CHITARRA - GUITAR

SERRANO JUAN FLAMENCO GUITAR TECNICAS BASICAS LIBRO CD TABLATURE CHITARRA METODO

SERRANO JUAN, FLAMENCO TECNICAS BASICAS. Metodo in inglese e spagnolo. CD TABLATURE

LIBRO DI SPARTITI DI MUSICA FLAMENCO PER CHITARRA, METODO CON CD E TABLATURE.


Product Description:
This book, written in both English and Spanish is the most authoritative method available on flamenco guitar technique. Juan Serrano is one of the world's premier flamenco concert soloist and is a seasoned teacher and performer in this vibrant, colorful musical genre. The text describes the history and development of flamenco music; teaches basic music theory; presents developmental studies on flamenco guitar techniques such as rasgueado and tremolo; and offers 14 exciting flamenco guitar solos. Written in notation and tablature.

 

The flamenco guitar descended from a long line of Spanish ancestors, and it is a deviation from its classical counterpart. According to one essayist on the subject, the guitar emanated from Egypt. Others like to believe that it evolved from the Greek~Assyrian cithara, brought into Spain by the Romans. However, the music of the guitar, that which accompanies the flamenco dance and song, in reality reveals evidence of Near-Eastem and Egyptian ancestry. During its acclirnatization in Spain, the minstrel and poet Bagdadi Ziryab added the fifth string. The Spanish guitar, accepted throughout the entire peninsula during the 10th Century, soon distinguished itself for the rasgueado technique. Since the beginning of the 19th Century it has had six strings: E, A, D, G, B, E. The music of the flamenco guitar depicts one of the rnarvels of the natural arts.

 

INTRODUCCION

La guitarra flamenca cuenta con una ilustre ascendencia hispana y marca una desviación de la clásica. Según algunos tratadistas, la guitarra es procedente de Egipto. Otros la suponen procedente de la citara Greco- Asiria importada a España por los Romanos. Pero la música de la guitarra tal como acompaña al baile o al cante flamenco acusa en efecto evidentes reminiscencias orientales. Durante su aclimatización en España el cantor y poeta Bagdadi Ziryab le añadió la quinta cuerda. La guitarra Española aclimatada en toda la peninsula en el Siglo X, pronto se distinguió por la técnica del rasgueado. Desde principios del Siglo XIX, la guitarra posee seis cuerdas: MI, LA, RE, SOL, SI, MI. La música de la guitarra flamenca constituye una de la maravillas del arte natural.


Format: Book/CD

Contents:

The history of flamenco
Music Theory
Learning Notes
Symbols
Tablature
Explanation of the Rasgueado
Preparatory Study
Rasgueado Exercises
Scale Study #1
Scale Study #2
Scale Study #3
Tremolo Study #1
Tremolo Study #2
Study for the Thumb
Studies in Legatos
Arpeggio Exercises
Study in C
Sevillanas I, II, III, and IV
Farrucas
Soleares
Alegrias
Alegrias para Baile
Fandangos de Huelva
Tempestad (Rumba flamenca)
Bulerias
Malaguena (Flamenca)
Malaguena (Regional)
Romance Flamenco

Prezzo: €34,99
€34,99

SERRANO JUAN KING OF THE FLAMENCO GUITAR CD TABLATURE CHITARRA LIBRO SPARTITI

SERRANO JUAN, KING OF THE FLAMENCO GUITAR. Mani vigorose e tendini tenaci, 230 pagine, Rapida introduzione alla tecnica di base della chitarra flamenca: rasgueado, studio sul tremolo, arpeggio, picado, golpe. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA FLAMENCA. 

SPARTITI PER CHITARRA : 

PENTAGRAMMA E TABLATURE. 

Product Description:
Introduces basic flamenco studies, concert selections, and a brief history of the flamenco tradition. Includes the four basic song forms (siguiriyas, soleares, tangos, and fandangos) that influence all flamenco music.

Format: Book/CD Set
230 PAGES.

