purpose of instruction, and also serve as preparation for his larger works.

This folio contains all 15 Two Part Inventions arranged for guitar duet by Jerry Willard. Each invention is presented in standard notation and tablature with suggested fingerings and ornamentation. In addition, the accompanying CDs provide the opportunity to study each invention, as well as each part, separately or together. Disc 1 presents each invention played by both guitars while Disc 2 demonstrates each part individually. Disc 2 additionally provides a count-in click giving the student the opportunity to perform the invention with the CD or simply to follow along and study each part individually.

The Editors

Bach Inventions for Guitar Duet is a collection of short pieces penned by Johann
Sebastian Bach for his young pupils. These musical gems are the finest examples of
music ever written for the sole purpose of instruction, and also serve as preparation
for his larger works.
This folio contains all fifteen Two-Part Inventions arranged for guitar duet. It is
believed that Bach's intention was to bring them together as a single work along with
his three-part pieces known as the Sinfonias, confirmed by the way that they are presented
in a manuscript penned in his own hand in 1723.These inventions demonstrate
contrapuntal technique and explore musical expressions while developing motifs in a
logical fashion.
Bach uses the term invention as a play on words. In today's musical parlance, invention
pertains directly to this body of work; however, Bach uses it to describe an idea
that could be used as a compositional theme with the intention that this type of technical
exercise could inspire those who studied these pieces to develop a more musical
approach.
Mr. Willard has arranged these pieces for study and performance as guitar duets.
Each invention is presented in standard notation and tablature with suggested fingerings
and ornamentation. In addition, the accompanying CDs provide the opportunity
to study each invention, as well as each part, separately or together. Disc 1 presents
each invention played by both guitars while Disc 2 has each part performed individually.
Disc 2 additionally provides a count-in click giving the student the opportunity to
perform the invention with the CD or simply to follow along and study each part individually.
Please note that these pieces were performed with minimal ornamentation in order to
provide the student with an accurate representation of the themes. The choices of
embellishments are quite simply too vast to incorporate in this folio and are of a personal
preference left up to the performer.
The following description of Bach's infamous Two-Part Inventions is taken from the
autograph fair copy in the Staatsbibliothek zu Berlin:
Straightforward instruction, in which amateurs of the keyboard, and especially the eager ones, are
shown a clear way not only:
1. of learning to play cleanly in two voices, but also, after further progress,
2. of dealing correctly and satisfactorily with three obbligato parts;
at the same time not only getting good inventions, but developing the same satisfactorily, and above
all arriving at a cantabile manner in playing, all the while acquiring a strong foretaste of composition.
Provided Anno Christi 1723.
By Johann Sebastian Bach:
Capellmeister to his Serene Highness the Prince of Anhalt-Cothen.
 
Jerry Willard was born in Cleveland, Ohio and began studying the guitar with his father Jeff Willard who was a guitarist. The guitar pedagogue Sophocles Papas recognized his talent and invited Mr. Willard to study with him in Washington, D.C. Subsequently Mr. Willard studied with guitarists Richard Lurie and Alirio Diaz. Mr. Willard's performances on guitar and lute range from performances of 16th-century work from the original tabulature to his own transcriptions of music from the 18th, 19th, and 20th centuries. He has appeared in Alice Tully Hall and Carnegie Hall in New York City, and he has concertized extensively throughout Europe and The United States. Well known as an ensemble player, he has performed with the Cleveland Orchestra, The New York Opera Company, The New York Consort of Viols, and The Long Island Baroque Ensemble. He has published many transcriptions for guitar including "The Complete Lute Music of J.S. Bach" available through Music Sales Corp.
 
Invention 1
Invention 2
Invention 3
Invention 4
Invention 5
Invention 6
Invention 7
Invention 8
Invention 9
Invention 10
Invention 11
Invention 12
Invention 13
Invention 14
Invention 15
Prezzo: €29,95
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SANZ GASPAR THE COMPLETE WORKS OF Jerry Willard 2 CD TABLATURE LIBRI CHITARRA BAROCCA

SANZ GASPAR, THE COMPLETE WORKS OF. Jerry WILLARD. SHEET MUSIC BOOKS WITH 2CD & GUITAR TABLATURE . 

LIBRI DI MUSICA CLASSICA CON 2 CD.

SPARTITI PER CHITARRA CON : PENTAGRAMMA E TABLATURE.  

Available here is the complete manuscript of Sanz's legacy, which has been translated into English and the tablature arrangements now include standard music notation. Jerry Willard has also included arrangements for the modern guitar and performs selections from this body of work on both the baroque and modern guitar which can be found on the accompanying CDs. 280 pages.

By Gaspar Sanz. Arranged by Jerry Willard. For Guitar TAB. Renaissance, Medieval. Level: Intermediate-Advanced. Sheet Music and Audio CDs. 280 pages.

