SPARTITI PER CHITARRA SOLISTA, SCALE MODI, ARPEGGI, SOLOING

DIMINISHED WORKBOOK MBGU JAZZ CURRICULUM, by Bruce Saunders. CD TAB.

Product Description:
The Diminished Workbook is a comprehensive study and explanation of diminished chords and scales. It is geared toward guitarists but can be used with any concert key instrument. The book employs exercises, etudes and examples to illustrate the many different ways diminished chords can be used and is accompanied by a CD featuring a rhythm section of world-class New York musicians. Author Bruce Saunders is a Professor in the guitar department at world-renowned Berklee College of Music in Boston, is a respected member of the New York city jazz community and has many recording credits to his name, including his release on Mel Bay Records entitled 8 x 5. This is his fourth book for Mel Bay Publications. Standard notation and tablature.

96 PAGES

Contents:

I CHAPTER ONE: FUNCTIONS
ETUDE 1: Rhythm Changes
ETUDE 2: F and Bf Blues
ETUDE 3: Autumn Leaves Changes
II CHAPTER TWO: TRIADS & TRIAD PAIRS
Etude 4: "What is This Thing" changes and triad pairs
Etude 5: "O Grande Amor" changes and triad pairs
III CHAPTER THREE: f9 PENTATONIC SCALES
Etude 6: "Caravan" changes and f9 Pentatonic scales
IV CHAPTER FOUR: PATTERNS
Patterns 1-18
Chordal patterns
APPENDIX: PRACTICE TRACKS WITH RHYTHM SECTION
"What Is This Thing Called Love" changes
Blues in F
Blues in Bf
"Autumn Leaves" changes
ABOUT THE AUTHOR/SELECTED DISCOGRAPHY

MOCK'S DON, MASTERING THE DOMINANT CHORD. REAL-WORLD CONCEPTS AND TECHNIQUES FOR IMPROVISING. BOOK WITH CD & TABLATURE .

LIBRO METODO DI MUSICA, CON CD. MP3 AUDIO DI 2 ORE E MEZZA . 

SPARTITI PER CHITARRA :

ACCORDI, PENTAGRAMMA E TABLATURE . 

GUITAR AXIS
AUDIO WORKSHOP SERIES

By Don Mock
Category: Guitar Method or Supplement
Format: Book & CD

DOMINANT MASTER SCALES

DEMO SOLOS

USEFUL DOMINANT 7TH VOICING

EXTENDED AND ALTERED 7THS

FLAT-FIFTH SUBSTITUTION

EQUIVALENT MINOR CHORDS

7Ths IN BLUES, ROCK, AND JAZZ

PRACTICE TRACKS OF CLASSIC TUNES AND PROGRESSIONS

Real - World Concepts and Techniques for Improvising By Don Mock
Guitar Book & CD

Additional Information

Series: Audio Workshop Series
Author: Don Mock
Instrument: Guitar
Format: Book & CD
Page Count: 64
Item Number: 53-31949
ISBN 10: 0-7390-5756-1
ISBN 13: 978-0-7390-5756-8
UPC: 038081345697 

This powerful book and audio lesson will expand your knowledge of not only the familiar V dominant 7th, but all of the secondary dominant 7ths that can be found in major and minor keys. Join Don Mock as he builds "master scales" for each dominant 7th and shows you the best voicings and the theory behind how they function. You’ll also explore the subject of extensions and alterations that can be added to dominants and the two basic ways dominants operate which are "static" and "functioning." You’ll play them in progressions and tunes and learn sample solos that demonstrate the correct scales, arpeggios and melodies for the various dominants. Discover why the study of dominant 7th chords will offer you the "keys to the kingdom" for truly understanding the workings of music. This one magical little chord gives music it’s movement, energy and tension. Knowing how dominants work will also greatly improve your dealings with other chord types including major and minors.

