TABLATURE SPARTITI PER CHITARRA DI MUSICA BLUES

COMPLETE RHYTHM GUITAR GUIDE FOR BLUES BANDS, Larry McCabe. CD TABLATURE

COMPLETE RHYTHM GUITAR GUIDE FOR BLUES BANDS, Larry McCabe. CD TAB.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD

This info-filled book/CD will take you out of your rhythm-playing rut and teach you to play confidently in any blues style! You'll learn: intros, endings and turnarounds; modern theory for reharmonizing chord progressions; jazz and eight-bar progressions; and much more. The book includes 100 musical examples, 16 theory workshops, a discography and bibliography, and the CD has 51 tracks. 160 pages.

Prezzo: €25,00
€25,00

INTERMEDIATE CHITARRA BLUES Smith Matt italiano LIBRO CD TABLATURE METODO SPARTITI ACCORDI

INTERMEDIATE CHITARRA BLUES, Smith Matt. In italiano. CD TABLATURE

LIBRO METODO DI MUSICA BLUES CON CD. 

SPARTITI PER CHITARRA.

ACCORDI, PENTAGRAMMA E TABLATURE. 

IN ITALIANO,

LIVELLO INTERMEDIO

Il blues rappresenta il fondamento di tutta la musica jazz e rock. È una musica che costantemente si evolve in nuove forme con l'input di nuove generazioni di musicisti. Questa serie di libri è designata per essere compresa facilmente dal chitarrista autodidatta, ma anche dallo studente che frequenta un insegnante. Il metodo intermedio è indirizzato a musicisti con una base di esperienza, o per chitarristi più avanzati che desiderano ripassare le forme base. È disponibile un CD in questa serie: ci auguriamo che renda l'apprendimento più facile e divertente. Questo simbolo apparirà vicino a ciascun esempio suonato sul CD. Usatelo per assicurarvi di carpire la sensazione giusta di ciascun esempio, interpretando correttamente i ritmi eccetera.

Testo ideale come prosecuzione di Chitarra Blues - Livello Base di David Hamburger. Dopo un sintetico riepilogo della teoria e delle tecniche di base, l'autore si dedica alla ritmica: vengono affrontati il boogie, le estensioni degli accordi e le sostituzioni, l'interazione tra blues e funk, la costruzione di fill. Si passa quindi all'approfondimento della componente solista, con suggerimenti finalizzati ad ampliare e migliorare il proprio fraseggio (interazione tra pentatonica maggiore e minore, note di passaggio, note ideali su cui risolvere le frasi, double-stop). Chiude il libro una sezione dedicata ai lick dei grandi maestri, tra cui B.B. King, Eric Clapton e Stevie Ray Vaughan.

IN ITALIANO.

 

Siccome questo e un Iibro di livello intermedio, si suppone che suoniate da un po'. Prima di inoltrarci
nella sezione solistica di questo metodo, bisogna dire un paio di cose. La chitarra Blues non e solo
uno stile musicale, un modo di suonare, ma soprattutto uno stile di vita e una filosofia. C'e una
scuola di pensiero che afferma che non si puo imparare iI blues dai libri. Sebbene cio non sia del
tutto corretto, e anche vero che la parte emotiva dell'esecuzione proviene da dentro, piuttosto
che da un Iibro o un insegnante. Per imparare iI blues bisogna avere la capacita di entrare nella
propria anima e riuscire ad esprimerla attraverso 10 strumento. Non si puo ottenere quello che
viene definito "soul" da un Iibro o da nessun altro. Deve provenire da voi stessi. Questo implica
altre sensazioni, come una ricerca del proprio se e la voglia di mettersi in gioco guardando in
faccia i dolori e Ie insicurezze della nostra vita. Potete suonare solo cio che avete vissuto. Questo
non significa necessariamente che dobbiate soffrire, bere whisky, o essere figli di un mezzadro!
Significache dovete scavare nel profondo delle vostre emozioni piu intime. So che state pensando
"Che cos'e questa roba? Lo zen della chitarra blues?" Forse lo è! Quando siete veramente una
cosa sola con il vostro strumento, quando potete rendere reale qualsiasi melodia che vi viene in
mente, questa e la sensazione piu grande del mondo, e vi mantiene sani di mente.
Molti miei studenti vengono da me e dicono "Suono Ie stesse cose di B.B ma non hanno lo
stesso suono!" Per forza non hanno lo stesso suono, voi non siete B.B. Voi siete degli individui
unici con Ie vostre speranze e i vostri sogni. Dovreste provare e suonare come voi stessi.
Ecco ora un esercizio progettato per far emergere Ie emozioni. Prendete un pezzo di carta e una
penna, e un posto tranquillo dove nessuno vi possa disturbare. Scrivete tutto cio che pensate di
voi stessi, della vostra vita, della famiglia, della carriera e delle persone che amate. Non dovete
scrivere frasi complete: lasciate che tutto esca, tutte Ie cose che non avete mai detto a nessuno.
Siate completamente e totalmente onesti con voi stessi. Quando avete terminato, rileggete iltutto.
E molto difficile guardare in faccia i demoni personali, ma questa e la vostra vita. Ora suonate un
blues minore lento come non avete mai fatto prima d'ora. Lo sentite? Quando suonate il blues
veramente c'e una sensazione elettrica che attraversa iI corpo. Se non I'avete mai sperimentato,
non preoccupatevi. Quando lo proverete, ve ne renderete conto. Ecco perche i grandi chitarristi
attingono dalle proprie risorse interiori quando suonano.
Proseguendo nella sezione solistica di questo Iibro, tenete a mente che la musica è un'arte e
I'arte e una cosa altamente personale.Va benissimo essere diversi da chiunque altro. E' fantastico
sviluppare uno stile personale. Sforzatevi per la realizzazione di tale miracolo. Questa è la differenza
fondamentale tra uno che suona la chitarra e un artista.
Ne avete avuto abbastanza? Ora possiamo tornare al nostro programma di lavoro.

