ACCORDI - PENTAGRAMMA - TABLATURE / CHORDS - STANDARD NOTATION - TABLATURE

PHIL SOUSSAN-MASTER SESSION-TABLATURE VIDEO-Ozzy Osbourne-TECNICA-LEZIONE-BASSO SPARTITI

PHIL SOUSSAN, MASTER SESSION. Una lesson dal bassista di Ozzy. BOOKLET WITH TABLATURE VIDEO

VIDEO LEZIONE DI MUSICA HEAVY METAL.

LIBRETTO DI SPARTITI PER BASSO CON: 

ACCORDI, PENTAGRAMMA, TABLATURE.

TECNICA, METODO, 


Phil, the bassist for Ozzy Osbourne, has also played with Eddie van Halen, Peter Frampton, Billy idol and others. He specially designed this video program to build confidence in playing through exercises and musical concepts - for all levels of players .

Phil Soussan has organised a programme designed to build confidence in playing, through specially designed exercises and musical concepts

Phil Soussan (born June 23, 1961 in London, England) is a bassist, songwriter and producer who has been a member of bands of the singers Ozzy Osbourne, Billy Idol, Vince Neil, Johnny Hallyday and John Waite. He has also played in bands featuring Jimmy Page, Steve Lukather, Edgar Winter and Richie Kotzen. He was also a member of the band Beggars & Thieves.

With Ozzy Osbourne, he played on the album The Ultimate Sin and wrote the hit single "Shot in the Dark".

With Vince Neil, he reportedly first played in the band Black Rain, then he reportedly played on a Vince Neil Band demo tape, and then co-wrote some songs on the Vince Neil Band's first official album Exposed.

As a writer he has contributed to all of the bands that he has been with, most notably writing Exposed, the first solo album for Vince Neil, the Luke album for Steve Lukather and "After You're Gone" the opening track to Mindfields the album from Toto. This latter track was nominated for a Grammy.

Recently he has also been a producer and mixer and has worked on projects by Dokken, Jani Lane, Toto and Blues Traveler.

In 2006 he released his debut highly acclaimed solo album entitled Vibrate featuring him singing and playing guitar and bass on original material.

He is currently a member of the supergroup "Big Noize" featuring alongside lendary singer Joe Lynn Turner, guitarist Carlos Cavazo, and drummer Vinny Appice. Carlos Cavazo and Phil Soussan previously played together in the band Black Plague.

Phil is also serving as a Board member of the Grammys also known as NARAS, in the Los Angeles chapter.

Prezzo: €49,99
€49,99

ACOUSTIC BASS, Musicianship and Improvisational Techniques, GARY PEACOCK. TABLATURE DVD

ACOUSTIC BASS, Musicianship and Improvisational Techniques, GARY PEACOCK. TAB. DVD

Prezzo: €33,99
€33,99

CONTEMPORARY ACOUSTIC GUITAR Steve Trovato CD chitarra libro tablature chords rhythms-chord embellishments-fingerpicking-blues-ragtime-new age-folk

CONTEMPORARY ACOUSTIC GUITAR. By Steve Trovato. CD TABLATURE

Contemporary Acoustic Guitar

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Eric Paschal
Composer: Steve Trovato

This book designed from elective courses taught at the famous Musicians Institute is the definitive source for playing acoustic guitar! Topics covered include: basic chords and rhythms; chord embellishments; fingerpicking patterns; blues, ragtime, new age, folk and other styles; drop D and other alternate tunings; and more! The accompanying CD includes 60 full-band tracks, and examples are written in standard notation and TAB.

Inventory #HL 00695320
ISBN: 9780793595891
UPC: 073999953206
Width: 9.0"
Length: 12.0"
48 pages


Preface Welcome to Contemporary Acoustic Guitar! This book/CD is designed to show you the essential techniques for acoustic guitar playing. While it serves as an excellent source for the beginning guitarist, it can help players of all levels widen their skills with techniques such as fingerstyle playing, Travis and bluegrass-style picking, alternate and open tunings, and new chord sounds.
The musical examples in this book are varied: some can be played with a flatpick, and others are
intended to be played fingerstyle. Some examples may be played in either fashion. Experiment and
see what feels and sounds best to you.
Most of the examples are written both in music notation and guitar tablature and can be heard on
the accompanying CD-so don't worry if you're not a great reader. The point is to get the notes
under your fingers and play! Good luck to you, and have fun!
Eric Paschal & Steve Trovato

About the Authors
Eric Paschal is originally from Fort Worth, Texas and now lives in
Santa Clarita, California. Recognized for his versatility, Eric is
comfortable in a wide range of playing and writing styles. He is
co-author of the book Rhythm Guitar-The Complete Guide (Hal
Leonard Publishing) and is featured on several other instructional
books and videos. Eric also teaches the "Contemporary Acoustic
Guitar" class at Musicians Institute, as well as several other
unique studies. His recording The View will be released in August
of this year.

Steve Trovato is currently an instructor in the Studio Jazz
Guitar Department at the University of Southern California.
He has authored over 20 instructional books, and is a regular
contributor to Guitar Player, GuitarOne, Axe, Guitar Club, and
Guitar World magazines. In addition to his teaching career, Steve
maintains a busy performing and recording schedule. He has
toured extensively in North America, Asia, and Europe, playing
alongside such players as Robben Ford, Scott Henderson, Albert
Collins, Jerry Donahue, Norman Brown, and Jeff Berlin.


TheDefinitive Source for Playing Acoustic Guitar!

• CD Includes 60 Full-Band Tracks
• Basic Chords and Rhythms
• Chord Embellishments
• Fingerpicking Patterns
• Blues, Ragtime, New Age, Folk, and Other Styles
• Drop D and Other Alternate Tunings
• Standard Notation and TAB

MUSICIANS INSTITUTE PRESS
is the official series of Southern California's
renowned music school, Musicians Institut
MI instructors, some of the finest musicians
in the world, share their vast knowledge an
experience with you no matter what your
current level.
Whether your instrument is guitar, bass,
drums, vocals, or keyboards, MI PRESS
offers the finest music curriculum for highe
learning through a variety of series:

- Essential Concepts-designed from MI core curriculum program
- Master Class-designed from MI elective courses
- Private Lessons-tackle avariety of topics "one-on-one" with MI faculty instructors
- Pocket Guide-handy reference to the basics
- Video-in-depth lessons with many of Ml's well-known instructors
- Workshops-transcribed scores of music's greatest songs, designed from Ml's performance workshop classes.