Welcome to this lesson on dominant 7th chords. A whole lesson on a single chord may sound a bit boring but stay tuned. With the aid of the pages here in the book and the audio recording, I hope to expand your knowledge of not only the familiar "V" dominant 7th, but all of the other secondary dominant 7ths that can be found in major and minor keys. We'll learn the best voicings and uses for dominant 7ths and the theory behind how they function. We'll also explore the subject of extensions and alterations that can be added to dominants and the two basic ways dominants operate which are "static" and "functioning." We'll play them in progressions and tunes and learn some sample solos that demonstrate the correct scales, arpeggios and melodies for the various dominants. And you'll learn that the study of dominant 7ths offer you the "keys to the kingdom" for understanding the workings of music. This one magical little chord gives music it's movement, energy and tension. Knowing how dominants work will also greatly improve your dealings with other chord types including major and minors. We will begin with understanding the diatonic system, it's "cycle of 5ths" and secondary dominants. Most players don't have a clear understanding of how and why there can be several "secondary" dominants in a single key. I was one of those players. I learned to play Rock, Blues and Jazz primarily by ear, and although I could play convincing chords and melodic lines over secondary dominants, I really didn't fully understand what they were or where they came from. This led to a lot of frustrating playing situations on gigs where I had to basically "fake it" by ear through certain chord changes. Even during my early years teaching theory at GIT, I did not clearly understand the big picture of the diatonic system's secondary dominants. I figured they were based in some form of "classical" theory and didn't relate to the modern music I was playing. Was I ever wrong. When I finally pieced together the complete story of secondaries, I found it much easier to negotiate even the most difficult chord changes. And my chord choices and melodic lines began to make much more musical sense. This lesson may appear to be very intense with lots of lists, details and the "do's and don'ts" of dominant 7ths. And to an extent, it is, but after we learn the specifics of each dominant type, there is a very important section later on where we will simplify and streamline all the information covered into an easy and practical "player's approach" to dealing with dominant 7ths. But for now, let's start at the beginning and learn as much as you can about each dominant chord. Learn the master scales and chord voicings and check out the sample solos which are full of melodic phrases you can use in lots of situations. And play all the chord progressions to help train your ear. You'll find that each dominant has it's own unique personality and sound. And once you start to "hear" those, you'll have much more success dealing with them.

About the Music Notation in This Book.

The point of the lesson is to learn the theory and application of dominant 7ths in the easiest and most practical way. Some traditional "classical" notation rules are not followed such as lower-case Roman numerals usedfor minor chords. Only upper-case numerals are used. Also, chord symbols will always be notated as; "m" for minor, "maj" for major, "dim" for diminished and "aug" for augmented. Alterations will not be in parenthesis with very few exceptions. And to help you clearly understand and analyze dominants in "keys," chord symbols in the examples will usually be shown as basic "seventh chords" with no extensions or alterations added. 

The dominant 7th gives music movement, energy, and tension. This powerful audio lesson and book will expand your understanding of not only the familiar “V” dominant 7th, but all the secondary dominant 7ths in major and minor keys. Join Don Mock as he builds “master scales” for each dominant 7th, demonstrates the best voicings, and explains the theory behind how they function. You’ll explore extensions and alterations of dominants, as well as the two basic ways dominants operate, “static” and “functioning.” The included progressions and tunes give you a chance to practice, and sample solos demonstrate the correct scales, arpeggios and melodies. Discover why the study of dominant 7ths offers you the “keys to the kingdom” for truly understanding the workings of music. 

