Burkhard Buck Wolters

POPULAR GUITAR STYLES REGGAE & MUSIC OF THE ISLANDS Burkhard Buck Wolters CD TABLATURE

POPULAR GUITAR STYLES, REGGAE & MUSIC OF THE ISLANDS. Burkhard Buck Wolters. SHEET MUSIC BOOK WITH CD AND GUITAR TABLATURE .

LIBRO DI MUSICA REGGAE , LATINA, CON CD. 

SPARTITI PER SOLA CHITARRA CON : 

PENTAGRAMMA E TABLATURE. 

Popular Guitar Styles: Reggae and Music of the Islands reflects recent popular styles and transfers them to classical or fingerstyle technique. Guitar players who want to add reggae or Island music to their solo-repertoire will find an original and unique collection of compositions which will give joy to both players and listeners. The playing-level is intermediate to advance. Left-hand difficulties like barres and stretches are minimized as much as possible to make it easy to make the music groove. Written in notation and TABLATURE.

Series: Popular Guitar Styles

Buck Wolters belongs to the very small company of guitar players and composers who are familar with nearly every style. His authentic mix of jazz, world and latin music, combined with a mastery of classical guitar technique is very unique and outstanding. Born in 1961 in Dortmund, Germany, he began to play the guitar as an autodidact at the age of five. After hearing a recording of Big Bill Broonzy he took his first guitar lessons at the age of thirteen, digging into the blues for several years. At the age of sixteen he went to the conservatory in his hometown where he studied classical guitar. The music of Agustin Barrios, Heitor Villa-Lobos and David Qualey were his main influences. After leading the life of a busker in his twenties, he went to the School of Arts in Amsterdam to study jazz guitar and composition and spent most of his time then copying jazz solos from musicians like John Coltrane, Keith Jarrett, Pat Metheny and Wes Montgomery. He completed his studies as a bachelor with distinction. Today Buck Wolters is very busy performing, composing, recording and teaching throughout Europe. His greatest success belongs to his composition "Dshamilja" ordered in commission by the Opera of Frankfurt.

In the following I will give some brief explanations on the pieces that appear in this book and the popular Caribbean styles that they represent. Moreover some techinical and musical insight on how to produce special sounds on the guitar are given. Keep up the sunny Caribbean mood and have fun with it! Buck Wolters

 

 

Kingston Feet (Reggae)

The word "Reggae" was coined around 1960 in Jamaica to identify a "ragged" style of dance music, that melted New Orleans rhythm'n'blues and Caribbean music together. Later African elements were also included. The legendary Bob Marley (1944 -1981) made Reggae popular all over the world, and he is still one of the most active influences in recent popular music. Kingston Feet is to be played in even eights (straight, no shuffle). On the recording you will hear some percussion elements, which have been left out of the score for reading matters. Anyway, you should learn the piece first without percussion. If you want to add them later, here is an explanation: There are two sounds: a "bass drum" on count three, and a "rimshot" on count one (imitating the drumset). The "bassdrum" is produced by dropping the right-hand palm on the bridge. (It takes a little practice to drop the palm and hit strings at the same time.) The rimshot is produced by tapping a finger (preferably the little one) on the top. The "muffle" or "etouffe" is produced by holding the notes with the left-hand fingers without pressing them down to the fret.

 

Pan-Man-Limbo (Limbo)

The Limbo is also known as the "Under Stick Dance," a dance competition which was very popular at beach parties in Trinidad and Tobago, and is still alive today in Caribbean stage shows. The dancer moves under a stick, trying not to touch it, while being accompanied with Caribbean music, often played on the steeldrum ("Pan"). The harmonics in the beginning of the piece imitate the sound of the "Pan" and they are written as notes that would sound if you fingered them regularly.

 

Friendly Fritz (Reggae)

This Shuffle-Reggae is dedicated to Frit: Rossel, a very good friend of mine and a genius of a special kind. He is an excelent guitar builder, photographer, writer, salesman and last but not least an extraordinary musician. He plays keyboards, bass and guitar like no one I know. The highlight is when he starts to sing: he can imitate any singer from Harry Bellafonte to Mick Jagger, from Stevie Wonder to Bob Marley, that it makes you laugh until you cry. Again you will hear some percussion elements on the recording, which are produced in the same way on the guitar as in Kingston Feet.

