SPARTITI PER CHITARRA DI MUSICA CLASSICA

BAROQUE LUTE MUSIC FOR GUITAR, Walter Abt. SHEET MUSIC BOOK WITH CD GUITAR TABLATURE. 

Libro di musica CLASSICA per chitarra con CD .

SPARTITI PER CHITARRA : PENTAGRAMMA e TABLATURE .

BAROQUE LUTE MUSIC FOR GUITAR :
Trascrizioni per chitarra di suite originali per liuto barocco, tratte dai repertori dei migliori liutisti compositori del XVIII secolo, come Sylius Leopold Weiss e Isaias Reusner. Le trascrizioni sono pensate per un tipo particolare di accordatura sviluppata appositamente da Walter Abt per rendere al meglio questo particolare repertorio sulla chitarra acustica.

Notes by Walter Abt:
The pieces published in this volume are some of the most beautiful masterpieces by four famous Baroque lute players who created their own composition style.
I have developed a particular guitar tuning for this type of music, which allows for playing pieces written for the lute imitating the lute fingering.
This type of fingering makes it easy to move the left hand on the handle and makes the most of the guitar's resonance.
The different resonance ratio of the instrument enables the music for Baroque lute to be easily played on the guitar with a natural and authentic sound.
This tuning recalls the real handle grip and the way of fretting strings of the compositions for lute, which reduces notably the difficulty level.

Notes on the development of the Suite composition:
The first polyphonic instrumental compositions for lute or vihuela date back to 1500 as Ricercare, Tentos o Fantasias. They are free form of music and are not linked to any specific types of musical movement.
It is only at the dawn of the 17th century that they start to flourish as court balls, when the lute becomes one of the most preferred instruments in the European courts. In the ensemble with other instruments such as the Theorbo, the Chitarrone, the Colachon and the Pandora, the low and continuous sound of the lute dominated these pizzicato instruments.
Due to the composition for lute, the instrumental structures and ornamentation influence the compositions for harpsichord and piano positively, specifically in the form of the fourmovement
sonatas of the 18th century.
The "broken style" with its brilliant ornamentation is considered the vocal guide that changes the contrapuntal sounds. The art of the lute complements the contrapuntal melisma.
In the 16th century in France, it delivers a way of playing diminished at best and within the lute school in Paris of the brothers Jacques and Denis Gaultier it developed a majestic structure and sensation that inspired cembalists such as Rameau, Froberger, Bach and Handel. The lute was worshiped at the court of Louis XIII, even Richelieu took some lessons from Emmenond Gaultier.
Extraordinary pupil of Ennemond Gaultier ("the older"), Francois Dufaut (also Du Faux or Dufault), born around 1600 in Bourges, is one the most outstanding French lutenist. His tablatures for lute were printed in 1638 in the musical publications by Pierre Ballard. In his G-minor Suite Reusner reduced the Gigue Nr. 72 by Dufaut and the thematic similarities confirm the thesis that Dufaut was the maestro of the German luthanist Esaias Reusner between 1651 and 1654.

Contents

Introduction
Silvius Leopold Weiss (1686 - 1750)
Sonata VI, Nr.25 G-minor
1. Prelude
2. Allemande andante
3. Passepied
4. Bourrée
5. Sarabande (6 str,D)
6. Menuet
7. Gigue

Francois Dufaut (1604? -1672)
La Superbe, courante
Sarabande 64
Double de la Sarabande 64
Gigue 72

Esaias Reusner (1636-1679)
Suite G-minor
1. Allemande
2. Courente
3. Sarabande
4. Ballett
5. Gigue

Johann Anton Losy (1637-1721)
1. Allemande
2. Ciaconna
3 Menuet I

Jan Adam von Questenberk (1678-1752)
4 Menuet II

Johann Anton Losy (1637-1721)
5 Sarabande
6 Double
7 Gavota
8 Gigue

Silvius Leopold Weiss (1686-1750)
Tombeau sur la mort de M. Comte de Logy

Appendix: Execution of the different types of decorations
 

BACH, JOHANN SEBASTIAN

Chromatic Fantasy & Fugue (Hii)
(transcribed and recorded by Philip Hii)

At around 13 minutes in length this version could perhaps offer highly ambitious players an alternative to the famous Chaconne.  Chris Kilvington, Classical Guitar Magazine

Chromatic Fantasy & Fugue

guitar

editor: Hii, Philip

composer: Bach, Johann Sebastian

pagine: 20

BAROQUE GUITAR ANTHOLOGY, ORIGINAL WORKS FROM THE 17TH AND 18TH CENTURIES
 

LIBRO DI MUSICA BAROCCA CON CD.

