CHITARRA - GUITAR

MALMSTEEN YNGWIE, NEO-CLASSICAL SHRED

STYLE MALMSTEEN - KEY: A HARMONIC MINOR. GUITAR QUICK LICKS. DVD

DVD DI MUSICA METAL NEOCLASSICO,

LEZIONE PER CHITARRA. 

INCLUDES KILLER ROCK LICKS PLUS A GUITAR JAM TRACK !

Guitar Quick Licks - Malmsteen
Product Description:
Learn killer rock licks in the style of Yngwie Malmsteen, the master of neo-classical shredding! Also includes a guitar jam track. Lessons by Andy James. Each DVD in the Quick Licks series includes an arsenal of licks in the style of your chosen artist to add to your repertoire, plus backing tracks to practice your new licks and techniques.

BOSSA NOVA GUITAR, Essential Chord Progressions, Patterns, Rhythms and Techniques, Carlos Arana. CD TABLATURE

Series: Guitar Educational
Medium: Softcover with CD
Author: Carlos Arana

Bossa Nova Guitar is intended for a wide range of guitarists, from those with little experience in complex musical styles like jazz, Samba, or Bolero, to highly trained professional guitarists looking to expand their musical palettes. From Joao Gilberto to Antonio Carlos Jobim, the Bossa Nova guitar style has become firmly entrenched in the jazz culture. In this book, you'll gain a strong command of the style, concentrating on these core elements: harmony, rhythms, right-hand technique, chord progressions, essential patterns, and more. Includes a CD.

INTRODUCTION

Bossa nova, an internationally popular style of Brazilian music, was originally developed in Rio de Janeiro, in the late fifties. Precise definition of its origins is uncertain given that there were a number of contributing factors and influences, many of which took place simultaneously and all of which can be considered legitimate precursors. Most musical historians agree, however, that the official "birth" of bossa nova occurred with the 1958 release of Elizeth Cardoso's Can980 de Amor Demais, on which a young guitarist named Joao Gilberto played a song called "Chega de Saudade" written by Antonio Carlos Jobim and Vinicius de Moreas. The second defining moment, and the one that truly established the classic sound of bossa nova guitar, was the release of Gilberto's first album as a solo artist, also titled Chega de Saudade, later that same year. It was on this album that Gilberto beautifully demonstrated for the first time all of the principal rhythmic, harmonic, and melodic characteristics that have come to define bossa nova.

Gilberto's work on that record, as well as on his two subsequent albums, was musical genesi. It influenced not only the entire bossa nova movement but also subsequent generations of Brazilian pop musicians. It also established a strong connection with American jazz musicians, many who began to include elements of bossa nova in their own compositions and repertoires. This, in turn, led to a number of albums that had an unprecedented impact around the world. Many of these recordings are still popular today, including such classics as Antonio Carlos Jobim's Garota de Ipanema (Girl from Ipanema), the title track of which is arguably the most popular bossa nova song ever written. Bossa Nova Guitar is intended for a wide range of guitarists, from those with little experience in complex musical styles like jazz, Samba, or Bolero to highly trained professional guitarists looking to expand their musical palettes. To meet the needs of such diverse groups, the first chapter provides a background in bossa nova-related theory so that the reader can better understand the basic concepts that will then be applied in the examples and exercises found in the later chapters.

CONTENTS:

Introduction

Chapter 1: BASIC CONCEPTS

Harmony

Rhythm

Chapter 2: STYLES THAT INFLUENCED BOSSA NOVA

Samba

Origins of the Samba Rhythm, Habanera, Polca, Maxixé

Samba Cancao

Jazz

Chapter 3: RHYTHM

Right Hand Technique

Graphic Representation of the Rhythmic Patterns

Brasileirinho, Maxixé

Adding the Bass

Anticipating Chord Changes

Bass Notes in Bossa Nova

Muting

Bossa Nova Rhythm Patterns

Chapter 4: HARMONY

Preliminary Concepts

Bossa Nova Chords

Bossa Nova Chord Progressions

Chapter 5: PRACTICAL EXAMPLES

Pattern 1

Pattern 2

Compound Pattern: 1 + 2

Pattern 3

Pattern 4

Pattern 5

Pattern 6

Pattern 7

Pattern 8

Miscellaneous Patterns

Chapter 6: COMPLETE SONGS

Song 1

Song 2

Guitar Notation Legend

DJANGO REINHARDT, with Original and Play-Along Recordings, VOL.1. SHEET MUSIC BOOK WITH CD & GUITAR  TABLATURE

