HAL LEONARD

BEATLES FROM LIVERPOOL TO ABBEY ROAD: A GUITAR METHOD FEATURING 33 SONGS OF LENNON & MCCARTNEY (CD) TABLATURE

 

BEATLES, FROM LIVERPOOL TO ABBEY ROAD: A GUITAR METHOD FEATURING 33 SONGS OF LENNON & MCCARTNEY. CD TABLATURE

Music by John Lennon and Paul McCartney / arr. L.C. Harnsberger and Ron Manus
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

This easy-to-use beginning method teaches everything you need to know to get started playing guitar. Start by learning how to hold the guitar and how to read standard music notation and TAB. Photos are included to clearly show proper fingering position. Great arrangements of songs by Lennon & McCartney are introduced to reinforce new techniques. Once you have completed this book, you will be able to play from sheet music and be ready to play in a band. The CD demonstrates songs and exercises. Songs include: All My Loving; And I Love Her; Eight Days a Week; Eleanor Rigby; The Fool on the Hill; Here, There and Everywhere; Hey Jude; I Am the Walrus; It's Only Love; Michelle; Norwegian Wood; Nowhere Man; Ob-La-Di, Ob-La-Da; Paperback Writer; Penny Lane; Rain; Revolution; Sgt. Pepper's Lonley Hearts Club Band; With a Little Help From My Friends; Yellow Submarine; Yesterday; You've Got to Hide Your Love Away...and many others.

