SPARTITI METODI PER CHITARRA

SECRETS TO WRITING KILLER METAL SONGS, Troy Stetina. 8 Canzoni complete per chitarra, basso e canto. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO METODO DI MUSICA METAL CON CD. 

SPARTITI PER CHITARRA CON :

ACCORDI, TABLATURE. 

Playing and writing rock and metal songs go hand-in-hand. Troy and Shauna unveil the technique you will need to let yourself create ideas and then organize them into useable material for songs (both music and lyrics). They also give you actual songs fully transcribed (all included on the accompanying audio) complete with descriptions of the creative process they used to create each one! A must for anyone interested in how to write killer metal songs! 38-minute audio accompaniment.

ROCK CHOPS FOR GUITAR, A Technique-Building Approach for the Dedicated Guitarist, Tobias Hurwitz. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA ROCK CON MP3 CD.  

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

TECNICA, 

The Serious Guitarist: Rock Chops
A Technique-Building Approach for the Dedicated Guitarist
By Tobias Hurwitz

Series: The Serious Guitarist
Category: Guitar Method or Supplement
Format: Book & MP3 CD
Instrument: Guitar

Great musical ideas need a solid foundation of strong chops to back them up. Fill the gaps in your technique with this unique approach to rock guitar. Build your finger strength, flexibility, and independence with exercises and examples written especially for rock players. This book explores all the important soloing techniques such as speed picking, sweeping, tapping, harmonics, scale sequencing, and more. Develop your chops while practicing exercises in the style of the music you enjoy. The Serious Guitarist: Rock Chops provides the tools you need to become a better guitar player, but more importantly, it will help you become a better musician. The included companion MP3 CD features demonstrations of the examples in the book.

CONTENUTO: 
stretching the fingers
alternate picking
economy picking
sweep picking
mixing sweep picking and alternate picking
tremolo picking
pentatonic riffs and concepts
scale sequencing
single-string concepts
double stops
harmonized leads
finger tapping
whammy bar techniques
legato
long scales
exotic scales
harmonics, pinch harmonics
string skipping
arpeggio etudes
the flight of the bumble bee ( il volo del calabrone di Rimsky-Korsakov )
scale forms

https://content.alfred.com/catpages/00-40266.pdf

PUNK GUITAR METHOD, DI JOHN TAPELLA. CD TAB.

Series: Guitar Educational
Softcover with CD - TAB
Author: John Tapella

"This volume contains all the blistering moves, scales, chords, and rhythm charts you'll ever need..." Guitar School. Take an inside look at the guitar styles of bands like the Sex Pistols, The Ramones, Green Day and The Offspring. This new method teaches: common chords, progressions, solo scales and techniques, rhythms and more. The CD features 32 musical examples played out and two complete songs. Includes background info on the British, New York, and L.A. punk scenes, with rare photos. 40 pages

RHYTHM GUITAR ENCYCLOPEDIA, Jody Fisher. SHEET MUSIC BOOK WITH FOR GUITAR WITH TABLATURE AND 2 CD .

LIBRO DI MUSICA, CON 2 CD. 

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

Ritmi intorno al mondo. Africa: Sikyi-Ashanti, adowa-Ashanti, akom-Ashanti, gahu-Ewe. Blues: shuffles, pinky patterns, slow (down home), dodici ottavi, feels. Country, Disco, folk: fingerstyle. Funk, Jazz: swing, four-bar phrases, jazzwaltz. Ballads, Dixie, Latin: afoxe-brazil, afro-cuban, baion-brazil, beguine, bolero, bossa-nova a 4, 5, 6, 7 quarti, calypso-Trinidad, Cataret-Brazil, cha cha-Cuba, charanga-Pachanga, choro-Rio, comparsa-Cuba, Conga-Cuba, Frevo-Brazil, guaguanco-Cuba, guajira-Cuba, Guaracha, joropa, Mabo-cuba, maracatu-Brazil, marcha-brazil, merengue-Haiti, montuno, mozanbique-Cuba, pasa doble, reggae-Jamaica, rhumba-Cuba, samba-Brazil, samba cruzado, samba marcha, samba de partido alta, samba in tre, sette quarti, songo-Cuba, spanish tango, tango. Rock. Bunny hop, charleston, greek, hora, Irish jig, Polka, can-can, reel, sher, turkish, two step, straightwaltz, viennese waltz, 5, 7, 15, 11, quarti. Più di 450 ritmi, il tempo, gli accenti, i cambi imprevedibili. Con questo libro migliorerete la vostra precisione ritmica. CD 2 TABLATURE

