ULTIMATE GUITAR PLAY-ALONG

LED ZEPPELIN, ULTIMATE GUITAR PLAY-ALONG VOLUME 2. Authentic Guitar TAB. SHEET MUSIC BOOK WITH  CD JAM TRAX & GUITAR TABLATURE. 

LIBRO DI MUSICA HARD ROCK, CON CD DI BASI.

CD DI BASI PER VOCE E, VOCE E CHITARRA.

SOFTWARE PER RALLENTARE LA VELOCITA' DELLE TRACCE SENZA CAMBIARE LA TONALITA'. 

SPARTITI PER VOCE E CHITARRA, CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

COMPLETE BACKING TRACKS for VOCALIST and GUITARIST .

For the first time ever we are proud to present the legendary songs of Led Zeppelin transcribed for Guitar, complete with backing and demo tracks on 2 CDs!

The Guitar tablature, chord symbols, chord boxes and full lyrics have been newly transcribed. The recordings on the CDs have been made using authentic instruments, amps and recording techniques of the time the songs were originally cut. Comprehensive notes describe the painstaking process of simulating the Led Zeppelin sound for this breakthrough series.

The result? The definitive collection of Led Zeppelin classics arranged and presented for the true fan who wants to play Guitar with one of the world's all-time great bands!

EDITOR'S NOTE

It is simply impossible to actually recreate the recorded performances of Led Zeppelin and the production techniques of Jimmy Page. The intention of these recordings is to aid in the study of the guitar parts by providing credible backing tracks to play along with, hopefully capturing the spirit of the original music. Ultimately, it is essential to listen to, and try and. emulate, the original Led Zeppelin tracks to really understand the musical nuance, intensity, and brilliance of those recordings.

CREDITS .

Supervisory editors: Brad Tolinski and Jimmy Brown

Project manager and music editor: Tom Farncombe

Audio recording and mixing: Jonas Persson

Guitars and guitar transcriptions: Arthur Dick

Additional transcription and editing: Jimmy Brown

Bass guitar and bass transcriptions: Paul Townsend

Drums, percussion, and drum transcriptions: Noam Lederman

Keyboards and keyboard transcriptions: Paul Honey

Music engraving: Paul Ewers Music Design

Recorders: Kirsten Halliday

Harmonica: Son Maxwell

"Kashmir" orchestra arranged and programmed by Rick Cardinali

Thanks to Chandler Guitars

Special thanks to Mark Lodge at Hiwatt UK for supplying the Hiwatt 100 Head, an

exact replica of Jimmy Page's amp from the Led Zeppelin sessions.

EQUIPMENT LIST

In addition to the instruments specified under Recording Notes (starting on

page 6), the following were used for the recordings:

1968 Ludwig drum kit (24" bass drum, 13" rack tom, 16" floor tom, 18" second

floor tom)

Paiste cymbals

1991 Fender Jazz Bass

1978 Fender Precision Bass

1962 reissue Fender Jazz Bass (strung with flatwound strings)

Ashdown bass amplification

Miscellaneous guitar effects:

Fulltone Full-Drive 2

Pete Cornish sustain pedal

Celmo Sardine Can compressor

Jim Dunlop Crybaby wah-wah pedal

Recording Notes

The following notes detail the guitars and amplifiers used on each song in this book, as an indication of how one might try to match the kind of tone Jimmy Page achieved on the original Led Zeppelin recordings. These choices were based on the information available about the original recording setups. However, with other, less-controllable factors to consider (studio size, mic type and placement, location, tape machines, and recording consoles), choices about the right sound were driven as much by ear as by the reported original conditions.

Achilles Last Stand

The main verse guitars for IlAchilles Last Stand" were recorded with a 1959 Les Paul and a Hiwatt 100; the other guitars were recorded with a 1952 Les Paul, again through the Hiwatt. The tremolo effects are from the Roger Mayer Voodoo Vibe + pedal. In the last g section, the high guitar was pitch-shifted by an octave.

All My Love

The acoustic parts were played on a Santa Cruz Model D. The original recording features a Telecaster fitted with a B-bender; this was emulated here with a standard 1969 Telecaster through the Hiwatt.

The nylon-string parts were played on an Edward B. Jones Oxford classical guitar.

The electric parts were recorded with the 1969 Telecaster through a Marshall JCM2000.

The keyboard sounds are synth strings and trumpet patches from the Expand sampler in

Pro Tools.

