CZERNY FOR GUITAR, SCHOOL OF VELOCITY Op. 299, 12 Scale Studies for Classical Guitar. David Patterson. TABLATURE

CZERNY FOR GUITAR, SCHOOL OF VELOCITY Op. 299,

12 Scale Studies for Classical Guitar.

Etude based on school of velocity, op. 299

David Patterson. TABLATURE

Serie: Guitar Book
Formatto: Softcover - TABLATURE
Compositore: Carl Czerny
Autore: David Patterson

Adattamento per la chitarra del metodo "Scuola per la Velocità" di Carl Czerny Opus.299 per il pianoforte. Questo libro esplora le 12 tonalità in 12 diversi approcci e "cura delle esecuzioni". Esplorerete le varie articolazioni, estensioni e prospettive tecniche studiando ogni tonalità. Questi arrangiamenti non soltanto miglioreranno le vostre velocità di eseguire le scale, ma svilupperanno l'orecchio musicale, le conoscenze per la padronanza della tastiera, la capacità di lettura musicale, le forza e resistenza. Con pentagramma e tablature.

Larghezza: 9.0"
Lunghezza: 12.0"
40 pagine

Practicing studies (etudes) as a part of any technical routine is vital to a musician's development. While it is important to practice exercises and scales alone, studies challenge us to focus on particular aspects of technique in the context of a musical composition. Over the years I have collected a good number of wonderful studies for the left and right hands that I continually rotate into my practice routine. However, when it comes to scales, I have always been a little dissatisfied with the guitar study repertoire. In my frustration, I have been compelled to seek a solution in the repertoire of other instruments. I found a perfect example of what I was looking for in Carl Czerny's School of Velocity, Gp. 299 for piano. The study I chose to arrange initially addresses both ascending and descending scales of varying lengths, repeated patterns, large intervallic leaps, and transitions from chords to scales. In addition, it represents a wide tonal range, which, on the guitar, translates to a thorough exploration of the fingerboard vertically and horizontally. Sometimes technique is characterized too narrowly as, "Fast and clean playing equals good technique." As a result, many tend to practice with only those goals in mind. And while speed and accuracy are worthy aspirations, they only represent a few limited aspects of technique and are by no means the sole determining factors as to how accomplished or advanced a musician is. I prefer to think of technique as encompassing everything a musician does physically to play his instrument. Technique is a means to an end-that end being musical expression, creativity, and interpretation. The practice of scales presents the musician with vast possibilities for development of hands, ears, eyes, and mind. It is with this intention that Ihave arranged the first of the Czerny studies in Op. 299 in twelve keys with twelve different approaches or "treatments." You will explore a variety of articulations, ranges, and technical perspectives as you learn each key. Therefore, these arrangements will not only improve your ability to play scales fluently, but will also develop your fingerboard knowledge, ears, reading ability, as well as strength and endurance. The order of the studies is based on difficulty and technical approach rather than key. I hope these arrangements will contribute to your technical and musical development and that you will enjoy working on them as much as I have!

Introduction

Study 1: Bb Major

An Aerobic Workout

Study 2: F Major

Sequential 3rds

Study 3: F# Major

Repeated Notes

Study 4: A Major

short slurs

Study 5: G Major

Long slurs

Study 6: D Major

Shifting/Glissando

Study 7: Ab Major

Dotted Rhythms

Study 8: B Major

Speed Bursts

Study 9: Eb Major

Upper Range

Study 10: Db Major

Arpeggios

Study 11: C Major

Cross-String/Legato

Study 12: E Major

Octaves

Biography & Dedication

Cover photo by Christopher Peters