Don Mock has become one of America's most respected guitar educators and players. Growing up in the Seattle area, his musical upbringing probably parallels that of any guitarist who started out in the 60's. First influenced by the Beatles, and guitar hero's like Jimi Hendrix, Alvin Lee, Eric Clapton and Mike Bloomfield, Don soon discovered Jazz and emulated many of the top players of the time. Don's reputation grew from the rock guitarist to the jazz guitarist in the Northwest. His ability to quickly learn the styles of other guitarists turned out to be quite an advantage in the long run. After evolving through the various rock, blues and jazz phases, borrowing from all the best, Don is now the master of his own style, a style that is literally a "fusion" in the purest sense of the word. Don is well known among guitarists for his amazing technique and total command of the instrument. His improvising concepts have been documented in several instructional books including: "Hot Licks," "Fusion - Hot Lines," "Ariful Arpeggios," "Ten," his popular Warner/Alfred Guitar Scale Secrets series: "Melodic Minor Revealed," "Harmonic Minor Revealed" and "Symmetric Scales Revealed." His recent Guitar Axis Masterclass series include; "Octaves," "Turnarounds" and "Target Tones." Don's latest work; "Modal Mojo" is the definitive study of modal playing. He also has three instructional videos: "The Blues from Rock to Jazz," "Jazz Guitar Tips" and "Jazz Guitar Rhythm Chops." Don began his teaching career in 1972 at the Cornish School of the Allied Arts and Olympic Jr. College, both in Washington State. In 1974 Don met guitar legend Howard Roberts and soon managed guitar-teaching seminars in the Northwestfor Howard. In 1977, Howard brought Don to Los Angeles to help start the Guitar Institute of Technology (GIT). Don became a primary instructor and curriculum author for the school. That same year, Don teamed up with publisher Roger Hutchinson (REH) to write and produce guitar method books. Don taught full time at GIT until 1983 when he began a part-time arrangement commuting back and forth from Seattle to LA. He also traveled around the U.S. and to Europe giving seminars to promote GIT. LA., Don had an exciting fusion band and performed at most of the top jazz venues. The band developed a large following of students and fans alike. He became well known for his intense style and amazing guitar synthesizer. In 1983, Don was brought in to direct most ofGIT's 300 plus videos. And in 1988, when REH began its very successful instructional video line, Don was hired as the primary director and producer. His talent and expertise as a player and teacher, as well as video producer, have been a huge benefit to the many artists who have been featured in REH videos. Artists include: Joe Pass, Allan Holdsworth, Robben Ford, Scott Henderson, Herb Ellis, Steve Morse, Paul Gilbert, Pat Martino, Albert Collins, Frank Gambale, Al DiMeola, Keith Wyatt, John Petrucci, Joe Diorio, Clint Strong and many more. As a recording artist, Mock has appeared as a sideman on several albums and has two solo efforts: "Mock One" and "Speed of Light. " In 2004, Don joined Jay Roberts, son of Howard Roberts, to establish the Roberts Music Institute in Bellevue, Washington. Don added his expertise in developing the schools curriculum and also teaches classes on contemporary guitar playing.

CONTENTS

Title

Introduction .

What Is a Secondary Dominant? .

Diatonic Harmony .

The Diatonic Cycle of 5ths .

Static and Functioning Dominant 7ths .

Building "Dominant Master Scales" .

I7-C7 (The Secondary Dominant 17 Chord) .

II7-D7 (The Secondary Dominant 117Chord) .

III7-E7 (The Secondary Dominant 1117Chord) .

IV7 -F7 (The Secondary Dominant IV7 Chord) .

V-G7 (The Primary Dominant V Chord) .

VI7 -A 7 (The Secondary Dominant VI7 Chord) .

VI17-B7 (The Secondary Dominant VII7 Chord) .

Combining the Master Scales .

All Dominant Demo .

Extensions and Alterations for Dominant 7ths .

Useful Dominant 7th Voicings: Extended .

Useful Dominant 7th Voicings: Altered .

Additional Altered Dominant Voicings .

Extensions and Alterations that can be added to Dominant 7ths .

Diatonic Chord Substitutes for Dominant 7ths .

Dominant 7ths in Progressions .

I7-The Secondary Dominant 17 Chord .

I7 Demo Solo .

I7 continued .

