CHITARRA - GUITAR

GUITAR RIFFS OF THE '70s. 16 Titoli. CD TABLATURE

LIBRO PER CHITARRA CON CD E TABLATURE

GUITAR SIGNATURE LICKS
HAL LEONARD
A step-by-step breakdown of guitar styles and techniques

Guitar Riffs of the 70's is a step by step breakdown of electric guitar styles and techniques featuring well-known artists such as: Kiss, Van Halen, Kansas, Queen, The Rolling Stones and more! Comes with a demonstration CD with authentic note for note versions to help the player even more.

ALL RIGHT NOW - FREE
BANG A GONG (GET IT ON) - T. REX
CARRY ON WAYWARD SON - KANSAS
DETROIT ROCK CITY - KISS
HAPPY - THE ROLLING STONES
IRON MAN - BLACK SABBATH
JESSICA - THE ALLMAN BROTHERS BAND
LAYLA - DEREK AND THE DOMINOES
MONEY - PINK FLOYD
MESSAGE IN A BOTTLE - THE POLICE
MORE THAN A FEELING - BOSTON
SULTANS OF SWING - DIRE STRAITS
SWEET HOME ALABAMA - LYNYRD SKYNYRD
TAKIN' CARE OF BUSINESS - BTO
TIE YOUR MOTHER DOWN - QUEEN
WALK THIS WAY - AEROSMITH
YOU REALLY GOT ME - VAN HALEN

INTRODUCTION
Often called the era of excess, the seventies were certainly an era of excessive change.
On the heels of the tumultuous sixties, myriad forms of rock sprang up, seemingly
overnight, and became codified. The rock family tree sprouted several new branches
including such divergent idioms as heavy metal, funk rock, jazz/rock fusion, power pop,
and progressive rock. Throughout it all, the riff reigned supreme. This volume is dedicated
to seventeen of the period's greatest riffmasters-the pioneers and innovators who
made the music and gave us the riffs that will live forever in the annals of rock and roll.
Wolf Marshall
THE RECORDING
Wolf Marshall, guitars
Michael Della Gala, bass
John Nau, keyboards
Mike Sandberg, drums and percussion
Gary Ferguson, additional drums
Michael McCarty, additional synthesizer and percussion
Special thanks to Jimmy Dunlop and Julie at Dunlop Manufacturing for the MXR Phasers
and Tremolo-Pan, Brad Strickland-artist relations at Vox amps (KORG USA) for the AC30
amp, and Del Breckenfeld-artist relations at Fender Musical Instruments.

The titles in this book include:

Layla - Derek and the Dominoes - Words and Music: Eric Clapton, Jim Gordon - 1970

All Right Now - Free - Words and Music: Paul Rodgers, Andy Fraser - 1970

Bang a Gong (Get It On) - T. Rex - Words and Music: Marc Bolan - 1971

Iron Man - Black Sabbath - Words and Music: Frank Iommi, John Osbourne, William Ward, Terence Butler - 1970

Happy - Rolling Stones - Words and Music: Ketith Richards, Mick Jagger - 1972

Money - Pink Floyd - Words and Music: Roger Waters - 1973

Jessica - Allman Brothers Band - Words and Music: Dickey Betts - 1973

Sweet Home Alabama - Lynyrd Skynyrd - Words and Music: Ronnie Van Zant, Ed King, Gary Rossington - 1974

Takin' Care of Business - Bachman-Turner Overdrive - Words and Music: Randy Bachman - 1974

