ITALIANO

ADVANCED GUITAR SOLOING Professional Improvisation Musicians Institute CD CHITARRA METODO

ADVANCED GUITAR SOLOING. Mus. Inst. CD TABLATURE

The Professional Guide to Improvisation
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Softcover with CD - TAB
Composer: Beth Marlis
Composer: Daniel Gilbert

Designed from MI core curriculum programs, this follow-up to the bestselling Musicians Institute title Guitar Soloing offers advanced players a great guide to mastering the art of melodic improvisation. The CD includes 22 tracks for demonstration and play-along, and the instruction covers scales, modes, arpeggios, technique, creativity and visualization exercises, exploring rock, blues, jazz and other styles of music, as well as sequences, phrases and licks. 96 pages.

Questo libro (continuazione di Guitar Soloing) è un passo successivo, una guida avanzata per imparare l'arte dell'improvvisazione melodica. Il CD include 22 dimostrative e play-along. Scale, arpeggi, modi, tecnica, creatività e esercizi di visualizzazione. Rock, blues, jazz e altri stili. Sequenze, frasi e licks. in italiano.

Price: €29,99
€29,99

MODES FOR GUITAR-MUSICIANS INSTITUTE Tom Kolb CD TABLATURE dorico-frigio-misolidio-eolio-locrio

MODES FOR GUITAR, MUSICIANS INSTITUTE Tom Kolb. CD TABLATURE

Publisher: Musicians Institute Press

In this one-on-one lesson, MI instructor Tom Kolb unravels the mystery of the modes, giving guitarists a complete approach to soloing and a thorough, hands-on explanation of Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian. He also covers: melodic minor, harmonic minor and the blues scale; soloing over diatonic and modal progressions; superimposing modes; patterns, progressions, licks; and much more. The accompanying CD includes 83 full-band tracks.

 

The modes of the major scale have long been a fascinating subject for guitarists. But at the same time, they can be a great source of confusion and misunderstanding. The purpose of this book is to unravel the mysteries of the modes and to guide you through the world of their applications. We'll take an in-depth look at how modes can be used in various soloing situations, as a source for creating riffs, and as tools for writing unique chord progressions. Each chapter contains suggested fretboard patterns, licks, and musical examples, as well as valuable insights into each mode's unique application. Each example is demonstrated on the accompanying CD. There is also a jam track featuring a "play-along progression" for each mode, so you can practice applying the modes in an improvisational setting. As a special bonus, in the final chapter, we'll explore some of the modes of other popular scales. Although it's highly recommended that you start at the beginning of this book and work your way through to the end, if you prefer, you can jump in anywhere, especially if you're already familiar with a mode or two. You can always refer back to the first chapter, "Theory of the Modes," if you find yourself getting confused. Every musical example in this book is demonstrated on the accompanying CD. Tracks with a full rhythm section are played twice-once at normal speed and then again at half speed. For the normal-speed examples, the featured guitar is mixed hard right. This allows you to play along either with the entire mix, or, by adjusting the balance to the left, with just the rhythm section. Don't forget-there's a jam track for each mode, so you can practice applying what you've just learned in an improvisational setting. You can work on soloing all over the neck with the various finger patterns provided, experiment with the musical examples presented in the text, and apply the concepts presented in the "Odds and Ends" section at the end of each chapter. Use Track. of the CD to tune your guitar.

Price: €18,99
€18,99

MASTERS OF RHYTHM GUITAR Joachim Vogel libro CD TABLATURE rock-roul-reggae-country-jazz-ritmica

MASTERS OF RHYTHM GUITAR. Vogel. 200 esempi di Rock, Metal, Blues, Soul, Reggae, Country, Jazz, con Scotty Moore, Chuck Berry, Keith Richards, Jimmy Page, Malcom Young, Van Halen, Jimi Hendrix, Steve Stevens, James Hetfield, Marley, Pass, A. Lee, ecc. CD TAB.

Product Description:
This book and CD set presents rhythm concepts and techniques for rock, blues, soul, funk, reggae, jazz and country guitar. It includes more than 200 grooves in the styles of Scott Moore, Keith Richards, Jimi Hendrix, Steve Stevens, James Hetfield, Prince, Bob Marley and other famous guitarists. The aim of this book is to expand the player's repertoire of authentic rhythm grooves in a number of popular styles. Using examples of playing styles of various influential guitarists, the author illustrates their characteristic sounds, playing techniques and harmonic approaches. This, combined with background information and a discography, will provide you with a comprehensive view of the work of each guitarist. This book should serve as a reference work which you can draw on as you need or choose to. In notation and tablature.