Contents:

Dos Colores -- Juan Serrano
Punta Umbria -- Juan Serrano
Tarifa -- Juan Serrano
Nostalgia -- Juan Serrano
Cueva Gitana -- Juan Serrano
Lamento Gitano -- Juan Serrano
Amigo Mariano -- Juan Serrano
Lagriamas De Granda -- Juan Serrano
Fantasy -- Juan Serrano
La Juderia -- Juan Serrano
Dos Colores -- Juan Serrano
Punta Umbria -- Juan Serrano
Tarifa -- Juan Serrano
Nostalgia -- Juan Serrano
Cueva Gitana -- Juan Serrano
Lamento Gitano -- Juan Serrano
Amigo Mariano -- Juan Serrano
Lagriamas De Granda -- Juan Serrano
Fantasy -- Juan Serrano
La Juderia -- Juan Serrano

 

 

CONTENTS:

Juan Serrano

Flamenco Guitar

 

Basic Techniques

Rasgueado

Tremolo Study

Arpeggio Exercise

Picado

Golpe

Farrucas

Soleares

 

Concert Selections

Lagriamas de Granda (Granainas) .

Nostalgia (Guajiras) .

Fantasy (Zambra) .

Dos Colores (Sole a por Bulerias) .

 

Flamenco Tradition

The Four Basic Flamenco Songs*

 

*Lamento Gitano (Siguiriyas) I

Techniques

Rasgueado

Tremolo

Alzapua

*La Juderia (Soleares)

*Cueva Gitana (Tangos)

*Punta Umbria (Fandangos)

Tarifa (Alegrias por medic-Derived from Soleares)

Amigo Mariano (Colombianas-Derived from Tangos) 

Prezzo: €43,99
€43,99

MARTIN JUAN PLAY SOLO FLAMENCO GUITAR VOL. 1 CD DVD TABLATURE CHITARRA METODO LIBRO

MARTIN JUAN, PLAY SOLO FLAMENCO GUITAR VOL. 1. SHEET MUSIC BOOK WITH GUITAR TABLATURE + CD + DVD. 

LIBRO METODO DI MUSICA FLAMENCO CON CD E DVD. 

SPARTITI PER CHITARRA CON: PENTAGRAMMA, TABLATURE. 

 

 

with notation and TAB    PLAY SOLO FLAMENCO GUITAR with

JUAN MARTiN


Guitarra Flamenca

SOLOS FLAMENCOS


42 solos

Progressively graded for absolute beginner to intermediate and more advanced

GRADES 0 - 5

con notacion y CIFRA

Progresivamente graduados para el principiante absoluto hasta intermedio y mas avanzado

CD Contents

Primera  Solea  First Solea

Tientos   Anhelo (Yearning)

Sevillana   Copla tradicional

Verdiales   Malaga, mi tierra

Alegrias en Mi   Alborozo (Jubilation)

Tangos   Festejo (Celebration)

Guajira   Fiesta cubana

Solea La base

Fandango de Huelva

Alegrias en mi con silencio

Bulerias por arriba

Rumba Rumba del dia nueve

Malaguelia Velez

Granadinas Albaicin

Solea para acompaliar

Tientos de Ricardo a Paco

Seguiriyas Sabicas y ritmeo

Alegrias Melocotones de Ronda

Verdiales Coplas malaguenas

Bulerias Diego en menor

Guajiras from Cania raja

Solea Solea gitana

Seguiriyas Falsetas clasicas

Zapateado Taconeos

Rumba Cancion popular, more advanced (mas avanzada)

Solea por Bulerias Raices

Tarantas Aires de La Union

Alegrias Tema inicial (Opening theme)

Sevillana   Mi copla

Solea   Falseta tradicional

Alegrias en la

Tarantos   Toque de las minas

Zorongo

Cantilias   Luz y sombra (Light and shade)

Seguiriya   Lamento

Rumba   Rumba flamenca

Solea Falsetas sencillas (Simple falsetas)

Fandango de Alosno

Rumba Cancion popular

Tangos Impulso

Carcelero

Farruca Ritmo del baile (Rhythm of the dance)

 

FLAMENCOVISION AND PATRICK CAMPBELL 

MEL BAY PUBLICATIONS, INC., PACIFIC, MO 63069. MADE AND PRINTED IN U.S.A.