Walk This Way - Aerosmith - Words and Music: Steven Tyler, Joe Perry - 1975

More than a Feeling - Boston - Words and Music: Tom Scholz - 1976

Detroit Rock City - Kiss - Words and Music: Paul Stanley, Bob Ezrin - 1976

Tie Your Mother Down - Queen - Words and Music: Brian May - 1976

Carry on Wayward Son - Kansas - Words and Music: Kerry Livgren - 1976

You Really Got Me - Van Halen - Words and Music: Ray Davies - 1964

Sultans of Swing - Dire Straits - Words and Music: Mark Knopfler - 1978

Message in a Bottle - Police - Words and Music: sting - 1979

YOU REALLY GOT ME
Words and Music by Ray Davies
Figure 15-lntro and verse
We tend not to think of Van Halen as a "seventies band" because their work in the
next two decades came to be so historically important, musically innovative, and sweepingly
influential, but it's a fact. The self-titled debut record, released in 1978, was a barometer
indicating a change of climate in the future. Just as Jimi Hendrix had done eleven
years earlier, Van Halen defined a new direction and style for the coming age in tunes like
"Runnin' with the Devil," "I'm the One," "Eruption," and "You Really Got Me." Apparently the
public agreed and responded-"You Really Got Me" made it to the Top 40 and became
Van Halen's first hit single. The band already had been rearranging cover tunes for years
in their early gigging days around Hollywood, transforming them and making them their
own. "You Really Got Me" is a perfect example of how they did it-in Ed's words, "a hot
tune we turned into a jet airplane" -and a perfect vehicle for the maiden voyage of the
power quartet in the waning years of the seventies.
Screaming into the space after the close of "Eruption," the crushing intro riff in "You
Really Got Me" hits you squarely in the face like a left jab. Ed Van Halen converted the
Kinks' shifting barre-chord figure into a harder, more streamlined, very Van Halenesque
open-chord riff in the intro and verses. Deceptively simple, it is founded on a single AS
power chord with an added low G on the sixth string. Many of Ed's "neat noises" abound
in the figure as fills and extra texture, including muffled, percussive chord strums, pick
slides, pinch harmonics, and snarling low bends on the sixth string. The basic rhythmic
pattern and chordal idea are moved to different harmonic levels in the verses. Here, barre
chord and movable power chord versions of the main riff are found as the progression
moves to Band E tonal centers. Check out the intriguing and subtle variations Ed throws
into the figures along the way in the form of licks, fills, and varied interpretations of the
song's thematic motif. His licks and fills have endured in their own right as essential and
invaluable riffs, and have become embedded in the very core of contemporary rock guitar lore.
 

IRON MAN
Words and Music by Frank lommi, John Osbourne, William Ward, and Terence Butler
Figure 4-lntro, verse, chorus, and interlude
1971 was a watershed year for metal. While Jimmy Page and Led Zeppelin were building a stairway to heaven, a Birmingham blues band asked the unthinkable question: Is there life after Zep? Arriving with thundering riffs, sinister occult themes, and dark gothic trappings, the answer came in the form of Black Sabbath. Sabbath is generally acknowledged as the first official heavy metal band-setting undeniable precedents for the late-seventies metal renaissance ("The New Wave of British Heavy Metal"), as well as the thrash/speed metal school of the eighties, and the grunge/metal of the ninetiesa fact underscored by the numerous bands that cite Sabbath as influential-Iron Maiden, Van Halen, Metallica, Pantera, and Soundgarden, among many others. "Iron Man," from the landmark Paranoid album, is one of the heaviest and best riff-based songs of their definitive early period.
"Iron Man" abounds with numerous riffs-each with a purpose, each well-placed in the arrangement. The main "Iron Man" theme is one of metal's most memorable riffs and is heard throughout the song. It appears in the intro as a rhythm figure made of parallel two-note power chords in B minor, spelling out the B natural minor scale (B-C#- D-E-F#-G-A). In the verses, a single-note version of this riff, derived from the roots of the power chords, is used. Between the first and second verses, a second single-note riff in B minor is found as both a connection and a transition. This figure employs chromatic notes in its ascending melody (meas. 23). In the interlude, a different riff is played against a double-time feel (which sets up the guitar solo). This riff is a single-note line which modulates up to C# minor, and uses notes of the C# blues scale (C#-E-F#-G-G#-B) which comes off like a deft manipulation of Cream's "Sunshine of Your Love" theme. Notice the tough accenting, staccato attack, and syncopation in the phrase which give it plenty of rhythmic character and push forcefully toward Tony's solo.
 