II7- The Secondary Dominant 117Chord .

II7Demo Solo .

II7continued

III7-The Secondary Dominant 1117Chord .

III7Demo Solo .

III7continued .

IV7 - The Secondary Dominant IV7 Chord .

IV7 Demo Solo .

IV7 continued .

V- The Dominant V Chord .

V Demo Solo .

V continued .

VI7 - The Secondary Dominant VI7 Chord .

VI7 Demo Solo .

VI7 continued .

VI17-The Secondary Dominant VI17 Chord .

VI17 Demo Solo .

VI17 conti nued .

bV117-The Dominant bV117Chord .

bV117Demo Solo .

Flat-Fifth Substitution .

Diminished and Augmented Chords are Dominants Too .

Diminished and Augmented Scales .

Diminished/Whole Tone Demo Solo .

Minor/Major 7ths as Dominants .

Using Equivalent II Minor 7th Chords with Dominants .

Simplifying the 8 Dominants into 3 Basic Groups .

Chord Charts: Dominants in Tunes .

MOCK DON, MOCK'S MODAL MOJO. The "No Mystery" Approach to Modal Improvising. CD TABLATURE

LIBRO METODO DI MUSICA, CON CD. MP3 AUDIO DI 8 ORE.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE. 

CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Modal Theory

Modal Fingerboard Patterns

Modal Comping and Rhythm Patterns

Challenging Modal Etudes

Substitute and Optional Modal Scales

Arpeggios and Pentatonic i Modes

28 Practice Grooves with Complete Play-Along Tracks in Major, Minorm and Dominant 7th Modes

Modal Mojo is an in-depth and complete lesson on modes for modern guitarists. With its 84-page book, and over eight hours of audio instruction, demonstration, and play-along tracks, this is truly one of the most complete studies of the modes available for players of any level. Mock includes etudes and rhythm examples for each mode as he takes you step-by-step through all 28 modal grooves. He demonstrates the use of arpeggios, sequences, intervals, chromatics, and optional scales to make your modal improvising more melodic and interesting. The book also features a special Resource Section, which illustrates the best scale patterns for the modes and important modal chord substitution concepts.

The 28 play-along grooves are performed live by guitarist Don Mock, bassist Steve Kim, and drummer Dave Coleman, and cover all the common and not-so-common Dominant 7th, Major and Minor modes. The tracks are creative real-world performances with dynamic and color changes, which can inspire new ideas from the practicing musician. The trio performs the grooves using contemporary jazz, Latin, fusion, and rock feels in various tempos and keys. Not only are the play-along grooves a valuable resource for developing improvisational skills, but also offer a wealth of ideas for rhythm and comping.

With over eight hours of audio instruction, demonstrations, and play-along tracks, as well as an 84-page book, this is one of the most complete studies of modes available for modern guitarists of any level. Don Mock includes etudes and rhythm examples for each mode as he takes you step-by-step through 28 modal grooves. He demonstrates the use of arpeggios, sequences, intervals, chromatics, and optional scales to make your modal improvising more melodic and interesting. The book's special resource section illustrates the best scale patterns for the modes and important modal chord substitution concepts.

Performed live by guitarist Don Mock, bassist Steve Kim, and drummer Dave Coleman, the 28 play-along grooves cover the dominant 7th, major, and minor modes. The trio performs the grooves using contemporary jazz, Latin, fusion, and rock feels in various tempos and keys. The play-along grooves are a valuable resource for developing improvisational skills and offer a wealth of ideas for rhythm and comping.