 

INDICE

I'Autore

Introduzione

 

CAPITOLO I - Iniziamo

L'Alfabeto Musicale

II Manico della Chitarra

L'Accordatura

Come Leggere la Musica

Notazione Ritmica

Guida alla Tablatura

I Numeri Romani

Leggere i Diagrammi degli Accordi e delle Scale

 

CAPITOLO 2 - Teoria

La Scala Maggiore

La Scala Maggiore e la Tonalità

Le Armature di Chiave

La Scala Minore Naturale

La Relativa Minore

Gli Intervalli

I Rivolti

GI i Accordi

Le Estensioni degli Accordi

Gli Accordi Dominanti

Quiz sugli Accordi

Le Scale Armonizzate - Armonia Diatonica

Quiz sulle Scale Armonizzate

II Blues di Dodici Misure

 

CAPITOLO 3 - La Chitarra Ritmico Blues

Le Crome Swingate

Boogie!

Le Estensioni degli Accordi e Ie Sostituzioni

Sostituzioni di Blues Dominanti

Sviluppo della Mano Destra

Accompagnamento Shuffle

Forme di Accordi Mobili

Fills Ritmici Funky Blues

Fills Rhythm & Blues

I SEGRETI DEL BLUES! - Filosofio Blues

CAPITOLO 4 - Un Veloce Ripasso sulla Tecnica
II Bending
IIVibrato (Tremolo)
IIVibrato Facendo Bending

CAPITOLO 5 - Gli Assoli
La Scala Minore Pentatonica
II Fraseggio
Note Non Appartenenti all' Accordo
Rompere gli Schemi Pentatonici
La Scala Maggiore Pentatonica
Miscelare Ie Pentatoniche Maggiori e Minori

CAPITOLO 6 - Parliamo Ancora degli Assoli
Risolvere su 3 e b7
3° con "Double-Stop"
Double-Stop Dominanti
Double-Stop di 6°
Double-Stop di 4°
Double-Stop con Blues Minori

CAPITOLO 7 – i Licks dei Maestri
B. B. King
Albert King
Freddie King
Jimi Hendrix
Eric Clapton
Stevie Ray Vaughan  

Prezzo: €21,99
€21,99

GUY BUDDY THE COLLECTION VOL.1 A-J Guitar Recorded Version TABLATURE CHITARRA LIBRO SPARTITI

GUY BUDDY, THE COLLECTION VOL.1 A-J. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRI DI MUSICA BLUES . 

SPARTITI PER VOCE E CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURA .

 

Buddy Guy è famoso per i Blues in 12/8 e 15/8, in buona parte Blues lenti, ripresi Eric Clapton.

Are You Losing Your Mind? -Blues At My Baby's House -Buddy's Blues (Buddy's Boogie) -D.J. Play My Blues -Damn Right, I've Got The Blues -Dedication To The Late T-Bone Walker -First Time I Met The Blues -Five Long Years -Good News -How Can One Woman Be So Mean -I Can't Quit The Blues -I Had A Dream Last Night -I Smell A Rat -Jam On A Monday -Just Playing My Axe -Just Teasin'. TABLATURE

Series: Guitar Recorded Version TAB
Artist: Buddy Guy
Cover Photo: Paul Natkin
Transcritto da: Pete Billmann, Jeff Jacobson
16 blues classics:

Anno - Titolo - Autore - Album

1979 - Are You Losing Your Mind? - Buddy Guy - album: STONE CRAZY 
1996 - Blues At My Baby's House - Buddy Guy - album: D.J. PLAY MY BLUES 
1996 - Buddy's Blues (Buddy's Boogie) - Buddy Guy - album: THE DOLLAR DONE FELL
1991 - Damn Right, I've Got The Blues - Buddy Guy - album: DAMN RIGHT, I'VE GOT THE BLUES
1996 - Dedication To The Late T-Bone Walker - Buddy Guy - album: D.J. PLAY MY BLUES 
1996 - D.J. Play My Blues - Buddy Guy - album: D.J. PLAY MY BLUES 
1960 - First Time I Met The Blues - Eurreal Montgomery  (18 April 1906 Kentwood LA - died 6 September 1985 Champaign IL) - album: Buddy Guy (Chess Masters) 
1952 - Five Long Years - Eddie Boyd (25 November 1914 - 13 July 1994) 
1996 - Good News - Buddy Guy - album: D.J. PLAY MY BLUES 
1974 - How Can One Woman Be So Mean - Buddy Guy & Junior Wells - album: DRINKIN' TNT N' SMOKIN' DYNAMITE (LIVE) 1982
1996 - I Can't Quit The Blues - Buddy Guy - album: A MAN & THE BLUES
1996 - I Had A Dream Last Night - Buddy Guy - album: THIS IS BUDDY GUY
1979 - I Smell A Rat - Buddy Guy - album: STONE CRAZY 
1996 - Jam On A Monday - Buddy Guy - album: A MAN & THE BLUES
1996 - Just Playing My Axe - album: A MAN & THE BLUES
1996 - Just Teasin' - Buddy Guy - album: D.J. PLAY MY BLUES 

160 pages

Prezzo: €99,99
€99,99

12-BAR BLUES SOLOS Dave Rubin BOOK CD GUITAR TABLATURE HAL LEONARD CHITARRA LIBRO

12-BAR BLUES SOLOS. Dave Rubin. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO DI MUSICA BLUES, CON CD.

SPARTITI PER CHITARRA: 

ACCORDI, PENTAGRAMMA, TABLATURE .

25 Authentic Leads Arranged for Guitar in Standard Notation & Tablature
Series: Guitar Collection
Softcover - TAB
Author: Dave Rubin

This book and CD package contains 25 authentic blues solos arranged for beginning to intermediate guitarists. Explore the styles and techniques of blues guitar with loads of interesting licks and fun arrangements. The companion CD includes a demonstration of every example in the book. 32 pages. 

12-Bar Blues Solos
25 Authentic Leads Arranged for Guitar in Standard Notation & Tablature
Guitar Collection Softcover Audio Online - TAB
Series: Guitar Collection
Format: Softcover Audio Online – TAB
Author: Dave Rubin

This book and online audio package contains 25 authentic blues solos arranged for beginning to intermediate guitarists. Explore the styles and techniques of blues guitar with loads of interesting licks and fun arrangements. The companion audio tracks include a demonstration of every example in the book.

The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks inlcude PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right – available exclusively from Hal Leonard.

Instrumentation
Product Details
Inventory: #HL 00699765
ISBN: 9781423407423
UPC: 884088029760
Width: 9.0"
Length: 12.0"
Page Count: 32 Pages 

Prezzo: €24,99
€24,99

MAJOR BLUES FOR GUITAR VOLUME 1 A Study in Melodic Chord Linkage CD TABLATURE LIBRO

MAJOR BLUES FOR GUITAR VOLUME 1, A Study in Melodic Chord Linkage. CD TABLATURE

LIBRO METODO DI MUSICA BLUES JAZZ, CON CD.

SPARTITI PER CHITARRA.

GRIGLIA DEGLI ACCORDI E PENTAGRAMMA.

Series: Guitar Educational
Publisher: Bloom School of Jazz Publishing
Medium: Softcover with CD
Author: David Bloom

Major Blues for Guitar is the first in a series of studies written to give the serious musician a melodic approach to playing chords. There are hundreds of blues books out there, but none show how to put chords together melodically to make great-sounding music. This book/CD pack solves that problem in a practical manner. It takes only one 12-bar C-major blues chord progression and creates 21 different melodic lines from it. By mastering all of these exercises, students will acquire greater fluency and melodic flexibility in playing chords. 56 pages.

Prezzo: €32,99
€32,99

MINOR BLUES FOR GUITAR VOL 1 A Study in Melodic Chord Linkage David Bloom CD TABLATURE

MINOR BLUES FOR GUITAR VOL. 1, A Study in Melodic Chord Linkage. David Bloom. CD TABLATURE

LIBRO METODO DI MUSICA BLUES JAZZ, CON CD.