YES, HOWE STEVE, GUITAR PIECES IN TABLATURE. The Ancient - Clap - Diary of a Man Who Vanished - Meadow Rag - Mood for a Day - Ram - Sound Chaser - Surface Tension. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSIC ROCK.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE

Guitar Pieces in Tablature
Steve Howe
CATEGORIA: Guitar Personality
VERSIONE: Authentic Guitar TAB
FORMATO: Book
Design and Illustration: Jorge Paredes
Trascritto da: Hemme Luttjeboer, Mick Barker, Colgan Bryan

Published by Alfred Music Publishing (AP.0421B).

ISBN 0769290760. With guitar tablature, standard notation, chord names, guitar tab glossary and black & white photos. Progressive Rock. 

ISBN 0-7692-9076-0

STEVE HOWE is internationally recognized as one of the finest guitarists of all time. From 1977 through 1981 he was voted Best Overall Guitarist in Guitar Player magazine's annual reader's poll, making him the first guitarist to enter their Gallery of the Greats for that category. While making his mark in the music world as a tasteful virtuoso with progressive rock supergroups Yesand Asia, he has also demonstrated a true creative versatility with his solo recordings and performances. He isjust as comfortable writing and performing solo classical, ragtime and country guitar as he is with his rock and jazz-rock ensemble contributions. 

Every dedicated guitarist should include this book in their library. This folio captures some of Steve's most powerful and tasteful solo acoustic steel-string and nylon string pieces as well as his immortal electric guitar solo on "Sound Chaser." Steve Howe has included some notes of hisown, giving insight into his attitude and approach to his music.

As the main guitarist for progressive rock super groups Yes and Asia and as a solo artist, Steve has not only proven himself to be a versatile virtuoso but he has also distinguished himself as a tasteful and creative musician. This folio captures some of Steve's most powerful and tasteful solo acoustic steel string and nylon string guitar solos as well as his immortal electric guitar solo on "Sound Chaser." The titles are:

notes by Steve Howe
THE ANCIENT
In the midst of the controversial Tales From Topographic Oceans, this excerpt from "The Ancient" was a formidable challenge although I had prepared the piece whilst working with Johnny Harris who was to have arranged it. This piece was recorded on my Kohno concert guitar and must be played lightly with a little zest,

CLAP
After writing songs for two years, in 1969 I wrote my first instrumental, "Clap," Around this time I had been re-listening considerably to Chet Atkins and waiting for my first son to be born. Soon I joined Yes and have performed this at almost all of our concert appearances, Over time I have been playing it with a much more relaxed finger technique, which helps keep the speed up and maintain smooth control. The YesAlbum recording was made on a Revox at the Lyceum Ballroom on my Martin 0018, which I still use for concerts now, aided by a Barcus Berry pick-up,

DIARY OF A MAN WHO VANISHED
It's always nice to write tunes that have built-in sections for free-form playing, and "Diary of a Man Who Vanished" is one of these, I found that it builds towards the C minor improvised section and then eases through the repeat of the A section on to the end. On The Steve Howe Album, I played this piece on a Fender Stratocaster.

MEADOW RAG
from TheSteve Howe Album
It was with children's help that I completed "Meadow Rag" after the bent notes appealed to the little ones' imaginations, Whilst practicing it, I also imagined a sleepy clown wandering aimlessly about the countryside, Once again the Martin 0018 footed the bill,

MOOD FOR A DAY
At the time of recording Fragile, I finished "Mood For a Day," Some new interests gave this piece a rather special quality, The changing passages gave space for a little flamenco influence and cycles of simplified guitar performed on a Conde flamenco guitar.

RAM
I wanted my first solo album Beginnings to contain a ragtime guitar piece, so "Ram" was that basis for this, After recording the Dobro guitar, I added various typical street instruments,

SOUND CHASER
from the album Realer
To write a cadenza for the electric guitar with synthesizer and percussion accompaniment called for a short composition that the group could work from and inject into a song, In this exerpt from "Sound Chaser," the song goes at a high speed and the guitar has to lead off from this, Until the bass enters, the feeling is of tension and uncertainty, but from there on we devised a slightly "Hammer film" quality, This piece was played on a Fender Telecaster and recorded live with the group,

SURFACE TENSION
from The Steve Howe Album
My style of playing Spanish guitar with my fingertips runs through all the nylon-string pieces and concludes with "Surface Tension," This seems to me to be a London theme and needs a similar approach to "The Ancient"-gentle but positive, Before settling for a studio recording, this piece was recorded in a London church, but, unfortunately, the English weather didn't allow for a warm interpretation, My Kohno guitar eventually let me play it without squeaks.