Contents
Tuning notes .

1. Getting Started
The Basics
Common Strum Patterns .
Chord Progressions with Connecting Tones .

2. Strumming Variations
Alternating Bass Notes .
Hammer-Ons and Pull-Offs .
"Boatin' up Sandy" .

3. Chord Embellishments
Sus4 Chords .
Add9 Chords .
Slash Chords .
Arpeggiated Chord Patterns .
"Cloudy" .

4. Fingerpicking
Four-String Chord Patterns .
"Haymaker's Daughter" .
"Reflections" .
"In the Meantime" .
"In the Meantime" Variation .
"Banish Misfortune" .
"Sho Nuf' Is" .

5. The Blues
"Shallow River Blues" .
"Keystone" .
"Wildcard Poker" .

6. Ragtime Guitar
"Buffalo Junction" .
"Cow Tippin', Hog Stompin"' .
"Cannonball Rag" .

7. Drop D Tuning
Three-Note Chords and a Low Bass .
"Daisies for Janet" .
"Pen and Quill" .

8. Double Stops
Combining with other Techniques .
"Strawberry Hill" .
"Falstaff" .

9. Alternate Tunings
"For Pat" .
"Morning" .
Other Common Alternate Tunings

10. Integrating Techniques
"Aberdeen" .
"Rainy Double Sunday" .
About the Authors

Prezzo: €18,99
€18,99

BEST NASHVILLE GUITAR Richard Kochli CD LIBRO TABLATURE CHITARRA COUNTRY MANUALE COMPLETO

BEST IN THE WEST, NASHVILLE GUITAR. Richard Kochli. LIBRO CON CD E TABLATURE

 

LIBRO METODO DI MUSICA COUNTRY / BLUEGRASS, COUNTRY ROCK, CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

IN ITALIANO

 

MANUALE, METODO, DIDATTICO, STUDIO PER APPRENDERE, TECNICA,

 

CHITARRA COUNTRY IL MANUALE COMPLETO

Autore: Richard Köchli
Pagine: 276
Formato: libro + CD

Descrizione breve

Il meglio della musica di Nashville: country, bluegrass, rockabilly, western swing, honky tonk, cajun. Un libro per diventare un vero chitarrista country: oltre 300 esercizi, fraseggi e brani tradizionali, spiegazioni, analisi e richiami al "mondo reale", cenni storici sugli stili principali, e alcuni dati sui più importanti innovatori. Per tutti i livelli, dal principiante al professionista.
Il country, tra i chitarristi, è un genere largamente apprezzato, ma pochi sono in grado di suonarlo in modo soddisfacente. E tu, quanto ne sai?
Tutti noi abbiamo di tanto in tanto occasione di imbatterci in brani country. Che a proporceli sia il grande schermo, la tv di casa, la radio o un disco l'effetto non cambia: ascoltare musica country è un'esperienza elettrizzante, che ci catapulta testa e cuore negli Stati Uniti, tra praterie e cowboy. Ma il country è molto di più: è un'infinità di esperienze musicali e umane che si incrociano e formano un genere musicale unico e appassionante, è uno dei frutti artistici per eccellenza del melting pot statunitense.
Suonare in modo convincente la chitarra in un contesto country non è affatto semplice, anche perché gli approcci allo strumento più diffusi tra i chitarristi jazz, blues e rock si rivelano spesso almeno parzialmente inadeguati al nuovo contesto. Ogni genere musicale presenta regole e prassi proprie, e il country non fa eccezione.
Purtroppo, rispetto ad altri generi musicali, le pubblicazioni didattiche disponibili in Italia sull'argomento scarseggiano. A colmare questa mancanza giunge oggi Chitarra country, il manuale completo, un libro che vi guiderà passo passo dalle basi a concetti avanzati e di sicura soddisfazione anche per i musicisti più smaliziati.
L'autore, lo svizzero Richard Köchli, affronta nel corso della trattazione tutti gli argomenti fondamentali del genere. Si passa dalle tecniche e dall'accompagnamento di base in strumming all'esecuzione di ritmiche e parti soliste bluegrass, dal fingerpicking allo western swing e all'honky tonk, dal rockabilly al cajun alla nuova generazione di musicisti di Nashville. Tra le tecniche affrontate non mancano il chicken-picking, il bottleneck, il bending da dietro il capotasto. Numerosissimi sono i lick ritmici o solisti proposti e minuziosamente commentati. Ma soprattutto questo libro spiega in modo chiaro e ricco di esempi l'approccio all'accompagnamento, al solismo e all'improvvisazione tipici del chitarrista country. In altre parole, chiarisce in che modo ragiona e quali strumenti ha a disposizione il tipico chitarrista country. Non mancano ampie e appassionanti introduzioni storiche e workshop dedicati ai maestri del genere.
Ogni capitolo è diviso in tre sezioni, corrispondenti ad altrettanti livelli di difficoltà del materiale proposto. Per accedere al livello uno è sufficiente una manualità minima sullo strumento e la conoscenza degli accordi di base. Il livello due è riservato invece a chi può vantare maggiori capacità ed esperienza. Nel livello tre vengono infine affrontati i concetti e le tecniche più avanzati, ed è adeguato ai professionisti o in generale ai musicisti più preparati.
Lo studio di Chitarra country, il manuale completo può veramente aprire le porte di nuovi mondi sonori in modo chiaro e accessibile. Anche qualora il country non fosse il tuo genere musicale di riferimento, i consigli, le tecniche e gli spunti musicali proposti nel libro potrebbero rappresentare un'occasione unica per espandere i tuoi orizzonti musicali; già molti altri hanno utilizzato con successo all'interno di altri generi musicali gli insegnamenti del country.
Insomma, che aspetti a farti conquistare dalla musica dei cowboy?
È adeguato a te se…
cerchi una guida completa, chiara e affidabile per avventurarti nel mondo della chitarra country.
Ti interessa studiare il country per ricavarne idee e spunti musicali da applicare in altri generi.
Hai già sviluppato una manualità anche minima sullo strumento (basta conoscere alcuni accordi e saper passare dall'uno all'altro senza difficoltà).
Non è adeguato a te se...
non hai mai suonato la chitarra, neppure a livello basilare.