SPARTITI PER CHITARRA, ACCORDI E PENTAGRAMMA.

Series: Guitar Educational
Publisher: Bloom School of Jazz Publishing
Medium: Softcover with CD
Author: David Bloom

Discover highly melodic minor blues chord progressions and become fluent with them in three months with this popular book/CD pack. Gives you the freedom to play minor blues differently every time and contains 21 melodic minor blues chord progressions. David Bloom is director of the nationally recognized Bloom School of Jazz in Chicago which he founded in 1975. A noted lecturer and writer, he also plays, composes, and arranges jazz guitar. 56 pages.

Prezzo: €29,99
€29,99

IMPROVVISARE IL BLUES ALLA CHITARRA BLUES GUITAR TECHNIQUES LIBRO CD TABLATURE METODO

IMPROVVISARE IL BLUES ALLA CHITARRA. JOHN WHEATCROFT. LIBRO E CD. 224 PAGINE. IN ITALIANO 

IMPROVISING BLUES GUITAR: AN INTRODUCTION TO BLUES GUITAR STYLES, TECHNIQUES AND IMPROVISATION. SHEET MUSIC BOOK WITH CD & STANDARD NOTATION & GUITAR TABLATURE

 

LIBRO MEDOTO DI MUSICA BLUES CON CD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.

TRADOTTO IN ITALIANO .

 

Un manuale completo, un’analisi approfondita della chitarra blues, dal primo blues di Chicago, attraverso il blues di Memphis e Detroit, il boom del britannico, il jazz blues e molti altri generi correlati, sino allo stile blues dei chitarristi più importanti di oggi. Semplici guide graduali introducono le tecniche di base, l’armonia e la teoria, con soli d’esempio e basi contenuti nel CD allegato.

 

Improvising Blues Guitar

An Introduction to Blues Guitar Styles, Techniques & Improvisation Book/CD Pack
Series: Guitar
Publisher: Schott
Format: Softcover with CD - TABLATURE
Author: John Wheatcroft

This hefty book/CD pack gives an in-depth insight into blues guitar, from early Chicago blues through Memphis and Detroit blues, the British blues boom, jazz blues, and many other blues genres, right up to the blues styles of today's hottest guitarists.

With a CD of over 60 minutes of demos and backing tracks

Description

This unique book gives an in-depth insight into blues guitar, from early Chicago Blues, through Memphis and Detroit Blues, the British Blues boom, Jazz Blues and many other blues genres, right up to the blues styles of today’s hottest guitarists.

Focusing on the playing styles of influential guitarists, author John Wheatcroft teaches the basics of blues improvisation and shows how it has developed over the years. Learn how to solo like classic blues guitarists B. B. King, John Lee Hooker and Albert Collins and then move on to find out more about the playing styles of Eric Clapton, Jimi Hendrix, Stevie Ray Vaughan, Robben Ford and many others.

KEY TECHNIQUES AND STYLES EXPLAINED INCLUDE:

MAJOY AND MINOR PENTATONIC SCALES

MIXOLYDIAN, DORIAN AND OTHER KEY MODES

DYNAMICS, EXPRESSION AND FEEL

DEVELOPING SPEED AND ACCURACY

OPEN TUNINGS

SLIDES AND BENDS

VIBRATO

HYBRID PICKING

DOUBLE-STOPS

SLIDE GUITAR

Simple step-by-step guides introduce basic techniques, harmony and theory, with demo solos and backing tracks on the accompanying CD.

Welcome to the Blues

Blues music is one of the most expressive forms of music in existence. This highly personal and emotive style is, for many, the perfect vehicle for self-expression, evoking at the same time both a sense of jubilation and a melancholy recognition of the complexities of the human condition. Undoubtedly, the guitar and blues music go hand in hand. This wonderful instrument's dynamic and articulate qualities are stretched to the limit when used expertly within the blues. Each subtle movement of finger on string can be used to coax a beautifully expressive and highly personal
sound from the instrument. 

How This Book Works
Each of the eleven chapters in this book includes four complete solo studies, each written in the style of a famous artist who is representative of a specific genre or geographical area relevant to the development of the blues. An analysis of each solo follows in the 'Checkpoint' section, breaking each solo down into bite-size licks and phrases. These can form the basis of your own improvisational style as you are encouraged to both learn each solo as a cohesive study and also to 'chop-and-change', filing any favourite licks away for later use. 

To accompany each solo study we will also take a look at both technical and conceptual approaches,
both those typical of the genre as a whole and also those that are unique and specific to each individual artist. These are designed to develop progressively, so although you can successfully 'dip' into any study at any point in the book at random, you are encouraged to work through the 'Assignments and Improvisation Tips' sections sequentially from beginning to end.