a beginning guitar method featuring 33 songs of Lennon & McCartney
Cover photos: 
The famous zebra crossing outside the 
Abbey Road Studios: © Corbis / Inge Yspeert
Guitars: 
Martin D-28 courtesy of the 
Martin Guitar Company
Model 320  courtesy of 
Rickenbacker International Corporation
Naval Union Jack artwork: © Wood River Gallery
Special thanks to the following for their hard work:
Interior design and engraving:  Bruce Goldes
Cover design:  Ted Engelbart
Editorial assistance:  Kate Westin
Recording production:  Adam Levy
Copyright © MCMXCIX by Alfred Publishing Co., Inc.
All rights reserved. Printed in USA.
ISBN 0-7390-0251-1  Book and CD
ISBN 0-7390-0250-3  Book
table of contents
Holding the Guitar . . . . . . . . . . . . . . . . 
Getting Acquainted with Music . . . . . . 
Getting Acquainted with Tablature . . . 
Chord Diagrams . . . . . . . . . . . . . . . . . . 
Types of Guitars . . . . . . . . . . . . . . . . . . 
Tuning Your Guitar . . . . . . . . . . . . . . . 
Notes on the First String E . . . . . . . . . . 
Mixing It Up, More Mixing. . . . . . . . 
Sound Off: How to Count Time . . . 
Time Signatures. . . . . . . . . . . . . . . . 
Playing Different Kinds of Notes and 
Time Signatures. . . . . . . . . . . . . . 
Notes on the Second String B . . . . . . . 
Two-String Rock . . . . . . . . . . . . . . . 
With a Little Help from 
My Friends . . . . . . . . . . . . . . . . . 
Notes on the Third String G . . . . . . . . 
Aura Lee  . . . . . . . . . . . . . . . . . . . . 
Ties . . . . . . . . . . . . . . . . . . . . . . . . . 
Yellow Submarine . . . . . . . . . . . . . . 
Introducing Chords . . . . . . . . . . . . . 
Meet the Chords . . . . . . . . . . . . . . . 
The Three-String C Chord . . . . . . . . . 
Ode to Joy. . . . . . . . . . . . . . . . . . . . 
Introducing the Quarter Rest. . . . . . 
Rock ’n’ Rhythm. . . . . . . . . . . . . . . 
The Three-String G7 Chord . . . . . . . . 
Down in the Valley . . . . . . . . . . . . . 
Notes on the Fourth String D . . . . . . . 
Incomplete Measures. . . . . . . . . . . . 
Chord Accompaniments . . . . . . . . . 
I’m Happy Just to Dance 
with You . . . . . . . . . . . . . . . . . . . 
The Four-String G Chord . . . . . . . . . . 
Norwegian Wood . . . . . . . . . . . . . . 
Lady Madonna . . . . . . . . . . . . . . . . 
Notes on the Fifth String A. . . . . . . . . 
You’ve Got to Hide 
Your Love Away . . . . . . . . . . . . . 
The Four-String G7 Chord . . . . . . . . . 
Buffalo Gals . . . . . . . . . . . . . . . . . . 
Riddles and Puzzles . . . . . . . . . . . . . . 
Introducing High A . . . . . . . . . . . . . . 
Rockin’ in Dorian Mode . . . . . . . . . 
Rain . . . . . . . . . . . . . . . . . . . . . . . . 
Notes on the Sixth String E. . . . . . . . . 
The Natural Scale . . . . . . . . . . . . . . 
Tempo Signs . . . . . . . . . . . . . . . . . . 
Three-Tempo Rock . . . . . . . . . . . . . 
Tell Me What You See. . . . . . . . . . . 
The Four-String C Chord . . . . . . . . . . 
When the Saints Go Marching In . . 
Eighth Notes. . . . . . . . . . . . . . . . . . . . 
Eighth Note Rock . . . . . . . . . . . . . . 
Speed Drill. . . . . . . . . . . . . . . . . . . . 
Here, There and Everywhere. . . . . . 
Carry That Weight . . . . . . . . . . . . . 
Paperback Writer . . . . . . . . . . . . . . 
Sharps, Flats and Naturals . . . . . . . . . 
The Chromatic Scale . . . . . . . . . . . . 
Chromatic Rock . . . . . . . . . . . . . . . 
Sgt. Pepper’s Lonely Hearts 
Club Band. . . . . . . . . . . . . . . . . . 
It’s Only Love . . . . . . . . . . . . . . . . . 
The Four-String F Chord . . . . . . . . . . 
I’m Down . . . . . . . . . . . . . . . . . . . . 
Ob-La-Di, Ob-La-Da . . . . . . . . . . . 
The Major Scale . . . . . . . . . . . . . . . . . 
Key Signatures . . . . . . . . . . . . . . . . . . 
Baby You’re a Rich Man . . . . . . . . . 
Penny Lane . . . . . . . . . . . . . . . . . . . 
Introducing Dotted Notes. . . . . . . . . . 
Nowhere Man . . . . . . . . . . . . . . . . . 
Eleanor Rigby . . . . . . . . . . . . . . . . . 
Yesterday . . . . . . . . . . . . . . . . . . . . 
The Three Principal Chords . . . . . . . . 
The Three Principal Chords in the Key 
of C Major . . . . . . . . . . . . . . . . . . . 
The Five-String C and F Chords 
and the Six-String G7 Chord . . . . . 
Rhythm Patterns Using the Three 
Principal Chords in C Major . . . . 
Introducing Triplets . . . . . . . . . . . . . . 
The Fool on the Hill . . . . . . . . . . . . 
Key of A Minor . . . . . . . . . . . . . . . . . 
The Three Principal Chords in the 
Key of A Minor . . . . . . . . . . . . . . 
The Five-String D7 Chord . . . . . . . . . . 
Wait . . . . . . . . . . . . . . . . . . . . . . . . 
I Will. . . . . . . . . . . . . . . . . . . . . . . . 
Eight Days a Week . . . . . . . . . . . . . 
New Chords: The Six-String A and 
Em Chords . . . . . . . . . . . . . . . . . . . 
And I Love Her . . . . . . . . . . . . . . . . 
No Reply . . . . . . . . . . . . . . . . . . . . . 
The Three Principal Chords in the Key 
of G Major . . . . . . . . . . . . . . . . . . . 
The Six-String G Chord, and the 
Five-String C and D7 Chords . . . . 
I’ll Get You . . . . . . . . . . . . . . . . . . . 
The Dominant Major Chord . . . . . . .
The Five-String D Major Chord . . . 
Yellow Submarine . . . . . . . . . . . . . . 
Key of E Minor. . . . . . . . . . . . . . . . . . 
The Three Principal Chords in the 
Key of E Minor . . . . . . . . . . . . . . 
House of the Rising Sun . . . . . . . . . 
All My Loving . . . . . . . . . . . . . . . . . 
Preparation for Bar (Barre) Chords. . . 
The Three Principal Chords in the Key 
of F Major. . . . . . . . . . . . . . . . . . . . 
More About Two-Part Writing. . . . . . 
Michael Row the Boat Ashore. . . . . 
Important Open Chords . . . . . . . . . . . 
Most Commonly Used Bar Chords . . . 
I Am the Walrus . . . . . . . . . . . . . . . 
Sixteenth Notes . . . . . . . . . . . . . . . . 
Dotted Eighth and 
Sixteenth Notes . . . . . . . . . . . . . 
Hey Jude . . . . . . . . . . . . . . . . . . . . 
Reading Sheet Music . . . . . . . . . . . . 
Anytime at All. . . . . . . . . . . . . . . . 
Important Small Bar Chords. . . . . . . 
Introducing Quarter Note Triplets . . 
Michelle . . . . . . . . . . . . . . . . . . . . 
Revolution . . . . . . . . . . . . . . . . . . . . 
Chord Chart . . . . . . . . . . . . . . . . . . . 
Guitar Fingerboard Chart . .
Price: €37,99
€37,99