 

 

 

 

 

 

Prefazione......................................................................................................
Indice del CD.................................................................................................................
Capitolo 1: Le basi della chitarra ritmica country..........................................................
Un po’ di storia.........................................................................................................
Le prime ritmiche.....................................................................................................
Il capotasto mobile................................................................................................................
Il ritmo shuffle......................................................................................................................
Ritmiche country fondamentali.............................................................................................................
Il basso alternato.....................................................................................................................
Bass Run.............................................................................................................................
Il Carter backup lick.................................................................................................................................
Bass run fondamentali..............................................................................................................
Hammer-on........................................................................................................................
Pull-off...........................................................................................................................
Workshop – Jimmie Rodgers............................................................................................................
Note stoppate.................................................................................................................
Combinare le note stoppate con fill e bass run..............................................................
Utilizzo degli accordi con barrè nell’accompagnamento..................................................
Riff................................................................................................
Combinare diverse forme..............................................................................................................
Accompagnamenti di classe con gli accordi in prima posizione........................................................
Discografia.............................................................................................................................
Capitolo 2: Accompagnamento bluegrass.........................................................................................
Un po’ di storia...........................................................................................................................
La chitarra ritmica bluegrass...........................................................................................
G-run..........................................................................................................................
Pennate aggiuntive sugli accordi.............................................................................................................
Meno pennate sugli accordi...................................................................................................................
Finali...........................................................................................................................
G-run e accordi con barrè...............................................................................................................
Discografia.................................................................................................................
Capitolo 3: Lo stile solista di Maybelle Carter.................................................................................
La storia di Maybelle..........................................................................................................
La tecnica di Maybelle....................................................................................................................
Maybelle’s Flower...............................................................................................................
John Hardy.....................................................................................
Will The Circle Be Unbroken.........................................................................................
Farther Along...............................................................................................................
Discografia.................................................................................................................
Wreck Of Old 97............................................................................................................
Capitolo 4: Assoli bluegrass in flat-picking...................................................................................
La chitarra solista nel bluegrass......................................................................................................
Lick bluegrass in SOL maggiore......
Lick bluegrass in DO maggiore.........................................................................
Lick bluegrass in RE maggiore........................................................................................
Solo in SOL.....................................................................................................................
Solo in DO...............................................................................................
Analisi sintetica.

 

Fiddle tune...........................................................................................................
Workshop – Tre grandi plettratori..................................................................................................
Alton Delmore........................................................................................
Doc Watson............................................................................................................
Clarence White........................................................................................................................
Cross-picking...................................................................................................
Discografia..............................................................................................
Capitolo 5 – Finger-picking.....................................................................................................
Un po’ di storia..................................................................................................................
Introduzione al finger-picking...............................................................................................................
Accompagnamento..................................................................................................
Pattern fondamentali...........................................................................................................
Alternare i bassi...........................................................................................
Bass run..............................................
Melodia in finger-picking..................................................................................
Ampliare il pattern di base con degli inserti (fill-in)..........................................
Slide.....................................................
Bending...........................................................................................................................
Pattern in 3/4..............................................................................................................................
Workshop.......................................................................................................................
Sam McGee..........................................................................................
Merle Travis...........................................................
Travis-picking con forme d’accordo trasponibili......................................................................
Workshop – Chet Atkins...............................................................................................
Lick finger-picking da sfoggiare.......................................................................................
Assoli................................................................
Discografia..................................................................................................................
Capitolo 6: Viaggio nel rockabilly...........................................................................................................
Un po’ di storia...........................................................................................................
Basi dell’accompagnamento....................................................................................................
Riff d’accompagnamento trasponibili..........................................................................................................
Espandere i riff d’accompagnamento fondamentali.......................................................
Workshop – Scotty Moore......................................................................................
Combinazione di plettro e dita...........................................................
Lick solisti rockabilly..............................................................
Solo rockabilly............................................................
Una lezione diversa dal solito, per i professionisti..............................................................................
Discografia.............................................................................................
Capitolo 7: Gli stili solisti di Nashville...........................................................
Un po’ di storia......................................................................................................
Workshop: Luther Perkins....................................................................................................
Basi del solismo............................................................................................
Le quattro varianti della scala maggiore pentatonica...........................................................................................
Improvvisare con diverse scale...............................................................................
Armonizzare.........................................................................................................................
Lick basati sugli accordi....................................................................................
Lick a coppie di note....................................................................................
Combinazione dei materiali utilizzati...............................................................................
Lick con hammer-on e pull-off nello stile di Nashville............................................
Bending in stile pedal steel..........................................................................

Chicken-picking..............................................................................
Ghost note...............................................................
Pennate introduttive su corde stoppate..................................
Workshop – James Burton.............................................................................................
Country rock, di cosa si tratta realmente..........................................................
Workshop: Pete Anderson..............................................................................
Avventure sulle corde a vuoto..............................................................................
Parti soliste a due voci....................................................................................
Specialità di Nashville ...................................................................................................................
Slide con il bottleneck.......................................................................................
Bending dietro il capotasto........................................................................................
La magica corsa cromatica.................................................................................................
Armonici.................................................................................................................
Workshop: Albert Lee........................................................................................
Discografia................................................................................................
Capitolo 8: Swing western e honky tonk..............................................................................
Un po’ di storia................................................................................
Accompagnamento in stile Texas..................................................................
Il sock rhythm................................................................................................................
Accordi di passaggio..........................................................................................................
Chitarra solista western swing........................................................................................
Chitarra solista honky tonk.....................................................................................
La scala diminuita..........................................................................................................
Workshop – Eldon Shamblin............................................................................
Discografia..............................................................................................
Capitolo 9: Cajun.............................................................................
Un po’ di storia........................................................................................
Analisi stilistica fondamentale.......................................................................................
Workshop Cajun...............................................................
Discografia....................................................................................
Capitolo 10: La nuova generazione...............................................................
Workshop...........................................................................................................
Danny Gatton..........................................................................................
Brent Mason.............................................................................................................
Altri assi di Nashville..................................................................................................
Ray Flacke..............................................................................................................
Steve Wariner......................................................................................................
Jerry Donahue............................................................................................
Workshop conclusivo...................................................................................
Capitolo 11: Teoria................................................................................................
La tastiera.................................................................................................................
Intervalli e gradi..................................................................................................................
La Nashville lead sheet...................................................................................................................
Le chiavi maggiori più comunemente usate e i loro gradi......................................................
Le chiavi minori più comunemente usate e i loro gradi............................................................
Schemi country ricorrenti.............................................................................................................
Intervalli armonici (due note suonate in contemporanea)..............................................................
Visione del manico per posizioni..................................................................
Legenda dei caratteri speciali....................................................................................