Designed as a comprehensive multimedia teaching set, this book, CD, and DVD present 42 solos, progressively graded in 6 levels from absolute beginners to more advanced, to suit players of all levels. It contains examples of eighteen different palos (rhythmic forms) of flamenco, with a wealth of melodic falsetas and rhythms. The music for all these is accurately written in notation and flamenco tab (cifra) in the book, and is also recorded on the companion CD. The DVD video contains over 57 minutes of solo music, and also includes introduction by Juan Martín and brief scenes of Andalucia today, which help to place this profoundly exciting and deeply felt music in the landscape of its origins. Juan Martín has succeeded here is showing how even music which is simple and very easy to start with can express the essential sound and emotion of flamenco, to build step by step the skills necessary for the performance of concert solos. Written in English and Spanish.

 

INTRODUCTION

Welcome to my new video series! It can help you to play flamenco guitar whatever your present level of skill. Many people who would like to play flamenco on the guitar tell me they are discouraged by the apparent difficulty of the techniques required. I want to try to change that, because the marvellous art of flamenco is much more about feeling and rhythm, those essential components of aire and compas, than always about sheer speed or amazing technique. The exciting challenge for me has been to arrange and compose music which includes classic elements with more modern sounds and rhythms that will capture for the student the true essence of flamenco guitar right from the very start, without sounding too simplified or lacking that characteristic flamenco sound.

The solos in this project are in a progressive series of grades, from an initial Grade a up to grade 8. This book, CD and video, the first of two sets, contain the pieces for grades a to 5. The grades are intended to be in line with the levels of musical advancement required for the grade examinations of music colleges for any musical instrument. This is a new kind of challenge for flamenco, but the art is now becoming so international that I believe it is time to see flamenco guitar as an art that can be learned in a progressive way by anybody who has the necessary devotion, understanding and determination. To many devotees of flamenco the idea of a formal graded approach, possibly subject to examination, may seem quite alien and even unwelcome. I want to look to the future, however, and to join with others who now nurture the growing world-wide interest in this precious art and the need for systematic methods of teaching. The essence of flamenco is so strong and distinctive that I do not believe its future is threatened by the increasing numbers of people who find in its soul what they want to express and to enjoy in music, any more than the music of the Mississippi Delta has been impoverished by the world-wide interest in the art of the Blues. There are no formal standards or guidelines in flamenco that are widely established to mark the student's stages of progress. In this project, therefore, I have given much thought to what I believe should be the appropriate levels of skill and musicianship necessary for achievement of the grades which can mark the advancement of technical ability and musical understanding. The book contains more details about the contents and requirements of each grade.

I have been greatly encouraged in this project by my young son Carlos, whose need for interesting music to play from the start of his learning the guitar has given me a valuable purpose and focus in preparing the music, particularly with the earliest grades.

There is bound to be disagreement about whether a piece is right for the grade assigned, or whether it is too easy or too difficult. I think that sort of argument is both unavoidable and not really very helpful. I have tried to present a logical development of musical understanding and of techniques for the right and left hand, but the important thing is not to be too rigid about the sequence of grades. Students and players have to differ in their capacities and needs. The music always matters more than anything else! More advanced players will be able to incorporate the music of the video in their own arrangements, and they should find things worth learning at any grade.

My aim is to give the student music which he or she will enjoy playing and which will reward the effort to practise and learn. This is not primarily a project to explain technique, but I have included some brief notes about the individual pieces. I hope you will share in the enjoyment I have had in undertaking this project with my good friend and former student Patrick Campbell who has again worked hard to communicate my playing through video, the CD and the printed page. I would also like to thank Bill Bay and his team for their invaluable advice and encouragement with what we believe to be a new advance in learning methods for flamenco. Viva el arte - y vamos a tocar!


