CHERRY LANE

Guns N' Roses – Greatest Hits. SHEET MUSIC BOOK FOR VOCAL , GUITAR CHORDS, STANDARD NOTATION AND TABLATURE.

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA :

ACCORDI, PENTAGRAMMA, TABLATURE. 

Play It Like It Is TAB

Series: Play It Like It Is

Publisher: Cherry Lane Music

Format: TAB

Artist: Guns N' Roses

Guns N' Roses – Greatest Hits.

Product Details

Inventory: #HL 02501755

ISBN: 9781603784306

UPC: 884088631338

Width: 9.0"

Length: 12.0"

Page Count: 204 Pages 

Spot-on transcriptions in notes & tab for 14 of the best from these Rock and Roll Hall of Famers: Don't Cry • Knockin' on Heaven's Door • Live and Let Die • November Rain • Paradise City • Patience • Sweet Child O' Mine • Sympathy for the Devil • Welcome to the Jungle • Yesterdays • and more.

Song List :

Ain't It Fun

Civil War

Don't Cry

Knockin' On Heaven's Door

Live And Let Die

November Rain

Paradise City

Patience

Since I Don't Have You

Sweet Child O' Mine

Sympathy For The Devil

Welcome To The Jungle

Yesterdays

You Could Be Mine

HUNTER STEVE, HYMNS FOR GUITAR Original Recordings. Lou Reed, Alice Cooper, Peter Gabriel, ecc. SHEET MUSIC BOOK WITH CD AND GUITAR TABLATURE . 

ARTIST APPROVED ! 

LIBRO DI MUSICA PER CHITARRA ACUSTICA, CON CD . 

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURA.  

Includes CD of Steve Hunter's Original Recordings
Series: Guitar
Publisher: Cherry Lane Music
Softcover with CD - TAB
Artist: Steve Hunter

ARTIST APPROVED

Steve Hunter ha suonato in 4 album di Alice Cooper, nel primo album da solo di Peter Gabriel (dove c'è la canzone: Solsbury Hill), nel disco Berlin di Lou Reed, gli Aerosmith. Ha fatto concerti con Julian Lennon, Bette Midler, co-autore con David Lee Roth. Nel 2008 registra HYMNS FOR GUITAR, il suo primo album da solo, una raccolta tutta acustica di Ballate e vecchie calme melodie d'America. Assolutamente niente di elettrico o che ha a che vedere con l'alienazione di New York come cantata Lou Reed.

Discography:

Steve Hunter Solo Recordings:
"Hymns for Guitar"
"Swept Away"
"The Deacon"

Alice Cooper

"Billion Dollar Babies"
"Welcome to My Nightmare"
"Alice Goes to Hell"
"Lace and Whiskey"
"The Alice Cooper Show"

Peter Gabriel
Peter Gabriel's 1st solo album featuring "Solsbury Hill"

Aerosmith 
"Get Your Wings"

Julian Lennon
"Help Yourself "

Dr. John
"Hollywood Be Thy Name"

David Lee Roth
"Your Filthy Little Mouth"
(Co-wrote "A Little Luck")
"A L'il Ain't Enough"

Lou Reed
"Rock and Roll Animal"
"Lou Reed Live LP"
Composed intro to "Sweet Jane"
"Berlin"

Bette Midler
"The Rose" Soundtrack

Detroit featuring Mitch Ryder
"Detroit"

Stevie Ray Vaughan
Tribute Compilation album

Tracy Chapman
"Telling Stories"

Legendary guitarist Steve "The Deacon" Hunter is known for his collaborations with Lou Reed, Alice Cooper, Peter Gabriel and others, as well as his extraordinary solo projects, such as this 2008 CD. Here are all 11 tunes in note-for-note transcriptions with tab approved by Hunter himself! Includes a bio and his extensive intro, plus a CD of his original recordings! Songs:

