SPARTITI PER CHITARRA DI METODI JAZZ

100 ULTIMATE JAZZ RIFFS FOR GUITAR, ANDREW GORDON, CD TAB.

About 100 Ultimate Jazz Riffs for Guitar book/CD
By Andrew D. Gordon & Joe N. De Sa. For guitar. Jazz Latin. Level: intermediate. Book with CD. 75 pages.
100 Ultimate Jazz Riffs for Guitar by Andrew D. Gordon & Joe De Sa consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line. At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The CD is recorded with all of the examples recorded at normal tempo (both with and without the lead solo with rhythm section accompaniment of piano, bass & drums) and most examples of the rhythm section at a slowed down tempo. An absolute must for guitarists learning and playing various jazz styles.

LE PIÙ GRANDI FRASI DEL JAZZ & FUSION. YANNICK. 197 frasi: Frasi Blues, frasi su accordo M7, frasi su accordo m7, frasi su accordo di dominante, frasi su accordo 7 alterato, frasi su II-V-I maggiore e minore. In italiano. CD TABLATURE

LIBRO PER CHITARRA CON CD TABLATURE 
IN ITALIANO

Vera e propria enciclopedia, quest'opera presenta le più grandi frasi delle musiche Jazz & Fusion. Scoprirete circa 200 frasi indispensabili, utilizzate come dei leitmotiv, in tutti i soli di Jazz. Per ogni frase, troverete un'informazione complementaria (supporto melodico utilizzato, tipo di frase...) ed anche gli accordi sui quali bisogna utilizzarle, e cio' per poterle incorporare alla vostra esecuzione, in tutte le situazioni. Quest'opera sarà quindi una base solida per le vostre improvvisazioni, una fonte d'ispirazione, il vocabolario delle vostre esecuzioni. Il CD riprende ogni frase !

AVVERTIMENTO
Le duecento frasi o "lick" trascritte in quest'opera fanno parte integrante del vocabolario musicale utilizzato in "Jazz-Fusion".
La pratica di queste frasi costituisce sia un lavora di orecchio sia un lavora tecnico. Vi permettera in certi casi di sentire nuovi "colori" e di poter ritravarli sui vostro manico.
Affinché il vostro lavoro sia completamente efficace, non esitate a cercare Ie vostre proprie frasi utilizzando solamente I'inizio, o il colore armonico o ancora il ritmo degli esempi di questo libra. Date libera corso alia vostra immaginazione e siate produttivi !
Questo libro, costituito da una serie di "lick", non vuole essere un'opera a se stante, ma piuttosto il punto di partenza
di un lavora ancora piu approfondito.
Tutte Ie frasi di questo libra sono scritte nella stessa tonalita all'interno di ogni capitolo ("lick" blues in Bb7, II-V-I in CM7, ecc.).
Le aggiunte tra parentesi riguardano delle indicazioni complementarie di scale, di arpeggi o di procedimenti tecnici particolari utilizzati nella frase.
Ecco I'ordine di presentazione delle diverse frasi :

1 Frasi Blues
2 Frasi su un accordo M7
3 Frasi su un accordo m7
4 Frasi su un accordo di dominante
5 Frasi su un accordo 7 alterato
6 Frasi su un II-V-I Maggiore
7 Frasi su un II-V-I minore

Per quel che riguarda il CD, nonestato ovviamente possibile fare 197 brani musicali diversi visto che la tecnica ci limita a 99. E quindi Ie frasi sono state suddivise in 21 gruppi di 10 frasi I'uno.
• La prima selezione racchiude una piccola dimostrazione, nello "stile".
• La seconda selezione racchiude Ie frasi : 1 a 10
• La 3a selezione racchiude Ie frasi : 11 a 20
ecc ...
• La 20a selezione racchiude Ie frasi : 181 a 190
• La 21a selezione racchiude Ie frasi : 191 a 197
Approfittate del CD per ben ascoltare e reperire Ie frasi che vi piacciono. Utilizzatelo ugualmente per correggere i vostri errori e perfezionare in questo modo la vostra interpretazione.

Un'opera totalmente dedicata al Jazz, una vera enciclopedia dello stile, una raccolta completa di frasi, di «clichés»,di «Iicks» ricavati dai più grandi chitarristi.
Troverete in quest'opera 200 frasi indispensabili, di difficoltà variabile. La pratica di queste frasi costituirà sia un lavoro di orecchio sia un lavoro tecnico che arricchirà notevolmente il vostro modo di suonare, la vostra
scioltezza musicale ed anche la vostra capacità d'improwisazione, acquistando un vero vocabolario jazz.
Le frasi sono presentate In diversi capitoli:
frasi blues,
su un accordo M7,
su un accordo m7,
su un accordo di dominante,
su un accordo 7 alterato, poi sui II-V-l Maggiori e minori.
Ciò per permettervi di capire tutto e quindi di essere capaci di utilizzare in seguito queste frasi in contesti diversi (tonalità. ..).