Format: Book/CD Set

Contents:

Foreword
On working with this book

Rock
Scotty Moore Behind Elvis
Chuck Berry The First Rocker
Keith Richards It's Only Rock'n'RolI
Jimi Hendrix The Orchestral Guitar
Jimmy Page Classic Rock Patterns
Malcolm Young Dirty and Loud
Eddie van Halen Dr. Rhythm
James Hetfield The Riffsmith
Steve Stevens Heavy Metal Meets New Wave

Soul / Reggae
Steve Cropper The Soulman
Jimmy Nolen Funk Pioneer
Nile Rodgers 80's Funk with 60's Roots
Prince Sex and Funk and Rock'n'Roll
Paul Jackson Professional for Rent
Bob Marley Rebel Musician

New Wave
Andy Summers Rhythms From Space
David Evans The Edge

Country
Merle Travis The Country Picking King
Albert Lee The Flatpicker

Jazz
Joe Pass Virtuoso Guitar
Charlie Byrd Jazz Meets Latin
John McLaughlin The Mahavishnu

Appendix
List of Symbols

Product Description:
This book and CD set presents rhythm concepts and techniques for rock, blues, soul, funk, reggae, jazz and country guitar. It includes more than 200 grooves in the styles of Scott Moore, Keith Richards, Jimi Hendrix, Steve Stevens, James Hetfield, Prince, Bob Marley and other famous guitarists. The aim of this book is to expand the player's repertoire of authentic rhythm grooves in a number of popular styles. Using examples of playing styles of various influential guitarists, the author illustrates their characteristic sounds, playing techniques and harmonic approaches. This, combined with background information and a discography, will provide you with a comprehensive view of the work of each guitarist. This book should serve as a reference work which you can draw on as you need or choose to. In notation and tablature.

Contents:
Foreword
On working with this book

Rock
Scotty Moore Behind Elvis
Chuck Berry The First Rocker
Keith Richards It's Only Rock'n'RolI
Jimi Hendrix The Orchestral Guitar
Jimmy Page Classic Rock Patterns
Malcolm Young Dirty and Loud
Eddie van Halen Dr. Rhythm
James Hetfield The Riffsmith
Steve Stevens Heavy Metal Meets New Wave

Soul / Reggae
Steve Cropper The Soulman
Jimmy Nolen Funk Pioneer
Nile Rodgers 80's Funk with 60's Roots
Prince Sex and Funk and Rock'n'Roll
Paul Jackson Professional for Rent
Bob Marley Rebel Musician

New Wave
Andy Summers Rhythms From Space
David Evans The Edge

Country
Merle Travis The Country Picking King
Albert Lee The Flatpicker

Jazz
Joe Pass Virtuoso Guitar
Charlie Byrd Jazz Meets Latin
John McLaughlin The Mahavishnu

Appendix
List of Symbols

Price: €28,99
€28,99

I MAESTRI DELLA CHITARRA ROCK LIBRO CD TABLATURE Clapton Mark Knopfler Santana SATRIANI

MASTERS OF ROCK GUITAR, Peter Fisher. CD TABLATURE

Mezzo secolo di musica rock, solo 20 uomini. 250 esempi di fraseggi, brevi e medio brevi di: Chuck Berry, B.B. King, Albert King, Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Ritchie Blackmore, Santana, Summers, Mark Knopfler, Steve Morse, Van Halen, Roads, Gary Moore, Yngwie Malmsteen, Lukather, Joe Satriani, Paul Gilbert, Steve Vai. Informazioni sul suono e la strumentazione. Tecniche usate: alternate picking, i legati, sweep picking o economy picking, tapping, tecnica a due mani, bending e vibrato, dive bomb, effetti armonici, wrench slide, mouse trap, harmonic dive (horse), cat purr, talk/off-pitch, whammy bar. 159 pagine. 

TECHNIQUES AND CONCEPTS FROM 40 YEARS OF ROCK GUITAR with more than 250 licks in the styles of Chuck Berry, Jeff Beck, Mark Knopfler, Joe Satriani, Steve Vai, and many more.

Product Description:
The aim of this book and CD is to document the development of rock guitar playing by thoroughly investigating the styles of twenty distinctive and influential guitar greats, including Chuck Berry, Jeff Beck, Jimi Hendrix, Mark Knopfler, Gary Moore, Eddie van Halen, Joe Satriani, Steve Vai and others. The more than 250 licks selected for inclusion here serve as a reference for anyone in search of authentic sounding material. This book is more than a mere compilation of licks. By presenting detailed information about personal influences, identifiable elements, harmonic material, sound (preferred instruments, amps, effects, etc.) and discographies, the book provides the reader with a well-rounded picture of each individual guitarist. In addition, the level of technical difficulty increases parallel to the chronological sequence, so the book can also be used as a methodically constructed learning aid for beginning to advanced players. The accompanying CD is over 70 minutes in length. It will not only help readers play the licks, but gives them the ability to select each profiled guitarist's music individually. In notation and tablature. Format: Book/CD Set