Rhythm Guitar Encyclopedia Music by Jody Fisher
CATEGORY: Guitar Method or Supplement
FORMAT: Book & 2 CDs

Includes over 450 rhythms in every musical style including rock, blues, jazz, folk, alternative, country and more. Examples are shown in an easy-to-read rhythmic notation, standard music notation and TAB. Fingerstyle accompaniment patterns are included. The CDs offer performances of examples.

introduction

Most guitarists want to become great improvisers. The image of the wailing guitar player, lost in the
moment, searching for the means te express him or herself is weil known - almost stereotypical. The
truth of the matter is that without great rhythmic backup the soloist has nothing to work with. To
a large extent, the success of a solo has a lot to do with how the rhythm section and the lead player interact.
Originally, the guitar (in non-c1assical circles) was strictly a rhythm instrument. The pulse provided
by the guitarist was the glue that held the rhythm section together. It was, and is, used to provide a
harmonie and rhythmic background for vocals as weil. With the advent of pickups and amplifiers,guitar
players were able te step out front and solo just like the other members of the band. This provided a
more balanced role for guitarists. Somehow, through the years, "rhythm playing" has taken a backseat
te soloing. As a result, many guitarists today are not hip to the benefits of becoming a great rhythm
player. This book is designed help remedy this.
This is a multipurpose book. There are several ways it can be helpful:
• First, it can be used as a reference source. You come home from the gig, embarrassed because
you didn 't know how to play an authemic Bossa Nova pattern, and look it up. Maybe
you had to play some Reggae or a Viennese Waltz. Perhaps you are a jazz player who has
limited rock rhythm chops, or a rocker who needs more funk ideas. Do you freelance, play
in a wide variety of styles? Inside you will find everything from Afro-Cuban rhythms to the
Bunny Hop!
• Second, if you are a songwriter, you should find plemy of material here to inspire new ideas
and help you break out of your old rhythmic habits.
• Third, working your way through each page is a great way to practice reading rhythmic notation.
If you are comfortable reading most of the rhythms here, you are probably ready to
handle anything you find in the professional world.
• Fourth, arrangers will find these ideas helpful for coming up with new ways te treat old,
worn-out material.
Becoming a knowledgeable rhythm guitarist will help you become a better improviser as weil. You will
become more musical in your approach and more in control of your ideas from a rhythmic perspective.
No book can say it ail or Iist every example of every style. This book surveys many styles, but be assured
that you could spend your life studying any one in depth. However you use this book, it is my
hope that you will create good music and find self-expression.
Thanks to my family,julie,josh, Shauna andTom,jennifer, Mom, Dad,jack and Yvonne Abels, Noah,
Maggie,jasper and ail of my teachers and friends for having supported my musical endeavors through
the years. Thanks to David Smolover and Nat Gunod for their friendship and for providing so many
opportunities te further my career - l've learned a lot.

The Author
Jody Fisher has worked professionally in virtually all styles of music during his career, from straight ahead and contemporary jazz to rock and roll, country, pop and show tunes. In the field of education, he taught Guitar and Jazz Studies at the University of Redlands in Southern California for eight years and at the Idyllwild School of Music and the Arts (ISOMATA) for two years. An active performer in the Southern California area, he still maintains a private teaching practice, and is an associate director of the National Guitar Summer Workshop's California, Nashville and Connecticut campuses. Jody Fisher is also the author of The Guitar Mode Encyclopedia, The Guitar Chord and Scale Finder. Jazz Guitar Christmas and The Complete Jazz Guitar Method. all published by the National Guitar Workshop and Alfred.

Content

ABOUT THE AUTHOR 
INTRODUCTION 

ROCK/POP
Rock 

MASTERS OF THE TELECASTER, ARLEN ROTH'S. SHEET MUSIC BOOK WITH 2 CD & GUITAR TABLATURE .

LIBRO METODO DI MUSICA BLUES, COUNTRY, ROCK. CON 2 CD. 

SPARTITI PER CHITARRA CON : 

ACCORDI, NOTE PENTAGRAMMA E TABLATURE. 

STUDIO, METODO, MANUALE, 

185 Pagine, quasi 2 ore con 143 esempi di Blues, R&B, country, rockabilly, soul, R&R, rock, tutti dedicati a una delle chitarre più impiegate. Muddy Waters, Cornell Dupree, Albert collins, Elvis, Albert Lee, Steve Cropper, Roy Buchanan, Clarence White, James Burton, Danny Gatton, Jerry Donahue, Scotty Anderson, Keith Richards, Pete Townshend, Jeff Beck, Jimmy Page, Summers. I fondamentali: ritmi shuffle, piano-style blues, damping, pick and finger technique, costant bass, banjo rolls, double-stops, Memphis soul stew, chicken pickin', pedal steel-style e hawaiian stile, dissonanza country, tecnica telecasteriana. Falso armonico controllo del tono e del volume, B. bender, country bending, bending alla paletta, bending blues e doppio bending! Con fotografie a colori di alcuni modelli. 