LIBRO DI MUSICA MANOUCHE CON CD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

For Guitar TAB with Original and Play-Along Recordings. Django Reinhardt. For Guitar. This edition: Guitar/TAB. Guitar Method or Supplement. Jazz. Book & CD. This amazing compilation is the ultimate way to study the great Django Reinhardt! It includes TAB transcriptions, play-along tracks, and the ORIGINAL Django recordings! Each book contains 10 songs carefully selected for their medium tempos and "easier" chord progressions. Each melody is written out in notation and TAB, and the first full guitar solo is fully transcribed. Learn by listening to the ORIGINAL recordings and then play along with the slowed-down, sound-alike, play-along recordings.

Songs: Belleville - Blues clair - Daphne - Douce ambiance - Les yeaux noirs (Black Eyes) - Manor de mes reves - Minor Swing - Nuages - Swing 42 - Troublant Bolero

BLUES RHYTHM GUITAR, Mus. Inst. Keith Wyatt. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA BLUES CON CD. 

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA E TABLATURE.

Series: Musicians Institute Press
Publisher: Musicians Institute Press
softcover with CD - TAB
Author: Keith Wyatt
Blues Rhythm Guitar concentrates on the heart of blues music: the rhythm. You'll learn the crucial elements of the style that no guitarist should be without, including blues changes and variations, several shuffle rhythms, slow and fast blues rhythms, how to combine different rhythm parts, and much more. The included CD demonstrates all the concepts and features rhythm tracks so you can try out your newfound skills with a full band. 112 pages

BLUES RHYTHM GUITAR
MASTER CLASS
The Complete Guide to Shuffles, Boogies, Jump, Slow Blues, and Other Blues Styles
by Keith Wyatt

Introduction
The heart of blues lies in the rhythm. Rhythm is not just a back-up part; it's the essential
glue that ties everything together, from the underlying beat of the drums to the vocals and
solos. With a great rhythm feel, you don't need much else. Conversely, without a great rhythm
feel, nothing else amounts to much. Ever since electricity unleashed the guitar as a blues solo
instrument, players have tended to focus the bulk of their time and effort on developing the
guitar's single-note voice, but two facts about guitar playing can't be ignored: First, most of
your career as a player is spent backing somebody up. Second, your solos will always be
inspired, or limited, by your sense of rhythm. Any attempt to separate great blues guitar playing
into "licks" and "rhythm" is ultimately meaningless-neither B.B. King nor Albert King play
many chords, but their phrasing is profoundly rhythmic. At the other extreme, you won't hear
many solos on a John Lee Hooker record, but he built an entire career on a distinctive rhythm
style. After a century of blues-guitar history, it's still the rhythm that holds it all together.
This book is specifically focused on blues rhythm guitar, but the principles of rhythmic
phrasing (e.g., how to capture a drum beat on the guitar, how to break down chords into
usable fragments, and how to mesh with other musicians) go beyond blues-specific vocabulary;
they apply to any groove or musical style. The blues developed during a period of time
in which the dance rhythms of American popular music were almost universally based on the
eighth-note triplet shuffle, and the bulk of this book is devoted to playing that rhythm at various
tempos. For decades, though, artists have been blending blues with other dance
grooves, from funk and R&B to Latin, rock, and disco. (Stevie Ray Vaughan made his debut
on a David Bowie dance-pop record, after all). Today, it's rare to find a blues band that doesn'
t incorporate a variety of grooves in its set, but the feel of the shuffle is still at the heart of it
all. In the end, this book is for anyone who wants to become a better guitar player-period.

How to Get the Most Out of This Book
To get started, you need to at least know the following:
1. The names of the notes on the sixth and fifth strings.
2. How to play major, minor, and dominant seventh chords in both open and barre chord
(movable) voicings.