Welcome to the Masters of Rock Guitar
Foreword
Taking a look at the stylistic variety of the preceding decades, the task of documenting the development of rock guitar playing seems more than difficult. The problems begin with choosing the guitarists. Countless players will have to be left out who could be considered most important.
Undoubtedly you'll miss one guitarist or another who in your opinion is an absolute master of the rock guitar.
In order to maintain a clear perspective, I've found it necessary to restrict myself to twenty guitar heroes. Even in this book, space is limited, so I've tried to select only those really influential guitarists who've been primary forces in the development of guitar techniques. So it's been necessary to leave out guitarists like Frank Zappa, Steve Howe, John Mclaughlin, Pete Townshend, George Lynch, and others, as well as the guitarists from important groups like The Beatles and The Rolling Stones. Although their playing is inseparably linked to their groundbreaking compositions, from a technical standpoint, they're not as revolutionary or innovative as the rest of the "club", those whose playing has been an influence on a large number of other guitarists. The names of the ones I've chosen call to mind certain sounds, concepts and performing techniques that are often demanded of musicians and teachers.
(" Play it like Hendrix / van Halen / Knopfler / Lukather ... " or "Play some of those Police chords ... ") One is seldom asked to playa solo in a Beatles style. The selections here have been made to meet these demands and to serve as a reference work for anyone who is looking for some authentic sounding material. Of course the danger in this sort of undertaking lies in reducing the concept of the book down to a mere compilation of guitar licks. Comprehending a guitarist's style takes more than just having a few licks down. Without the essential background information, such as personal influences, identifiable elements, harmonic material, sound and discography, all of which, along with the licks, give a well-rounded picture of each individual guitarist, you can't do justice to the Masters of the Rock Guitar.
Not that I'm promoting a star cult. Four decades of rock history are personified by these twenty" chosen players", with whose help the stylistically variable development of rock guitar playing can be seen in a clear light. For this reason our brief tour of rock history will begin with those definitive representatives of the blues guitar, B.B,King and Albert King, whose playing still has a lot to offer to the current generation of guitarists. And this, although for many young guitarists (my own age group, by the way) the Era of the Electric Guitar began with Eddie van Halen, and names like Jimi Hendrix and Jimmy Page often bring little more response than a shrug of the shoulders. Of course the level of technical difficulty increases parallel to the chronological sequence. So "Masters of Rock Guitar" not only serves as a reference work, but can also - as an extra, so to speak - be used as a methodically constructed learning aid for beginning and advanced players. The accompanying CD is over seventy minutes in length. It will not only help you to play the licks, but has also the major advantage over other recordings that each of the guitarists can be selected individually. However you choose to use this book, I do hope you'll have a lot of fun reading, playing, listening and working.

On working with this book, Tips & Tricks
Before we begin our tour through the history of rock guitar playing here are a few hints and ideas how to work with this book: Play each lick not only over the chord it appears with, but also over the harmonic extensions. (For example, if C 7 is indicated, play also over C 9 and C 11; if Cm is indicated, play also over Cm7, Cm9, Cm11, etc.) Try them over the diatonic chords of the key, as well. The licks sound somewhat different over every chord (sometimes better, sometimes worse), and you'll find that this way you have seven times as much material as you would have if you only practiced over the suggested chord. Look at my instructions for execution (hammer-ons, pull-offs, slides, etc.) as suggestions. Play around with the licks and see how they sit best under your fingers. Same thing for the rhythm, the choice of octaves and the sound. I've found that you really have to listen (in the deeper sense of the word) to each guitarist before you can develop a true feeling for his style. To really get the feeling for Jimi Hendrix's style, for example, you've got to listen quite a bit. The licks on the CD are just a beginning. Sorry, but there's no way around listening to the original. The discography should help you get your bearings. There are basically two ways to make progress with this book. One way is to go straight through from beginning to end, thereby experiencing the different stages of development in the music. The other possibility is to pick out your heroes in whichever order you want. However you do it, have fun! I have purposely recorded the licks on the CD with relatively neutral backgrounds, so that the stylistic labels IImetal II or IIfusion II, or whatever, won't be stamped on them. You'll have to combine and mix styles if you want to develop your own creativity and find your own style. Don't hesitate to use freshly learned licks in your playing. This is the only way to make them a part of your own repertoire. As to the subject of III don't copy anyone! II, I found a good quotation from Steve lukather: "If you copy only one guitarist, it's stealing. But if you copy a lot of them, it's a science. I play, by the way, almost exclusively 'borrowed' licks.!" With this in mind: LET'S GET BUSY! 