Includes the Following Selection:
Title Composer

1980 - DIARY OF A MAN WHO VANISHED - Dall'album "The Steve Howe Album"
STEVE HOWE

1979 - MEADOW RAG - Dall'album "The Steve Howe Album"
STEVE HOWE

1972 - MOOD FOR A DAY - Dall'album "Fragile"
HOWE, STEVE

1977 - RAM - Dall'album "Beginnings"
STEVE HOWE

1974 - SOUND CHASER - Dall'album "Relayer"
S. HOWE, J. ANDERSON, C. SQUIRE, A. WHITE, R. WAKEMAN
 
1979 - SURFACE TENSION - Dall'album " The Steve Howe Album"
STEVE HOWE

1973 - THE ANCIENT - From Album "Tales From Topogrphic Oceans"
ANDERSON JON , STEVE HOWE, CHRIS SQUIRE, ALAN WHITE E RICK WAKEMAN

1971 - THE CLAP - Dall'album "The Yes Album"
STEVE HOWE

WINWOOD STEVE, GUITAR ANTHOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE . 

LIBRO DI MUSICA ROCK BLUES . 

SPARTITI PER VOCE E CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE . 

SERIES: Guitar Anthology Series
CATEGORY: Guitar Personality
VERSION: Authentic Guitar TAB
FORMAT: Book

Titoli presi dai Spencer Davis Group, Traffic, e Blind Faith con Eric Clapton.

Con alcune parti per piano, organo, sax, ecc. 

With an extraordinary selection of classic hits, this folio is a must-have for any Steve Winwood enthusiast. Titles are:

Includes the Following Selections:
Title Composer

(ROAMIN' THRU THE GLOAMIN' WITH) 40,000 HEADMEN
WINWOOD, STEVE/CAPALDI, JIM

ARC OF A DIVER
STEPHEN LAWRENCE WINWOOD, VIVIAN STANSHA

BACK IN THE HIGH LIFE AGAIN
WINWOOD, STEVE/JENNINGS, WILL

CAN'T FIND MY WAY HOME
WINWOOD, STEVE

DEAR MR. FANTASY
WINWOOD, STEVE/CAPALDI, JIM/WOOD, CHRIS

EMPTY PAGES
STEVE WINWOOD JIM CAPALDI

FREEDOM RIDER
STEVE WINWOOD JIM CAPALDI

GIMME SOME LOVIN'
WINWOOD, STEVE/WINWOOD, MUFF/DAVIS, SPENCER

GLAD
STEVE WINWOOD

HIGHER LOVE
WINWOOD, STEVE/JENNINGS, WILL

I'M A MAN
WINWOOD, STEVE/MILLER, JIMMY

JOHN BARLEYCORN (MUST DIE)
WINWOOD, STEVE

PEARLY QUEEN
WINWOOD, STEVE/CAPALDI, JIM

SEA OF JOY
WINWOOD, STEVE

TALKING BACK TO THE NIGHT
STEVE WINWOOD*, WILL JENNINGS

THE FINER THINGS
STEVE WINWOOD, WILL JENNINGS

THE LOW SPARK OF HIGH HEELED BOYS
WINWOOD, STEVE/CAPALDI, JIM

WHILE YOU SEE A CHANCE
STEVE WINWOOD, WILL JENNINGS

Ventures, Karaoke 2 Best 12. Basi. CD TABLATURE

VAUGHAN STEVIE RAY, TEXAS FLOOD. GUITAR TABLATURE

LIBRO DI MUSICA BLUES,
SPARTITI PER CHITARRA E VOCE.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Stevie Ray Vaughan

All 10 tunes from SRV and Double Trouble's monumental first album, transcribed in tab and notation:

Dirty Pool
I Wanna Testify
I'm Cryin'
Lenny
Love Struck Baby
Mary Had A Little Lamb
Pride And Joy
Rude Mood
Tell Me
Texas Flood

88 pages