 

Mentomania (Mento)

Mento is a style from Jamaican heritage, which had its beginnings in the 19th century and can be seen as the "grandfather" of Reggae. Mento had its golden age in the 1950s. Some of the famous mento musicians of that time were: Harold Richardson, Hubert Potter, and Monty Reynolds. Although Mentomania is notated in even eighths, it has a slight feeling of swing or shuffle. As in many Caribbean rhythms the 3/2 clave is featured. (see Popular Guitar Styles Vol. 1 - Latin & Salsa). To give the piece a light, typical Caribbean mood, I suggest you play it with the capo on the 3rd fret. Near the end of the piece (measures 103 through 124) you will hear the ...

 

Song Title: Composer/Source:

Children of St. Vincent - Buck Wolters
Friendly Fritz - Buck Wolters
Kingston Feet - Buck Wolters
Les Jardins d'Andre - Buck Wolters
Mentomania - Buck Wolters
Pan-Man-Limbo - Buck Wolters

Prezzo: €29,99
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POPULAR GUITAR STYLES LATIN & SALSA Burkhard Buck Wolters FINGERSTYLE CD TABLATURE LIBRO

POPULAR GUITAR STYLES, LATIN & SALSA. Burkhard Buck Wolters. BOOK WITH CD & GUITAR TABLATURE

LIBRO DI MUSICA LATINA E SALSA CON CD.

SPARTITI PER CHITARRA FINGERSTYLE CON:

ACCORDI, PENTAGRAMMA E TABLATURE.

 

FOR FINGERSTYLE GUITAR 

Product Description:
Popular Guitar Styles: Latin & Salsa reflect recent popular styles and transfer them to classical or fingerstyle technique. Guitar players who want to add Latin and salsa music to their solo-repertoire will find an original and unique collection of compositions which will give joy to both players and listeners. The playing-level is intermediate to advance. Left-hand difficulties like barrés and stretches are minimized as much as possible to make it easy to make the music groove. Written in standard and TABLATURE notation.
Format: Book/CD Set

 

Buck Wolters belongs to the very small company of guitar players and composers who are familar with nearly every style. His authentic mix of jazz, world and latin music, combined with a mastery of classical guitar technique is very unique and outstanding. Born in 1961 in Dortmund, Germany, he began to play the guitar as an autodidact at the age of five. After hearing a recording of Big Bill Broonzy he took his first guitar lessons at the age of thirteen, digging into the blues for several years. At the age of sixteen he went to the conservatory in his hometown where he studied classical guitar. The music of Agustin Barrios, Heitor Villa-Lobos and David Qualey were his main influences. After leading the life of a busker in his twenties, he went to the School of Arts in Amsterdam to study jazz guitar and composition and spent most of his time then copying jazz solos from musicians like John Coltrane, Keith Jarrett, Pat Metheny and Wes Montgomery. He completed his studies as a bachelor with distinction. Today Buck Wolters is very busy performing, composing, recording and teaching throughout Europe. His greatest success belongs to his composition "Dshamilja" ordered in commission by the Opera of Frankfurt.

Since latin music is very popular today, many fingerstyle or classical guitar players want to add it to their repertoire. These five compositions are intended for those players. Because of the complexity of latin rhythms, special attention should be placed on the independence between the right-hand thumb (bass pattern) and the other right-hand fingers (chord pattern or melody lines). So most of the focus is put on right-hand coordination, while left hand difficulties like stretches or use of the barre are minimized in the compositions. The introduction of each composition (first 4 to 16 bars of each piece) represents the typical rhythmic motion of the certain styles, which are characterized by three elements: 1. The clave (Spanish "key" or "code"), a rhythmic pattern of two bars, which must be kept up throughout the entire piece. Since the clave can be referred to rythmically as the "heart" of each latin style, it is mostly played on good, audible, high-pitched percussion instruments (e.g. woodsticks). Many styles can be recognized by an additional typical percussion pattern (e.g. Bolero and Merengue).

2. The bass pattern.

3. The piano or rhythm guitar pattern.

Practical advice on learning the pieces:

1. Listen to the cd several times.

2. Try to clap the clave of each piece along with the cd. (See the condensed rhythmic pictures on the following pages!)

3. Once you have the clave down try to add your feet tapping on beats "one" and "three".

4. Hit the rhythm of the bass pattern on your body. Once you have it down try to add your feet on "one" and "three".

5. Try the same with the piano/rhythm guitar pattern.

6. Learn the intro of each piece by heart before you start working through the entire piece. This guarantees your ability to keep up the rhythmic feeling of the piece while working through it.