Quest'opera non vuole essere un'opera a se stante, ma piuttosto il punto di partenza di un lavoro ancora più approfondito, più creativo. Queste frasi hanno dunque anche lo scopo di aiutarvi a sviluppare le vostre proprie idee. 
Il CD vi permetterà di sentire ogni frase e quindi di perfezionarne l'esecuzione.

Un ouvrage totalement dédié au Jazz, une véritable encyclopédie du style, un recueil complet de plans, de clichés, de «licks» croustillants, tirés des plus grands guitaristes. Vous trouverez dans cet ouvrage 200 plans incontournables, de difficulté variable. La pratique de ces phrases constituera aussi bien un travail d’oreille qu’un travail technique, qui enrichira considérablement votre jeu, votre aisance musicale mais aussi et surtout votre capacité d’improvisation, en vous forgeant un véritable vocabulaire jazz. Les plans sont présentés en plusieurs chapitres : plans blues, sur un accord MA7, sur un accord m7, sur un accord 7, sur un accord 7 altéré, puis sur les II-V-I Majeurs et mineurs. Ceci afin de comprendre le pourquoi du comment et donc être capable d’utiliser par la suite ces plans dans des contextes différents (tonalité...). Ainsi, cet ouvrage ne doit pas être une fin en soi mais plutôt un point de départ pour un travail plus approfondi, plus créatif. Ces plans ont donc également pour vocation de vous aider à développer vos propres idées. Le CD vous permettra d’entendre chaque plan et ainsi d’en parfaire l’exécution.

AVERTISSEMENT

Les deux cents phrases ou plans transcrits dans cet ouvrage font partie integrante du vocabulaire musical utilisé en «Jazz - Fusion».

La pratique de ces phrases constitue aussi bien un travail d'oreille qu'un travail technique. Elle vous permettra dans certains cas d'entendre de nouvelles «couleurs» et de pouvoir les retrouver sur votre manche. Pour que votre travail soit tout à fait efficace, n'hésitez pas à chercher vos propres phrases en utilisant uniquement Ie début, ou la couleur harmonique ou encore Ie rythme des exemples de ce livre. Laissez libre cours à votre imagination et soyez productif ! Cet ouvrage, constitué d'une suite de plans, ne doit pas etre une fin en soi mais bien Ie point de départ d'un travail encore plus approfondi.

Tous les plans figurant dans cet ouvrage sont écrits dans une meme tonalité à I'intérieur de chaque chapitre (plans blues en Bb7, II-V-I en CMaj7, etc.).

Les rajouts entre parenthèses concernent des indications complémentaires de gammes, d'arpèges ou de procédés techniques particuliers employés dans la phrase.

Voici I'ordre de présentation des différents plans:

1/ Plans Blues

2/ Plans sur un accord Maj 7

3/ Plans sur un accord min 7

4/ Plans sur un accord 7

5/ Plans sur un accord 7 altéré

6/ Plans sur un II-V-I Majeur

7/ Plans sur un II-V-I mineur

Concernant Ie CD, il n'a bien sur pas été possible de faire 197 plages différentes puisque la technique nous limite à 99. Ainsi, les plans ont été regroupés par 10 dans 21 plages différentes.

• La plage 1 com porte une petite demonstration, dans «Ie style».

• La plage 2 comporte les plans : 1 à 10

• La plage 3 com porte les plans : 11 à 20

etc ...

• La plage 20 com porte les plans: 181 à 190

• La plage 21 com porte les plans: 191 à 197

Si votre lecteur de CD affiche les index, vous pourrez dans ce cas visualiser les 197 plans séparément. Le plan 68, pour I'exemple, sera dans la plage 8, index 8.

Profitez du CD pour bien entendre et repérer les plans qui vous seduisent. Utilisez-Ie également pour corriger vos erreurs et ainsi partaire votre interprétation.