BEATLES 1 Guitar Recorded Version TABLATURE All You Need Is Love-Day Tripper-A Hard Day's Night

BEATLES, 1. TABLATURE

The Beatles - 1
Series: Guitar Recorded Version TAB
Artist: The Beatles

No band on earth but The Beatles could have a greatest hits compilation top the charts more than 30 years after breaking up! In a few short months, the CD 1 – featuring The Beatles' 27 British and American Number One singles – has sold more than 20 million copies and is well on its way to becoming the best-selling album of all time.

We are very proud to present these matching songbooks to this landmark release. Songs include: All You Need Is Love • The Ballad of John and Yoko • Can't Buy Me Love • Come Together • Day Tripper • Eight Days a Week • Eleanor Rigby • From Me to You • Get Back • A Hard Day's Night • Hello, Goodbye • Help! • Hey Jude • I Feel Fine • I Want to Hold Your Hand • Lady Madonna • Let It Be • The Long and Winding Road • Love Me Do • Paperback Writer • Penny Lane • She Loves You • Something • Ticket to Ride • We Can Work It Out • Yellow Submarine • Yesterday.

Inventory #HL 00690489
ISBN: 9780634030352
UPC: 073999904895
Width: 9.0"
Length: 12.0"
120 pages


Series: Guitar Recorded Version
No band on earth but The Beatles could have a greatest hits compilation top the charts more than 30 years after breaking up! In a few short months, the CD 1 featuring The Beatles' 27 British and American Number One singles has sold more than 20 million copies and is well on its way to becoming the best-selling album of all time.

We are very proud to present these matching songbooks to this landmark release. Songs include:

All You Need Is Love
The Ballad Of John And Yoko
Can't Buy Me Love
Come Together
Day Tripper
Eight Days A Week
Eleanor Rigby
From Me To You
Get Back
A Hard Day's Night
Hello, Goodbye
Help!
Hey Jude
I Feel Fine
I Want To Hold Your Hand
Lady Madonna
Let It Be
The Long And Winding Road
Love Me Do
Paperback Writer
Penny Lane
She Loves You
Something
Ticket To Ride
We Can Work It Out
Yellow Submarine
Yesterday

122 pages

Price: €29,99
€29,99

BEATLES, RUBBER SOUL Guitar Recorded Version TABLATURE Michelle-GIRL-Norwegian Wood-In My Life-Drive My Car

BEATLES, RUBBER SOUL. TAB.

Series: Guitar Recorded Version
Matching folio to the classic album featuring:

Drive My Car
Girl
I'm Looking Through You
If I Needed Someone
In My Life
Michelle
Norwegian Wood (This Bird Has Flown)
Nowhere Man
Run For Your Life
Think For Yourself
Wait
What Goes On
The Word
You Won't See Me

88 pages

Price: €29,99
€29,99

BECK ODELAY HANSEN GUITAR TABLATURE LIBRO SPARTITI CHITARRA HAL LEONARD

BECK, ODELAY. TAB.

Series: Guitar Recorded Version TAB
Artist: Hansen

This matching guitar tablature folio by the Grammy-Award winning artist Beck features the hit songs, 56 pages

Derelict
Devils Haircut
High 5 (Rock The Catskills)
Hotwax
Jack-Ass
Lord Only Knows
Minus
The New Pollution
Novacane
Ramshackle
Readymade
Sissyneck
Where It's At

Price: €34,99
€34,99

BENSON GEORGE RECORDED VERSION TABLATURE Breezin'-Mimosa-On Broadway-Give Me The Night-HAL LEONARD

BENSON GEORGE, RECORDED VERSION. TAB.

Guitar Recorded Versions
Series: Guitar Recorded Version
Softcover - TAB
Artist: George Benson

Revised to include even more of his best hits as well as a bio. Songs include:

Basie's Bag
Before You Go
Beyond The Sea
Breezin'
California PM
Feel Like Makin' Love
Give Me The Night
Here, There And Everywhere
In Your Eyes
Lady
Lady Love Me (One More Time)
Love Ballad
Mimosa
On Broadway
So This Is Love
This Masquerade
Turn Your Love Around
We As Love
We've Got The Love
Weekend In L.A.
Welcome Into My World

128 pages

Price: €28,99
€28,99

BLACK SABBATH BLACK SABBATH Guitar Recorded Version TABLATURE Sleeping Village-N.I.B.-Warning-

BLACK SABBATH, BLACK SABBATH. TABLATURE

Series: Guitar Recorded Version TAB

Black Sabbath- Black Sabbath features exact not-for-note transcriptions in notes and tab of all the songs on the recording Black Sabbath. This was their debut album and began the very successful career of Black Sabbath and Ozzy Osbourne. 56 pages.