Contents:
Foreword
On working with this book

TIPS & TRICKS
Preparatory exercises
Alternate picking
Legato technique (Hammer-Ons and Pull-Offs)
Sweep or economy picking
Two hand tapping
String bending and vibrato

BLUES AND EARLY ROCK PERIOD
B. B. King - THE KING OF BLUES
Albert King - BORN UNDER A BAD SIGN?
Chuck Berry -THE FATHER OF ROCK 'N ROLL

THE CLASSIC ROCK PERIOD
Jimi Hendrix - THE INVENTOR OF MODERN ROCK GUITAR
Eric Clapton - RESTLESS SLOWHAND
Jeff Beck - THE STRAT CAT
Jimmy Page -THE FOUNDING FATHER OF HEAVY ROCK
Ritchie Blackmore - HARD ROCK GOES CLASSICAL
Carlos Santana - SPIRITUAL LATIN BLUES

MODERN CLASSICS
Andy Summers - MUSIC NEEDS ROOM TO BREATHE
Mark Knopfler - THE SULTAN OF SWING
Steve Morse - MISTER VERSATILITY
Eddie van Halen - THE TAPPING GOD
Randy Roads - TRADEMARK LICKS FROM METAL AND CLASSICAL

THE NEW GUILD OR GUITAR HEROES WITHOUT END
Yngwie Malmsteen - NEO-CLASSICAL METAL WITH EGO PROBLEMS?
Gary Moore - STILL GOT THE BLUES
Steve Lukather - CONTROLLED ECSTASY
Joe Satriani - WORTH WAITING FOR
Steve Vai - HIS ROYAL DARKNESS
Paul Gilbert - FROM THE E MINOR TO THE HIP SCALE

Price: €26,99
€26,99

CHITARRA ROCK BASICS Nick Nolan Danny Gill Musicians Institute CD TABLATURE TECNICHE SOLISTE

 

ROCK LEAD BASICS, Nick Nolan and Danny Gill. Musicians Institute CD TABLATURE. 

Publisher: Musicians Institute Press

Rock Lead Basics

Techniques, Scales and Fundamentals for Guitar
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Danny Gill
Composer: Nick Nolan

A method exploring the techniques, scales and fundamentals used by the greatest legends of rock guitar. CD includes over 75 full demonstration tracks. Covers pentatonic and diatonic scales, bending, vibrato, lead licks, and more. Includes standard notation and TABLATURE.

Inventory #HL 00695144
ISBN: 9780793573783
UPC: 073999951448
Width: 9.0"
Length: 12.0"
40 pages
 

Tecniche fondamentali per chitarra solista rock. Master Class

Un metodo che esplora le tecniche, le scale e le regole fondamentali usate dalle più grandi leggende della chitarra rock. Il CD include oltre 75 tracce dimostrative complete. Scale pentatoniche diatoniche. Bending, vibrato e licks essenziali. Notazione standard e TABLATURA.
Price: €23,99
€23,99

CHITARRA CLASSICA ROBERTO FABBRI DVD GLISSATI ACCIACCATURE APPOGGIATURE TECNICA

LA CHITARRA CLASSICA, ROBERTO FABBRI. DVD

Videometodo per imparare a suonare la Chitarra Classica. Il dvd si rivolge a tutti gli amanti di questo strumento, principianti e non, ma anhe a quei chitarristi che, non avendo una provenienza classica, vogliano apprendere le tecniche fondamentali partendo dalle loro conoscenze ed integrandole con ciò che qui viene esposto, per costruirsi, autonomamente, un loro personale modo di suonare la chitarra classica Il dvd tratta dall'impostazione dello strumento alla produzione del suono (tocco della mano destra) e alla corretta posizione della mano sinistra. Tocca la cura della sincronizzazione dei movimenti di entrambe le mani attraverso lo studio delle scale (singole e doppie) degli arpeggi e dei legati; svolge argomenti come il barré e presenta tutti i principali effetti ottenbili sulla chitarra: glissati, acciaccature, appoggiature, mordenti, armonici, fino ai più attuali tapping, slap... il tutto attraverso l'uso di numerosi esempi musicali.

Catalogo: Video, Dvd e CD Rom
Prodotto: DVD
Tipo: video
Sezione: Autori
Strumento: Chitarra
Lingua: in italiano

Price: €59,99
€59,99

LA CHITARRA BRASILIANA IRIO DE PAULA DVD GUITAR-FUNKY SAMBA-SAUDADE DO CHORINHO-SENTIMENTO

LA CHITARRA BRASILIANA, IRIO DE PAULA. VIDEO

De Paula, Irio
CHITARRA BRASILIANA (LA)

