BOSSA, SAMBA & TANGO DUETS FOR GUITAR AND FLUTE PLUS PERCUSSION. BOOK & CD.
SHEET MUSIC BOOK WITH CD BACKING TRAX.
LIBRO DI MUSICA BRASILIANA CON CD.
CD DI BASI PER CHITARRA.
LIBRO DI SPARTITI PER CHITARRA CON PENTAGRAMMA.
Basi con libro.
Performed by Christian Reichert, guitar
Accompaniment : Katarzyna Bury, flute; Jochen Hank, percussion
Here is a collection of Latin masterpieces, arranged for flute, guitar and percussion. From the fabled Granada and François Borne’s rousing Fantasy on Themes from Bizet’s Carmen, to Brasilian superstar Celso Machado’s magnificent Suite Popular Brasileira and Astor Piazzolla’s Libertango, there is a wealth of thrilling music for every flutist. Listen to virtuosi Katarzyna Bury and Christian Reichert perform these classic pieces in a complete reference recording. Then you take Mr. Richert’s place alongside Mr. Reichert and the percussionist for a Latin music-fest that you will never forget! Bravo!
Includes a newly engraved, authoritative printed solo part, and a compact disc containing a complete version with soloist, in digitally recorded stereo; then a digital stereo version of the accompaniment, minus the soloist.
Polish born flute virtuoso Katarzyna Bury has garnered acclaim wherever she performs. She studied at the music academies in Katowice and also in Freiburg (Germany) with Prof. Robert Aitken (Canada). She participated in many master classes with such world-famous artists as James Galway, Michel Debost, Eberhardt Grünenthal and others. While studying in Poland she had already become flutist with the Silesian Philharmonic Orchestra and was playing numerous concerts as a soloist in Poland and Germany. At nineteen years of age she was a prize-winner at the international flute competition in Krakow. She continued her studies in Germany, where she garnered further prizes at the international music competition Pacem in terris in Bayreuth.
In 1999 Ms. Bury took the First Prize at the International Competition for Flute in Frankfurt.
Together with guitarist Christian Reichert she won international chamber music prizes in Cologne and Frankfurt. She concertized extensively with Christian Reichert all over Europe. In addition to her broad repertory, her interest in contemporary music is evident in her many performances of debut works. She has made numerous recordings for compact disc, radio and television and has performed many concerts as soloist and chamber-musician all over Europe.
Christian Reichert shows a command of the guitar that encompasses both extreme sensitivity and virtuosity. The guitarist with “the fascinating technical experience and perfect rhythm” (SZ Germany) “fills the audience easily with enthusiasm” (El País, Spain). He concertizes and gives master-classes frequently all over Europe including Russia and Bulgaria, in the U.S. and other inernational venues. (Paris, Moscow, Granada, Montreux, Stockholm, Cracow, Sofia, Vienna etc.) Christian Reichert works as a soloist with renowned orchestras like the „Rousse Philharmonic Ochestra“, the “Frankfurt Radio Symphony Orchestra”, the „Plovdiv Philharmonic Orchestra, the “Freiburg Philharmonic Orchestra”, the „Orchestra Cameralna Bratislava“, “Deutsche Kammersolisten” and many others.Mr. Reichert earned worldwide reputation with his much lauded and constantly broadening compact disc recordings for “Music Minus One” in New York. He has recorded the most important guitar concertos with orchestra like Rodrigos´ “Concierto de Aranjuez”, “Fantasia para un Gentilhombre”, concertos by Mauro Giuliani, Ferdinando Carulli, Mario Castelnuovo-Tedesco, Manuel Maria Ponce and Antonio Vivaldi. The recordings are distributed worldwide and almost 25.000 copies being sold in 18 countries.By age 21 he was a prize-winner at the Andrés Segovia International Guitar Competition in Spain. He won several prizes at international competitions all over Europe like 1998 the First Prize at the International Guitar Foundation`s Competition in Plovdiv, Bulgaria, as well as First Prize at the International Competition for Contemporary Music 1999 in Frankfurt (Germany).He finished his studies as a guitar soloist in Cologne and Freiburg with distinction. His teachers were Roberto Aussel (Argentina), Sonja Prunnbauer, Manuel Barrueco, Leo Brouwer, Roland Dyens and the Grammy winners Alvaro Pierri and Sharon Isbin. Christian Reichert has recorded more than 20 CDs and played for many television and radio stations in Germany and abroad.
SUGGESTIONS FOR USING THIS MMO EDITION
We have tried to create a product that will provide you an easy way to learn and perform these duets with a full accompaniment in the comfort of your own home. The following MMO features and techniques will reduce these inflexibilities and help you maximize the effectiveness of the MMO practice and performance system: Where the soloist begins a piece or movement solo, we have provided subtle introductory taps, inserted at the actual tempo, before the soloist's entrance. Because it involves a fixed performance, there is an inherent lack of flexibility in tempo. We have observed generally accepted tempi, but some may wish to perform at a different tempo, or to slow down or speed up the accompaniment for practice purposes. You can purchase from MMO specialized CD players & recorders that allow variable speed while maintaining proper pitch. This is an indispensable tool for the serious musician and you may wish to look into purchasing this useful piece of equipment for full enjoyment of all your MMO editions. We want to provide you with the most useful practice and performance accompaniments possible.
Performance Notes for Libertango and Granada The tambora technique on the beginning of Piazzolla 's famous Libertango is very common to us guitarists. Hit the strings with the thumb very close beside the bridge. If you want to improve this and bring out the upper line (here the high e-string) clearly, turn the right hand as much to the left until you hit the e-string with the nail part of the thumb. This will immediately give the upper line a proper accent and you can create a nice melody over the chords. I use some rasgueados in Granada that are not very usual for a classical guitarist, but more flamenco-like. In bars 1-5, 17-21 and also 100-101, I play for every quarter-note eight sixty-fourth-notes. Here is the technique I use for these places: imagine that four sixty-fourth-notes are like one circle. I always start the circle with the thumb moving up (which means from the high strings to the low strings). The reason I start with the thumb is that it is the strongest finger, and so has to be the first of these four notes. The following three notes I do with the "a," "m" and "i" fingers in this order moving down (meaning from the low strings to the high strings). This should be practiced very slowly at the beginning and a Iways having in mind that the right hand is not too tensioned and the moves are not too big. Only then can one make it to a proper speed. Christian
Astor Piazzolla - Libertango ( la musica della pubblicità VECCHIA ROMAGNA ) - 1974
Celso Machado - Suite Popular Brasileira: Paçoca (Choro) - 1988
Celso Machado - Suite Popular Brasileira: Quebra Queixo (Choro) a Loredana Benvenuti
Celso Machado - Suite Popular Brasileira: Piazza Vittorio (Choro Maxixe) a Ioria Agostini
Celso Machado - Suite Popular Brasileira: Algodao Doce (Choro) a Thierry Rougier
Celso Machado - Suite Popular Brasileira: Sambossa (Bossa Nova) a Guidetti
Machado, Celso Suite Popular Brasileira: Pé de moleque (Samba Choro) per Laura
Georges Bizet - Borne Francois - Carmen-Fantaisie
Agustín Lara - Granada - 1932
Italiano
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