ROLLING STONES, GET YER YA-YA'S OUT ! IN CONCERT Authentic Guitar TAB Edition TABLATURE

ROLLING STONES, GET YER YA-YA'S OUT ! IN CONCERT. Authentic Guitar TABLATURE Edition

The Rolling Stones in Concert registato il
26 November 1969, Baltimore, Maryland, United States and 
27 – 28 November 1969, New York City, New York, United States

January-February 1970 (vocal overdubs)

40th Anniversary Edition Rolling Stones

CATEGORY: Guitar Personality
VERSION: Authentic Guitar TABLATURE
FORMAT: Book
Item: 00-33882

 

UPC: 038081374536
ISBN 10: 0739064142
ISBN 13: 9780739064146


This deluxe edition of the Stones' legendary live recording from Madison Square Garden includes five previously unreleased songs. All are fully transcribed. Featuring text and photos, this book is a must-have for any guitarist and every Stones fan. Titles: Jumpin' Jack Flash * Stray Cat Blues * Love in Vain * Midnight Rambler * Sympathy for the Devil * Live with Me * Honky Tonk Women * You Gotta Move * Under My Thumb/I’m Free * (I Can’t Get No) Satisfaction * and more.

 

The Rolling Stones' Madison Square Garden concerts in November of 1969 might very well have been - at least for the 1960s – as good as it was ever going to get.

The Stones' performances came at the end of an unprecedented ascendance of music's influence over an entire generation. It is probably fair to say that never in the history of America had music played a more important role than our music did for us. And the most extraordinary music it was. The Stones 1969 tour was the latest wave of the so-called "British Invasion," which stood on the shoulders of American rock and roll back to Little Richard, Chuck Berry (and American blues before that). The "British invaion" revitalized an American rock 'n' roll that had grown soft and fluffy until Bob Dylan's rocket fueled lyrical, social, and electrical revitalization - some say reinvention - of it all. There was no reason for those assembled in Madison Square Garden to believe that we - with our music - wouldn't continue on our heady course upward, and rise ever "higher," a word with a lot of currency at the time. But you never know.

The Rolling Stones tour launched on the West Coast less than 3 month after the Festival at Woodstock. Those who were at Woodtock as well as those whose sympathies were aligned - a much larger number - were famously dubbed the "Woodstock ation" in a phra e attributed to Abbie Hoffman, a "Yippie Activist." Hoffman would come backstage before the Chicago concert to visit "Mick and the boys," try to bon'ow money, be rebuffed, and wander out muttering "bunch of cultural nationalists." It was a clever phrase "Woodstock ation" grouping us as it did into a political and social entity as if we had power. at ions had their own armies, right? And national anthems? Certainly, no nation ever had a soundtrack like ours. 1969 was an extraordinary year, there can be no doubt about it. Now in the 40th anniversary we have reason to remember it: the Rolling Stones in Hyde Park on July 5th (prior to Woodstock the largest of the mushrooming "free concerts"), July 20th the landing on the muon August 15th-17th Woodstock, and (although unknown at the time) the last Beat1es' performance, to name a few. In that year a barrage of unbelievable albums was released, as rock and roll continued to peak. A writer in December of2003 would call late December 1969 the "greatest week in rock history," citing the Billboard chart at the time which had in its top 10, The Beatles ", ''abbey Road," the Rolling Stones "Let It Bleed," Led Zeppelin's "Led Zeppelin II," Santana's "Santana," Blood Sweat & Tears, "Blood Sweat & Tears," and Crosby, Stills & Nash, "Crosby, Stills & Nash.'' ot listed, perhaps because they didn't have albums out that mouth, were Bob Dylan, Janis Joplin, the Doors, and Jimi Hendrix.

It was against this backdrop that the Rolling Stones arrived in Los Angeles in late October. They almost didn't make it. To work in the U.S. they needed U.S. work permits, and in the years between the last tour (1966) and the current, the Rolling Stones had three drug arrests between the five of them. The charges against Mick and Keith were dropped (though Keith spent a night in prison) but Brian Jones had been arrested twice, and would probably be convicted at least once. And that, as Americans say, would have been the ball game. Not for that reason, but perhaps not in complete ignorance of it either, Brian Jones was asked to leave the group. He did and (by some accounts) happily. ot long after, on July 3rd he was fooud at the bottom of his swimming pool. Efforts to revive him failed. Mick Taylor had already replaced Brian, and the 2nd iteration of the Rolling Stones was now set to tour. They rented two houses in Los Angeles - the "Oriole House" high in the Hollywood hills above Sunset Strip and Steven Stills' house off Laurel Canyon on the Valley side of the hills. The Rolling Stones rehearsed at the Stills' house in a small basement studio, not assiduously as Bill Wyman recalls, "We didn't do a lot. It was mostly party time. You know what the Stones are like."

I knew the Stones from work we had done together in 1968 and again in 1969. After working with them I went to work with the Beatles on "Let It Be," but left them after their last photo session (not knowing it would be their last) and went back to my family home in San Francisco. Later I heard the Stones were in L.A. - I don't remember knowing about it before - so 1 drove down and found my way up the winding streets to the Oriole House. Inside was a ...


Contents:

JUMPIN’ JACK FLASH - Parole e Musica di: Mick Jagger, Keith Richards - 1968
STRAY CAT BLUES - Parole e Musica di: Mick Jagger, Keith Richards - 1968
LOVE IN VAIN - Parole e Musica di: Robert Johnson - 1978
MIDNIGHT RAMBLER - Parole e Musica di: Mick Jagger, Keith Richards - 1969
SYMPATHY FOR THE DEVIL - Parole e Musica di: Mick Jagger, Keith Richards - 1968
LIVE WITH ME - Parole e Musica di: Mick Jagger, Keith Richards - 1969
HONKY TONK WOMEN - Parole e Musica di: Mick Jagger, Keith Richards - 1969
STREET FIGHTING MAN - Parole e Musica di: Mick Jagger, Keith Richards - 1968
PRODIGAL SON - Parole e Musica di: Robert Wilkins - 1965
YOU GOTTA MOVE - Parole e Musica di: Fred McDowell, Rev. Gary Davis - 1971
UNDER MY THUMB - Parole e Musica di: Mick Jagger, Keith Richards - 1966
I’M FREE - Parole e Musica di: Mick Jagger, Keith Richards - 1965
(I CAN’T GET NO) SATISFACTION - Parole e Musica di: Mick Jagger, Keith Richards - 1965

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Numero pagine: 
96
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