Contents:

CONTENIDO / CONTENTS
Introduction By Juan Martín
Introducción Por Juan Martín
The Elements of Flamenco Guitar-Playing
Los Elementos del toque de la guitarra flamenca
Symbols and Notation
Símbolos y Notación

GRADE / NIVEL O Notes and Requirements/Notas y requisitos
PRIMERA SOLEÁ First Soleá
TIENTOS Anhelo (Yearning)
SEVILLANA Copla tradicional
VERDIALES Málaga, mi tierra
ALEGRÍAS EN MI Alborozo (Jubilation)
TANGOS Festejo (Celebration)
GUAJIRA Fiesta cubana

GRADE / NIVEL 1
Notes and Requirements/Notas y requisitos
SOLEÁ Falsetas sencillas (Simple falsetas)
FANDANGO DE ALOSNO
RUMBA Canción popular
TANGOS Impulso
CARCELERO
FARRUCA Ritmo del baile (Rhythm of the dance)
SEVILLANA Mi copla

GRADE / NIVEL 2
Notes and Requirements/Notas y requisitos
SOLEÁ Falseta tradicional
ALEGRÍAS EN LA
TARANTOS Toque de las minas
ZORONGO
CANTIÑAS Luz y sombra (Light and shade)
SEGUIRIYA Lamento
RUMBA Rumba flamenca

GRADE / NIVEL 3
Notes and Requirements/Notas y requisitos
SOLEÁ La base
FANDANGO DE HUELVA
ALEGRÍAS EN MI con silencio
BULERÍAS POR ARRIBA
RUMBA Rumba del día nueve
MALAGUEÑA Vélez
GRANADINAS Albaicín

GRADE / NIVEL 4
Notes and Requirements/Notas y requisitos
SOLEÁ Soleá gitana
SEGUIRIYAS Falsetas clásicas
ZAPATEADO Taconeos
RUMBA Canción popular, more advanced (más avanzada)
SOLEÁ POR BULERÍAS Raíces
TARANTAS Aires de La Unión
ALEGRÍAS Tema inicial (Opening theme)

GRADE / NIVEL 5
Notes and Requirements/Notas y requisitos
SOLEÁ PARA ACOMPAÑAR
TIENTOS de Ricardo a Paco
SEGUIRIYAS Sabicas y ritmeo
ALEGRÍAS Melocotones de Ronda
VERDIALES Coplas malagueñas
BULERÍAS Diego en menor
GUAJIRAS from Caña rajá

APPENDIX: PUBLICATIONS BY/PUBLICACIONES DE IUAN MARTÍN

Prezzo: €32,99
€32,99

MARTIN'S JUAN GUITAR METHOD EL ARTE FLAMENCO DE LA GUITARRA CD TABLATURE RASGUEADO GOLPE

MARTIN'S JUAN GUITAR METHOD, EL ARTE FLAMENCO DE LA GUITARRA. 170 pagine fitte di musica, spiegazioni, interessanti fotografie delle diverse posizioni delle mani. SHEET MSUIC BOOK with GUITAR TABLATURE and 60' CD. 

LIBRO METODO DI MUSICA FLAMENCO CON CD.

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA, TABLATURE.

A book and CD set for those wishing to learn the marvellous art of the flamenco guitar, presented by one of the most celebrated performers.

This comprehensive method assumes no knowledge of flamenco or music on the part of the beginner. 168 pages.

Juan Martin's playing of his music on the CD, along with many photographs and details in the text, vividly demonstrates the essential techniques, rhythms and toques of Flamenco. His Method also contains longer solos, daily exercises for developing tee and invaluable information about the flamenco guitar and its music. The Method has been designed for the player of any standard.