Bassically
Behind The Wall Of Sleep
A Bit Of Finger (Lommi/Butler/
Black Sabbath
N.I.B.
Sleeping Village (Iommi/Butler/
Warning
Wasp
Wicked World
The Wizard

La fotografia della copertina dell'album e' stata scattata a Mapledurham Watermill sul Tamigi.

Price: €27,99
€27,99

BLACK SABBATH PARANOID Guitar Recorded Version TABLATURE Planet Caravan-Iron Man-War Pigs

 

BLACK SABBATH, PARANOID. TABLATURE

Black Sabbath - Paranoid

Series: Guitar Recorded Version TAB
Artist: Black Sabbath

Ten-song matching folio: Electric Funeral - Fairies Wear Boots (Interpolating Jack the Stripper) - Hand of Doom - Iron Man - Jack the Stripper - Luke's Wall - Paranoid - Planet Caravan - Rat Salad - War Pigs (Interpolating Luke's Wall).

Inventory #HL 00690142
ISBN: 9780793567294
UPC: 073999247237
Width: 9.0"
Length: 12.0"
48 pages

 

"Never Say Die" (Aug. 1997)
Overcoming overwhelming odds, and the right way to play "Paranoid"

At long last, Guitar World proudly presents this first instalment of a new column by the Godfather of Metal, the inimitable Tony Iommi. For nearly three decades, Iommi has been the mastermind behind the legendary and often groundbreaking heavy guitar-driven riffs of the bastard sons of British hard rock, Black Sabbath.

Hello there! Welcome to my first Guitar World column. I'm looking forward to sharing with you in these pages my thoughts on playing, equipment and the music business. Actually, this isn't the first time I've written a column - I used to do one many years ago for an English music magazine called Beat Instrumental. I did it for about eight months and it was great fun, and I'm sure this one will be too.

NEVER SAY DIE

Although my handicap has received quite a bit of press over the years, a lot of people are very surprised when they find out that I'm missing two fingertips from my fretboard (right) hand. (I'm a lefty.) After all, that is a fairly serious affliction for a guitarist. Specifically, I lost the tips of my middle and ring fingers in an accident I had at work - they got caught in a piece of machinery. Ironically, the day the accident happened was my last day at that job before turning professional musician, as I was all set to go to Germany on tour with a band. The timing couldn't have been worse - not that there's ever a good time to cut off the ends of two of your fingers!

As you can imagine, it was an awful experience and I went through a terrible period of depression because I was convinced that my guitar playing days were over for good. I went to dozens of different doctors and hospitals and they all said, "Forget it. You're not going to be able to play guitar again."

While I was down in the dumps though, a friend of mine, who happened to be my foreman at work, brought me a record of [world-renowned Gypsy jazz guitarist] Django Reinhardt who, at the time, I'd never heard of before. My friend said, "Listen to this guy play," and I went, "No way! Listening to someone play the guitar is the very last thing I want to do right now!" But he kept insisting and he ended up playing the record for me. I told him I thought it was really good and then he said, "You know, the guy's only playing with two fingers on his fretboard hand because of an injury he sustained in a terrible fire." I was totally knocked back by this revelation and was so impressed by what I had just heard that I suddenly became inspired to start trying to play again.

I tried playing right-handed for a while but that didn't work out for me so I bandaged my two damaged fingers together and started playing lefty again using just my first (index) and little fingers. I then decided to go a step further by trying to bring my two injured fingers back into the game. What I did was this: I melted down a "Fairy Liquid" [an English dishwashing detergent] bottle, made a couple of blobs of the plastic and then sat there with a hot soldering iron and melted holes in them so they'd fit on the tips of my injured fingers, kind of like thimbles.

When I got the caps to fit comfortably, I ended up with these big balls on the ends of my fingers, so I then proceeded to file them down with sandpaper until they were approximately the size of normal fingertips.

It took me quite a while to get them exactly right because they couldn't be too heavy or thick but had to be strong enough so they didn't hurt the ends of my fingers when I used them. When I had sculpted my "thimbles" to the right size and tested them I realized that the ends weren't gripping the strings so I cut up a piece of leather and fixed pieces to the ends of them. I then spent ages rubbing the leather pads so they would get shiny and absorb some oils and would help me grip the strings better. I filed down the edges so they wouldn't catch on anything and it worked!