SOMMAIRE:

AVERTISSEMENT 

1 - PLANS BLUES 

2 - PLANS SUR UN ACCORD MAJ 7

3 - PLANS SUR UN ACCORD m 7

4 - PLANS SUR UN ACCORD 7

5 - PLANS SUR UN ACCORD 7 ALTÉRÉ

6 - PLANS SUR UN II·V·I MAJEUR

7 - PLANS SUR UN II·V·I MINEUR 

VOICING DELLA CHITARRA, Derek. In italiano. CD TABLATURE

Derek Sebastian [Metodi + CD | Chitarra]

Se le conoscenze teoriche permettono di accrescere il potenziale creativo, le informazioni pratiche, immediatamente applicabili, sono certamente le più attraenti. Ecco il motivo per cui, parallelamente ai principi teorici, troverete qui raggruppati i «voicing» più significativi dedicati alle progressioni armoniche del Blues, alle progressioni Tonali ed alle progressioni Modali del Jazz ternario e binario, fermo restando che un ampio spazio è stato lasciato ai diagrammi degli accordi. Questi voicing vi saranno preziosi per accompagnare, certamente, ma anche per elaborare degli assolo ad accordi od ancora per armonizzare una melodia. Vi aiuteranno anche molto ad aguzzare il vostro orecchio musicale relativamente all’improvvisazione melodica pura. Grazie ai numerosi esempi che illustra, il CD renderà questo metodo ancora più piacevole ed efficace. Vi permetterà inoltre, tramite il semplice ascolto, a selezionare le progressioni armoniche che vi piacciono di più. Libro + CD

PLAYING THE CHANGES: GUITAR. A Linear Approach to Improvising. Mitch Seidman, Paul Del Nero. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE.

LIBRO METODO DI MUSICA JAZZ CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Berklee Labs
Publisher: Berklee Press
Medium: Softcover with CD
Author: Mitch Seidman
Author: Paul Del Nero

GUITAR: IMPROVISATION

Effective improvisation can add fun and individuality to guitar performances. This book presents a unique improvisation strategy based on ear training and a linear interpretation of note/chord relationships. You'll learn how to: develop an expectation of sound - master the relationships between notes, modes and harmonies - improvise over jazz standards - identify pitch tendencies within chord progressions, and more. 128 pages.

Create more expressive solos

Effective improvisation can add fun and individuality to guitar solos. In Playing the Changes—Guitar, Mitch Seidman and Paul Del Nero present a unique improvisation strategy based on ear training and a linear interpretation of note relationships.

In this technique, improvised lines are derived from the harmonic construction of chord progressions. Learn how to choose appropriate notes by listening for the tendencies of pitches within modes and tetrachords—groupings of four notes in a scale. InPlaying the Changes—Guitar, you'll explore the possibilities of focused and linear improvisation, and develop your ability to create musically effective melodies with greater freedom and depth of expression.

Comprehensive, step-by-step instruction will guide you as you:

• Develop an expectation of sound—an intuitive sense for which notes to choose and where your chosen notes will lead the melody.
• Master the movement of notes over modes and harmonies.
• Use and learn from the examples on the included CD.
• Become comfortable improvising over jazz standards such as "Blue Bossa," "Tune Up," and "Long Ago and Far Away."
• Create your own chord pads to use as you practice recognizing the tendencies of pitches within chord progressions.
• Tablature included.

If you can read traditional notation and chord symbols, have a basic understanding of functional harmony and have a basic technical capability, you can use this book to learn how to improvise and become more expressive and creative in your music making.

BUZZ

"Very thoughtful and insightful book by Mitch Seidman and Paul Del Nero. This is geared to an intermediate to advanced level of student, but a beginner can certainly find good practice material. The tetrachord ideas are a unique way of addressing the problems of improvisation. If students apply themselves to the exercises, much progress can be made. Highly recommended!"

—Jack Wilkins, Guitarist and Educator

"Mitch Seidman and Paul Del Nero have assembled an impressive and comprehensive book of patterns, exercises, and etudes that really get inside the secrets to jazz improvisation and open up new possibilities to the guitarist at any level of their development. Complemented with a great sounding CD of many different examples, I know I. myself', will find it helpful for a long time to come. Great job, Mitch and Paul!"

—Duke Robillard, Award-Winning Blues Guitarist

"Playing the Changes is a nuts-and-bolts, hands-on method for soloing. Real concepts that will yield real results. A great piece of work!"

—Joe Beck, Jazz Guitarist

"Playing the Changes—Guitar: A Linear Approach to Improvising presents a great way to develop ear training, melodic and harmonic awareness, and the corresponding technique on the guitar. The clearly laid out and demystified program builds a sensitivity and understanding that will enrich any player's improvisational skills, transcending stylistic boundaries. A great contribution to a complete musician's education!"