SPARTITI PER CHITARRA CON: PENTAGRAMMA. 

editor: Stuart Willis - Jens Franke

25 Guitar and Lute Pieces

Original Works from the 17th and 18th Centuries

Instrumentation: Guitar
Publisher: Schott Music Ltd., London
Volume number: Vol. 1
Difficulty: easy to intermediate
Edition: edition with CD
Language: English - French - German

32 Pages - Saddle stitching
 

Content

Introduction
Sanz: Marionas
Sanz: Villano
Sanz: Espanoleta
Sanz: Torneo
Anon.: Folie d'Espagne
Anon.: Ouvrez-moy la porte, petite Nannon
Le Cocq: Menuet
Anon.: Entree
Anon.: Menuet
Anon.: Sarabande
Anon.: Gigue d'Angleterre
Anon.: Sarabande
De Visée: Menuet
Derosier: Sarabande
Derosier: Gigue
Le Cocq: Sarabande
Mouton: Prelude
Kellner: Sarabande
Kellner: Double
Le Cocq: Menuet
Le Cocq: La Burlesque
Le Cocq: Gigue
Anon.: Sarabande
Anon.: Prelude
De Visée: Gigue
Teaching Notes
About the Composers  

PARADISI DOMENICO, TOCCATA IN LA MAGGIORE. TONALITA' ORIGINALE

Trascrizione per chitarra nella tonalità originale di Miguel Abloniz

Pietro Domenico Paradisi (Paradies) (1707-1791) - TOCCATA da "Le sonate di gravicembalo" La più famosa tra le  musiche dell'intervallo della Rai TV.

NARCISIO YEPES , THE FINEST PIECES FROM HIS REPERTOIRE.  

Come compositore Yepes è l'autore del famoso pezzo "giochi proibiti". Lo compose per la madre quando era giovanissimo, aveva sette anni. E fu inserito nella colonna sonora del film Jeux interdits del 1952 diretto da René Clement, vincitore del Leone d'oro come miglior film alla 17a mostra del cinema di Venezia. E' ancora un mistero perché Yepes non si attribuì l'autorità di questo brano malinconico e sdolcinato, e inizialmente disse di averlo trovato. Sembra un poco come nel romazo "il nome della Rosa" del 1980 o nel "Baudolino" del 2000 di Umberto Eco, dove la storia inizia con la lettura di un manoscritto antico (che chiaramente è stato scritto dallo stesso Eco) ritrovato tra scartoffie impolverate in un vecchio baule ammuffito all'nterno di una cantina tra i ruderi di un castello abbandonato. 

Yepes suona a volte velocemente una scala cromatica solo con un dito e solo su una corda, per tutta la tastiera, potrebbe sembrare facile, ma non è così, quando si è abituati a suonare con 4 dita, bisogna fare attenzione a sincronizzare lo spostamento del dito, lo si vede anche nel filmato "Passepied di Salvador Bacarisse" a 25 secondi.

composer: Narcisio Yepes

Masters of the Guitar

Instrumentation: guitar

Publisher: Schott Music

Difficulty: intermediate

Series: Guitar Archive

80 Pages 

Content:

Anonymous: Irish Marsh - Marcha Irlandesa

Saltarello

L. Milán: 6 Pavans

E. Adriaensen: Canson Englesa

Allemande court

T. Robinson: 4 Sacred Songs

D. Kellner: Aria and Fantasia D major

J.S. Bach: Sarabande et Double

F. Sor: Introduction and variations on a theme by Mozart

S. Bacarisse: Passepied No. II

F. Casanovas: La gata i el belitre

E. Roldan: Au clair de la lune

V. Asencio: Collectici íntim

N. Yepes: 2 Catalan Folk Songs

Appendix: Symbols  

Der spanische Gitarrist Narciso Yepes (1927-1997) war einer der groBen Meister seines

Instruments. Sein Studium am Konservatorium in Valencia begann er bereits im Alter von 12

Jahren und war SchOlervon Vicente Asensio, der in diesem Band mit der Komposition Collectici

intirn vertreten ist. Ahnlich wie Manuel de Falla hatte auch Yepes eine starke Verbindung

zum Flamenco. Seinen Durchbruch hatte Narciso Yepes 1947 mit der Auffuhrung von Joaquin

Rodrigos Concierto de Aranjuez, das er 1955 auch auf Schallplatte einspielte.