Once I had done this it took me quite a while to get used to bending and shaking strings with those two fingers because I obviously couldn't feel anything. It was difficult to even know where my fingers were and where they were going. It was just a matter of practicing and persevering with it, using my ears to compensate for my lost tactile sense.

In the years since my story was publicized more than a few musicians who have had similar afflictions have told me that my "never say die" attitude has inspired them to keep going. However bad something may seem at first, you've got to try to overcome it because sometimes the "impossible" is possible. It was really depressing at first, but after hearing Django, I just wouldn't accept defeat. I was sure there had to be a way around my problem.

PARANOID: THE RIGHT WAY

Anyway, that's enough about my missing fingertips! Let's finish up this first column with some music. Over the years a lot of guitar magazines and books have transcribed my "Paranoid" main riff but nearly all of them did so incorrectly. They invariably get the notes right but the position on the neck is always wrong. I saw one recently that made the same old mistake. Nearly everyone (most professional transcribers included) assumes that I play the E5 power chord that the riff is based around on the 5th and 4th strings at the 7th fret. Well, I don't! I play the chord on the 6th and 5th strings at the 12th fret. I play it here because, to my ears, the E5 power chord at the 12th fret definitely sounds darker and more ominous than the 7th fret grip. (Compare both figures by playing them back-to-back and you'll hear exactly what I mean.) So, the correct way to play the opening riff to "Paranoid" is as shown in FIGURE 9.

Regarding the three grace-note hammer-ons that occur on the 5th string at the very beginning of the riff-they're definitely played by "feel" and will sound wrong if you perform them too quickly or too slowly. To get them right, listen to the recording carefully a few times until you've memorized the way that part of the riff sounds. Like the saying goes, "if you can hum it, you can play it!" See you on the road with the OzzFest.

 

Electric Funeral
Fairies Wear Boots (Interpolating Jack The Stripper)
Hand Of Doom
Iron Man
Jack The Stripper
Luke's Wall
Paranoid
Planet Caravan
Rat Salad
War Pigs (Interpolating Luke's Wall)

48 pages

Price: €27,99
€27,99

BLACK SABBATH RIFF BY RIFF BASS TABLATURE-LIBRO-Iron Man-N.I.B.-Planet Caravan-War Pigs-Supernaut

BLACK SABBATH, RIFF BY RIFF BASS. TAB.

Series: Riff by Riff
TAB
Composer: Rich Zurkowski
The most comprehensive bass book ever on the music of Black Sabbath! Features over 130 annotated, note-for-note excerpts from Black Sabbath through Mob Rules, in-depth lessons, a history of the band, info on their gear setups, lots of photos, and much more. Songs include:

After Forever
Am I Going Insane (Radio)
Bassically
Behind The Wall Of Sleep
Black Sabbath
Changes
Children Of The Grave
Children Of The Sea
Dirty Women
Electric Funeral
The Elegy
Fairies Wear Boots (Interpolating Jack The Stripper)
Hand Of Doom
Heaven And Hell
Hole In The Sky
Into The Void
Iron Man
Jack The Stripper
Killing Yourself To Live
Luke's Wall
Megalomania
The Mob Rules
Neon Knights
N.I.B.
Paranoid
Planet Caravan
Rat Salad
Sabbath, Bloody Sabbath
Sabbra Cadabra
The Sign Of The Southern Cross
Snowblind
Solitude
Supernaut
Sweet Leaf
Symptom Of The Universe
War Pigs (Interpolating Luke's Wall)
Wasp
Wheels Of Confusion
Wicked World
The Wizard

80 pages

Price: €25,99
€25,99

BLACK SABBATH WE SOLD OUR SOUL FOR ROCK N' ROLL Guitar Recorded Versions TABLATURE

BLACK SABBATH, WE SOLD OUR SOUL FOR ROCK N' ROLL. TAB.

Revised Edition
Series: Guitar Recorded Version TAB

Guitar tab for 16 hard-rocking songs from the double live LP:

Am I Going Insane (Radio)
Black Sabbath
Changes
Children Of The Grave
Fairies Wear Boots (Interpolating Jack The Stripper)
Iron Man
Laguna Sunrise
N.I.B.
Paranoid
Sabbath, Bloody Sabbath
Snowblind
Sweet Leaf
Tomorrow's Dream
War Pigs (Interpolating Luke's Wall)
Warning
The Wizard

112 pages

Price: €24,99
€24,99
Syndicate content