7. Dance to the music and have fun.


Contents:

Luna Cubana -- Buck Wolters
Zapato Blanco -- Buck Wolters
El Alma de Agustin -- Buck Wolters
Bella Bailadora -- Buck Wolters
Merenguitis -- Buck Wolters

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POPULAR GUITAR STYLES SAMBA & BOSSA NOVA Burkhard Buck Wolters FINGERSTYLE CD TABLATURE LIBRO

POPULAR GUITAR STYLES SAMBA & BOSSA NOVA, Burkhard Buck Wolters. BOOK WITH CD & GUITAR TABLATURE

LIBRO DI MUSICA PER CHITARRA CON CD.

SPARTITI PER CHITARRA FINGERSTYLE CON:

PENTAGRAMMA E TABLATURE. 


Product Description:
Popular Guitar Styles: Samba and Bossa Nova reflects recent popular Brazilian styles as played with classical or fingerstyle technique. This collection of original pieces will delight both listeners and guitarists who want to add samba and bossa nova music to their repertoire. The playing level is intermediate to advance. Left-hand difficulties like barrés and stretches are minimized to make it easy to make the music groove. Written in standard notation and tablature.

Caminho do coracao (Afoxe) Buck Wolters (Path of the Heart) Caminho do coração
Copacabenny (Samba) Buck Wolters
Giro do gaviao (Partido Alto) Buck Wolters (Falcon's Cicle) Giro do gavião
Jobinho (Bossa Nova) Buck Wolters 
Papagaio apaixonado (Choro) Buck Wolters, dedicato a Carlo Marchione (Parrot in love)

Illustrazioni di: Petra Hartmann

Ingenniere Audio della registrazione del CD: Marcus Pipke

Brazil is one of the musical melting-pots of the world. The mixture of African and the native Indian culture,
a highly developed European classical tradition, joyful Caribbean and melancholic Latin American mood, the
expressive freedom and complex harmony of jazz characterizing altogether the music of this extraordinary country.
Within the limited space of this book I just have chosen five styles from this extensive range of music. I hope
you will enjoy these five Brazilian compositions of mine. The styles that they represent are explained briefly in

the following. Buck Wolters
 
Caminho do coracao (Afoxe)
Also known as Ljexa, Afoxe is originally a dance and singing style performed at religious processions in honor
of Oxum (goddess of love), sung in Yoruba, a language of African origin. Afoxe is also a word for a special shaker
(Xequere).
 
Copacabenny (Samba)
Originally Samba was a collective name for many dance-styles that where brought to Brazil by African slaves.
The word Samba comes from "Semba" which means "belly-dance". Because the slaves got their feet and hands
tied they could only dance with their bellies. Also The Maxixe (known as "Brazilian Tango") which was the first
original Brazilian urban dance in the late 19th century contributed to the development of Samba.
Copacabenny is dedicated to my dear friend and drummer Benny Mokross.
 
Jobinho (Bossa Nova)
Bossa Nova (translated: "New Wave") had it beginnings in the late 1950th and can be seen as a mixture of
Samba and Cool Jazz. One can say, that Bossa Nova is a "cooled down" Samba, played with a smoother and softer
attitude. Samba and Bossa Nova share the same rhythmic basic-pattern, the Samba- or Bossa-Nova-Clave:
 
Jobinho is dedicated to Antonio Carlos Jobim (1927-1994), who made Bossa Nova popular all over the
world.
 
Giro do gaviao (Partido Alto)
Partido Alto is a style with stronger pop- and jazz influences. It is mostly played in the big cities of eastern
Brazil, normally performed by electric bands. Of all styles that are presented here it is the most modem. Partido
Alto is also based on the clave mentioned above.
 
Papagaio apaixonado (Choro)
Choro came into being from a mixture of Habanera, Polka, and African dance styles in the 2nd half of the
19th century. It is mainly instrumental music, which demands much virtuosity from the players, because it is to be
played in a constant rush of eighths, or sixteenths. Like in Jazz, the players improvise on the form, and harmonic
structure of the Choro. Often they improvise collectively as in a competition. Probably the word Choro comes
from "chorar" which means "crying" or from the African dance Xolo.
Papagaio apaixonado is dedicated to my dear friend Carlo Marchione, one of the world greatest classical guitarists.
Prezzo: €24,99
€24,99
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