It is this quest for mastery and understanding of these exact qualities that has no doubt led you here. The aim of this book is to help you fulfil a desire to achieve a greater facility and complete awareness of the process involved, be it technically, conceptually, dynamically or expressively, to produce better blues and, specifically, to improvise well with stylistic authenticity and with a high level of musical freedom within the blues guitar idiom. Good luck and happy practising! 

Chapters 2-10 feature a rhythm study typical of each sub-genre, which forms the harmonic and rhythmic basis over which the solo studies are based. It's crucial that your 'rhythm-chops' are up to scratch, so whilst it's tempting to skip these sections in favour of the more flashy solos, any work in this area will be ultimately rewarded in the overall level of your playing and all-round musicality. Chapters 1 and 11 focus on unaccompanied blues styles and therefore have no rhythm study.
 

This comprehensive book gives an in-depth insight into blues guitar and views it as a continuum, from early Chicago Blues, through Memphis and Detroit Blues, the British Blues boom, Jazz Blues and many other blues genres, right up to the blues styles of today’s hottest guitarists.

Focusing on the playing styles of influential guitarists, author John Wheatcroft teaches the basics of blues improvisation and shows how it has developed over the years. Learn how to solo like classic blues guitarists B. B. King, John Lee Hooker and Albert Collins and then move on to find out more about the playing styles of Eric Clapton, Jimi Hendrix, Stevie Ray Vaughan, Robben Ford and many others.

Simple step-by-step guides introduce basic techniques, harmony and theory, with demo solos and backing tracks on the accompanying CD.

Contents:

Welcome to the Blues
How this book Works
How to Read Fretboard Diagrams

1. Acoustic Blues & The Delta
Key Players
Artist #1: Mississippi Fred McDowell
Checkpoint
Assignments and Improvisation Tips The I–IV–V Chord Progression
Artist #2: Lightnin’ Hopkins
Checkpoint
Assignments and Improvisation Tips The Thumb-Pick
Artist #3: Robert Johnson
Checkpoint
Assignments and Improvisation Tips The Turnaround
Questions, Answers & Blue Notes
Checkpoint
Assignments and Improvisation Tips Microtones & ‘Blue’ Notes

2. Chicago
Key Players
Artist #1: Muddy Waters
Checkpoint
Assignments and Improvisation Tips
Tailing-Off Notes
Artist #2: Hubert Sumlin
Checkpoint
Assignments and Improvisation Tips
Introduction to Vibrato
Artist #3: Buddy Guy
Checkpoint
Assignments and Improvisation Tips
Adding Simple Bends
The Advantages of Downstroke Picking
Artist #4: Mike Bloomfield
Checkpoint
Assignments and Improvisation Tips
Repetitious Extended Phrasing
Rhythm Study

3. Memphis & Detroit
Key Players
Artist #1: John Lee Hooker
Checkpoint
Assignments and Improvisation Tips
‘Call & Response’ Phrasing
Artist #2: B. B. King
Checkpoint
Assignments and Improvisation Tips
Artist #3: Albert King
Checkpoint
Assignments and Improvisation Tips
Outrageously Wide String Bending
Artist #4: Robert Cray
Checkpoint
Assignments and Improvisation Tips
Staccato Phrasing & Popping the Strings
Rhythm Study

4. Early Texas Blues
Key Players
Artist #1: T-Bone Walker
Checkpoint
Assignments and Improvisation Tips
Swing
Artist #2: Freddie King
Checkpoint
Assignments and Improvisation Tips
Riff-Based Soloing
Artist #3: Albert Collins
Checkpoint
Assignments and Improvisation Tips
Rapid Pull-Offs Using the Thumb
Artist #4: Otis Rush
Checkpoint
Assignments and Improvisation Tips
Vocal-Like Crying Vibrato
Rhythm Study

5. The British Blues Boom
Key Players
Artist #1: Eric Clapton
Checkpoint
Assignments and Improvisation Tips
Applying Wide Vibrato to a Bent Note
Artist #2: Jeff Beck
Checkpoint
Assignments and Improvisation Tips
Emulation of Slide with Vibrato Bar
Artist #3: Jimmy Page
Checkpoint
Assignments and Improvisation Tips
Advanced Fast Pull-Offs and Wide String Bending
Artist #4: Peter Green
Checkpoint
Assignments and Improvisation Tips
Expressive Vibrato Technique
Rhythm Study