If you don't have this knowledge under your fingers yet, practically any beginner guitar
method will provide it. (Check out Guitar Basics, by Bruce Buckingham [MI Press/Hal
Leonard], in particular). You might also want to pick up a basic theory book that explains
chord and scale construction (why a ninth chord is called a ninth chord, how scale tones are
numbered, and so on). A good (and admittedly biased) recommendation is Harmony and
Theory: The Essential Guide, by Keith Wyatt and Carl Schroeder (MI Press/Hal Leonard).
If you're a beginning guitar player or new to playing blues, Chapters 1 and 2 cover the
fundamentals of blues rhythm and chords. If you're a more advanced player or you want to
concentrate on expanding your blues rhythm vocabulary, you may want to start from Chapter
3, or just browse through the chapters and listen to the CD until something catches your
attention. The material is not arranged from "easy" to "difficult"-at any point along the way
you may find things that are challenging to your brain and to either, or both, hands. What I've
attempted to do is to break blues rhythm playing into segments, so that by learning how different
rhythm patterns are developed and how they relate to the other instruments in the
band, you can learn to create your own parts.

Table of Contents:

Introduction
How to Get the Most Out of This Book
How to Use the CD

Part I: Medium Shuffles and the 12-Bar Blues
Chapter 1: The Shuffle
Chapter 2: Blues Changes
Chapter 3: Medium Shuffle Part I: Low-range Rhythms
Chapter 4: Medium Shuffle Part II: Mid-range Rhythms
Chapter 5: Medium Shuffle Part III: High-range Rhythms
Chapter 6: 12-bar Variations
Chapter 7: Combining Rhythm Parts
Summary of Part I

Part II: Beyond the Medium Shuffle
Chapter 8: Slow Blues
Chapter 9: Fast Blues
Chapter 10: Beyond the 12-bar Form
Chapter 11: Beyond the Shuffle: Other Rhythms in Blues
Summary of Part II

Appendix
CD Track Listing
Suggested Listening
Guitar Notation Legend

Description
Straight Eighth Notes
Eighth-note Triplets
Triplet Shuffle
Accented Shuffle
Accented and Muted Shuffle
Boogie Pattern
Boogie with Accented Downbeats
Boogie with Accents and Muting
Turnaround in the Key of A
Turnaround in the Key of D
Ending in the Key of A
Ending in the Key of D
Adding the 7th
Separate, Sustained Notes
Adding Bass Notes with the Fourth Finger
Adding Bass Notes while Shifting Position
12-bar Walking Bass Pattern
Bass Riffs
Slapping/Muting Technique
12-bar Bass Riff
Upbeats
Chord Riffs
Riff-chord Variations
Riff Chord
Picking the Fourth String Separately
Sliding into Riff Chords
Legato and Staccato Phrasing Variations
Combined Legato, Staccato and Dynamics
Horn Riff Phrasing
Half-step Embellishment
Two-bar Riff with Whole-step Embellishment (R6)
Two-bar Riff with Whole-step Embellishment (RS)
12-bar Horn-section Riff with Embellishment
Robert Junior Ninth-chord Arrangement
Horn Riff with 13th Chords
Two-bar Horn Pattern Over a Slow Change
Two-bar Horn Pattern Over a Quick Change
B over A
Chicago Turnaround
Adding the IV Chord to the Turnaround
Adapting Two-bar Horn Pattern to the Turnaround
Four Turnaround Examples
Open-string Turnaround in the Key of E
"From the Turnaround" in the Key of G
Regular and Final Turnarounds
"Three Times Around" Ending