Kompositorisch erlangte Yepes mit seiner Filmmusik fOr den Film Jeux interdits (Rene Clement,

1952) internationale Anerkennung.

Mit zahlreichen Transkriptionen erweiterte Yepes das Repertoire der akustischen Gitarre.

Um flexibler zu transkribieren, lie~ er sich 1964 eine zehnsaitige Gitarre bauen.

Der vorliegende Sammelband enthiilt die sch6nsten StUcke aus dem Repertoire des brillanten

Virtuosen Narciso Yepes, der neben Andres Segovia und Emilio Pujol zu den gr6~ten Gitarristen

Spaniens ziihlte.

The spanish guitarist Narciso Yepes (1927-1997) was one of the great masters of his instrument.

Already at the age of twelve he began studying at University of Valencia and there he was

a pupil of Vicente Asencio, who is presented in this volume with his composition Collectici

intirn. Like Manuel de Falla, Yepes was also closely connected with the Flamenco.

In 1947 Narciso Yepes had his breakthrough with the performance of Joaquin Rodrigo's

Concierto de Aranjuez which he recorded in 1955. As a composer Yepes achieved international

prestige with his score to the film Jeux interdits (Forbidden Games) (1952) directed by Rene

Clement.

Yepes enlarged (enriched) the repertoire of the acoustic guitar with numerous transcriptions.

For being more flexible, he created the ten string guitar in 1964.

The present volume contains the finest pieces from the repertoire of the brilliant musician

Narciso Yepes, who ranked among Andres Segovia and Emilio Pujol to the greatest guitarist

of Spain.

EIguitarrista espanol Narciso Yepes (1927-1997) fue uno de los grandes maestros de su instrumento.

Empezo a estudiar en la universidad de Valencia a la temprana edad de doce anos, y fue

alumno en ella de Vicente Asencio, quien es presentado en este volumen con su composicion

Collectici fntirn. AI igual que Manuel de Falla, tambien Yepes mantuvo una estrecha vinculacion

con el flamenco. En 1947, Narciso Yepes dio un impulso decisivo a su carrera con la interpretacion

del Concierto de Aranjuez, de Joaquin Rodrigo, que grabo en 1955. Como compositor,

Yepes alcanzo la fama internacional con su partitura para la pelfcula Jeux interdits (Juegos

prohibidos) (1952) dirigida por Rene Clement.

Yepes amplio (enriquecio) el repertorio de la guitarra acustica con numerosas trasncripciones.

Paratener mayor flexibilidad, en 1964 creo la guitarra de diez cuerdas.

EI presente volumen contiene las mejores piezas del repertorio del brillante musico Narciso

Yepes, quien ha pasado a ser -junto con Andres Segovia y Emilio Pujol- uno de los mas grandes

guitarristas de Espana.

Contents / Inhalt / Contenido:

Irish March / Irischer Marsch / Marcha irlandesa - Anonymous (11th century /11. Jh. / Siglo XI)

Saltarello - Anonymous (16th century /16. Jh. / Siglo XVI)

6 Pavans / 6 Pavanen / 6 Pavanas - Luis Milan (1500-1561)

Canson Englesa - Emmanuel Adriaensen (ca. 1554 - 1604)

Allemande de court

4 Sacred Songs / 4 geistliche Lieder / 4 cantos sacros - Thomas Robinson (ca. 1588 - 1610)

Aria and Fantasia D major / Arie und Fantasie D-dur / David Kellner (ca. 1670 -1748)

Aria y fantasia Re mayor

Sarabande et Double 31 - Johann Sebastian Bach (1685 -1750)

Introduction and variations on a theme by Mozart / Fernando Sor (1778 - 1839)

Introduktion und Variationen Ober ein Thema von Mozart /

Introduccion y variaciones sobre un tema de Mozart

Passepied No. 1 - Salvador Bacarisse (1898 - 1963)

La gata i el belitre - Francisco Casanovas (1899 - 1986)

Au clair de la lune - Eugene Roldan

Collectici intim - Vicente Asencio (1903 - 1979)

2 Catalan Folk Songs / 2 katalanische Volkslieder / - Narciso Yepes (1927 - 1997)

2 canciones populares catalanas

Appendix / Anhang / Apendice

Symbols / Zeichenerklarung / Simbolos