Prezzo: €49,99
€49,99

PACO PENA, TOQUES FLAMENCOS CD TABLATURE

Edizione sulla musica popolare spagnola, nelle diverse forme che la caratterizzano, direttamene dalla chitarra di uno dei suoi più famosi esecutori tradizionalisti, Paco Peña. 10 Pezzi completi, 85 pagine. CD TABLATURE

 

INTRODUCTION
Andalucla, whose musical tradition is embedded in its earliest history, must have built up that
tradition from the influences and remnants of the cultures left by the various peoples who passed
through or settled on its land. Among these different cultures one can note the Byzantine, Moorish,
Mozarabic and Jewish, whose influence must have finally crystallized and become integrated in the
songs and dances of the Andaluclan people. Andalucfa was under Moorish domination for many
centuries - Cordoba being at that time the capital of the Western Islamic world. Therefore the
music of this land already reflected the Oriental influence.
Later, in the 15th century, many tribes of gypsies found their way into Andalueta as a branch of
immigrants who around 1447 entered Spain by Catalonia. They lived mainly in the fields,
nomadically and in poor conditions. Traditionally the gypsies were not great poets - hardly surprising
considering their circumstances - but they had a remarkable facility for rhythm and music,
and in Andalucla they found a rich, colourful folklore of exceptional poetic charm. Unlike other
music they had come across elsewhere in Spain, this folklore suited their character and came to
form part of their lives. They assimilated it and added something different to it. This "marriage"
gave rise to the phenomenon of Cante Flamenco, neither "gypsy music" nor Andaluclan folklore,
but both. So, it can be said without doubt that there are two main elements in Flamenco:
Andalucla, with its old musical background, and the gypsies - without both, Flamenco would never
have existed.
Nobody knows for certain when it all started because there are very few written records available.
The first notice we have is about a singer of Seguiriyas, Tfo Luis el de la Juliana, around 1780.
But even that is a little dubious because it was not mentioned until a century later in 1881 - by
Antonio Machado Alvarez ("Demofilo"); in fact the Seguiriya seems to have developed later from
another style: Tonas.
There are three main periods in the history of Flamenco. From the beginning of the 19th
century to 1860 it was part of the life of Andaluclan gypsies and poor people who kept it for
themselves and never performed outside their communities. From 1860 to 1910 was the era of the
"Cafes Cantantes", special tablaos or places wholly dedicated to Flamenco music. Since then,
Flamenco has emerged from its original environment to become known throughout the world.
No evidence exists that guitars were used during the first period. But as Flamenco emerged
("Cafes Cantantes") the guitar, which was already the instrument of Spain, was brought in to
accompany and enhance the human voice. Paradoxically, it is the guitar as a solo instrument, rather
than the singing, which has made Flamenco popular, when in fact the guitar, like the dancing,
derives all its inspiration from the Cante Janda (Flamenco singing) - the purest expression of
Andalucfan art.
When accompanying, the function of the flamenco guitarist is to help the singer or dancer to
to bring out the best of his talent. He must create an atmosphere suitable to each piece, and he must
provide a good clear rhythm and follow the voice in whatever nuances the singer may bring to it.
Also he must colour it by playing falsetas, or brief melodic sequences, between verses. The guitarist
is then at the absolute service of the singing and from it he takes all his inspiration.
When playing solo, the guitarist must convey the whole atmosphere of Flamenco. The falsetas
become much more elaborate and musical to resemble the singing. The rhythm also becomes
stronger and more elaborate to resemble the "foot-work" of the dancer.


A La Feria (Sevillanas)
A Paso Lento (Tientos)
El Mantoncillo (Garrotin)
El Nuevo Dia (Colombiana)
En Las Cuevas (Farruca)
Herecia Latina (Rumba)
La Romeria (Alegrias)
Santuario (Soleares)
Son De Companas (Seguiriyas)
Tonos Levantinos (Tarantas)

Prezzo: €30,99
€30,99

LA SOLEÁ I GUITARRA FLAMENCA PASO A PASO IV DVD LIBRO SPARTITI TABLATURE LIBRO CHITARRA

LA SOLEÁ I: GUITARRA FLAMENCA PASO A PASO IV. DVD LIBRO TABLATURE

LIBRO DI MUSICA CON DVD, SPARTITI PER CHITARRA. PENTAGRAMMA E TABLATURE. 

