CHITARRA - GUITAR

JUMP, JIVE 'N' SWING GUITAR. Keith Wyatt. Learn styles of Freddie Green. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE .

LIBRO DI MUSICA SWING, CON CD. 

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

METODO PER CHITARRA .

By Keith Wyatt
SERIES: Jazz Masters Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
In this book, Keith Wyatt leads you through all the techniques you need to play swing rhythm guitar. Keith covers blues progressions, swing chord voicings, comping patterns, rhythm feels, bass lines, horn-style riffs, and much more! The included CD contains full demonstrations of all the music examples, complete with a full swing band that you can play along with. All music examples are written in standard notation and tab. All you need is the Zoot suit!

Learn the styles of :

T-Bone Walker

Freddie Green

Gatemouth Brown

Brian Setzer

and all the Swing greats ....

Swing comping Techniques

2, 3, 4 note Swing Chord Voicing

Major and minor Swing blues progressions

Turnarounds

intro and endings

Freddie Green style

jump, jive and Swing Guitar. More than a studied technique, swing gets down to a feeling. It's how you play, how you move your whole body rhythmically in time with the band. In this book, you'll learn how to play with the band, understand what the band members are doing, and how the guitar fits in with them to create the rhythm section. A basic knowledge of chord voicings and some study of harmony and theory are essential; however, regardless of your level of ability, you will enjoy this exploration into the world of jump, jive and Swing Guitar. 

The Swing Rhythm Section IOne of the first steps to playing swing guitar is having some knowledge of the construction of the rhythm section. The role of the rhythm guitarist is to work with the other musicians: support the soloist and the singer and complement the drummer, pianist, and bass player. Listen how each individual band member plays his part in a typical Iz-bar blues in this CDtrack example. The basis of the whole rhythm section lies in the kick drum, which plays on every beat. The pattern played on the cymbal typifies the swing style, and in big band arrangements, the snare drum can accent various parts of the rhythm or can emphasize the steady swing feel to drive the band. In jump blues, the snare pattern is a hard-hitting backbeat. This is the groove that gave birth to rock 'n' roll. The role of the bass is to outline the notes of each chord in the progression with a note on every beat. This is called a walking line. The piano typically plays a walking line in the left hand, as the bass does, and plays upbeats in the right hand synchronizing with the drummer and the bass player to emphasize the swing feel. Horn sections supply the color and variety in swing or jump blues arrangements. There are endless variations on patterns like the simple punchy riff demonstrated here. I Nowthat you have heard each instrument individually, listen to them all together as a band. Listen how each part comes in and complements one another as they build up the groove for the guitarist to step in.

CONTENTS

Page CDTrack

INTRODUCTION

TUNING NOTES

PREFACE

SECTION ONE:

RHYTHM AND THE I2-BAR BLUES

Examples 1-2

Chord Voicings

Examples 3-6

SECTION TWO: THE RIGHT HAND 9

Examples 7-9

The I2-Bar Progression

Examples 10-12

Freddie Green

Examples 13-14

SECTION THREE: BLUES IN Bb

Example 15

SECTION FOUR: BLUES IN Eb

Examples 16-19

Example 20: Swing Blues in Eb

SECTION FIVE: . IMITATING THE PIANIST'S RIGHT HAND

Examples 21-22

Example 23: jump Blues in F

SECTION SIX: IMITATING A HORN SECTION

Examples 24-27

Example 28: Horn Section Blues in Bb

SECTION SEVEN: INNER STRING RIFFS

Examples 29-33

Example 34: Swing Blues in Bb

SECTION EIGHT: MINOR BLUES

Examples 35-37

Example 38: jive in G Minor

Example 39: jive in G Minor (Explained)

SECTION NINE: CLOSING 

JAZZ GUITAR STANDARDS. SHEET MUSIC BOOK FOR GUITAR WITH CD & TABLATURE.

LIBRO DI MUSICA JAZZ CON CD.

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

ARTIST TRANSCRIPTIONS

PLAY-ALONG BACKING TRACKS

HAL LEONARD 00672356

6 titoli :

-A Night In Tunisia, Billy Bauer

-Falling In Love With Love, Grant Green

-I've Got You Under My Skin, Jim Hall

-Stompin' At The Savoy, Charlie Christian

-Yardbird Suite, Joe Pass

-You Brought A New Kind Of Love To Me, Chuck Wayne. 

JAZZ GUITAR CHORD MELODIES. SHEET MUSIC BOOK WITH CD GUITAR TABLATURE. 

LIBRO DI MUSICA JAZZ CON CD.

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA, TABLATURE.  