—Howard Alden, Jazz Guitarist, Concord Recording Artist

Playing the Changes-Guitar

This book began as a series of core courses at Berklee College of Music, developed by
members of the Ear Training Department. In these classes, jazz improvisation students
learn to develop an intuitive, linear sense of improvisation. Some of these techniques have
evolved over centuries, and others have been developed fairly recently. As a method for
training musicians how to improvise, we have found this approach to be uniquely effective.
This book is intended for musicians who can read traditional notation and chord symbols,
have a basic understanding of functional harmony, and have a basic technical capability
on their instrument.
The essential idea is that using just a few notes effectively, in an improvisation, leads to
great musical freedom and depth of expression. By using a few carefully selected notes,
and by listening for where these notes naturally lead, your resulting improvised lines will
become more focused and linear, with natural-sounding resolutions.
In our method, note choices are based on modes and tetrachords (four-note groups,
discussed in lesson 2) that are derived from the chord progression's harmony. Our method
for using them will help you to find notes that will be musically effective, easy to
remember, and appropriate for your instrument, and it will lead you to many new ideas.
After introducing a few technical concepts in part I, the "Progressions" lessons of part II
are each based on a progression from the "jazz standards" repertoire. These patterns of
chords are at the heart of many tunes, and there are infinite ways in which they can be
varied. Individual chords can have variations, melodies can include notes that go beyond
the chords, and distinctive elements in the underlying groove can all lead to countless
possibilities. In addition, these progressions can be transposed to any key and played at
various tempos. Tunes can be created by combining several of these progressions, in
various formal structures. Mastering the ways that notes move over these progressions will
therefore help you as you learn new music.
Berklee has used this approach to train thousands of students to develop their musical
intuition. It has been refined over many years, and we have found it to be uniquely
effective and helpful.
We hope that it helps you to become more expressive and creative in your music making.
Notes about Chord Symbols
Chord symbols don't necessarily include tensions. Tensions may be included in the
notated and comping parts and solos.

About the Authors
The concepts in this book come from the curriculum developed by the creators of Berklee's Performance Ear Training courses. These concepts have been used to train thousands of musicians in improvisation.

Mitch Seidman
Guitarist Mitch Seidman is a Professor of Ear Training at Berklee College of Music. He has thirty
years of experience as a professional guitarist and music educator, and has performed throughout
New England, as well as in ew York, Los Angeles, and Washington, D.C. He has appeared
overseas at jazz festivals in France and Germany, and was an artist-in-residence for the Centro
Cultural Norteamericano in Costa Rica. Mitch has recorded with Harold Vick, Harvie S (formerly Harvie Swartz), Ted Brown, Alan Dawson, and Joe Hunt, and has performed with John Pisano, Teddy Kotick, Joe Beck, George Garzone, Herb Pomeroy, Hal Crook, Holly Hofmann, Vera Auer, Michael Formanek, Tyrone Brown, Eddie Jones, and Freddie Moore, among numerous others. He has recordings on Jardis (Germany), Cadence, and Brownstone Records.
Mitch holds a bachelor of composition from Berklee College of Music and a master's in music education from Boston University. He is a contributing editor to 20th Century Guitar magazine.

Paul Del Nero
Bassist Paul Del Nero is Associate Professor of Ear Training at Berklee College of Music. Paul is an
active performer, recording artist, educator, and clinician. He has performed internationally on
acoustic and electric bass, with small groups and big bands, in festivals, clubs, and shows, and on
radio and television. Artists he has performed with include Hal Crook, Charlie Rouse, James Williams, Hal Galper, Donald Byrd, Junior Mance, Mose Allison, Jimmy Guiffre, Butty Tate, Benny Golson, and Bob Moses. He has recorded with record labels including Concord, Candid, and GM. He has appeared at various jazz festivals, including Vienne, Toulon, Berlin, Los Angeles, and ew York, and was Artist in Residence at The Banff Centre. Paul is a recipient of the USIA Grant under the American Cultural Specialist Program. He holds a bachelor of music from Berklee and a master's from New England Conservatory of Music.