Indice8
1 - Ritmica shuffle.......................................................................
3 - Bass run..............................................................................
4, 7 - Carter backup lick................................................................................
9 - Old Smokey (trad.)........................................................................
11 - The Days Of 49 (trad.)................................................................................
13, 15, 17, 18 - Hammer-ons e pull-offs nell’accompagnamento................
20 - We Don’t Forget You, Jimmie................................................................................
21 - Bury Me Beneath The Willow (trad.).....................................................
22 - The Forzen Logger (trad.)..........................................................................................
23, 25, 27, 28, 29, 30, 31 - Stoppato........................................................................
33, 34 - Ritmiche con ghost note, con fill e bass run (DO maggiore).....................................
36, 38, 39 - Ritmiche con ghost note, con fill e bass run (SOL maggiore)..............................
40, 41, 42 - Ritmiche con ghost note, con fill e bass run (LA maggiore)................
44, 46, 47 - Ritmiche con ghost note, con fill e bass run (maggiore)...................................
49, 50 - Ritmiche con ghost note, con fill e bass run (RE maggiore).................................
51, 52 - Due esercizi (accompagnamento con ghost note esteso)........................................
54, 56, 59, 60 - Accordi con barrè nell’accompagnamento, forma di Mi................................................
61, 63, 64, 65 - Accordi con barrè nell’accompagnamento, forma di LA...............................................
66 - Accordi con barrè nell’accompagnamento, forma di Sol................................................................
67, 68 - Accordi con barrè nell’accompagnamento, forma di Do e combinazioni................................
69, 70 - Accompagnamenti di classe con accordi in prima posizione..................................................
71, 72, 74, 76 - G-run (accordo di Sol)..............................................................................................
78, 79, 80, 81, 83, 84, 85, 88, 89 - G-run su Sol, Re, La, Mi.......................................................................
90, 92, 93 - Più o meno pennate........................................................................................................ 
94, 95, 96 - Finale.........................................................................................................
97 - Banks Of The Ohio (trad.)....................................................................................
98 - Roll In My Sweet Baby’s Arms (trad.).........................
99 - Cripple Creek (trad.).................................................................
100 - All Your Good Songs......................................................................................................
101, 103, 104 - G-run con barrè...................................................
107, 108 - Maybelle’s Flower / John Hardy (trad.)........................
109 - Will The Circle Be Unbroken (trad.)..................................................................
110 - Farther Along (trad.)...................................................................................
111 - Wreck Of Old 97 (trad.)..................................................................................
112, 114, 115, 117, 118, 119, 120 - Lick bluegrass in SOL.......................................................................
123, 124, 125, 126 - Lick bluegrass in DO...........................................................................................
128, 129, 130 - Lick bluegrass in RE...........................................................................
132 - Solo bluegrass in SOL......................................................................
133 - Roll In My Sweet Baby’s Arms (trad.)...................................................................
134 - Solo bluegrass in DO.............................................................................................
135 - Banks Of The Ohio (trad.).........................................................................................................
136 - Fiddle tune “Turkey In The Straw” (trad.).......................................................................................
137 - Blues For Alton.....................................................................................................................
138 - Billy In The Low Ground (trad.)..............................................................................
139 - Nine Pound Hammer (trad.)....................................................................................
144, 146, 149 - Semplici schemi finger-picking..............................................
150, 151 - Pattern fondamentale 1a....................................................................................................
154, 157 - Pattern fondamentale 2a.......................................................................................
159, 160, 162 - Pattern 3 e 4 ed esercizio.........................................................................................
163, 164, 165 - Basso alternato e bass run...................................................................................... 
167 - Jesse James (trad.).....................................................................................................
168, 169, 171, 172 - Pattern estesi (H e P)...................................................................................
173, 174 - Pattern estesi (SL, B.)...............................................................................
indice del cd

Traccia Contenuti (Esempio – Argomento) Pagina
Indice del Cd9
 - Esercizio con varie tecniche...................................................................................................................................
 - Pattern in 3/4...............................................................................................................................
- I Never Will Marry (trad.)..............................................................................................................
- For Sam....................................................................................................................................
 - Travis-picking “Take This Hammer” (trad.)........................................................................................
 - Travis-picking “Worried Man” (trad.)..............................................................................................
 - Schemi di accompagnamento in stile Travis..........................................................................
 - Travis-picking “I’m A Pilgrim” (trad.)...................................................................................................
 - Travis-picking con accordi trasponibili “Careless Love” (trad.).......................................................
 - Mister Chetman......................................................................................................................
 - Lick da sfoggiare............................................................
 - Finger-picking solista........................................................................................................................ 
 - Riff boogie................................................................................................................................
 - Esercizio con accordi di settima................................................................................................
 - Varianti di boogie ed ending run..................................................................................
 - Riff d’accompagnamento trasponibili.................................................................................
 - Riff boogie estesi.............................................................................................
 - Esercizio “La terza blues”..............................................................................................................
 - The Scotty-Beam...............................................................................................................................
 - Lick solisti rockabilly..........................................................................
 - Nashville Cats Don’t Stray.................................................................................................................
 - Workshop Luther Perkins......................................................................................................... 

