OUT OF PRINT / LAST COPY

MASTERS OF THE 5-STRING BANJO, by Tony Trischka & Pete Wernick. SHEET MUSIC BOOK WITH TABLATURE.

LIBRO METODO DI MUSICA FOLK, CON CD. 

SPARTITI PER BANJO : 

ACCORDI, TABLATURE

Product Description:
Here is the most comprehensive banjo book ever written. Tony Trischka and Pete Wernick spent four years researching, organizing and fine tuning this project with staggering results: over 400 pages of interviews, tunes, photos and analysis, covering every conceivable aspect of the three-finger style. Players at every level will benefit immeasurably from the information gathered here. Though not an instruction book, per se, these pages contain a wealth of information and music. This book focuses on eighteen banjoists who have made significant contributions to their field, including the legendary Earl Scruggs. Each chapter contains a short biography, a lengthy interview, illustrative photos (detailing hand position, pick placement and banjo of choice), and a selection of their best-known tunes in tablature (with accompanying analyses). 441 PAGES.
Format: Book

Preface
Acknowledgments
Tablature

Snuffy Jenkins
Bill Monroe
Earl Scruggs

Overview of Sixty-Eight Leading Banjo Players
Mottoes and Advice

Don Reno
Ralph Stanley
Sonny Osborne
Allen Shelton
J. D. Crowe
Bill Keith
John Hartford
Ben Eldridge
John Hickman
Alan Munde
Lorry McNeely
Butch Robins
Pete Wernick
Tony Trischka
Bela Fleck
Pat Cloud

Selected Discography

List of Songs and Tunes

Earl Scruggs
Don't Let Your Deal Go Down
Before I Met You
Don Reno
Ho-Dancin' Bully of the Town
Liza Jane
Speedin' (John Hardy)
Ralph Stanley
Katy Daley
Cluck Old Hen
Whoa Mule
Sonny Osborne
Jesse James
Sledd Ridin'
Sure Fire
Allen Shelton
Swing Low, Sweet Chariot
Wildwood Flower
Silver Bells
I Don't Love Nobody
J. D. Crowe
Crying Holy
Black Jack
Sally Goodin
Bill Keith
Perpetual Motion
Clinging Vine
John Hartford
Jug Harris
Illinois River Rag
Gum Tree Canoe
Ben Eldridge
Winter Wind
Tennessee Stud
Rider
John Hickman
Turkey Knob
Salt River
Don't Mean Maybe
Alan Munde
Stymied
Uncle Clooney Played the Banjo (But Mostly Out of Time)
Bill Cheathem
Larry McNeely
Bethe
Sally Goodin
October
Butch Robins
40 Years Late
Cripple Creek
My Father's Footsteps
Pete Wernick
Radio Boogie
Shady Grove
Your Light Leads Me On
Tony Trischka
New York Chimes
Roberto's Dream
Old Jae Clark
Bela Fleck
Little Maggie
Nuns for Nixon
Double Play
Pat Cloud
Never Be Another Ewe
Sodium Free Dog Blues
At the Banjo Cafe