Boogie and Fill
Substituting the 4th
Expanding the Fill
Moveable Boogie and Fill
12-bar Moveable Boogie and Fill
Thumb-over Four-string Boogie
E Walking Line
Adding Upstrokes
Walking Line on A, with Upstrokes
V-IV (B-A) Walking Pattern and Turnaround
12-bar Shuffle in E
12-bar Combination Rhythm in G
Adding Chord Embellishments
Hybrid-picked Combination Rhythm
) Slow Blues Bass Riff
Quick-change 12-bar Blues in A
T-Bone-style Slow Blues Rhythm
Phrasing Combinations
12-bar Triplet Rhythm
Jump Blues Walking Line
Uptempo Boogie Pattern
Uptempo Mid-range Chord Riff
Organ-style Rhythm
Albert Collins-style Chord Voicings
Jump Horn Riffs w/ Variations
Two-note Horn-style Rhythm
Two-bar Repeating Riff
Bass Line Combined with Chord Punches
Bass Pattern combined with Two-note Chords
Boogie #1
Boogie #2
Boogie #3
Two-beat Bass Riff
Two-beat Bass Riff
Two-beat Bass Riff
Two-beat Accents and Fills
Eight-bar Progression, Version 1
Eight-bar Progression, Version 2
Sixteen-bar Progression
Blues Rumba Chord Pattern
Blues Rumba Bass/Chord Combination
R&B Combined Guitar/Bass Rhythms
"Chicks" in C
R&B Triplet Ballad
Minor Blues Rhythm with "Chicks & Fills"

Standard blues changes and form
Developing a strong shuffle feel
Useful rhythm parts in high, middle, and low ranges
Fast blues, slow blues, and beyond the 12-bar form

With a great rhythm feel, you don't need
much else. Conversely, without a great
rhythm feel, nothing else amounts to much.
This book is specifically focused on blues
rhythm guitar, but the principles of rhythmic
phrasing (e.g., how to capture a drum beat
on the guitar, how to break down chords
into usable fragments, and how to mesh
with other musicians) go beyond bluesspecific
vocabulary; they apply to any
groove or musical style.

AC/DC, RIFFOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA ROCK .
SPARTITI PER CHITARRA .
ACCORDI, PENTAGRAMMA E TABLATURE. 

70 RIFFS, non contiene assoli .

96 pages. Since exploding out of Sydney, Australia in 1973, AC/DC have been at the very forefront of heavy metal. Built around the central core of Glaswegian-born brothers Malcolm and Angus Young, whose brutal dual guitar assaults almost immediately set the rock world aflame, the band's awesome live battery has since passed into legend. Now you can learn to play over 70 high voltage AC/DC riffs, including Back In Black, Hells Bells, Let There Be Rock, and Highway To Hell. Complete with hints and tips on how to create the AC/DC sound, plus band history and discography, this is a must for any fan!

Contents:
The Info
Introduction
A Brief History Of AC/DC
Discography
Gear
Tone
Influences
Songwriting
The Code
Transcription
Legend

The Riffs : 

Back In Black
Ballbreaker
Bad Boy Boogie
Beating Around The Bush
C.O.D.
Dirty Deeds Done Dirt Cheap
Big Balls
Dog Eat Dog
Downpayment Blues
Flick of the Switch - From the album : FLICK OF THE SWITCH, 15 agosto 1983.
For Those About To Rock (We Salute You)
Get It Hot
Given The Dog A Bone
Hard As Rock
Have A Drink On Me
Heatseeker - From the album BLOW UP YOUR VIDEO, 18 january 1988 -
Hell Ain't A Bad Place To Be
Hells Bells
High Voltage
Highway to Hell
If You Want Blood (You've Got It)
It's a Long Way to the Top (If You Wanna Rock 'n' Roll)
The Jack
Jailbreak
Let Me Put My Love Into You
Let's Get It Up
Let There Be Rock
Love Hungry Man
Night Prowler
Overdose
Problem Child
Rock And Roll Ain't Noise Pollution
Rock 'n' Roll Damnation
Riff Raff
Rocker
Shake a Leg
Shoot to Thrill
Shot Down in Flames
Shake Your Foundations - from the album : FLY ON THE WALL, 28 june 1985 -
Sink the Pink - from the album : FLY ON THE WALL, 28 june 1985 -
Sin City
Stiff Upper Lip 
T.N.T.
That's the Way I Wanna Rock 'n' Roll - from the album : BLOW UP YOUR VIDEO, 18 january 1988 -
Touch Too Much
Thunderstruck
Two's Up - from the album : BLOW UP YOUR VIDEO, 18 january 1988 -
Whole Lotta Rosie
Who Made Who
You Shook Me All Night Long