 - Variante fondamentale della scala pentatonica 1.....................................................
 - Esercizio pentatonico..............................................................................................................
 - Variante fondamentale della scala pentatonica 2...........................................................
 - Varianti fondamentali della scala pentatonica 3 e 4.........................................
 - Improvvisare con diverse scale.........................................................................................
 - Lick basati sugli accordi.........................................................................................
 - Esercizio in stile Hank Snow.................................................................................................................
 - Lick a doppie note.........................................................................................
 - Tom Dooley (trad.)............................................................................................................... 
 - Solo a “pacchetti”................................................................................................................................
 - Nashville lick con hammer-on e pull-off parte 1........................................................
 - Nashville lick con hammer-on e pull-off parte 2..........................................
 - Nashville lick con hammer-on e pull-off parte 3....................................................... 
 - Nashville lick con hammer-on e pull-off parte 4.............................................
 - Nashville lick con hammer-on e pull-off parte 5..................................................
 - Lick pedal steel parte 1............................................................................
 - Lick pedal steel parte 2...........................................................................
 - Lick pedal steel parte 3..................................................................
 - Esercizio pedal steel......................................................................................
 - Varie tecniche chicken-picking................................................................................
 - Tecniche chicken-picking con ghost note e note stoppate introduttive...
 - James’ Hote Tele............................................................................................
 - Nothing To Prove........................................................................................................................
 - Esercizio con bending pedal steel con corde a vuoto......................................................................
 - Hot lick sulle corde a vuoto...............................................................................
 - Roll melodici........................................................................................................... 
 - Esercizio a due voci soliste.................................................................................................
 - Jenny In Hawaii................................................................................................................
 - Lick con bending dietro il capotasto, corsa cromatica......................................................
 - A Little Bell – Waltz...............................................................................................................
 - Wizard Albert....................................................................................................
Indice del Cd10
- Sock rhythms, accordi di passaggio......................................................................................................
- Will The Circle Be Unbroken..........................................................................................................
- Honky-Tonk-Heartaches.......................................................................................................................
- Playboy Eldon...........................................................................................................................
- Lo stile Cajun...............................................................................................................................
- Les Jolies Filles De Louisiana.............................................................................................................
- Danny’s One-Man-Band.................................................................................
- Master Mason’s Turbo!..................................................................................................................
- Slick Country......................................................................................................................
Jamtrack 1 (SOL, “Roll In My Sweet Baby’s Arms”; bluegrass, country classico)
Jamtrack 2 (DO, 12-misure binario, country rock, -blues, -pop)
Jamtrack 3 (LA, 16-misure rockabilly shuffle) 

 

 

 

The History, the Players and the Technique of Country Guitar by Richard Kochli

276 pagine di esempi di Country, Rockabilly, Swing, Nashville, blues, Rock. CD TABLATURE


A comprehensive analysis of American country music from a European perspective, this massive 275-page book comes with a companion CD with 97 tracks. Everything from basic rhythm accompaniment to blazing bluegrass solos is addressed including: Carter lead style, fingerpicking, rockabilly riffs, Nashville lead styles, Western swing and honky-tonk, country blues and rock, Cajun history and styles, and a forecast of the future of country. The book is carefully structured with progressively arranged exercises, theory lessons and original and traditional tunes.

This book should prove to be an important resource for country music enthusiasts. All 387 musical examples appear in both standard notation and tablature. Complete lyrics are provided when applicable. Köchli's love and mastery of the entire spectrum of country music is evident throughout.

To me, country music, or just "country" is one of the basic, high voltage,
artistic movements of the 20th Century. It's a movement and a style that, like
jazz, grew out of the huge melting pot of the United States. Country jumps,
it's alive, it's down home - and it comes from the heart. Those who don't
know it may reduce it to the cliches of "Marlboro-Country" or cowboy movies.
But, they couldn't be more wrong: the country sound is a rich mix of musical
influences, and the innovations of some brilliant instrumentalists. And, best
of all, its approachable, hands-on music; if you play the guitar, you've got to love it.
"Best In The West" is not only my humble attempt to close a gap in the
sector of European instructional literature, but also a way to pay my dues.
When I was in your shoes a couple of years ago, I benefited from some
terrific musicians who reached out to me with their music and instruction
books. Now, I'm honored to be able to make my won contribution by helping
you learn this great style. I also hope, through these chapters and exercises,
that your guitar will become a little more personal - and more exciting.
The book intends to give you a far-reaching overview covering all of the
major guitar styles and techniques to be found in country. Over three
hundred exercises, licks, and traditionals, as well as explanations, styles,
analyses, and hints from the "real world" are meant to inspire you on your
way to becoming a true country player. But country is a lot more than
technique, so I try to give a brief historical background for each major style,
and a little bit about the people who made it happen in the first place.
Therefore, each of the ten chapters starts with some information meant to
put you in the right mood, while the individual workshops contain examples
of the great pioneers of each particular style.
Playing country music is meant to be enjoyed by all sorts of people, so this
book wasn't written with just professionals in mind; it offers something for
everyone. Every chapter is separated into three levels of difficulty:
• Level 1: For newcomers: basic introductory playing as a prerequisite.
• Level 2: For the more advanced: some experience in playing country music and emphasis on variety and specific styles.
• Level 3: For the pros and country-cats: specific techniques, styles, and new horizons.
Of course, there is no strict borderline between the different levels. They
can't be more than a guideline for your selection of exercises. Learning is an
individual thing, so if you're ready to move before I am partner, take off.
The final chapter, "Theory", offers a summary of the most important basics,
scales, chords, and so on. It's meant to help you understand concepts more
easily, and to support and accelerate your learning process.
Originally, country music was a simple form of expression, which was deeply
rooted in the human spirit and spoke to people where they lived. So, it's
important to keep in mind that technical skill is secondary to the "feel" of the
music, its emotion. Because of this, the enclosed CD helps you get started
by introducing you to the sounds, and wide variety of nuances, in country

 

Table of Contents
Preface .
CD Index .

Chapter 1: The Basics Of The Country Rhythm Guitar .
Some History .
The First Rhythms Level 1 .
The Capo .
The Shuffle Rhythm .
Basic Country Rhythms .
The alternating bass .
Bass runs .
The Carter backup lick .
Basic bass runs .
Hammer-on Level 2 .
Pull-off .
Workshop - Jimmie Rodgers .
Ghost Notes Or Dead Notes Level 3 .
Ghost Notes With Fills And Bass Runs .
Barre Chords In Backup Playing .
Riffs .
Combination of various types .
High Class Backups With Open Chords .
Discography .

Chapter 2: Bluegrass Backup .
Some History .
Bluegrass Rhythm Guitar Level 2/3 .
G-run .
Additional chord strokes .
Fewer chord strokes .
Ending .
Barre - G-run .
Discography .

Chapter 3: Carter Lead Style .
Maybelle's Story Level 1 .
Maybelle's Technique .
Maybelle's Flower .
John Hardy .
Will The Circle Be Unbroken Level 2 .
Farther Along .
Discography .
Wreck Of Old 97 Level 3 .

Chapter 4: Bluegrass Flat-Picking 50105 .
The Lead Guitar In Bluegrass Level 1 .
Bluegrass licks in G major .
Bluegrass licks in C major .
Bluegrass licks in D major .
Solo In G Level 2 .
Solo In C .
Short Analysis .
Fiddle Tunes Level 3 .
Workshops - Three Great Flat Pickers '" .
Alton Delmore .
Doc Watson .
Clarence White .
Cross- Picki ng .
Discography .