Non poteva mancare nella nostra collana un video dedicato alla chitarra brasiliana. Se poi a realizzarlo è uno straordinario chitarrista, un grande musicista, un Maestro come Irio De Paula, la produzione e la pubblicazione di questo video assume un_importanza ed un rilievo tale da diventare assolutamente irrinunciabile da parte nostra: una vera e propria "chicca" sia per gli appassionati di musica brasiliana, sia per i chitarristi classici orientati verso la musica moderna che per i chitarristi jazz e finger pickin_ che vogliono ampliare il loro bagaglio tecnico ed armonico. Non a caso, infatti, sono tanti i musicisti che pur muovendosi in altri ambiti, si sono occupati di musica brasiliana: un universo dove, tra l_altro, regna sovrana la chitarra... e chi meglio di Irio De Paula è in grado di rappresentarci la ricchezza armonica, melodica e ritmica di quest_universo sulla chitarra? E in questo video Irio lo rappresenta, lo "racconta" e lo esprime nel modo che gli è più congeniale: "semplicemente" suonando.
Ci si rende conto subito dell_inutilità delle parole di fronte a quella quantità e qualità di note, sempre sorprendente, che riesce a tirare fuori dalla sua chitarra. Dopo il primo brano, infatti, non abbiamo potuto fare a meno di aggiungere un'altra telecamera per entrare maggiormente nei particolari e cogliere, anche visivamente, il più possibile delle sue esecuzioni.
Video, Dvd e CD Rom

Price: €59,99
€59,99

SOLIERI MAURIZIO DA HENDRIX A VASCO ROSSI GUITAR SOLOS DVD CHITARRA RIFFS STRUMENTAZIONE

SOLIERI MAURIZIO, DA HENDRIX A VASCO. VIDEO

Realizzando questo Video ho pensato di fare una cosa gradita sia a chi è cresciuto ascoltando Vasco Rossi e la Steve Roger Band, sia agli appassionati della chitarra rock. Troverete informazioni didattiche, esempi dei miei ? guitar heroes' preferiti, aneddoti, riffs, frammenti filmati amatoriali inediti, jam session, curiosità, la mia strumentazione... Il tutto per farmi conoscere un po' di più anche al di là del musicista. Divertitevi e scaldatevi i polpaastrelli (Maurizio Solieri)

Price: €24,99
€24,99

BEST NASHVILLE GUITAR Richard Kochli CD LIBRO TABLATURE CHITARRA COUNTRY MANUALE COMPLETO

 

BEST IN THE WEST, NASHVILLE GUITAR. Richard Kochli. CD TABLATURE

The History, the Players and the Technique of Country Guitar by Richard Kochli

276 pagine di esempi di Country, Rockabilly, Swing, Nashville, blues, Rock. CD TABLATURE

A comprehensive analysis of American country music from a European perspective, this massive 275-page book comes with a companion CD with 97 tracks. Everything from basic rhythm accompaniment to blazing bluegrass solos is addressed including: Carter lead style, fingerpicking, rockabilly riffs, Nashville lead styles, Western swing and honky-tonk, country blues and rock, Cajun history and styles, and a forecast of the future of country. The book is carefully structured with progressively arranged exercises, theory lessons and original and traditional tunes.

This book should prove to be an important resource for country music enthusiasts. All 387 musical examples appear in both standard notation and tablature. Complete lyrics are provided when applicable. Köchli's love and mastery of the entire spectrum of country music is evident throughout.

To me, country music, or just "country" is one of the basic, high voltage,
artistic movements of the 20th Century. It's a movement and a style that, like
jazz, grew out of the huge melting pot of the United States. Country jumps,
it's alive, it's down home - and it comes from the heart. Those who don't
know it may reduce it to the cliches of "Marlboro-Country" or cowboy movies.
But, they couldn't be more wrong: the country sound is a rich mix of musical
influences, and the innovations of some brilliant instrumentalists. And, best
of all, its approachable, hands-on music; if you play the guitar, you've got to love it.
"Best In The West" is not only my humble attempt to close a gap in the
sector of European instructional literature, but also a way to pay my dues.
When I was in your shoes a couple of years ago, I benefited from some
terrific musicians who reached out to me with their music and instruction
books. Now, I'm honored to be able to make my won contribution by helping
you learn this great style. I also hope, through these chapters and exercises,
that your guitar will become a little more personal - and more exciting.
The book intends to give you a far-reaching overview covering all of the
major guitar styles and techniques to be found in country. Over three
hundred exercises, licks, and traditionals, as well as explanations, styles,
analyses, and hints from the "real world" are meant to inspire you on your
way to becoming a true country player. But country is a lot more than
technique, so I try to give a brief historical background for each major style,
and a little bit about the people who made it happen in the first place.
Therefore, each of the ten chapters starts with some information meant to
put you in the right mood, while the individual workshops contain examples
of the great pioneers of each particular style.
Playing country music is meant to be enjoyed by all sorts of people, so this
book wasn't written with just professionals in mind; it offers something for
everyone. Every chapter is separated into three levels of difficulty:
• Level 1: For newcomers: basic introductory playing as a prerequisite.
• Level 2: For the more advanced: some experience in playing country music and emphasis on variety and specific styles.
• Level 3: For the pros and country-cats: specific techniques, styles, and new horizons.
Of course, there is no strict borderline between the different levels. They
can't be more than a guideline for your selection of exercises. Learning is an
individual thing, so if you're ready to move before I am partner, take off.
The final chapter, "Theory", offers a summary of the most important basics,
scales, chords, and so on. It's meant to help you understand concepts more
easily, and to support and accelerate your learning process.
Originally, country music was a simple form of expression, which was deeply
rooted in the human spirit and spoke to people where they lived. So, it's
important to keep in mind that technical skill is secondary to the "feel" of the
music, its emotion. Because of this, the enclosed CD helps you get started
by introducing you to the sounds, and wide variety of nuances, in country