6. Country Blues & Rock’n’Roll
Key Players
Artist #1: Scotty Moore
Checkpoint
Assignments and Improvisation Tips
Rock ’n’ Roll Triplets
Travis-picking
Artist #2: Chuck Berry
Checkpoint
Assignments and Improvisation Tips
Following the Changes
Artist #3: Roy Buchanan
Checkpoint
Assignments and Improvisation Tips
Harmonizing in 3rds and 6ths
Volume Swells
Artist #4: Danny Gatton
Checkpoint
Assignments and Improvisation Tips
Advanced Hybrid-Picking
Rhythm Study

7. New Wave Texas
Key Players
Artist #1: Jimmy Vaughan
Checkpoint
Assignments and Improvisation Tips
Soloing with Chord Fragments
Artist #2: Duke Robillard
Checkpoint
Assignments and Improvisation Tips
Swing & Jazz Phrasing
Artist #3: Stevie Ray Vaughan
Checkpoint
Assignments and Improvisation Tips
Extreme Dynamics & Expression
Artist #4: Eric Johnson
Checkpoint
Assignments and Improvisation Tips
Pentatonic Superimposition
Rhythm Study

8. Rock-Hot Blues
Key Players
Artist #1: Jimi Hendrix
Checkpoint
Assignments and Improvisation Tips
The Hendrix chord
Artist #2: Gary Moore
Checkpoint
Assignments and Improvisation Tips
Extreme Vibrato, Palm Muting & Pinched Harmonics
Artist #3: Walter Trout
Checkpoint
Assignments and Improvisation Tips
Expanding the Pentatonic Palette
Artist #4: Joe Bonamassa
Checkpoint
Assignments and Improvisation Tips
Large Intervallic Skips via Open Strings
Rhythm Study

9. Jazz Blues
Key Players
Artist #1: Charlie Christian
Checkpoint
Assignments and Improvisation Tips
Eighth-Note Extended ‘Bop’ Rhythmic Phrasing
Artist #2: Wes Montgomery
Checkpoint
Assignments and Improvisation Tips
Exclusive Use of the Thumb for Picking
Artist #3: Larry Carlton
Checkpoint
Assignments and Improvisation Tips
Spelling Out the Changes
Artist #4: Robben Ford
Checkpoint
Assignments and Improvisation Tips
Tension, Release & ‘Outside’ Playing
Rhythm Study

10. Slide Masters
The World of Slide Guitar
Artist #1: Elmore James
Checkpoint
Assignments and Improvisation Tips
Intonation & Vibrato
Artist #2: Ry Cooder
Checkpoint
Assignments and Improvisation Tips
Muting
Artist #3: Duane Allman
Checkpoint
Assignments and Improvisation Tips
Extending the Range of the Guitar
Artist #4: Sonny Landreth
Checkpoint
Assignments and Improvisation Tips
Blues Phrasing Beyond the Box
Rhythm Study

11. Acoustic Blues Revival
Key Players
Artist #1: Bob Brozman
Checkpoint
Assignments and Improvisation Tips
Incorporating the Slide
Artist #2: Rory Gallagher
Checkpoint
Assignments and Improvisation Tips
Bass Line Runs & Mixing Approaches
Artist #3: John Hammond
Checkpoint
Assignments and Improvisation Tips
Fingerpicks, Fingers or Hybrid?
Artist #4: Keb’ Mo’
Checkpoint
Assignments and Improvisation Tips
Developing Your Own Voice & Making Improvements. Fast!

12. Conclusion
What Is Feel?
Assignments and Improvisation Tips
Make Your Tone Work for You
Delivering the Package
Suggested Listening

Book/CD, 224 pages

Prezzo: €29,99
€29,99

KING ALBERT THE VERY BEST OF GUITAR Recorded Version TABLATURE CHITARRA SPARTITI LIBRO

KING ALBERT, THE VERY BEST OF. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA BLUES. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Albert King

Albert King was one of the greatest and most important guitarists of all time. He not only changed the blues world, but also influenced most modern guitar playing – whether today's players realize it or not! This collection assembles 15 of his finest pieces transcribed note-for-note with tab. Includes:

Angel Of Mercy
Answer To The Laundromat Blues
Blues Power
Born Under A Bad Sign
Crosscut Saw
Don't Throw Your Love On Me So Strong
Everybody Wants To Go To Heaven
The Hunter
I Wanna Get Funky
I'll Play The Blues For You
Killing Floor
Laundromat Blues
Oh Pretty Woman
Personal Manager
The Sky Is Crying

128 pages.

Prezzo: €27,99
€27,99

INSIDE THE BLUES, 1942-1982. Four Decades of the Greatest Electric Blues Guitarists. Dave Rubin. CD TABLATURE

INSIDE THE BLUES, 1942-1982 - UPDATED EDITION, Four Decades of the Greatest Electric Blues Guitarists. Rubin. T-Bone Walker, Elmore James, B.B. King, Otis Rush, Buddy Guy, Albert King, Jimi Hendrix, Johnny Winter, Stevie Ray Vaughan, e altri. CD TAB. 176 pagine.