CATEGORY: Guitar Method or Supplement
FORMAT: Book & 2 CDs
--------------------------------------------------------------------------------
Perhaps no other instrument in history has had such a profound effect on the history, style and development of popular music as the Fender Telecaster. This beautiful coffee table-style book includes color and black and white photos of vintage and custom shop models and the great "tele" artists. Plus, deep insights into the history and uses of this fantastic instrument, including licks, solos and techniques of all the great "Telemasters" and influences on blues, country, R&B, and rock. Also includes over 140 music examples--all demonstrated by Arlen Roth on the included CD. All examples are in standard notation, tablature.

La marcia in più delle Telecaster.
Il B-Bender è stato inventato nel 1967 da Gene Parsons dei Nashville West e Clarence White dei The Byrds. Originariamente chiamato Parsons White Pull-String, in seguito ribattezzato String Bender, oggi é meglio conosciuto come il B-Bender. I primi prototipi sviluppati da Parsons avevano incluso più dispositivi di bending per le corde E, B, G e D, ma White ha deciso che preferiva una bending per la singola corda B. La corda Si è alzata di un tono pieno tirando la cinghia della tracolla verso l'alto. Questa è attaccata ad una leva e a una molla alla base della corda. Il braccio della leva passa attraverso il corpo della chitarra ed è collegato alla corda B dietro il ponte. Il B bender è un marchingegno che ti permette di fare i bending, spingendo senza fatica verso il basso il manico della Telecaster. Albert Lee, il chitarrista Bernie Leadon degli Eagles, Jimmy Page dei Led Zeppelin hanno hatto fare installazioni personalizzate di B bender sulla loro Telecaster.

TELECASTER HISTORY

OVER 140 MUSIC EXAMPLES

Blues, Country, Rhythm Blues, Rock

8 PAGES OF COLOR PHOTOS

Possibly no other instrument has had such a profound effect on the history, style and development of popular music as the Telecaster ... From its impact on early Rock and Roll to its exclusive use by Keith Richards of The Rolling Stones, one of the most influential bands in rock history ... From the early electric country of Jimmy Bryant and James Burton to superpickers such as Albert Lee, Danny Gatton, author Arlen Roth and Jerry Donahue (of The Hellecasters, the triumvirate of Tele superstars named for their instrument of choice) ... From the pioneer electric blues of Muddy Waters to the "Iceman" himself, Albert Collins ... Masters of the Telecaster details the sounds, techniques, licks and solos of the artists, and the instrument, that helped shape the sound of popular music. Includes chapters on Telecaster History, Techniques, Blues, Country, R&B, and Rock. Techniques, licks and solos of all the great "Telemasters" are profiled throughout in standard notation and tablature and each example is contained on the included recordings.

I always felt that this book was a necessity, because no one had ever written a guitar book strictly on the direct effect that one instrument can have on its player. I think we can all agree that as guitar players, we certainly understand, or at least recognize this phenomenon. How many times do we refer to a certain guitarist as a "Strat" or "Les Paul" type of player? Well, Tele players are perhaps the most unique of the bunch, and certainly this "inner group" of players has really started to expand. This is probably due in most part to the rise in popularity of country music as of late. The Telecaster has always been a mainstay of country music since it was fust released, and today it's hard to imagine country without it. What a pleasure to be sitting here writing a book (now my eighth) about a subject and musical form that is so near and dear to my heart! I've been a Telecastef® fanatic since about 1965 when I first laid eyes on one, and I've been playing almost strictly "Tele"® since my tour with John Prine in 1975, when I purchased my 1953 Telecaster for a whopping $400! Shame I didn't have any money then-the guy had a car full of them, all about the same price. Telecasters are special. They seem to bring out something in guitarists that other guitars just don't. Not only that, but there seems to be an ever-growing affinity that we Tele players seem to have with each other that makes us a special brotherhood; a "club" of sorts. We know omething about our relationship to our Telecasters is special, and that we more than likely, all have similar feelings. One incredible fact to us all is how right Leo Fender got it the first time! After all, we are talking about the very first production solidbody guitar in the world here (introduced as the Broadcaster in 1948 by Fender), and an instrument of incredible simplicity and purity of design. Now, after almost 48 years and literally hundreds of new guitar experiments, the pure essence of the Telecaster shines through, and the original three: the Telecaster, the Stratocastef® and the Les Paul®,all still remain the "three wise men" of the guitar, and that by which all other guitars are measured. My feeling is that because these guitars were literally designed out of necessity, and were direct descendants of hollow-bodied instruments, their purity of design for both beauty and function was inevitable.