Chapter 5: Finger-Picking .
Some History .
Introduction To Finger-Picking Level 1 .
Backup Picking .
Basic patterns .
Alternating bass .
Bass runs .
Melody Picking .
Expanding The Basic Patterns With Fill-ins Level 2 .
Sliding .
Bending .
3/4 Time Patterns .
Workshops .
Sam McGee .
Merle Travis
Travis-Picking With Moveable Chords Level 3 .
Workshop - Chet Atkins
Finger-Picking Licks To Show Off "
Lead Picking .
Discography

Chapter 6: A Rockabilly Trip
Some History
Backup Basics Level 1 .
Moveable Backup Riffs .
Expanding The Basic Backup Riffs Level 2
Workshop - Scotty Moore .
Plectrum and finger-picking combination
Rockabilly Lead Licks
Rockabilly Solo Level 3
The slightly different lecture for the pro
Discography

Chapter 7: Nashville lead Styles
Some History
Workshop - Luther Perkins Level 1 .
Lead Basics .
The four variations of the major pentatonic scale .
Improvising with different scales .
Harmonizing .
Chord licks .
Double note licks .
Combinations Of The Used Material. .
Nashville Hammer-on And Pull-off Licks Level 2 .
Pedal Steel Bending .
Chicken-Picking .
Ghost otes / Muted Trills Lead-ins .
Workshop - James Burton .
Country Rock - What It Really Is .
Workshop - Pete Anderson .
Open String Adventures Level 3 .
Twin Leads .
Nashville Specials .
Bottleneck slide .
Bend behind the nut. .
The magic chromatic race .
Harmon ics .
Workshop - Albert Lee .
Discog raphy .

Chapter 8: Western Swing And Honky Tonk .
Some History .
Texas Style Camping Level 1 .
The sock rhythm .
Passing chords .
Western Swing Lead Guitar Level 2 .
Hanky Tonk Lead Guitar .
Diminished Scale Level 3 .
Workshop - Eldon Shamblin .
Discography .

Chapter 9: Cajun .
Some History .
Quick Style Analysis Level 1 .
Cajun Workshop Level 2/3 .
Discography .

Chapter 10: The New Generation .
Workshops .
Danny Gatton .
Brent Mason .
More Nashville Hot Shots .
Ray Flacke .
Steve Wariner .
Jerry Donahue .
Final Workshop .

Chapter 11: Theory .
The Fret Board .
Intervals and Degrees ,
The Nashville Lead Sheet. .
The Most Commonly Used Major Keys And Their Degrees .
The Most Commonly Used Minor Keys And Their Degrees .
Popular Country Schemes .
Simultaneously Played Intervals .
Position Oriented Overview .
Special Character Reference ,


CD INDEX
Contents (Example - Topic)
1 - The shuffle rhythm .
3 - The bass run .
4,7- Carter backup lick .
9 - Old Smokey (trad.) .
11 - The Days Of 49 (trad.) .
13,15,17,18 - Hammer-ons and pull-offs in backup playing .
20 - We Don't Forget You, Jimmie .
21 - Bury Me Beneath The Willow (trad.) .
22 - The Forzen Logger (trad.) .
23, 25, 27, 28, 29, 30, 31 - Muting .
33,34 - Ghost note rhythms with fills and bass runs (C major) .
36,38,39 - Ghost note rhythms with fills and bass runs (G major) .
40,41,42 - Ghost note rhythms with fills and bass runs (A major) .
44,46,47 - Ghost note rhythms with fills and bass runs (E major) .
49,50 - Ghost note rhythms with fills and bass runs (0 major) .
51,52 - Two exercises (expanded ghost note backup style) .
54,56,59,60 - Barre chords in backups, E-type .
61,63,64,65 - Barre chords in backups, A-type .
66 - Barre chords in the backups, G-type .
67,68 - Barre chords in the backups, C-type and combinations .
69, 70 - High class backup with open chords .
71,72,74,76 - The G-run (G chord) .
78, 79, 80, 81, 83, 84, 85, 88, 89 - G-run over G, 0, A, and E .
90,92,93 - Additional or less chord strokes .
94,95,96 - Ending .
97 - Banks Of The Ohio (trad.) .
98 - Roll In My Sweet Baby's Arms (trad.) .
99 - Cripple Creek (trad.) .
100 - All Your Good Songs .
101, 103, 104 - Barre G-runs .
107,108 - Maybelle's Flower / John Hardy (trad.) .
109 - Will The Circle Be Unbroken (trad.) .
110 - Farther Along (trad.) .
111 - Wreck Of Old 97 (trad.) .
112, 114, 115, 117, 118, 119, 120 - Bluegrass licks in G .
123,124,125,126 - Bluegrass licks in C .
128,129,130 - Bluegrass licks in 0 .
132 - Bluegrass solo in G .
133 - Roll In My Sweet Baby's Arms (trad.) .
134 - Bluegrass solo in C .
135 - Banks Of The Ohio (trad.) .
136 - Fiddle tune "Turkey In The Straw" (trad.) .
137 - Blues For Alton .
138 - Billy In The Low Ground (trad.) .
139 - Nine Pound Hammer (trad.) .
144, 146, 149 - Simple classical picking patterns .
150,151 - Basic pattern 1a .
154, 157 - Basic pattern 2a .
159,160,162 - Pattern 3 and 4 as well as exercise .
163, 164, 165 - Alternate bass and bass runs .
167 - Jesse James (trad.) .
168,169,171,172 - Extended patterns (H and P) .
173,174 - Extended patterns (SL, B) .
175 - Exercise with different techniques .
176, 177, 178, 179 - 3/4 time patterns .
180 - I Never Will Marry (trad.) .
182 - For Sam .
184 - Travis-picking "Take This Hammer" (trad.) .
185 - Travis-picking "Worried Man" (trad.) .
186,188,190 - Travis-backup patterns .
191 - Travis-picking "I'm A Pilgrim" (trad.) .
192 - Travis-picking with moveable chords "Careless Love" (trad.) .
193 - Mister Chetman .
195,196,197,199,200/202,201,203,204 - Licks to show off .
206, 208 - Lead picking .
209 - Boogie riff .
211 - Exercise with strokes using seventh chords .
213,214,217 - Variations of boogie runs, ending run .
218,220 - Movable backup riffs .
224,225, 226, 227 - Extended boogie riffs .
229 - Exercise "Bluesy Third" .
231 - The Scotty-Beam .
232,234,235,236,237 - Rockabilly lead licks .
238 - Nashville Cats Don't Stray .
239, 240 - Workshop Luther Perkins .
242,243 - Pentatonic basic scale variation 1 .
246 - Pentatonic exercise .
247, 248, 250, 252 - Pentatonic basic scale variation 2 .
255,257,260 - Pentatonic basic scale variations 3 and 4 .
261 - Improvisation with different scales .
262,265, 268, 269, 271, 273 - Chord licks .
274 - Exercise in Hank Snow style .
275, 277 - Double note licks .
279 _ Tom Dooley (trad.) .
280 - Exercise solos in sectors .
281,284,286 _ Nashville hammer-on and pull-off licks part 1 .
287,288,289, 290 - Nashville hammer-on and pull-off licks part 2 .
292, 293/294 - Nashville hammer-on and pull-off licks part 3 .
296,298,299,301 - Nashville hammer-on and pull-off licks part 4 .
302,304, 305 - Nashville hammer-on and pull-off licks part 5 .
307,309,310,311,313 - Pedal steel licks part 1.. .
316,318,319,321,323,324 - Pedal steel licks part 2 .
326,327,329,330 - Pedal steel licks part 3 .
331 - Pedal steel exercise .
332 - Different chicken-picking techniques .
333,334,335 - Chicken-picking techniques with ghost notes and trills .
336 - James' Hate Tele .
337 - Nothing To Prove .
338 - Exercise with pedal steel bending using open strings .
341/342,344 - Open string hot lick .
349,350,352 - Melodic roll patterns .
354 - Exercise twin lead .
355 - Jenny In Hawaii. .
356,358,360 - Bend behind the nut licks, chromatic race .
361 -A Little Bell- Waltz .
362 - Wizard Albert .
363,364 - Sock rhythms, passing chords .
376 (inc!. 375) - Will The Circle Be Unbroken .
377 - Honky- Tonk-Heartaches .
378 - Playboy Eldon .
379 - Cajun style .
381 - Les Jolies Filles De Louisiana .
382 - Danny's One-Man-Band .
383 - Master Mason's Turbo! .
387 - Slick Country .
Jamtrack 1 (G, "Roll In My Sweet Baby's Arms"; bluegrass, oldtime country)
Jamtrack 2 (C, 12-bars binary, country rock, -blues, -pop)
Jamtrack 3 (A, 16-bars Rockabilly shuffle)
 