 

Table of Contents
Preface .
CD Index .

Chapter 1: The Basics Of The Country Rhythm Guitar .
Some History .
The First Rhythms Level 1 .
The Capo .
The Shuffle Rhythm .
Basic Country Rhythms .
The alternating bass .
Bass runs .
The Carter backup lick .
Basic bass runs .
Hammer-on Level 2 .
Pull-off .
Workshop - Jimmie Rodgers .
Ghost Notes Or Dead Notes Level 3 .
Ghost Notes With Fills And Bass Runs .
Barre Chords In Backup Playing .
Riffs .
Combination of various types .
High Class Backups With Open Chords .
Discography .

Chapter 2: Bluegrass Backup .
Some History .
Bluegrass Rhythm Guitar Level 2/3 .
G-run .
Additional chord strokes .
Fewer chord strokes .
Ending .
Barre - G-run .
Discography .

Chapter 3: Carter Lead Style .
Maybelle's Story Level 1 .
Maybelle's Technique .
Maybelle's Flower .
John Hardy .
Will The Circle Be Unbroken Level 2 .
Farther Along .
Discography .
Wreck Of Old 97 Level 3 .

Chapter 4: Bluegrass Flat-Picking 50105 .
The Lead Guitar In Bluegrass Level 1 .
Bluegrass licks in G major .
Bluegrass licks in C major .
Bluegrass licks in D major .
Solo In G Level 2 .
Solo In C .
Short Analysis .
Fiddle Tunes Level 3 .
Workshops - Three Great Flat Pickers '" .
Alton Delmore .
Doc Watson .
Clarence White .
Cross- Picki ng .
Discography .

Chapter 5: Finger-Picking .
Some History .
Introduction To Finger-Picking Level 1 .
Backup Picking .
Basic patterns .
Alternating bass .
Bass runs .
Melody Picking .
Expanding The Basic Patterns With Fill-ins Level 2 .
Sliding .
Bending .
3/4 Time Patterns .
Workshops .
Sam McGee .
Merle Travis
Travis-Picking With Moveable Chords Level 3 .
Workshop - Chet Atkins
Finger-Picking Licks To Show Off "
Lead Picking .
Discography

Chapter 6: A Rockabilly Trip
Some History
Backup Basics Level 1 .
Moveable Backup Riffs .
Expanding The Basic Backup Riffs Level 2
Workshop - Scotty Moore .
Plectrum and finger-picking combination
Rockabilly Lead Licks
Rockabilly Solo Level 3
The slightly different lecture for the pro
Discography

Chapter 7: Nashville lead Styles
Some History
Workshop - Luther Perkins Level 1 .
Lead Basics .
The four variations of the major pentatonic scale .
Improvising with different scales .
Harmonizing .
Chord licks .
Double note licks .
Combinations Of The Used Material. .
Nashville Hammer-on And Pull-off Licks Level 2 .
Pedal Steel Bending .
Chicken-Picking .
Ghost otes / Muted Trills Lead-ins .
Workshop - James Burton .
Country Rock - What It Really Is .
Workshop - Pete Anderson .
Open String Adventures Level 3 .
Twin Leads .
Nashville Specials .
Bottleneck slide .
Bend behind the nut. .
The magic chromatic race .
Harmon ics .
Workshop - Albert Lee .
Discog raphy .

Chapter 8: Western Swing And Honky Tonk .
Some History .
Texas Style Camping Level 1 .
The sock rhythm .
Passing chords .
Western Swing Lead Guitar Level 2 .
Hanky Tonk Lead Guitar .
Diminished Scale Level 3 .
Workshop - Eldon Shamblin .
Discography .

Chapter 9: Cajun .
Some History .
Quick Style Analysis Level 1 .
Cajun Workshop Level 2/3 .
Discography .

Chapter 10: The New Generation .
Workshops .
Danny Gatton .
Brent Mason .
More Nashville Hot Shots .
Ray Flacke .
Steve Wariner .
Jerry Donahue .
Final Workshop .