Modal Mojo is an in-depth lesson on modes for contemporary guitarists. Each of the 13 modes on the play-along CD is explored from both a single-note improvisational and rhythm guitar point of view. You'll notice that this book contains very little text; it's intended to be used for reference to show the modes, patterns, scale harmonies, examples, and etudes in music notation and tablature. Join me on the audio CD, where you will find the demonstrations and my discussions about each example. And we'll do a lot of playing, too: we'll learn the correct mode, its fingerings, and some optional scales for each of the 28 tracks on the play-along CD. The modes are divided into three sections: minor, major, and dominant. I'll demonstrate each mode and talk about concepts you can use to make your modal playing melodic and interesting. I've also included an etude for each mode. The etudes, which are sample solos from 8 to 32 bars in length, include intervals, arpeggios, chromatics, and rhythms: all the ingredients for an interesting improvised solo. I'll take you through each etude slowly, then we'll play it up to tempo with the corresponding modal groove. Next, we'll get into the details about how to play interesting modal rhythm parts. We'll look at the scale harmony and theory for each mode, and discover ways to use extended and substitute chords to create convincing rhythm parts. In the Resource Section, you'll find fingering patterns for all the primary "parent" scales that the modes are derived from. These include the major scale, harmonic and melodic minor scales, and pentatonic scales. I've also included a hybrid scale called a minor sixth pentatonic. The Resource Section also includes the most useful patterns for the symmetrical diminished and whole tone scales, as well as a special chapter on the three principles of chord substitution. Modal Mojo addresses the most common modes a modem guitar player might encounter. All seven modes derived from the major scale are included. From the melodic minor scale we'll look at the Lydian #5, Lydian/Dominant, and Super-Locrian modes. We'll study the Ionian #5 and the Phrygian/Dominant modes from the harmonic minor scale, as well as one other modal groove, which is not really considered a mode: the Dominant 7#9. You'll find this popular groove discussed in both the dominant modes section and the minor modes section. The study and understanding of modes and the scale harmonies derived from them is truly a study of the workings of music. Although our emphasis is on playing rhythm and soloing on single-chord extended modal grooves, the knowledge you'll gain will go a long way toward understanding key centers, theory, and how chords work together in progressions. Be sure to understand the mode, what its parent scale or key center is, and the chords that are built off of its scale tones. Make it a point to notice the sound and color modes create. And don't forget to take advantage of the guitar fingerboard as a guide to find solutions: think of it as a slide rule, remembering that chord shapes and scale patterns can be moved up or down to new locations. Modal Mojo is organized in a way that allows you to start with any mode you choose. If modes are new to you, I would recommend tackling the modes of the major scale first. From the minor category, these include Dorian, Phrygian, Aeolian, and Locrian. The major mode category includes Ionian and Lydian, and the dominant group includes Mixolydian.

CONTENTS:

CD #1

Title Example MP3 File Page Title Example MP3 File Page

Introduction

Modes: An Overview

The Modal Naming Game

Minor Modes

Track I

A Dorian

A Dorian Rhythms

A Dorian Etude

Track 2

D Dorian

D Dorian Rhythms

Track 3

E Dorian

E Dorian Rhythms

Track 4

C Aeolian

C Aeolean Rhythms

C Aeolian Etude

Track 5

A Aeolian

A Aeolian Rhythms

Track 6

B Phrygian

B Phrygian Rhythms

Track 7

A Phrygian

A Phrygian Rhythms

A Phrygian Etude

Track 8

B Locrian

B Locrian Rhythms

B Locrian Etude

Track 9

E Locrian

E Locrian Rhythms

Track 10

Dominant 7(#9)

Dominant 7(#9) Rhythms

A7(#9) Etude

Major Modes

Track 1

D Ionian

D Ionian Rhythms

D Ionian Etude

Track 2

Bb Ionian 4

Bb Ionian Rhythms

Track 3

A Lydian

A Lydian Rhythms

Track 4

G Lydian

G Lydian Rhythms

Track 5

C Lydian

C Lydian Rhythms

C Lydian Etude

Track 6

F Lydian (#5)

F Lydian (#5)Rhythms

F Lydian (#5)Etude

Track 7

C Lydian (#5)

C Lydian (#5)Rhythms

Track 8

F Ionian (#5)

F Ionian (#5)Rhythms

F Ionian (#5)Etude

Dominant Modes

Track I

G Mixolydian

G Mixolydian Rhythms

G Mixolydian Etude

Track 2

E Mixolydian

E Mixolydian Rhythms

Track 3

B Mixolydian

B Mixolydian Rhythms

Track 4

C Lydian/Dominant

C Lydian/Dominant Rhythms

Track5

Bb Lydian/Dominant.