On the making of the CD...
I have always been fascinated by the recording process and have always tried to have something around to record and experiment with. Everything from just a two-track recorder to an eight-track, even an eight-track cassette recorder. So I was thrilled when programs like Pro Tools came along. There are now many terrific digital computer-based recording software applications out there. Pro Tools just happened to be my choice. I needed a sort of "trial" song to use as a learning tool for Pro Tools, so I worked up the arrangement for "Softly and Tenderly." That was not the first thing I recorded on Pro Tools, but it was the first actual project. It was a blast. I decided early on that I wanted to treat Pro Tools as if it were a tape recorder, even though it does some amazingly sophisticated things (which I do use from time to time). But what I mean by that is that I try to do "takes," as if recording to tape. In other words, I try to record through the entire song if possible, depending on the arrangement. Or, at the very least, I try to record, say, a verse completely through. With Pro Tools it's so tempting to just record a good verse and a good chorus and then copy and paste. But for me, many things are lost when you do that-one being spontaneity, of course, but dynamics as well, among other things. That's how all the pieces were done on the CD. Any solo guitar piece was recorded from start to finish-no fixes. The more complex arrangements were recorded just as I would have done in a studio with tape, which would have been sections at a time. For me that kept the creative flow going throughout the entire song instead of just in bits. Even though the verses of anyone song might have the same chord patterns, there are subtle differences that, I think, please the ear. At least, they do forme. At the time I recorded this CD, I was living in a very noisy apartment in Hollywood. As you can imagine, that made recording on mic virtually impossible. As luck would have it, I had been sent a prototype acoustic guitar preamp by a company called PreS onus. It would later become their AcoustiQ acoustic guitar preamp. It was a tube preamp and sounded fabulous, though sometimes a little noisy. (I'm not sure the production version of that preamp sounded as good as the prototype. Sadly, the one I had finally died.) That preamp was the primary piece of gear used to record almost all of the acoustic guitars on Hymns for Guitar. And the primary guitar was my older (1993) Taylor 420. I fell in love with the sound of the guitar from the very beginning. I still have it and have had some work done on it, which has made it sound and play even more heavenly. I also used a Baby Taylor, which has been strung in Nashville tuning, which, by way of explanation, is basically the higher octave strings of a 12-string set for the bottom four strings and normal strings for the top two. The Baby Taylor sounds so sweet tuned that way that I leave it like that now. I also used a very special guitar to me. It's a 1964 Oscar Teller nylon-string. The age isn't necessarily what makes this guitar so special. Peter Gabriel and Bob Ezrin gave it to me at the end of the sessions for Peter's first solo Lp, which included "Solsbury Hill." Robert Fripp played that guitar on the song "Humdrum" on that record. And I subsequently played it on two of Alice Cooper's biggest hit records, "I Never Cry" and "You and Me." I've owned that guitar since about 1977 and it's now like an old friend. All those years of the wood drying has caused some problems, but it has also made it sound rich and sweet. I think I do things a little differently when it comes to arranging and creating parts for overdub. There are two basic things I do; one involves actually working out a particular part and the other is basically improvising part. I have developed those two methods over the years through the sessions and live work I've done with other artists. Both methods work for me and I use both all the time. When it comes to improvising a part, I may just change tunings and play along with the track to see what develops. If something starts to happen, I'll simply hit record. Other times I like to work out specific parts need to happen a certain way to emphasize a rhythm or lay a nice foundation. "Shall We Gather at the River" is a good example of a constructed part. The arpeggio that form the basic foundation for the song were worked out specifically to do what they do. As far as song selection, I wanted to do some of my favorites as well as any that might inspire an arrangement. I was looking for beautiful melodies and I prefer the older hymns-the older the better. And very obscure composers, which, again, I preferred, wrote many of them. "The Old Rugged Cross" was my father's favorite hymn. Bob Ezrin suggested "Angel Band" and "Will My Mother Know Me There," both of which I hadn't heard before but loved the moment I heard them ...

Table of contents:

Angel Band
In The Garden
Jesus Loves Me
Just A Closer Walk With Thee
Precious Memories
Shall We Gather At The River?
Softly And Tenderly
Sweet Hour Of Prayer
The Old Rugged Cross
What A Friend We Have In Jesus
Will My Mother Know Me There

80 pages

60 PROGRESSIVE SOLOS FOR CLASSICAL GUITAR, Featuring the Music of the World's Greatest Composers: Bach, Handel, Mozart, Beethoven & Brahms. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE . 

LIBRO DI MUSICA CLASSICA PER CHITARRA CON CD.

SPARTITI PER CHITARRA CON : PENTAGRAMMA E TABLATURE.

60 PROGRESSIVE SOLOS FOR CLASSICAL GUITAR
Featuring the Music of the World's Greatest Composers: Bach, Handel, Mozart, Beethoven & Brahms
Series: Guitar
Publisher: Cherry Lane Music
Format: Softcover Audio Online – TAB
Arranger: Mark Phillips

Most classical guitar folios feature compositions by the lesser-known “guitar” composers. This collection, however, exclusively features music by the world's most renowned composers. The works of Johann Sebastian Bach and George Frederick Handel represent the culmination of the Baroque era. Wolfgang Amadeus Mozart stands at the summit of the Classical era. Ludwig van Beethoven straddles the Classical and Romantic eras, and Johannes Brahms is the giant of the Romantic era. For educational purposes, the pieces have been organized in order of difficulty within each composer's section. In addition, complete performances of all pieces can be heard on the accompanying audio. Enjoy! Includes: Jesu, Joy of Man's Desiring • The Harmonious Blacksmith • Ode to Joy • Lullaby • and more.

Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Inventory #HL 02500584
ISBN: 9781575606286
UPC: 073999887044
Width: 9.0"
Length: 12.0"
120 pages

Air - Composed by Johann Sebastian Bach

Bourree - Composed by Johann Sebastian Bach

March from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Minuet 1 - Composed by Johann Sebastian Bach

Minuet 2 - Composed by Johann Sebastian Bach

Minuet 3 from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Minuet 4 - Composed by Johann Sebastian Bach

Minuet 5 from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Minuet 6 from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Air (Originally Untitled) from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

A Child Is Born in Bethehem - from Cantata n.65 - Composed by Johann Sebastian Bach

Chorale from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Jesu, Joy Of Man's Desiring - Composed by Johann Sebastian Bach

Jesu, Meine Freude (Chorale) - Composed by Johann Sebastian Bach

The Harmonious Blacksmith - Composed by George Frideric Handel

Gavotte - Composed by George Frideric Handel

Sarabande - Composed by George Frideric Handel

Minuet - Composed by George Frideric Handel

Adagio 1 - Composed by George Frideric Handel

Adagio 2 - Composed by George Frideric Handel

Adagio 3 - Composed by George Frideric Handel

Bourree 1 - Composed by George Frideric Handel

Bourree 2 - Composed by George Frideric Handel

Bourree 3 - Composed by George Frideric Handel

Allegro 1 - Composed by George Frideric Handel

Allegro 2 - Composed by George Frideric Handel

Andante - Composed by George Frideric Handel

Theme - Composed by Wolfgang Amadeus Mozart

Minuet 7 - Composed by Wolfgang Amadeus Mozart

Trio 1 - Composed by Wolfgang Amadeus Mozart

Trio 2 - Composed by Wolfgang Amadeus Mozart

Andante 1 - Composed by Wolfgang Amadeus Mozart

Andante 2 (2nd Movement) From Piano Concerto n.20 - Composed by Wolfgang Amadeus Mozart

Andante 3 (2nd Movement) From Piano Concerto n.15 - Composed by Wolfgang Amadeus Mozart

Allegro (1st movement theme) from Piano Concerto n.13 - Composed by Wolfgang Amadeus Mozart

Russian Folk Tune - Composed by Ludwig van Beethoven

Pretty Minka - Composed by Ludwig van Beethoven

German Dance 1 - Composed by Ludwig van Beethoven

German Dance 2 - Composed by Ludwig van Beethoven

Ecossaise - Composed by Ludwig van Beethoven

Country Dance - Composed by Ludwig van Beethoven

Landler (Tyrolean Air) - Composed by Ludwig van Beethoven

Ode to Joy - Composed by Ludwig van Beethoven

Dance - Composed by Ludwig van Beethoven

Bagatelle 1 - Composed by Ludwig van Beethoven

Bagatelle 2 - Composed by Ludwig van Beethoven

Lullaby - Composed by Johannes Brahms

Symphony No. 3 (3rd Movement) - Composed by Johannes Brahms

Waltz 1 (Op. 39, No. 02) - Composed by Johannes Brahms

Waltz 2 (Op. 39, No. 15) - Composed by Johannes Brahms

Like a Melody - Composed by Johannes Brahms

I pezzi di questo libro sono ordinati per difficoltà crescente.

DENVER JOHN, LEARN FOLK GUITAR WITH THE MUSIC OF. 74 Pages. CD TABLATURE

LIBRO METODO DI MUSICA COUNTRY ROCK, CON CD. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

METODO, MANUALE, DIDATTICO, STUDIO. 