Contiene video de 60 min. más un libro de partituras A4 de 22 páginas en música y cifra.Oscar Herrero, depsués de la interpretación de la soleá "Majestad", explica el ritmo de la soleá , y se hacen varios ejercicios con palmas. Posteriormente se estudia la estructura de los toques y parte de los elementos que componen la soleá como : el cierre, los compases rasgueados y las melodías 7-8-9. Multisistema - Español, Inglés, Francés y Japonés.

Oscar Herrero after playing the "soleá" "Majestad" explains the "soleá" rhythm, and some clapping exercises are made. Then explains the structure of basic rhythms and part of elements which the "soleá" is made up as: "el cierre", strummed measures and 7-8-9 melodies. 60-minute.

The accompanying 28-page book contains clapping exercises, the structure of the styles, a guide to notation, rasgueados, melodies, and a glossary. It also includes a guide to a piece which is made up of elements studied in this book and in the next volume, La Soleá (II). The music is in notation and tablature. The text is in English, Spanish, and French.

Product Description:
Oscar Herrero after playing the soleá Majestad explains the soleá rhythm, and some clapping exercises are made. Then he explains the structure of basic rhythms and part of elements which the soleá is made up as: el cierre, strummed measures and 7-8-9 melodies. 60-minute.

The accompanying 28-page book contains clapping exercises, the structure of the styles, a guide to notation, rasgueados, melodies, and a glossary. It also includes a guide to a piece which is made up of elements studied in this book and in the next volume, La Soleá (II). The music is in notation and tablature. The text is in English, Spanish, and French.

Format: Book+DVD
Notation signs
Falsetas
Remates / The finishing off
Llamadas
Introducciones / Introductions
Secuencia Am-C-F-E / Sequence
Secuencia G-C-F-E / Sequence
Secuencia Am-G-F-E / Sequence
Posición fija de "F" / Fixed position
Final / End
Atril flamenco (soleá)
Sendero (soleá)
Glosario Flamenco / Flamenco Glossary

Prezzo: €59,99
€59,99

LA SOLEÁ II GUITARRA FLAMENCA PASO A PASO V LIBRO DVD SPARTITI CHITARRA TABLATURE

LA SOLEÁ II: GUITARRA FLAMENCA PASO A PASO V. DVD TABLATURE

LIBRO DI MUSICA CON DVD, SPARTITI PER CHITARRA. PENTAGRAMMA E TABLATURE. 

DESCRIPCIÓN: Contiene video de 65 min. más un libro de partituras de 40 páginas en música y cifra. Oscar Herrero continúa con el estudio de los elementos que componen la estructura de la soleá, como: la falseta, el remate, la llamada y el final. Se explican en detalle falsetas "tipo" como introducciones, secuencias harmónicas y posiciones fijas. Para acabar interpreta dos soleares "Sendero" y "Atril flamenco". Los toques que en ambos temas han sido utilizados como base en los ejercicios y la explicación a lo largo de los dos videos "la soleá 1" y "la soleá 2". Multisistema - Español, Inglés, Francés y Japonés.

Oscar Herrero continues with rest of elements which the "soleá" is made up as: "la falseta", finishing of "el remate", and the call "la llamada". Typical traditional kinds of "falsetas" and introductions are explained in detail. At the end of this episode, he plays two "soleares" the "Sendero" and the "Atril flamenco". Both pieces were made up with elements studied into the two episodes "La Soleá 1" and "La Soleá 2". 60-minute.
The accompanying 44-page book contains patterns and exercises, including falsetas, remates, llamadas, introductions, sequences, fixed positions, and endings. The music is in notation and tablature. The text is in English, Spanish, and French.

Product Description:
Oscar Herrero continues with the rest of the elements which the "soleá" is made up: "la falseta", finishing of "el remate", and the call "la llamada". Typical, traditional kinds of "falsetas" and introductions are explained in detail. At the end of this episode, he plays two "soleares" the "Sendero" and the "Atril flamenco". Both pieces were made up with elements studied into the two episodes "La Soleá 1" and "La Soleá 2". 60-minute.

The accompanying 44-page book contains patterns and exercises, including falsetas, remates, llamadas, introductions, sequences, fixed positions, and endings. The music is in notation and tablature. The text is in English, Spanish, and French.