Bb Lydian/Dominant Rhythms

Bb Lydian/Dominant Etude

Track 6

A Phrygian/Dominant

A Phrygian/Dominant Rhythms

A Phrygian/Dominant Etude

Track 7

F#Phrygian/Dominant.

F#Phrygian/Dominant Rhythms

Track 8

Dominant 7(#9)

C7(#9)Rhythms

Track 9

Dominant 7(#9)

G7(#9) Rhythms

G7(#9) Etude

Track 10

Altered Dominant

B7 Altered Rhythms

B7 Altered Etude

Resource Section

PLAY-ALONG TRACKS MENU

CD#2

Minor Modal Grooves

MP3 Track Title Time Tempo (bpm) Style

1 Dorian Am7 12:42  118  Bossa

2 Dorian Dm7 6:28  110  Swing

3 Dorian Em7 6: 13  112  Rock/Funk

4 Aeolian Cm7 8:51  101  Light Rock

5 Aeolian Am7 6:22  128 Quasi-Reggae

6 Phrygian 8m7 5:10  170  6/4Rock

7 Phrygian Am7 6:30  96  Funk

8 Locrian 8m 7(b5) 7:26  112  Funk

9 Locrian Em7(b5) 6:53  128  Rock

10 Dominant 7(#9)A7(#9) 9:47  98  Funk

Major Modal Grooves

MP3Track Title Time Tempo (bpm) Style

1 Ionian Dmaj7 5:32 105 R&B

2 Ionian amaj7 10:24 128 Light Rock/Funk

3 Lydian Amaj7(#11) 5:58 166 Fast 8th

4 Lydian Gmaj7(#11) 9: 17 90 Slow Rock

5 Lydian Cmaj7(#11) 9:04 101 Funky

6 Lydian (#5)Fmaj7(#5) 6:16 94 Funk

7 Lydian (#5)Cmaj7(#5) 5:55 98 Medium 3,4 Swing

8 Ionian (#5)Fmaj7(#5) 7:09 94 Modern Swing

Dominant Modal Grooves

MP3 Track Title Time Tempo (bpm) Style

1 Mixolydian G7 5:31 115 Latin/Rock

2 Mixolydian E7 5:52 112 Medium Shuffle

3 Mixolydian 87 7:20 108 7/4 Medium Rock

4 Lydian/Dominant C7(#11) 8:28 94 Medium Funk/Rock

5 Lydian/Dominant Bb7(#11) 5:34 104 Swing

6 Phrygian/Dominant A7(b9) 6:31 110 Fusion

7 Phrygian/Dominant F(#7,b9) 5:42 117 Latin

8 Dominant 7(#9)C7(#9) 7:04 90 Funk

9 Dominant 7(#9)G7(#9) 8:07 108 Shuffle

10 Altered Dominant 7 87 7:29 126 Funk/Rock

SOLOING STRATEGIES FOR GUITAR, Licks, Tricks, Tones, and Tips for the Aspiring Lead Guitarist, Tom Kolb. CD TABLATURE

Series: Guitar Educational
Softcover with CD - TAB
Author: Tom Kolb

Expand your improvisational horizons with this incredible resource for all guitarists! Soloing Strategies for Guitar explores a variety of improvisational concepts and techniques, backed up with fingering patterns, exercises, and lick examples galore. In addition, each chapter includes several extended solos (in the styles of rock, blues, funk, jazz, and country) based entirely on the techniques brought forth in each lesson. Furthermore, each chapter features Quick Theory Tutorials that you can refer to if you need to brush up on your music theory. You'll also find a section called Tone Tips that precedes each solo. Here you get suggestions for guitar, amp, and effects settings. To top it all off, there's a variety of play-along tracks on the accompanying audio CD that you can jam along with, complete with chord charts and soloing suggestions. 112 pages.