Contents:
Don't Let Your Deal Go Down G. Stacey, L. Certain & Walker-Wilkin; Arranged By
Ho-Dancin' Bully Of The Town Arrangement By Don Reno
Sodium-Free Dog Blues Patrick Cloud
Swing Low, Sweet Chariot Arrangement By Allen Shelton
Gum Tree Canoe John Hartford
I Don't Love Nobody Arranged By Allen Shelton
40 Years Late Joseph Robins; Arranged By Butch Robins
Clinging Vine Bill Keith
Jesse James Martin Christian; Arranged By Sonny Osborne
Katy Daley Ralph Stanley
My Father's Footsteps Bill Monroe; Arranged By Butch Robins
Jug Harris John Hartford
Never Be Another Ewe Patrick Cloud
Speedin' (John Hardy) Arranged By Don Reno
Uncle Clooney Played The Banjo (But Mostly Out Of Alan Munde
Black Jack Crowe And Lawson
Liza Jane Arranged By Don Reno
Perpetual Motion Niccolo Paganini; Arrangement By Bill Keith
Sally Goodin Arrangement By J.D. Crowe
Sure Fire Sonny Osborne And Dale Sledd
Turkey Knob Adcock; Arranged By John Hickman
Little Maggie Arrangement By Bela Fleck
October Larry Mcneely
Wildwood Flower Arrangement By Allen Shelton
Winter Wind Phil Rosenthal; Arranged By Ben Eldridge
Before I Met You Seitz, Lewis, Denny; Arranged By Earl Scruggs
Roberto's Dream Tony Trischka
Sally Goodin Arrangement By Larry Mcneely
Tennessee Stud Jimmie Driftwood; Arranged By Ben Eldridge
Double Play Bela Fleck
Shady Grove Arrangement By Pete Wernick
Bill Cheathem Alan Munde
New York Chimes Tony Trischka
Old Joe Clark Arrangement By Tony Trischka
Salt River John Hickman And Byron Berline
Your Light Leads Me On Arranged By Pete Wernick
Illinois River Rag John Hartford
Nuns For Nixon Bela Fleck
Silver Bells Arranged By Allen Shelton
Sledd Ridin' Sonny Osborne And Dale Sledd
Stymied Alan Munde And Roger Bush
At The Banjo Cafe Patrick Cloud
Crying Holy Arrangement By J.D. Crowe
Don't Mean Maybe John Hickman And Byron Berline
Rider Arr. By Duffey, Starling, Eldridge, Auldridge, Gra
Cluck Old Hen Eleanor Macgregor; Arranged By Ralph Stanley
Cripple Creek Arrangement By Joseph Robins
Whoa Mule Arrangement By Ralph Stanley
Bethe Larry Mcneely
Radio Boogie Ralph E. Mayo; Arranged By Pete Wernick

50 YEARS OF THE GIBSON LES PAUL, Half a Century of the Greatest Electric Guitars. Tony Bacon. 160 pagine.

LIBRO ILLUSTRATO

Series: Book
Publisher: Backbeat Books
Medium: Softcover
Author: Tony Bacon

This exciting book documents the complete decade-by-decade story of one of the world's most important and influential electric guitars. The Gibson Les Paul turned 50 years old in 2002, and since its invention, its sweet, urgent sound has been used by a host of major rock players - from Eric Clapton in Cream to Steve Jones of The Sex Pistols, from Joe Walsh in The Eagles to Slash of Guns N'Roses. Unique color photographs feature a multitude of luscious Les Paul models and highlight great players in action with their Les Paul guitars. Meticulous listings for the collector document every model produced from 1952 to the present day. 50 Years of the Gibson Les Paul is a beautiful, detailed examination of six decades of great guitars and the fine musicians inspired to play them. 160 pages.

FIFTY YEARS OF THE GIBSON LES PAUL

Les Paul created on record a magical orchestra of massed guitars playing catchy instrumental tunes, and his first multi-guitar single was a big hit.