A Little Bell - Waltz R. Kochli
All Your Good Songs R. Kochli
Banks of The Ohio Arranged by R. Kochli
Billy in The Low Ground Arranged by R. Kochli
Blues for Alton Written & Arranged by R. Kochli
Bury Me Beneath The Willow Arranged by R. Kochli
Careless Love Arranged by R. Kochli
Cripple Creek Arranged by R. Kochli
Danny's One-Man-Band R. Kochli
East Virginia Arranged by R. Kochli
Farther Along Arranged by R. Kochli
For Sam Written & Arranged by R. Kochli
Honky-Tonk-Heartaches R. Kochli
I Never Will Marry Arranged by R. Kochli
I'm A Pilgrim Arranged by R. Kochli
James' Hote Tele R. Kochli
Jenny In Hawaii R. Kochli
Jesse James Arranged by R. Kochli
John Hardy Arranged by R. Kochli
Les Jolies Filles De Louisiana R. Kochli
Master Mason's Turbo! R. Kochli
Maybelle's Flower R. Kochli
Mister Chetman Written & Arranged by R. Kochli
Nashville Cats Don't Stray R. Kochli
Nine Pound Hammer Arranged by R. Kochli
Nothing To Prove R. Kochli
Oh When The Saints Arranged by R. Kochli
Old Smokey Arranged by R. Kochli
Playboy Eldon R. Kochli
Roll In My Sweet Baby's Arms Arranged by R. Kochli
Slick Country R. Kochli
Take This Hammer Arranged by R. Kochli
The Days of 49 Arranged by R. Kochli
The Frozen Logger Arranged by R. Kochli
The Scotty-Beam R. Kochli
Tom Dooley Arranged by R. Kochli
Turkey in The Straw Arranged by R. Kochli
We Don't Forget You, Jimmie Written & Arranged by R. Kochli
Will The Circle Be Unbroken Arranged by R. Kochli
Wizard Albert R. Kochli
Worried Man Arranged by R. Kochli
Wreck of Old 97 Arranged by R. Kochli

Prezzo: €30,99
€30,99

RONDAT PATRICK VIRTUOSISMO E VELOCITA ALLA CHITARRA VIVALDI TABLATURE DVD SPARTITI LIBRO

PATRICK RONDAT, VIRTUOSISMO E VELOCITA ALLA CHITARRA. In italiano, 90 minuti.

DVD DIDATTICO DI MUSICA METAL ,

LEZIONE PER CHITARRA CON LIBRETTO.

SPARTITI CON ACCORDI, PENTAGRAMMA E TABLATURE. 

TECNICA, METODO, 

SOTTOTITOLI IN ITALIANO

L'obiettivo principale è di aiutarvi a sviluppare il vostro modo di suonare utilizzando la pennata doppia. Maestro nel suo genere, Patrick Rondat vi condurrà progressivamente sulla strada del virtuosismo. A tal fine, dovrete allenarvi inizialmente con una serie di esercizi su una corda che vi consentiranno una buona sincronizzazione delle mani, poi progressivamente su tutte le corde. Estratti di brani al fine d'illustrare musicalmente gli esercizi. E una breve parte dedicata al materiale adoperato da Patrick Rondat, effetti, regolazioni della chitarra, ecc.
E il suo famoso "Vivaldi Tribute" dalle "Le Quattro stagioni" di Antonio Vivaldi. In italiano. SHEET MUSIC BOOKLET WITH GUITAR TABLATURE & DVD . 