Series: Guitar Educational
Softcover with CD - TABLATURE
Author: Dave Rubin

This definitive collection now includes a CD! Spans 40 years of blues history, covering the techniques of: T-Bone Walker, Elmore James, B.B. King, Otis Rush, Buddy Guy, Albert King, Jimi Hendrix, Johnny Winter, Stevie Ray Vaughan, and more. Features top-notch instruction, ample musical examples, explanations of regional styles, info on tunings and gear, 20+ rare photos and more. Essential for students of the blues! 176 pages.

Prezzo: €24,99
€24,99

BLUES RHYTHM GUITAR Musicians Institute Keith Wyatt Libro CD TABLATURE Shuffles-Boogies-Jump

BLUES RHYTHM GUITAR, Mus. Inst. Keith Wyatt. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA BLUES CON CD. 

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA E TABLATURE.


Series: Musicians Institute Press
Publisher: Musicians Institute Press
softcover with CD - TAB
Author: Keith Wyatt
Blues Rhythm Guitar concentrates on the heart of blues music: the rhythm. You'll learn the crucial elements of the style that no guitarist should be without, including blues changes and variations, several shuffle rhythms, slow and fast blues rhythms, how to combine different rhythm parts, and much more. The included CD demonstrates all the concepts and features rhythm tracks so you can try out your newfound skills with a full band. 112 pages

BLUES RHYTHM GUITAR
MASTER CLASS
The Complete Guide to Shuffles, Boogies, Jump, Slow Blues, and Other Blues Styles
by Keith Wyatt

 

Introduction
The heart of blues lies in the rhythm. Rhythm is not just a back-up part; it's the essential
glue that ties everything together, from the underlying beat of the drums to the vocals and
solos. With a great rhythm feel, you don't need much else. Conversely, without a great rhythm
feel, nothing else amounts to much. Ever since electricity unleashed the guitar as a blues solo
instrument, players have tended to focus the bulk of their time and effort on developing the
guitar's single-note voice, but two facts about guitar playing can't be ignored: First, most of
your career as a player is spent backing somebody up. Second, your solos will always be
inspired, or limited, by your sense of rhythm. Any attempt to separate great blues guitar playing
into "licks" and "rhythm" is ultimately meaningless-neither B.B. King nor Albert King play
many chords, but their phrasing is profoundly rhythmic. At the other extreme, you won't hear
many solos on a John Lee Hooker record, but he built an entire career on a distinctive rhythm
style. After a century of blues-guitar history, it's still the rhythm that holds it all together.
This book is specifically focused on blues rhythm guitar, but the principles of rhythmic
phrasing (e.g., how to capture a drum beat on the guitar, how to break down chords into
usable fragments, and how to mesh with other musicians) go beyond blues-specific vocabulary;
they apply to any groove or musical style. The blues developed during a period of time
in which the dance rhythms of American popular music were almost universally based on the
eighth-note triplet shuffle, and the bulk of this book is devoted to playing that rhythm at various
tempos. For decades, though, artists have been blending blues with other dance
grooves, from funk and R&B to Latin, rock, and disco. (Stevie Ray Vaughan made his debut
on a David Bowie dance-pop record, after all). Today, it's rare to find a blues band that doesn'
t incorporate a variety of grooves in its set, but the feel of the shuffle is still at the heart of it
all. In the end, this book is for anyone who wants to become a better guitar player-period.

How to Get the Most Out of This Book
To get started, you need to at least know the following:
1. The names of the notes on the sixth and fifth strings.
2. How to play major, minor, and dominant seventh chords in both open and barre chord
(movable) voicings.

If you don't have this knowledge under your fingers yet, practically any beginner guitar
method will provide it. (Check out Guitar Basics, by Bruce Buckingham [MI Press/Hal
Leonard], in particular). You might also want to pick up a basic theory book that explains
chord and scale construction (why a ninth chord is called a ninth chord, how scale tones are
numbered, and so on). A good (and admittedly biased) recommendation is Harmony and
Theory: The Essential Guide, by Keith Wyatt and Carl Schroeder (MI Press/Hal Leonard).
If you're a beginning guitar player or new to playing blues, Chapters 1 and 2 cover the
fundamentals of blues rhythm and chords. If you're a more advanced player or you want to
concentrate on expanding your blues rhythm vocabulary, you may want to start from Chapter
3, or just browse through the chapters and listen to the CD until something catches your
attention. The material is not arranged from "easy" to "difficult"-at any point along the way
you may find things that are challenging to your brain and to either, or both, hands. What I've
attempted to do is to break blues rhythm playing into segments, so that by learning how different
rhythm patterns are developed and how they relate to the other instruments in the
band, you can learn to create your own parts.