Format: Book+DVD
Date Published: 3/12/2004

Notation signs
Falsetas
Remates / The finishing off
Llamadas
Introducciones / Introductions
Secuencia Am-C-F-E / Sequence
Secuencia G-C-F-E / Sequence
Secuencia Am-G-F-E / Sequence
Posición fija de "F" / Fixed position
Final / End
Atril flamenco (soleá)
Sendero (soleá)
Glosario Flamenco / Flamenco Glossary

Prezzo: €59,99
€59,99

LIEBERT OTTMAR E LUNA NEGRA OPIUM HIGHLIGHTS Guitar Recorded Version TABLATURE CHITARRA TAB

LIEBERT OTTMAR E LUNA NEGRA, OPIUM HIGHLIGHTS. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA FLAMENCA.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Luna Negra
Artist: Ottmar Liebert

This songbook features note-for-note transcriptions with tab for 14 selections from Ottmar Liebert and Luna Negra's 1996 new age/flamenco release Opium. Includes tips on playing Ottmar's music, and pages of great photos.

"Flamenco is a music both romantic and dangerous; it is an attitude as much as it is a musical genre." Ottmar Liebert

135 pages

Ottmar Liebert + Luna Negra - Opium Highlights by Ottmar Liebert. For guitar. Hal Leonard Guitar Recorded Versions. Contemporary Instrumental. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard guitar notation and chord names. 135 pages. Published by Hal Leonard (HL.690279). ISBN 0793590183. With guitar tablature, standard guitar notation and chord names. Contemporary Instrumental. 6.75x10.5 inches. This songbook features note-for-note transcriptions with tab for 14 selections from Ottmar Liebert and Luna Negra's 1996 new age/flamenco release Opium. Includes tips on playing Ottmar's music, and pages of great photos. "Flamenco is a music both romantic and dangerous; it is an attitude as much as it is a musical genre." - Ottmar Liebert.

Alegria Arabe
The Blink Of An I Contains Eternity
Buleria De Las Golondrinas
Buleria De Rojo
Butterfly + Juniper
Chama 2 Santa Fe
La Acequia Madre
Montana Walking
Nuevo Mexico
Old Man On The Citadel
Tangos De Tesuque
Turkish Night
The Winding Road/La Primavera
Yasmeen

Prezzo: €99,99
€99,99

LIEBERT OTTMAR E LUNA NEGRA BORRASCA GUITAR TABLATURE BOOK CHITARRA SPARTITI LIBRO

LIEBERT OTTMAR E LUNA NEGRA, BORRASCA. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA FLAMENCA.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Creative Concepts Publishing
Publisher: Creative Concepts TAB
Artist: Ottmar Liebert

Matching folio to the album, including: August Moon - Baja La Luna Mix - Borrasca - Bullfighter's Dream - Driving 2 Madrid - In the Hands of Love - The Storm Sings, and more.

Il successo di Ottmar Liebert a livello globale spesso sembra la naturale conseguenza del suo background nonché del suo spirito vagabondo che lo ha guidato negli anni della sua formazione. Nato a Colonia, Germania da padre cino-tedesco e madre ungherese, ha iniziato a suonare la chitarra ad 11 anni, e ha viaggiato largamente in Europa, Russia e Asia con l'intento di assorbire totalmente le musiche tradizionali che andava via via incontrando. Dopo aver inseguito il suo sogno rock prima nella natia Germania e successivamente a Boston, abbandona le frustrazioni della costa est e si stabilisce a Santa Fe, nel Nuovo Messico. 

Già nel 1989,  forma il primo nucleo della sua band, i Luna Negra. L'album Nouveau Flamenco totalmente autoprodotto viene inizialmente distribuito in numero di copie limitate solo a livello locale per accompagnare una serie di litografie dell'artista Frank Howell. Eventualmente qualche copia viene  spedita alle stazioni radiofoniche e inaspettatamente il disco decolla, la HIgher Octave Music, metterà in distribuzione una versione rimasterizzata e nel 1993 l'album è già disco d'oro negli Stati Uniti e nel 1996 diventa platino.