Chapter 11: Theory .
The Fret Board .
Intervals and Degrees ,
The Nashville Lead Sheet. .
The Most Commonly Used Major Keys And Their Degrees .
The Most Commonly Used Minor Keys And Their Degrees .
Popular Country Schemes .
Simultaneously Played Intervals .
Position Oriented Overview .
Special Character Reference ,


CD INDEX
Contents (Example - Topic)
1 - The shuffle rhythm .
3 - The bass run .
4,7- Carter backup lick .
9 - Old Smokey (trad.) .
11 - The Days Of 49 (trad.) .
13,15,17,18 - Hammer-ons and pull-offs in backup playing .
20 - We Don't Forget You, Jimmie .
21 - Bury Me Beneath The Willow (trad.) .
22 - The Forzen Logger (trad.) .
23, 25, 27, 28, 29, 30, 31 - Muting .
33,34 - Ghost note rhythms with fills and bass runs (C major) .
36,38,39 - Ghost note rhythms with fills and bass runs (G major) .
40,41,42 - Ghost note rhythms with fills and bass runs (A major) .
44,46,47 - Ghost note rhythms with fills and bass runs (E major) .
49,50 - Ghost note rhythms with fills and bass runs (0 major) .
51,52 - Two exercises (expanded ghost note backup style) .
54,56,59,60 - Barre chords in backups, E-type .
61,63,64,65 - Barre chords in backups, A-type .
66 - Barre chords in the backups, G-type .
67,68 - Barre chords in the backups, C-type and combinations .
69, 70 - High class backup with open chords .
71,72,74,76 - The G-run (G chord) .
78, 79, 80, 81, 83, 84, 85, 88, 89 - G-run over G, 0, A, and E .
90,92,93 - Additional or less chord strokes .
94,95,96 - Ending .
97 - Banks Of The Ohio (trad.) .
98 - Roll In My Sweet Baby's Arms (trad.) .
99 - Cripple Creek (trad.) .
100 - All Your Good Songs .
101, 103, 104 - Barre G-runs .
107,108 - Maybelle's Flower / John Hardy (trad.) .
109 - Will The Circle Be Unbroken (trad.) .
110 - Farther Along (trad.) .
111 - Wreck Of Old 97 (trad.) .
112, 114, 115, 117, 118, 119, 120 - Bluegrass licks in G .
123,124,125,126 - Bluegrass licks in C .
128,129,130 - Bluegrass licks in 0 .
132 - Bluegrass solo in G .
133 - Roll In My Sweet Baby's Arms (trad.) .
134 - Bluegrass solo in C .
135 - Banks Of The Ohio (trad.) .
136 - Fiddle tune "Turkey In The Straw" (trad.) .
137 - Blues For Alton .
138 - Billy In The Low Ground (trad.) .
139 - Nine Pound Hammer (trad.) .
144, 146, 149 - Simple classical picking patterns .
150,151 - Basic pattern 1a .
154, 157 - Basic pattern 2a .
159,160,162 - Pattern 3 and 4 as well as exercise .
163, 164, 165 - Alternate bass and bass runs .
167 - Jesse James (trad.) .
168,169,171,172 - Extended patterns (H and P) .
173,174 - Extended patterns (SL, B) .
175 - Exercise with different techniques .
176, 177, 178, 179 - 3/4 time patterns .
180 - I Never Will Marry (trad.) .
182 - For Sam .
184 - Travis-picking "Take This Hammer" (trad.) .
185 - Travis-picking "Worried Man" (trad.) .
186,188,190 - Travis-backup patterns .
191 - Travis-picking "I'm A Pilgrim" (trad.) .
192 - Travis-picking with moveable chords "Careless Love" (trad.) .
193 - Mister Chetman .
195,196,197,199,200/202,201,203,204 - Licks to show off .
206, 208 - Lead picking .
209 - Boogie riff .
211 - Exercise with strokes using seventh chords .
213,214,217 - Variations of boogie runs, ending run .
218,220 - Movable backup riffs .
224,225, 226, 227 - Extended boogie riffs .
229 - Exercise "Bluesy Third" .
231 - The Scotty-Beam .
232,234,235,236,237 - Rockabilly lead licks .
238 - Nashville Cats Don't Stray .
239, 240 - Workshop Luther Perkins .
242,243 - Pentatonic basic scale variation 1 .
246 - Pentatonic exercise .
247, 248, 250, 252 - Pentatonic basic scale variation 2 .
255,257,260 - Pentatonic basic scale variations 3 and 4 .
261 - Improvisation with different scales .
262,265, 268, 269, 271, 273 - Chord licks .
274 - Exercise in Hank Snow style .
275, 277 - Double note licks .
279 _ Tom Dooley (trad.) .
280 - Exercise solos in sectors .
281,284,286 _ Nashville hammer-on and pull-off licks part 1 .
287,288,289, 290 - Nashville hammer-on and pull-off licks part 2 .
292, 293/294 - Nashville hammer-on and pull-off licks part 3 .
296,298,299,301 - Nashville hammer-on and pull-off licks part 4 .
302,304, 305 - Nashville hammer-on and pull-off licks part 5 .
307,309,310,311,313 - Pedal steel licks part 1.. .
316,318,319,321,323,324 - Pedal steel licks part 2 .
326,327,329,330 - Pedal steel licks part 3 .
331 - Pedal steel exercise .
332 - Different chicken-picking techniques .
333,334,335 - Chicken-picking techniques with ghost notes and trills .
336 - James' Hate Tele .
337 - Nothing To Prove .
338 - Exercise with pedal steel bending using open strings .
341/342,344 - Open string hot lick .
349,350,352 - Melodic roll patterns .
354 - Exercise twin lead .
355 - Jenny In Hawaii. .
356,358,360 - Bend behind the nut licks, chromatic race .
361 -A Little Bell- Waltz .
362 - Wizard Albert .
363,364 - Sock rhythms, passing chords .
376 (inc!. 375) - Will The Circle Be Unbroken .
377 - Honky- Tonk-Heartaches .
378 - Playboy Eldon .
379 - Cajun style .
381 - Les Jolies Filles De Louisiana .
382 - Danny's One-Man-Band .
383 - Master Mason's Turbo! .
387 - Slick Country .
Jamtrack 1 (G, "Roll In My Sweet Baby's Arms"; bluegrass, oldtime country)
Jamtrack 2 (C, 12-bars binary, country rock, -blues, -pop)
Jamtrack 3 (A, 16-bars Rockabilly shuffle)
 