CONTENTS

INTRODUCTION

Intro Music CD 1

Tuning Notes

ABOUT THE AUTHOR

ABOUT THE TELECASTER

CHAPTER 1:

FOUNDATION TECHNIQUES

Shuffle Rhythms

Examples 1, 1A & 2

The Harmony Shuffle II

Examples 3 & 4

Piano Style Rhythm Grooves

Examples 5 & 6

Single-Note Rhythm Licks

Example 7

Heel Damping

Example 8

PICK AND FINGER TECHNIQUE

Example 9

The Constant Bass

Examples 10 & 11

Pick and Finger "Roll" Patterns"

Open G "Banjo" Rolls

Examples 12, 13 & 14

CHAPTER 2:

RHYTHM AND BLUES TELECASTER

Partial Chords in R&B Guitar

Examples 15 - 21

STEVE CROPPER

Example 22: The "Soul Man" Lick

CORNELL DUPREE

Examples 23 - 30

Example 31:

The "Memphis Soul Stew" Lick

CHAPTER 3:

TELECASTER BLUES

The Basic Blues Scales

Examples 32 & 33

Blues Passing Tones

Examples 34 & 35

First Position Licks

Examples 36 & 37

Adding The Major Third

Examples 38 - 41

BLUES STRING BENDING

Whole Step and Half Step Bends

VIBRATO

The "Bend and Release" Vibrato

Example 42

BLUES SOLOING

Examples 43 & 44

FALSE HARMONIC AND VOLUME CONTROL SWELL TECHNIQUES

Examples 45 - 47

Volume and Tone Control "Swells"

Examples 48 & 49

Tone Control Tricks

Examples 50 & 51

ROY BUCHANAN 66

Example 52: The "Haunted House" Lick

Examples 53 & 54: "Lonesome Fugitive"

Example 55: Soloing Buchanan Style

ALBERT COLLINS

Example 56

MUDDY WATERS

Example 57

CHAPTER 4:

COUNTRY AND ROCKABILLY TELECASTER

Basic Country Scales and Positions

Examples 58 - 60

Some Hot Country Licks

Examples 61 & 62

The Extended Country Pentatonic Scale

Examples 63 - 74

CD 2

COUNTRY STRING BENDING TECHNIQUES

String Bending as Substitution

Examples 75 - 83

Pedal Steel-Style "Banjo" Roll

Example 84

Advanced "Pedal Steel" Bend Positions

Example 85

Examples 86 - 88

CLARENCE WHITE

Examples 89 - 93

Example 94: Advanced String Bending Solo

Two-String Bends

Examples 95 - 98

JAMES BURTON: A TELE MAN FOR ALL SEASONS

Examples 99 - 103

Examples 104 & 105: The "Mystery Train" Lick

Chicken Pickin'

Example 106

DANNY GATTON: TELEMASTER

Examples 107 - 109

ALBERT LEE

Examples 110 & 111

BENDING BEHIND THE NUT

Examples 112 - 117

JERRY DONAHUE

Examples 118 & 119

HOT COUNTRY DOUBLE STOPS

Examples 120 & 121

Combining Double Stops with String Bending

Example 122 & 123

SCOTTY ANDERSON: KING OF THE DOUBLE-STOP.

Example 124

MARTY STUART: KEEPER OF THE FLAME

Example 125

VINCE GILL: FROM THE STUDIO TO SUPERSTAR

Example 126

PEDAL STEEL-STYLE "CARRY" LICKS

Examples 127 & 128

USING DISSONANCE IN COUNTRY PLAYING

Examples 129 - 132

HAWAIIAN LAP STEEL-STYLE

Example 133

JIMMY BRYANT: TELE PIONEER

Example 134

CHAPTERS:

THE TELECASTER IN ROCK

KEITH RICHARDS

Examples 135 - 137

PETE TOWNSHEND

Example 138

ANDY SUMMERS

Example 139

JEFF BECK

Example 140

JIMMY PAGE

Example 141

CLASSIC TELE ROCK LICKS

Example 142

Example 143: The Final Solo

CONCLUSION