Les Paul is not just the name on a guitar headstock. The man himself was born Lester William Polfus in Waukesha, Wisconsin, in the mid 1910s, and started professional life as a talented, teenage guitarist. By age 17 he was broadcasting on local radio stations, playing country as Rhubarb Red and adding jazz to his expanding repertoire. The kid had an apparently natural technical ability, which he applied to music as well as to making his own bits and pieces of instrumental and electrical gadgetry. Like a number of performers in the 1930s, the young Lester soon became interested in amplifying his guitar. He recalled later that in his early teens he'd managed to create a pickup out of a telephone mouthpiece and an amplifier from his parents' radio, allowing him to bring his guitar to the attention of the audience at a local roadhouse gig. Around this time companies such as Rickenbacker, National and others began to sell the first commercial electric guitars, instruments with electric pickups and controls built into regular archtop acoustic guitars. By the middle of the 1930s the Gibson company had got into this market with an "Electric Spanish" guitar and amplifier, as had their biggest competitor, Epiphone of New York City. Meanwhile, Lester Polfus had permanently adopted a suitably shortened version of his name - Les Paul - and for three years from 1938 led a jazz-based trio broadcasting out of New York on the Fred Waring show. It was at this time that he moved from an acoustic archtop model to one of Gibson's first electric guitars, the ES-300. Later he would visit the empty Epiphone factory at weekends to experiment with an instrument he called his "log". The nickname came from a four-by-four solid block of pine that he inserted between the sawn halves of a dismembered Epiphone body, with a Gibson neck and Larson Bros fingerboard, adding his own vibrato and pickups. He didn't play this one much - it was more of a testbed. A little later Paul modified a second and third Epiphone, which he named his "clunkers", and he and vocal/guitar partner Mary Ford would use these semi-solid guitars regularly on stage and in recording studios through the early 1950s. Other explorations into solidbody electric guitars were being made elsewhere in America at this time, not least by Rickenbacker, National, Bigsby and Fender, all in California. A solidbody electric was appealing to manufacturers because it would be easier to construct than an acoustic guitar, using a body or body-section made of solid wood to support the strings and pickups. For the player, it would cut down the annoying feedback produced by amplified acoustic guitars. A solidbody guitar reduced the effect that the body had on the instrument's overall tone – something that players of electric hollowbody guitars criticise - but the solid body had the benefit of more accurately reproducing and sustaining the sound of the strings. Paul knew that Gibson was the biggest in the guitar business in the 1940s. After all, he'd appeared in the company's catalogues and ads as a famous player, both as Rhubarb Red and as Les Paul, and he'd played various Gibson guitars, including L-50, L-5 and Super 400 models (all acoustics) and that electric ES-300. So now he decided to try to interest them in his "log". Gibson was big, and ...

LES BEFORE THE PAUL

THE 50'S

THE 60'S

THE 70'S

THE 80'S

THE 90'S

THE NOUGHTIES

REFERENCE SECTION

INDEX

ACKNOWLEDGEMTES

BENSON GEORGE, THE GUITAR STYLE OF. TABLATURE 

LIBRO DI MUSICA, SPARTITI PER CHITARRA. PENTAGRAMMA, ACCORDI E TABLATURE. 

Affirmation -Billie's Bounce (Bill's Bounce) -Breezin' -Easy Living -Gentle Rain -Low Down And Dirty -Poquito Spanish, Poquito Funk -Sack Of Woe -So What -Song For My Father -The Cooker -This Masquerade -What's New? TABLATURE

Series: Guitar Educational
Softcover - TAB
Author: Dave Rubin
Artist: George Benson

Learn the licks, tricks, techniques, funky phrasing and hip melodic ideas of jazz great George Benson in these transcriptions of 13 of his signature standards. 72 Pages.

MEGADETH, THE SYSTEM HAS FAILED. SHEET MUSIC BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA METAL.

SPARTITI PER VOCE CHITARRA :

ACCORDI, PENTAGRAMMA, TABLATURE. 

MEGADETH - THE SYSTEM HAS FAILED
Series: Guitar Recorded Version TAB
Artist: Megadeth

Inventory # HL 00690768
ISBN: 0634092979
UPC: 73999681444
Width: 9
Length: 12
120 pages

Matching folio to their return release that the All Music Guide calls the best metal album of 2004. 12 tracks, including: Back in the Day • Blackmail the Universe • Die Dead Enough • I Know Jack • Kick the Chair • My Kingdom Come • Of Mice and Men • The Scorpion • Shadow of Deth • Something I'm Not • Tears in a Vial • Truth Be Told.

Back In The Day
Blackmail The Universe
Die Dead Enough
I Know Jack
Kick The Chair
My Kingdom Come
Of Mice And Men
The Scorpion
Shadow Of Deth
Something I'm Not
Tears In A Vial
Truth Be Told

LYNCH GEORGE, OPEN JAM. AN INSTRUCTIONAL PERGORMANCE LIVE IN THE STUDIO 1995. VIDEO 

VIDEO METODO PER CHITARRA DI MUSICA ROCK.

TECNICA , 

VIDEO GUITAR LESSON : 

ROCK IMPROVISATION

FUSION IMPROVISATION

ABOUT IMPROVISATION

BLUES IMPROVISATION 

FUNK IMPROVISATION

I WILL REMEMBER

ANALYSIS

EQUIPMENT

BONUS OUTAKES

86 minutes