Kashmir

The main guitar for this was a 1965 Danelectro DC 59 (courtesy of Dave Cousins of The Strawbs) recorded through a VOX AC30. The other parts were played on the 1969 Telecaster using the Marshall.

Nobodys Fault but Mine

The intra riffs were tracked with the 1959 Les Paul through the Hiwatt, and the 1952 Les Paul through the Hiwatt and a Cornell Romany 10-watt amplifier. The octave part is on the 1952 with an Eventide Instant Phaser. The solo was played on the 1969 Telecaster through the Hiwatt and Cornell.

The harmonica solo was recorded through the VOX AC30.

Over the Hills and For Away

The acoustic parts are a combination of a Santa Cruz D 6-string and a Brook 12-string. The electric parts were played on the 1952 Les Paul through the Hiwatt. The sound of the solo was achieved with the 1959 Les Paul, with the signal split between a direct input and the VOX AC30. The direct signal was processed through a Tube-Tech valve compressor, and the amp was recorded using a combination of close and ambient microphones, with automated panning and Eventide Instant Phaser effects.

The Song Remains the Some

The 12-string parts in this song were recorded with a Rickenbacker 12 through the Marshall. The other electric parts were tracked with the 1952 Les Paul and a 1964 Epiphone Casino, both through the VOX AC30. The solos were played on the 1969 Telecaster through the Cornell.

Stairway to Heaven

The acoustic parts for this song were performed on the Santa Cruz Model D guitar, recorded with Neumann U47 and Sennheiser 421 microphones alongside two AKG 414 ambient mics.

The electric parts were done with the 1969 Telecaster through the vox AC30 and a Fender XII 12-string through a 1O-watt Cornell.

All the solo parts were played on the 1969 Tele through the Marshall. The keyboard parts were played on a Nord Electro 2 modelling keyboard with a Fender Rhodes patch.

Trampled Under Foot

All the guitar parts for this song were recorded using the 1959 Les Paul and the Hiwatt. The lead parts in the second and third verses have an automated reverse reverb effect created in Pro Tools. The keyboard parts are from a Nord Electro 2 clavi net sound recorded through the 1965 VOX AC30.

TiTLES : 

Achilles Last Stand
All My Love
Kashmir
Nobody's Fault But Mine
Over The Hills And Far Away
The Song Remains The Same
Trampled Underfoot 
Stairway To Heaven 

https://youtu.be/xd8AVbwB_6E

ROLLING STONES, ULTIMATE GUITAR PLAY-ALONG. SHEET MUSIC BOOK WITH 2 CD & GUITAR TABLATURE .

LIBRO DI MUSICA ROCK, CON 2 CD.

2 CD DI BASI PER VOCE E VOCE E CHITARRA.  

SPARTITI PER VOCE E CHITARRA CON : 

ACCORDI / CHORDS, PENTAGRAMMA E TABLATURE . 

Rolling Stones
Series: Ultimate Play-Along
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
Version: Authentic Guitar TAB
Music Transcribed: Dan Begelman, Jack Allen, Aaron Stang 

Alfred's Ultimate Play-Along series gives you everything you need to jam with your favorite songs. This book includes

(I Can't Get No) Satisfaction. 

I can't get no satisfaction 
I can't get no satisfaction 
'Cause I try and I try and I try and I try 
I can't get no, I can't get no 

When I'm drivin' in my car 
And that man comes on the radio 
He's tellin' me more and more 
About some useless information 
Supposed to fire my imagination 
I can't get no, oh no no no 
Hey hey hey, that's what I say 

I can't get no satisfaction 
I can't get no satisfaction 
'Cause I try and I try and I try and I try 
I can't get no, I can't get no 

When I'm watchin' my TV 
And that man comes on to tell me 
How white my shirts can be 
But he can't be a man 'cause he doesn't smoke 
The same cigarrettes as me 
I can't get no, oh no no no 
Hey hey hey, that's what I say 

I can't get no satisfaction 
I can't get no girl reaction 
'Cause I try and I try and I try and I try 
I can't get no, I can't get no 

When I'm ridin' round the world 
And I'm doin' this and I'm signing that 
And I'm tryin' to make some girl 
Who tells me baby better come back later next week 
'Cause you see I'm on losing streak 
I can't get no, oh no no no 
Hey hey hey, that's what I say 