Prezzo: €39,99
€39,99

IMPROVVISAZIONE CON ARPEGGI E TRIADI, FRANCESCO MASINI. TABLATURE DVD

IMPROVVISAZIONE CON ARPEGGI E TRIADI, Francesco Masini. In italiano. TABLATURE DVD

Qualsiasi sia il vostro stile musicale prediletto, questo DVD vi aiuterà ad arricchire le vostre improvvisazioni alla chitarra, grazie all’utilizzazione degli arpeggi e delle triadi. Scoprirete quindi in questo DVD le triadi maggiori e minori su diverse posizioni, poi passerete all’arpeggio maggiore 7, l’arpeggio di settima di dominante, l’arpeggio minore 7, l’arpeggio m7(b5), l’arpeggio diminuito, l’arpeggio mM7 e l’arpeggio M7(#5) insomma, un giro d’orizzonte completo su quello che dovete sapere in questo campo. Naturalmente, ogni supporto melodico è illustrato tramite delle improvvisazioni brevi e dei chorus piazzati su degli accordi statici, dei giri armonici più complessi e delle cadenze specifiche. DVD + Booklet

Prezzo: €37,99
€37,99

WYLDE ZAKK PENTATONIC HARDCORE GUITAR TABLATURE DVD BOOKLET CHITARRA VIDEO

WYLDE ZAKK, PENTATONIC HARDCORE. VIDEO WITH BOOKLET WITH GUITAR TABLATURE. DVD

VIDEO DVD DI MUSICA METAL.

SPARTITI PER CHITARRA CON TABLATURE.

TECNICA, METODO, 

Prezzo: €98,00
€98,00

TAYLOR MICK ROCK BLUES & SLIDE GUITAR TABLATURE DVD CHITARRA ROLLING STONES LIBRO LEZIONE

TAYLOR MICK, ROCK, BLUES & SLIDE GUITAR. sheet music booklet with GUITAR TABLATURE and DVD .

DVD VIDEO METODO DI MUSICA ROCK BLUES, CON LIBRETTO CON GLI ESEMPI SUONATI. 

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE.

VIDEO DIDATTICO, STUDIO, TECNICA, 

SOTTOTITOLI IN ITALIANO !!! 

UN ROLLING STONES !

Mick Taylor’s career has seen him play with John Mayall, the Rolling Stones and Bob Dylan. Now all that expertise is on show on this superb disc where Mick takes you through some of his most impressive styles and techniques, including:
- Blues bends
- Vibrato
- Standard and open-tuning slide
- Country string bending
and more!


Mick also jams with Arlen Roth and talks about his playing style. A fine instruction session from one of British rock’s great players. Mick Taylor’s career has seen him play with John Mayall, the Rolling Stones, and Bob Dylan. Now all that expertise is on show on this superb disc where Mick takes you through some of his most impressive styles and techniques, including blues bends, vibrato, standard and open-tuning slide, country string bending and more. Mick also jams with Arlen Roth and talks about his playing style. A fine instruction session from one of British rock’s great players. Mick Taylor (best known for playing with The Rolling Stones, Bob Dylan and John Mayall) is one of British rock's greatest players. Here Taylor shows you his most impressive styles and techniques including blues bends, vibrato, standard and open-tuning slide, country string bending and more. INCLUDES FOOTAGE OF MICK TAYLOR JAMMING with ARLEN ROTH and a new introduction by Arlen Roth. 56-Minute DVD with 8-page booklet. Language: Audio/English. Subtitles: Français Deutsch, Español, Italiano.

Each Hot Licks DVD features:
- Newly remastered from original videos;
- Music & TAB shown on screen as its being played;
- Right- and Left-Hand Techniques shown close-up and with split-screen effects to make learning easy;
- Slow-motion segments with standard pitch sound;
- Booklet with exercises in standard notation and tablature;
- Immediate chapter access to each lesson;
- Spanish, French, German and Italian subtitles;
- Artist biography;
- Selected discography.

 

Series: Music Sales America
Series: Hot Licks
Running Time 56 minutes
Sottotitoli anche Italiano
 
Mick also jams with Arlen Roth and talks about his playing style. A fine instruction session from one of British rock's great players.
 
You'll never miss a note!
•  You see the music and the tablature on screen as it's being played
• All right and left-hand techniques are shown in close up and with helpful split-screen effects to make learning easy
• Slow motion segments with standard pitch sound
• Artist biographies
• Selected discographies
• Suggested listening
• Booklet with music examples included
Prezzo: €39,99
€39,99

SUMMERS ANDY GUITAR Hot Licks TABLATURE VIDEO DVD CHITARRA DIDATTICO

SUMMERS ANDY, GUITAR. 2 ore e 34 minuti di video lezione, 40 pagine di esempi, dizionario personale dei 50 accordi preferiti, armonizzazzioni colorate a grappoli di accordi, scale sostituzioni, sweep picking, l'improvvisazione, i cambi di tonalità, comporre con la chitarra. Canzoni complete nota per nota: Every breath you take -de doo doo doo -spirits in the material world -Roxanne -murder by numbers -message in a bottle -bring on the night -big thing -monk hangs ten -afro blue -blues for snake -last dance of Mr.X, inediti, e molto altro. GUITAR TABLATURE DVD

Andy Summers not only teaches some great guitar parts from his years with The Police, he demonstrates some more advanced playing plus jazz and blues styles. You'll learn about chord group memorization and clusters, special suspensions, visualizing the root, mapping out the neck, modal interchanges, queezing the chords, and a whole lot more. Plus some great live performances by Andy playing with his band!

DURATA, RUNNING TIME: 154 minutes
SUB-TITLES: FRANCAIS, DEUTSCH, ESPAGNOL, ITALIANO


SOTTOTITOLI IN ITALIANO

 

Andrew James Somers è nato in Inghilterra il 31 Dicembre 1942. Ha studiato chitarra classica per 4 anni fino al 1973. Ha suonato con gli Animal di Eric Burdon e con i Soft Machine come Allan Hordsworth, ma in periodi diversi. Ma è  conosciuto per essere il chitarrista del gruppo dei Police. 

Prezzo: €47,99
€47,99

RABIN TREVOR YES Instructional DVD Guitar TABLATURE techniques for speed picking solo improvisation

RABIN TREVOR, MASTER SESSION. TABLATURE DVD

Trevor Rabin

Instructional DVD for Guitar
Series: Instructional/Guitar/DVD
Format: DVD
Artist: Trevor Rabin

Trevor Rabin, former Yes guitarist, teaches how to improve and develop your rock skills, style & chops. He covers how to use your equipment to produce the most desirable sounds, and his techniques for speed picking, solo improv, left- and right-hand development, tone, bending and more! Includes a lesson book. 55 minutes.

Inventory #HL 00320640
ISBN: 9781423427650
UPC: 884088154059
Width: 5.5"
Length: 7.5"
Run Time: 0:55:00

Prezzo: €24,99
€24,99
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