Series: Guitar Educational
Publisher: Cherry Lane Music
Softcover with CD - TAB
Author: Pat Bianculli

The music of John Denver has drawn millions to the down-home feel and universal messages of folk music. The body of work he laid out for others to follow can also serve as a master plan from which his fans can learn how to play folk guitar. If you yearn to take your guitar playing down country roads and through the Rocky Mountains, then Learn Folk Guitar with the Music of John Denver is uniquely for you. Starting right now you can learn everything you need to know to begin playing folk guitar-fingerpicking, strumming techniques, pick techniques, arranging, and more-by exploring the music of John Denver. With examples taken from the music he made famous, as well as full arrangements of some of his best-known songs, this book will have you strumming and picking in no time. A CD is included with recorded examples. 72 pages

Born and raised in Brooklyn, NY, Pasquale Bianculli began playing the guitar at the age of 13 under Joseph Cassano. In 1972, he began intensive srudy in classical guitar with ]erry Willard and Edgard Dana at the Guitar Workshop in Oyster Bay, NY. He received his M. Mus. degree from the State University of New York at Stony Brook in 1981, and holds a certificate from Teachers College Columbia Univcrsity as a Performing Artist in the Schools. As a recitalist, he has been heard across the D.S., Canada, Europe, and the Caribbean. In 1983, he made his New York solo debur at Weill Recital Hall at Carnegie Hall. He has had the honor of performing for the legendary guitarist Andres Segovia in Granada, Spain. Both he and his wife, flurist Kathy McDonald, taught at the Edna Manley School of the Arts in Kingston, Jamaica, performing throughout that country. Together with guitarist Harris Becker, he formed Guitar x2 and, in 1999, released a CD of music for rwo guitars, Catgut Flambo, on the Musicians Showcase Recordings label. The composer Carlo Domeniconi wrote and dedicated his Long Island Suite to the duo in 2002. Pat has been on the faculties of Dowling College and the Pasquale Bianculli Rocky Ridge Music Center in Colorado and has served as adjudicator in music competitions sponsored by Queens College and the American String Teacher's Association. Currently, he is on the faculty of C. W Post Campus of Long Island University and the United Nations International School. This is his second book for Cherry Lane Music Publishing, his first being 101 Tips and Tricks/or Acoustic Guitar. This book is dedicated to Kathleen. Thanks to Susan Poliniak for her help throughour this project, to Kathleen McDonald for her assistance and continued support, and to Joe Turzo for the use of his photographs here.

Table of Contents:

John Denver-His Music, His Life

About: theAuthor

Acknowledgments

The Basics

Your Tools for This Journey 

Practice Advice 

About the Music Examples 

A Review of the Fundamentals 

Basic Right-Hand Technique 

Basic Lett-Hand Technique

Strumming Techniques

Strumming With the Fingers 

Simple Strum Accompaniments

"Take Me Home, Country Roads" 

A Little Technique Check 

A Simple Bass-Strum Accompaniment 

Alternating Basses .

The Basic Bass-Flick/Back Strum .

Flick/Back Variation # I-Playing in 3/4 Time 

"Starwood in Aspen" 

Flick/Back Variation #2-The SW'ing Feel, or a "Flexible" Beat 

Flick/Back Variation #3-Filling in the Gaps 

"Two Different Directions" 

Flick/Back Variation #4--Neighbor Note Hammer-Ons in the Bass

Bass Runs 

Playing the Melody in the Bass-Carter Family Style 

"Back Home Again" 

Fingerpicking Techniques

A Very Basic Arpeggio

Outside-Inside Picking

"This Old Guitar" 

Pinching .

Calypso Picking 

"Leaving on a Jet Plane" 

Playing TW'oTreble Strings at Once 

Fingerpicking in 3/4 Time 

"Annie's Song" 

Basic Travis Picking

"I Guess He'd Rather Be in Colorado" 

Travis Picking W'ith Pick and Fingers 

"Sweet Surrender"

Arranging 

"Poems, Prayers and Promises"

Epilogue

"Goodbye Again"

Annie's Song
Back Home Again
Flying For Me
Goodbye Again
I Guess He'd Rather Be In Colorado
Leaving On A Jet Plane
Poems, Prayers And Promises
Starwood In Aspen
Sweet Surrender
Take Me Home, Country Roads
This Old Guitar
Two Different Directions

WYLDE ZAKK BLACK LABEL SOCIETY, BEST OF. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE .

LIBRO DI MUSICA METAL, CON CD .

SPARTITi PER VOCE E CHITARRA :

ACCORDI, PENTAGRAMMA, TABLATURE.

This collection of 12 songs from Zakk Wylde's band includes 12 note-for-note transcriptions with guitar tab:

Table of contents: All For You -Bleed For Me -Counterfeit God -Lords Of Destruction -Lost My Better Half -Speedball -Stillborn -Stoned And Drunk -Stronger Than Death -Suffering Overdue -Superterrorizer (live) -The Blessed Hellride. Also includes 7 bonus tracks on CD: from "sonic brew" -Low Down, from "stronger than death" -All for You -Superterrorizer, from "1919 eternal" -Bleed for Me -Lords of Destruction, from "the blessed hellride" -The Blessed Hellride -Stoned and Drunk. 86 pages.