I can't get no, I can't get no 
I can't get no satisfaction 
No satisfaction, no satisfaction, no satisfaction 

non riesco ad avere nessuna soddisfazione 
non riesco ad avere nessuna soddisfazione 
e ci provo e ci provo e ci provo e ci provo 
non ci riesco, non ci riesco 

quando sto guidando nella mia macchina 
e quell'uomo salta fuori alla radio 
e mi dà sempre più elementi 
supponendo di accendere la mia immaginazione 
non ci riesco, oh, no 
hei, questo è quello che dico 

non riesco ad avere nessuna soddisfazione 
non riesco a davere nessuna soddisfazione 
e ci provo e ci provo e ci provo e ci provo 
non ci riesco, non ci riesco 

quando sto guardando la mia tv 
e salta fuori quell'uomo per dirmi 
come possono essere bianche le mie camicie 
bene, lui non può esere un uomo 
perchè non fuma 
le mie stese sigarette 
non ci riesco,oh no 
hei, questo e quello che dico 

non riesco ad avere nessuna soddisfazione 
non riesco ad avere nessuna soddisfazione e ci provo e ci provo e ci 
provo e ci provo 
non ci riesco non ci riesco 

quando viaggio intorno al mondo 
e faccio questo firmo quello 
e cerco di farmi qualche ragazza. 

Dopo un deludente concerto, finito con la Polizia che ha fermato lo show, Keith si sveglia nella sua stanza del Jack Tar Harrison Hotel in Clearwater Florida, con nella testa un insistente riff a 3 note. Richards registra la musica su nastro e il giorno dopo insieme a Jagger completa quasi la canzone, una critica alla società del consumismo.

In questo libro troverete tutte le indicazioni per suonare come Keith, con capotasti mobili e le accordare aperte in:

OPEN G TUNING,
Questa accordatura è quella che Richard usa più frequentemente nei suoi famosi riff sincopati, su una Telecaster e togliendo la corda più bassa, suonando solo con 5 corde. 

OPEN E TUNING, 

OPEN C TUNING

utilizzate spesso in combinazione con l'accordatura standard della seconda chitarra.   

il famoso Riff della chitarra all'inizio della canzone Brown Sugar, sembra che sia di Jagger e non Keith !!! incredibile !

After a disappointing gig that ended with the police stopping the show, Keith Richards awoke in his room at the Jack Tar Harrison Hotel in Clearwater, Florida, with an insistent three-note riff and the words "I can't get no satisfaction" rolling around in his head. Fortunately, Richards committed these thoughts to tape and they were fleshed out the following day with his bandmate, Mick Jagger. The song was recorded at RCA Studios in Hollywood, California, on May 12, 1965, with Keith playing his dream-inspired riff on an electric guitar through a Maestro FZ-1 fuzz pedal. It was Richards's intent to replace the guitar riff with a horn section, but, before that could happen, "Satisfaction" was released as a single and the song raced up the charts. In the succeeding four and a half decades, with its now immortal rift "(I Can't Get No) Satisfaction" has become an indictment on commercialism, a cross-generational anthem, a guaranteed show closer at any Stones concert and a bona fide cultural icon. Note: In the original recording, listen for the telltale click of the footswitch as the fuzz effect is engaged at 0:35 and 2:35.

Jumpin' Jack Flash. Like "Satisfaction," the origins of "Jumpin' Jack Flash" can be traced to the dreamy half-awake state of its creators. After a very late night at Keith Richards's country house, Mick Jagger was startled by the sound of Keith's gardener working outside the window. When Jagger asked about the noise, Richards replied, "Oh, that's jumpin' Jack Dyer." Recorded at Olympic Studio in London in the spring of 1968, the song features a unique guitar tone that Keith Richards has revealed to be a Gibson Hummingbird acoustic in open Etuning played into a small Philips cassette recorder. The guitar was very close to the recorder's onboard microphone and deliberately overloaded the input producing an overdriven sound. This effect was also used on "Street Fighting Man" from the same sessions. Note: As mentioned, the guitars on the original studio recording of "Jumpin' Jack Flash" are in open Etuning (as transcribed in this book), shown in Fig. 1, below. However, in December 1968, both Keith Richards and Brian Jones performed the song in standard tuning for The Rolling Stones Rock and Roll Circus concert film. At this show, the main riff of the song was played at the 2nd fret, as in Fig. 2. By July 1969, Keith Richards had begun performing the song in open G tuning with a capo on the 4th fret shown in Fig. 3. He continues to use this method to this day. Fig. 3 also shows the second guitar in standard tuning, playing the riff at the 7th fret.