Playing the Changes-Guitar
CD Tracks
Mitch Seidman:
Paul Del Nero:
Tony Germain:
Bob Tamagni:
Guitars
Bass
Piano
Drums
Recorded at PBS Recording in Westwood, MA by Peter Kontrimas.
CMaj7 to C-7 .
CMaj7 to F-7 .
Tetrachord Demonstration .
CMaj7 Chord Pad .
CMaj7 Pad with Improvisation: C Major Tetrachord .
Practice Vamp 1: Play Along .
Practice Vamp 1: Lower Tetrachord .
Practice Vamp 1: Upper Tett'achord .
Practice Vamp 1: Modal Exercise .
Practice Vamp 1: Mixed-Rhythm Modal Exercise
Practice Vamp 2: Play Along .
Practice Vamp 2: Modal Exercise .
Practice Vamp 2: Mixed-Rhythm Modal Exercise .
Blue Bossa: Etude .
Blue Bossa: Play Along .
Blue Bossa: Mode Practice .
Blue Bossa: Mixed-Rhythm Modal Exercise .
Blue Bossa: Improvisation .
Tune Up: Etude .
Tune Up: Play Along " .
Tune Up: Mode Practice .
Tune Up: Mixed-Rhythm Modal Exercise .
Tune Up: Improvisation .
Valse Hot: Etude .
Valse Hot: Play Along .
Valse Hot: Mode Practice .
Valse Hot: Mixed-Rhythm Modal Exercise .
Valse Hot: Improvisation .
Blues: Etude
Blues: Play Along
Blues: Mode Practice
Blues: Mixed-Rhythm Modal Exercise
Blues: Improvisation
Long Ago and Far Away: Etude
Long Ago and Far Away: Play Along
Long Ago and Far Away: Mode Practice
Long Ago and Far Away: Mixed-Rhythm Modal Exercise
Long Ago and Far Away: Improvisation
Lady Bird: Etude
Lady Bird: Play Along .
Lady Bird: Mode Practice
Lady Bird: Mixed-Rhythm Modal Exercise
Lady Bird: Improvisation
Just Friends: Etude
Just Friends: Play Along .
Just Friends: Mode Practice
Just Friends: Mixed-Rhythm Modal Exercise .
Just Friends: Improvisation

Additional recordings for this book are available on its associated Website

Contents
CD Tracks
Introduction .
PART I. Getting Oriented
Lesson 1. Pitch Axis .
Lesson 2. Tetrachords
Lesson 3. Modes .
Lesson 4. Practice Vamp 1: One Mode .
Lesson 5. Practice Vamp 2: Two Modes
PART II. Progressions .
Lesson 6. Two Modes .
Lesson 7. Three Modes .
Lesson 8. Three Modes .
Lesson 9. Three Modes .
Lesson 10. Four Modes
Lesson 11. Four Modes
Lesson 12. Five Modes
What's Next? .
About the Authors .
 

A MODERN METHOD FOR GUITAR - VOLUME 1. Berklee Press. DVD-ROM

DVD ROM METODO PER CHITARRA. 

14 ORE E 30 MINUTI DI VIDEO DIDATTICO, 

Series: Berklee DVD
Publisher: Berklee Press
Medium: DVD-ROM
Guitar
Artist: Larry Baione
Author: William Leavitt

This DVD-ROM version of A Modern Method for Guitar, Volume 1 is the most comprehensive guitar method DVD-ROM on the market. You will be guided through 14 complete lessons with Larry Baione, chair of Berklee's guitar department. It's like a year's worth of private guitar lessons at Berklee College of Music! It features 14 hours of instruction including on-screen demonstrations (with camera close-ups of both hands), as well as interactive duets and play-along segments so you can sit in with your instructor. You will learn essential skills for playing lead and rhythm guitar, including: scales, chord forms, accompaniment skills, guitar technique, voice-leading approaches, reading music notation.

"...THE BEST METHOD EVER WRITTEN FOR GUITAR." - Mike Stern
For Use in Both Windows and MacIntosh Computers! For use in computers ONLY, this is not for use in a DVD player.
BOOK NOT INCLUDED

A Modern Method for Guitar by William Leavitt, is one of the world's most popular guitar methods. It is the basic text for Berklee College of Music's guitar program. It has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors for over 40 years.

This DVD-ROM version of this proven method is the most comprehensive guitar method DVD-ROM on the market. The instruction on this DVD-ROM is equivalent to a year's worth of guitar lessons at Berklee College of Music! You will be guided through 14 complete lessons with Larry Baione, Chair of Berklee's Guitar Department.

14 Hours of instruction include on-screen demonstrations, with camera close-ups of both hands, as well as interactive duets and play-along segments so you can "sit in" with your instructor.

You will learn essential skills for playing lead and rhythm guitar, including:

scales
chord forms
accompaniment skills
guitar technique
voice-leading approaches
reading music notation