GUITAR SOLOING, LA CHITARRA SOLISTA. IN ITALIANO. LIBRO CON CD E TABLATURE DELLA CHITARRA.

LIBRO DI MUSICA CON CD, METODO,
SPARTITI PER CHITARRA. ACCORDI, GRAFICO DELLA TASTIERA, PENTAGRAMMA E TABLATURE. 

Guida contemporanea all'improvvisazione.

Una risorsa completa per imparare l'arte del SOLOING e dell'improvvisazione melodica.

il CD include oltre 30 tracce dimostrative e basi per esercitarsi.

Scale, modi, arpeggi, tecnica e esercizi di visualizzazzione della tastiera

Rock, Blues, Jazz, e altri stili

Sequenze, frasi e licks

Concetti essenziali - studiato per i programmi del MUSICIANS INSTITUTE.

Una risorsa completa per imparare l'arte della nota singola e dell'improvvisazione melodica. Il CD include oltre 30 tracce dimostrative e basi per esercitarsi. Scale, Modi, Arpeggi, Tecnica ed esercizi di visualizzazione. Rock, Blues, Jazz e altri stili. Sequenze, frasi e licks. Questo libro è una guida per imparare e gestire l'arte dell'improvvisazione sulla chitarra nella musica popolare. Due dei migliori insegnanti del M.I. hanno tracciato un metodo intuitivo e progressivo per sviluppare le capacità di esecuzione di assoli di qualità professionale in qualsiasi stile. Ciascun capitolo offre diagrammi, esercizi, tecniche, licks e alcuni suggerimenti sulla loro applicazione pratica. Il Cd allegato contiene delle basi molto belle che aiutano all'esercizio nell'applicazione delle tecniche qui presentate. Vi sono anche 36 licks, ciascuno all'inizio di ogni traccia. Questo libro offre delle solide basi per comprendere e usare il manico della chitarra in modo creativo. Prendete tutto il tempo che occorre e lavorate su ogni capitolo quanto è necessario. 160 Pagine.

Questo libro è una guida per imparare e gestire I'arte dell'improvvisazione sulla chitarra nella musica popolare. Due dei migliori insegnanti del M.1. hanno tracciato un metodo intuitivo e progressive per sviluppare Ie capacità di esecuzione di assoli di qualita professionale in qualsiasi stile. Ciascun capitolo offre diagrammi, esercizi, tecniche, licks, e alcuni suggerimenti sulla loro applicazione pratica. II Cd allegato contiene delle basi molto belle che aiutano all'esercizio nell'applicazione delle tecniche qui presentate. Vi sono anche 36 licks - ciascuno all'inizio di ogni traccia. Questo libro offre delle solide basi per comprendere e usare il manico della chitarra in modo creativo. Prendete tutto il tempo che occorre e lavorate su ogni capitolo quanto è necessario.

A proposito degli Autori

Daniel Gilbert è un chitarrista di New York che lavora presso il Musician Institute dal 1979. Ha scritto la maggior parte del curriculum per chitarra della scuola, inclusi "L'improvvisazione sulla corda singola", "La chitarra ritmica funf(', e "La tecnica applicata". Insieme con la sua produzione in sala di registrazione, Daniel continua a fare serate nei locali, jam sessions, seminari in California, ed anche in Giappone, Europa e la costa Orientale. Sta attualmente lavorando al suo secondo album di musica strumentale jazz, rock e blues. (II suo primo album, "Mr. Invisable", è distribuito in  Europa).