Eight classic Stones songs with full TAB. The CD contains a complete version of each song and a play-along version without guitar. Plus, the CD contains embedded software that allows you to access the full-performance version, or to selectively mute Guitar 1, Guitar 2, or both. Plus you can easily loop sections, slow tracks without changing pitch and even change key. Matching bass and drum editions available! Titles:

1971 - Brown Sugar - parole e musica: Mick Jagger & Keith Richards

1969 - Gimme Shelter - parole e musica: Mick Jagger & Keith Richards

1969 - Honky Tonk Women - parole e musica: Mick Jagger & Keith Richards

1968 - Jumpin' Jack Flash - parole e musica: Mick Jagger & Keith Richards

1969 - Let it Bleed - parole e musica: Mick Jagger & Keith Richards

1966 - Paint it, Black - parole e musica: Mick Jagger & Keith Richards

1965 - (I Can't Get No) Satisfaction - parole e musica: Mick Jagger & Keith Richards

1969 - You Can’t Always Get What You Want - parole e musica: Mick Jagger & Keith Richards

GREEN DAY, GUITAR, AUTHENTIC PLAYALONG. CD TABLATURE

LIBRO DI MUSICA ROCK CON CD DI BASI PER VOCE E CHITARRA E VOCE.

SPARTITI PER CHITARRA E VOCE. TESTI, ACCORDI, PENTAGRAMMA E TABLATURE.

American Idiot -Basket Case -Boulevard Of Broken Dreams -Brain Stew -Good Riddance (Time Of Your Life) -Longview -Minority -Wake Me Up When September Ends -when I Come Around. 

Ultimate Play-Along Guitar: Green Day

SERIES: Ultimate Play-Along
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Includes the Following Selections:
Title Composer

AMERICAN IDIOT
ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

BASKET CASE
ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

BOULEVARD OF BROKEN DREAMS
L: ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

BRAIN STEW
L: ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

GOOD RIDDANCE (TIME OF YOUR LIFE)
ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

LONGVIEW
ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

MINORITY
L: ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

WAKE ME UP WHEN SEPTEMBER ENDS
L: ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

WHEN I COME AROUND
ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E., III/PRITCHARD, MICHAEL

R.E.M., Ultimate Guitar Play-Along. CD TABLATURE

LIBRO PER CHITARRA CON TABLATURE, E CD CON BASI
Play Along with 8 Great-Sounding Tracks

Now you can play along to some of legendary rock band R.E.M.’s greatest hits! Pick up this ultimate book and CD set and start playing songs from the band that set the precedent for all other alternative rock bands over the years. Members of the Rock and Roll Hall of Fame and celebrated for changing the world of music. in the CD, and take your playing to the next level by learning these and other great hits!
This book and CD set including lyrics and authentic Guitar TAB. Titles: Bad Day -Losing My Religion -Man on the Moon -The One I Love -Radio Free Europe -So. Central Rain -Stand -What's the Frequency, Kenneth?

- Bad Day
- Losing My Religion
- Man on the Moon
- The One I Love
- Radio Free Europe
- So. Central Rain
- Stand
- What's the Frequency, Kenneth?

Guitar TAB Playing Guide

BOOK & PLAY-ALONG CD
WITH. TONE 'N' TEMPO CHANGER
Alfred's Ultimate Play-Along series gives you everything you need to jam with your favorite songs. This book includes authentic TAB transcriptions, music notation, lyrics, and chords to eight R.E.M. Classics.

There are two versions of every song on the CD: a full-performance track with an amazing sound-alike recording, and a professional accompaniment track so you can play along. When you use the CD in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily change the key and tempo.
 

ULTIMATE PLAY-ALONG, JUST CLASSIC JAZZ GUITAR 1. SHEET MUSIC BOOK WITH CD JAM ALONG & GUITAR TABLATURE. 

LIBRO DI MUSICA JAZZ CON CD.

CD DI BASI PER CHITARRA. 

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.

Ogni titolo è arrangiato in: CHORD-MELODY SOLO, GUITAR SOLO CON TABLATURE, LEAD SHEET.

Basi: Body and soul -days of wine and roses -star dust -invitation -over the rainbow -'round midnight -Laura -when I fall in love -in a sentimental mood. CD TABLATURE