A Little Bell - Waltz R. Kochli
All Your Good Songs R. Kochli
Banks of The Ohio Arranged by R. Kochli
Billy in The Low Ground Arranged by R. Kochli
Blues for Alton Written & Arranged by R. Kochli
Bury Me Beneath The Willow Arranged by R. Kochli
Careless Love Arranged by R. Kochli
Cripple Creek Arranged by R. Kochli
Danny's One-Man-Band R. Kochli
East Virginia Arranged by R. Kochli
Farther Along Arranged by R. Kochli
For Sam Written & Arranged by R. Kochli
Honky-Tonk-Heartaches R. Kochli
I Never Will Marry Arranged by R. Kochli
I'm A Pilgrim Arranged by R. Kochli
James' Hote Tele R. Kochli
Jenny In Hawaii R. Kochli
Jesse James Arranged by R. Kochli
John Hardy Arranged by R. Kochli
Les Jolies Filles De Louisiana R. Kochli
Master Mason's Turbo! R. Kochli
Maybelle's Flower R. Kochli
Mister Chetman Written & Arranged by R. Kochli
Nashville Cats Don't Stray R. Kochli
Nine Pound Hammer Arranged by R. Kochli
Nothing To Prove R. Kochli
Oh When The Saints Arranged by R. Kochli
Old Smokey Arranged by R. Kochli
Playboy Eldon R. Kochli
Roll In My Sweet Baby's Arms Arranged by R. Kochli
Slick Country R. Kochli
Take This Hammer Arranged by R. Kochli
The Days of 49 Arranged by R. Kochli
The Frozen Logger Arranged by R. Kochli
The Scotty-Beam R. Kochli
Tom Dooley Arranged by R. Kochli
Turkey in The Straw Arranged by R. Kochli
We Don't Forget You, Jimmie Written & Arranged by R. Kochli
Will The Circle Be Unbroken Arranged by R. Kochli
Wizard Albert R. Kochli
Worried Man Arranged by R. Kochli
Wreck of Old 97 Arranged by R. Kochli

Price: €30,99
€30,99

THE ART AND CRAFT OF MAKING CLASSICAL GUITARS Manuel Rodríguez FLAMENCO chitarra classica liutaio

THE ART AND CRAFT OF MAKING CLASSICAL GUITARS, Manuel Rodríguez.

Rich in beauty, sound and history, Manuel Rodríguez and Sons' classical and flamenco guitars have been lovingly hand-crafted in Madrid since 1905. The company's remarkable creations are just as acclaimed today, capturing the 2000 Player's Choice Award from Acoustic Guitar magazine for its nylon-string model. New from Hal Leonard and for the first time available in English, The Art and Craft of Making Classical Guitars presents master luthier Manuel Rodríguez's thoughts on the history of the instrument he loves, and how the guitar attained its prominent position among musical instruments. Filled with fabulous historical photos, priceless memorabilia, abundant diagrams and more, the book covers topics such as the art and development of the guitar, materials used in construction, and much more. Essential for all admirers of the guitar. 168 pages.

Price: €99,99
€99,99
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