FINGERSTYLE

FINGERPICKING

12 Titoli: body and soul -black Orpheus -satin doll -all the things you are -bluesette -how insensitive (insensatez) moonlight in Vermont -my foolish heart -my one and only love -my romance -once I loved (amor em paz) -there will never be another you.

Jazz Guitar Chord Melodies
Series: Guitar Solo
Format: Softcover with CD
Composer: Dan Towey

This book/CD pack includes complete solo performances of 12 terrific standards, including: All the Things You Are • Body and Soul • My Romance • How Insensitive • My One and Only Love • and more. The arrangements are performance level and range in difficulty from intermediate to advanced.

Inventory #HL 00698988
ISBN: 9780793558278
UPC: 073999989885
Width: 9.0"
Length: 12.0"
64 pages
 

Every guitarist who learns to play jazz finds out, sooner or later, about solo jazz guitar, or chord-melody as it is commonly referred to. For those who venture to take up its demanding challenges, this type of playing is a beautiful and expressive art form. But as many find out, learning to create a good chord-melody can be a long, frustrating process. And to create an arrangement on the spot - nearly an insurmountable task. This book is one of the first publications to offer performance level arrangements of jazz songs for the solo guitarist. lWelve popular standards (with standard notation and TAB) are included, ranging in difficulty from intermediate to advanced in terms of both playability and understanding. However, with time, hard work, and dedication, nearly any guitarist with a few chops can work these up to playing speed and use the phrases and concepts in their own playing. The arrangements are written to represent a broad range of stylistic diversity. There is some acoustic (both steel and nylon string), plenty of electric, some aggressive tunes (check out "Satin Doll" with its country swinglTexas blues influenced licks), full lush piano-like chord songs (like "My One and Only Love"), and traditional swing tunes (a la jazz greats like Joe Pass and Herb Elllis). You will also find a variety of techniques such as harmonics, slurs, walking bass lines, octaves, and other idiomatic ideas. To help keep the music fresh and interesting (like most live solo performances) I've reworked some of the harmonies. The new harmonies are always written in parentheses below the standard harmonies (as I know them to be). I urge you to explore these songs from your own harmonic perspective as well. Providing both sets of chord changes should give you valuable insight to different rehamonization ideas. May you be blessed with sure fingers and great gigs! Peace and Happiness

Table of contents:

All The Things You Are - Music: Jerome Kern - Words: Oscar Hammerstein II - 1939
Black Orpheus - Luiz Bonfa - 1968
Bluesette - Music: Jean Thielemans - Words: Norman Gimbel - 1963
Body And Soul - Music: John Green - Words: Edward Heyman, Robert Sour, Frank Eyton - 1930 
How Insensitive (Insensatez) - Music: Antonio Carlos Jobim - Parole: Vinicius de Moraes - 1963
Moonlight In Vermont - Music: Victor Young - Words: Ned Washington - 1949
My Foolish Heart - Music: Victor Young - Words: Ned Washington - 1949
My One And Only Love - Music: Guy Wood - Words: Robert Mellin - 1952
My Romance - Music: Richard Rodgers - Words: Lorenz Hart - 1935
Once I Loved (Amor Em Paz) (Love In Peace) - Music: Antonio Carlos Jobim - Parole: Vinicius de Moraes - 1965
Satin Doll - Duke Ellington - 1953
There Will Never Be Another You - Musc: Harry Warren - Parole: Mack Gordon - 1942

GYPSY GUITAR, THE SECRETS VOL.1, coup de pouce, Angelo Debarre, Samy Daussat, Denis Roux.

LIBRO METODO DI MUSICA MANOUCHE, CON CD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA E TABLATURE.

TECNICA, STUDIO, MANUALE, 

Metodo per chitarra ritmica: accordi per l'accompagnamento, tecnica del damping, gli accenti, ritmi vari.
La solista: fraseggio in stile Django, il picking delle terzine, sweeping, armonici, bend, slide. 7 brani completi con basi. CD TABLATURE

As an introduction to the gypsy guitar we have gathered together a series of tips, tricks and techniques as used by the masters.

ACCOMPANIMENT
The traditional gypsy method of learning to play always starts with the rhythm. You'll study the famous gypsy pumping and other rhythms used in the gypsy swing.

PLAYING SOLO
We've collected a number of classic tunes in the style of django. You'll study the techniques used in gypsy jazz: chromaticism, rolling, sweeping, octave etc ...

THE TUNES
We finish our course with 6 pieces performed by angelo debarre and accompanied by samy daussat. Each piece is scored and in guitar tablature.