Gaspar Sanz was one of the most celebrated guitarists and composers of his time. In 1674 he published a method for the baroque guitar. This method has been lauded by guitar aficinados and serves as a significant historic work. Written in Old Spanish with the tablature system of its day, this method has only been available to the few who would meticulously research and decipher its hidden meanings. Available here is the complete manuscript of Sanz's legacy, which has been translated into English and the tablature arrangements now include standard music notation. Jerry Willard has also included arrangements for the modern guitar and performs selections from this body of work on both the baroque and modern guitar which can be found on the accompanying CDs.

Introduction
Biography
On April 4, 1640, Francisco Bartolome Sanz y Celma
was born in the tiny town of Calanda, near Saragossa,
Spain, into an old and well-to-do family. It was later
that he took the name Gaspar. He was educated at the
University of Salamanca, where he studied literature
and music and received a degree in theology. Sanz was
well traveled and spent much time in Italy, where he
studied guitar with Cristoforo Carisani and Lelio
Colista. He also studied the guitar works of Foscarini
and Corbetta. After returning to Spain, Sanz had
acquired such a great reputation as a guitarist and
composer that he was appointed guitar teacher to Don
Juan of Austria.

Baroque Guitar
The baroque guitar was popular primarily in Spain,
France, and Italy, and has a distinguished history
spanning 150 years, with only minor changes in tuning
and technique. Corbetta, Foscarini, and Montesardo in
Italy, de Visee in France, and Gaspar Sanz and Santiago
de Murcia in Spain championed the baroque guitar.

The baroque guitar was smaller than the modern
classical guitar, with more of an oblong shape, and had
wooden tuning pegs and tied-on gut frets. The
movable frets gave the baroque guitarist more
flexibility in tuning and pitch control.
There were many different tunings in vogue during
Sanz's time, the most popular of which is used and
explained in his method. The first string was single,
the second course (a set of multiple strings played as
one) was doubled unisons, the third course wa
doubled unisons, the fourth course was doubled in
octaves with the high octave on the thumb or bass
side, and the fifth course was doubled unisons an
octave higher than standard (modern) tuning. This
type of tuning, with the high octave on the thumb
or what would be the bass side of the strings,
enabled the guitarist to use the thumb as a melodic
finger, often playing high melody notes with the
thumb and achieving bell-like cross-string passage
called eampanellas.

Tablature
Tablature is a schematic that represents the five strings
of the guitar, with the bottom line representing the
highest string.
The frets are then represented by the numbers 1-9,
with 0 being an open string, and X indicating the
tenth fret. (Ed Note-Although indicated as a fret
marking in the original manuscript, an "X" in
conventional notation represents a muted string. This
edition will conform to conventional notation.) The
dots next to the numbers indicate the left-hand
fingering: one dot=index, two dots=middle, three
dots=ring, four dots=the little finger. Juan Carlo
Amat wrote the earliest publication for baroque guitar
and devised the alphabeto, a series of letters indicating
predetermined chords to be strummed during the
composition or dance. In the tablature, only the fretted
notes were indicated-the open strings were assumed.
(Ed Note- The diagram below illustrates the open
strings in this manner. However, conventional openstring
indications will be observed throughout the
remainder of this edition.) 

 

Contents:
Allemande La Serenissima
Another Ducal
Another French Saraband
Another Granduque
Another Passacaglia
Another Villano
Ballet
Batalla (Battle)
Bugle From the French King's Musketeers
Canarios (Sanz)
Chaconne
Dance of Mantua
Dance of the Axes
Dance of the Torches
Espa–oleta
Folias
Four Voices and Chromatics
French Ballet
French Saraband
Fugue I
Fugue II
Gallarda
Gallardas
Gigue
Gigue in the English Style
Granduque (Great Duke)
Great Duke of Florence
Jacara From The Coast
Jacaras
Labyrinth
Lantururu (Sanz)
Maricapolos
Mariona (Sanz)
Paradetas (Sanz)
Passacaglia
Passacaglia In A Minor
Passacaglia in E Minor
Passacaglia in F
Passacaglia In G Minor
Passacaglias
Passacaglias in B Flat
Passacaglias in D
Passacaglias in D Minor
Passacaglias in E Minor and B Flat Minor
Passage
Pavane
Pavane In A Minor
Prelude and Fantasy
Promenades in C
Rujero Gaspar Sanz
Saltaren
Tarantela
The Catalonian Mi-ena
The Enfachata of Naples
The French Shellfish
The Garzona
The Knights of Naples With Bugles
The Portuguese Minima
The Return
Torneo
Two Passacaglias
Two Trumpets of the Swedish Queen
Villano

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