Table of Contents:

Introduction
How to Get the Most Out of This Book
How to Use the CD

Part I: Medium Shuffles and the 12-Bar Blues
Chapter 1: The Shuffle
Chapter 2: Blues Changes
Chapter 3: Medium Shuffle Part I: Low-range Rhythms
Chapter 4: Medium Shuffle Part II: Mid-range Rhythms
Chapter 5: Medium Shuffle Part III: High-range Rhythms
Chapter 6: 12-bar Variations
Chapter 7: Combining Rhythm Parts
Summary of Part I

Part II: Beyond the Medium Shuffle
Chapter 8: Slow Blues
Chapter 9: Fast Blues
Chapter 10: Beyond the 12-bar Form
Chapter 11: Beyond the Shuffle: Other Rhythms in Blues
Summary of Part II

Appendix
CD Track Listing
Suggested Listening
Guitar Notation Legend

 

Description
Straight Eighth Notes
Eighth-note Triplets
Triplet Shuffle
Accented Shuffle
Accented and Muted Shuffle
Boogie Pattern
Boogie with Accented Downbeats
Boogie with Accents and Muting
Turnaround in the Key of A
Turnaround in the Key of D
Ending in the Key of A
Ending in the Key of D
Adding the 7th
Separate, Sustained Notes
Adding Bass Notes with the Fourth Finger
Adding Bass Notes while Shifting Position
12-bar Walking Bass Pattern
Bass Riffs
Slapping/Muting Technique
12-bar Bass Riff
Upbeats
Chord Riffs
Riff-chord Variations
Riff Chord
Picking the Fourth String Separately
Sliding into Riff Chords
Legato and Staccato Phrasing Variations
Combined Legato, Staccato and Dynamics
Horn Riff Phrasing
Half-step Embellishment
Two-bar Riff with Whole-step Embellishment (R6)
Two-bar Riff with Whole-step Embellishment (RS)
12-bar Horn-section Riff with Embellishment
Robert Junior Ninth-chord Arrangement
Horn Riff with 13th Chords
Two-bar Horn Pattern Over a Slow Change
Two-bar Horn Pattern Over a Quick Change
B over A
Chicago Turnaround
Adding the IV Chord to the Turnaround
Adapting Two-bar Horn Pattern to the Turnaround
Four Turnaround Examples
Open-string Turnaround in the Key of E
"From the Turnaround" in the Key of G
Regular and Final Turnarounds
"Three Times Around" Ending

Boogie and Fill
Substituting the 4th
Expanding the Fill
Moveable Boogie and Fill
12-bar Moveable Boogie and Fill
Thumb-over Four-string Boogie
E Walking Line
Adding Upstrokes
Walking Line on A, with Upstrokes
V-IV (B-A) Walking Pattern and Turnaround
12-bar Shuffle in E
12-bar Combination Rhythm in G
Adding Chord Embellishments
Hybrid-picked Combination Rhythm
) Slow Blues Bass Riff
Quick-change 12-bar Blues in A
T-Bone-style Slow Blues Rhythm
Phrasing Combinations
12-bar Triplet Rhythm
Jump Blues Walking Line
Uptempo Boogie Pattern
Uptempo Mid-range Chord Riff
Organ-style Rhythm
Albert Collins-style Chord Voicings
Jump Horn Riffs w/ Variations
Two-note Horn-style Rhythm
Two-bar Repeating Riff
Bass Line Combined with Chord Punches
Bass Pattern combined with Two-note Chords
Boogie #1
Boogie #2
Boogie #3
Two-beat Bass Riff
Two-beat Bass Riff
Two-beat Bass Riff
Two-beat Accents and Fills
Eight-bar Progression, Version 1
Eight-bar Progression, Version 2
Sixteen-bar Progression
Blues Rumba Chord Pattern
Blues Rumba Bass/Chord Combination
R&B Combined Guitar/Bass Rhythms
"Chicks" in C
R&B Triplet Ballad
Minor Blues Rhythm with "Chicks & Fills"


Standard blues changes and form
Developing a strong shuffle feel
Useful rhythm parts in high, middle, and low ranges
Fast blues, slow blues, and beyond the 12-bar form

 

With a great rhythm feel, you don't need
much else. Conversely, without a great
rhythm feel, nothing else amounts to much.
This book is specifically focused on blues
rhythm guitar, but the principles of rhythmic
phrasing (e.g., how to capture a drum beat
on the guitar, how to break down chords
into usable fragments, and how to mesh
with other musicians) go beyond bluesspecific
vocabulary; they apply to any
groove or musical style.

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