A series of tips, tricks, and techniques as used by the masters introduces the gypsy guitar style of playing. The first section covers the various traditional accompaniment rhythms such as pumping, waltz, bolero, bossa nova, and rumba. Part two introduces solo playing with techniques used in gypsy jazz: damping, sweeping, rolling, chromaticism, and more. The book ends with six pieces played by Angelo Debarre and accompanied by Samy Daussat. An aid to practicing soloing, the play-along tracks can be found at the end of the CD along with all the exercises.

Tackling a new playing style can be difficult if you don't have a grip of the
particular techniques it uses.

As an introduction to the gypsy guitar we have gathered together a series of tips, tricks
techniques as used by the masters.

This course is split into three parts. we suggest you work through one before moving on to the next.

Guided by the accompanying cd, you will study in detail the famous gypsy pumping (see accompaniment),
As well as a variety of other rhythms used in the gypsy swing.

Part two introduces solo playing, with a number of licks in the style of django reihardt.

The course ends with 6 pieces of music played by angelo debarre and accompanied by samy daussat.

To help you practise your soloing, the play-along tracks can be found at the end of the CD.

PART 1 ACCOMPANIMENT .

FREQUENTLY USED CHORDS .
Gypsy PUMPING .
THE RHYTHMS
WAlTZ .
BOLERO .
BOSSA NOVA .
RUMBA .
TEST EXERCISE .

PART 2 PLAYING SOLO.
TEST EXERCISE .
THE TECHNIQUES
UP AND DOWN.
DAMPING.
TRIPLET.
SWEEPING .
ROLLING.
CHROMATICS.
HARMONICS.
OCTAVES.
BEND / VIBRATO / SLIDING .

PART 3 THE TUNES .
GYPSY SWING .
ANGELO'S WALTZ .
THE OLD GYPSY (GUITAR ONLY) .
SWING 2003
DARK EYES (GUITAR ONLY VERSION) .
DARK EYES .

SCALES OF THE PLAY'ALONG TRACKS .
GYPSY SWING .
ANGELO'S WALTZ .
SWING 2003 .
DARK EYES .

GYPSY GUITAR, GLUKLIKH. MUSIC SHEET BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA MANOUCHE CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA , TABLATURE. 

Arr. Alexander Glüklikh
CATEGORY: Classical Guitar Folio
FORMAT: Book & CD
 

By Alexander Gluklikh

Coachman
"Coachman" is a traditional Russian folk song. The introduction may be played ad lib. Section A, which is in 3/4 time, can be played freely; Section B, which is in 2/4 time, should be played with a steady rhythm.

Czardas
"Czardas" is a typical Hungarian dance and should be played lively;

Dark Eyes
"Dark Eyes" ("Ochi Chernia") is one of the most popular Russian gypsy songs. The second and third variations consist of jazz-like linear improvisations on the melody; The tempo should remain constant throughout the piece, with the exception of the cadenza, which should be played freely;

Gypsy Hora
Originating in Moldavia, this is a medium tempo dance. It should be played with great expression. The arpeggio accompaniment in Section B should not overpower the melody;

Hungarian Czardas
"Hungarian Czardas" is a song with a lively; upbeat tempo. Some measures can be played using alternative positions. I've found that the positions I've written work best for me, especially when playing the piece at the suggested tempo. Tremolo technique is used in measures 26 through 30.

Hungarian Melody
Sarasate used this beautiful melody in his famous violin work "Zigeunerweisen." The melody shifts to the bass in Section B. The tempo should remain consistent throughout the entire song.

I Met you Variations
This song is an old Russian romance. Tremolo is used throughout Section B in order to produce a sound similar to that of the Russian balalaika.

Nightingale
"Nightingale" is a traditional Russian folk song. The tempo of Sections A and B should stay the same.

Turquoise Rings
This is a Russian Gypsy song. The tempo of Section A should be played slowly: Gradually increase the tempo in Section B. Listen to the CD so you hear how I handle the tempo changes.

Two Guitars
"Two Guitars" is a Russian Gypsy folk song. This arrangement consists of a slow section (A) and a fast section (B). In Section B the tempo should gradually increase until it reaches its full speed at Section C.

Gypsy music has long been one of the most powerful influences on all styles of guitar music, from classical to jazz. This great collection contains ten classic eastern European Gypsy melodies, arranged for the guitar by Russian guitar master Alexander Glüklikh. Each of the songs is written in standard notation and tab and all are contained on the accompanying CD. Titles are: Coachman - Czardas -Dark Eyes -Gypsy Hora -Hungarian Czardas -Hungarian Melody -I Met You Variations -Nightingale -Turquoise Rings - Two Guitars.