Beth Marlis insegna al Musician Institute dal 1987. Insegna Improvvisazione su corda singola, Lettura, Chitarra Ritmica, Storia della Musica, e Open Counselling (Consigli per gli Studenti - n.d.t.). Durante il suo stage, ha ricevuto un Master (una laurea) dall'U.S.C., e ha suonato con diversi artisti come Harold Land, Brownie Mc Gee, Louis Bellson, Helen Reddy. Ha partecipato inoltre a diversi video musicali, progetti in studi di registrazione e film, mantenendo la sua carriera come professionista a Los Angeles.

Suggerimenti per la pratica

Avrete bisogno di trovare il "posto giusto" per I'allenamento quotidiano. Gli ingredienti necessari per un ambiente ideale sono:

a) Una sedia comoda, per aiutarvi nella postura ottimale (non appendetevi alla chitarra!) dovete

rimanere rilassati e concentrati. Potete anche suonare in piedi (per simulare un'esperienza tipica dal vivo ...).

b) Un posto tranquillo dove non sarete disturbati (questo a volte è difficile!)

c) Un banco, un leggio, o qualcosa di simile all'altezza giusta dove posizionare questo libro, un metronomo (o una drum machine, o un sequencer), della carta, e un registratore.

d) Anche una buona illuminazione è importante per eliminare sforzi e fatiche agli occhi.

e) Questo è il vostro laboratorio Sebbene non sara sempre possibile esercitarvi nel luogo ideale, dovreste tentare di trovare questi elementi dovunque vi allenerete.

Indice

Introduzione

Suggerimenti per la pratica .

Capitolo 1 Iniziamo .

Le scale maggiori e loro sequenze .

Le scale maggiori e gli arpeggi

La scala pentatonica maggiore

Le scale pentatoniche maggiori e i bending

La scala minore .

Arpeggi su scale minori .

La scala pentatonica minore .

Frasi costruite sulle pentatoniche minori

Scale maggiori con tre note per corda ..

Economizzare la pennata sulle scale minori: litre note per corda" .

Arpeggi maggiori .

Arpeggi minori e sweep picking.

Collegare tutti gli schemi ..

Scale su tre ottave

Cromatismi e note di passaggio .

Suonare i centri tonali .

La Modulazione .

II blues

Varianti blues

Blues minore

La scala Dorica

La scala Dorica e sue varianti .

La scala Misolidia .

Frasi Misolidie .

Arpeggi di 7a maggiore .

Arpeggi di 7a minore .

Arpeggi di 7a dominante.

Arpeggi di 7a minore b5 .

Combinare Ie scale maggiori con gli arpeggio .

Combinare Ie scale minori con gli arpeggio

La scala minore armonica ....

Suonare sulle tonalita minori ..

Suonare ancora in tonalita minori

Improwisare su progressioni di accordi

Improwisare su una canzone .

Epilogo

Guitar Soloing
The Contemporary Guide to Improvisation
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Beth Marlis
Composer: Daniel Gilbert

A comprehensive source for mastering the art of single note, melodic improvisation. The CD includes over 30 tracks for demonstration and play-along. The topics covered include: scales, modes, arpeggios, technique and visualization exercises; rock, blues, jazz, and other styles; and sequences, phrases, and licks.

Inventory #HL 00695190
ISBN: 9780793581863
UPC: 073999951905
Width: 9.0"
Length: 12.0"
160 pages

Description
A comprehensive source for mastering the art of single-note, melodic improvisation by Daniel Gilbert and Beth Marlis. Covering scales, modes, arpeggios, technique and visualisation exercises, rock, blues, jazz and other styles, sequences, phrases and licks, this is an effective and well constructed method from the Musicians Institute Essential Concepts series. The included CD features over 30 tracks for demonstration and playalong.

Musicians Institute Press is the official series of Southern California's renowned music school. MI instructors, some of the finest musicians in the world, share their vast knowledge and experience with you, no matter what your current level.