"In un solo anno, sono passato dall'esibirmi nei ristoranti al ritrovarmi ad aprire un concerto per Miles Davis, sono molto felice onestamente fu un salto piuttosto intenso" ricorda Liebert. "La cosa più scioccante per me fu realizzare quanta gente proveniente da così tante culture diverse, accolse questo genere di musica. Ricevo ancora oggi lettre da fan dall'Europa, dal Sud America, dall'Australia, e dall'Asia. E' stata un'esperienza molto gratificante. Ho avuto l'opportunità di suonare in un ampia varietà di situazioni culturalmente diverse, con musicisti da tutto il mondo, ed è stata un'esperienza grandiosa".
Da allora Liebert è diventato uno degli artisti di maggior spicco, tra i musicisti strumentali degli ultimi due decenni,  accolto dal largo consenso di un pubblico entusiasta in ogni angolo del mondo. 

Al successo di Nuevo Flamenco seguirono quello di Poets And Angels (1990) e diBorrasca (1991), per il quale ricevette la nomination al Grammy. Solo Para Ti(1992) segnò l'inizio della collaborazione di Ottmar Liebert & Luna Negra con la Epic, mentre nel 1993 fu la volta di The Hours Between Night And Day. Nel 1995 uscirono la collezione remixata Euphoria ed il live album Viva!. Nel '96 uscì il doppio cd Opium e nel '97 l'album orientato sui classici orchestrali Learning into the Night. Questo storico decennio nonché la sua collaborazione con la Epic si chiusero con l'uscita nel 2001 di Little Wing. Dopodiché Ottmar Liebert torna con la Higher Octave Music per la realizzazione di un elegante album di ninnananne intitolato In the Arms of Love (2002) e di un album con i Luna Negra XL intitolato The Santa Fe Sessions (2003). Da questo momento in poi passa alla  SSRi che ha curato tutti i suoi lavori successivi ad oggi:  La Semana (2004);  Winter Rose (2005), una raccolta di brani originali, musica classica e brani natalizi; il suo primo album da solista One Guitar (2004) che guadagnò a Liebert la nomination al Grammy; Up and Close (2008); The Scent of Light (2008)  album a cui Liebert ha lavorato per 5 anni; Spanish Sun (2009); e l'ultima uscita Petals on the Path (2010).

Borrasca by Ottmar Liebert. For guitar. Creative Concepts Publishing. Contemporary Instrumental. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard notation, chord names, guitar notation legend and introductory text. 112 pages. Creative Concepts #074084. Published by Creative Concepts.

ISBN 1569221790. With guitar tablature, standard notation, chord names, guitar notation legend and introductory text. Contemporary Instrumental. 9x12 inches.

Matching folio to the album, including: August Moon * Baja La Luna Mix * Borrasca * Bullfighter's Dream * Driving 2 Madrid * In the Hands of Love * The Storm Sings * and more.

Isla Del Sol
August Moon
In The Hands Of Love
Dancing Under The Moon
Twilight In Galisteo
La Rosa Negra
Borrasca
Bullfighter's Dream
Thru The Trees/Cloudless Sky
La Aurora
Driving 2 Madrid (B4 The Storm)
The Storm Sings
Night In Granada
1st Rain/Cry Of Faith
Bajo La Luna Mix


112 pages

 

Title: Ottmar Liebert - Borrasca
Artist: Liebert, Ottmar
Arrangement: Guitar Tab (TAB)
Media: Sheet Music
Language: English
Pages: 112
Guitar TAB
Publisher: Hal Leonard
Publisher: Creative Concepts 
Catalogue Number: HL00315165
EAN: 0073999151657
UPC: 073999151657
ISBN: 9781569221792 (1569221790)

Prezzo: €99,99
€99,99

LIEBERT OTTMAR-NOUVEAU FLAMENCO-TABLATURE SPARTITI CHITARRA LIBRO 2 the night-IL CICLONE-FILM

LIEBERT OTTMAR, NOUVEAU FLAMENCO. GUITAR TABLATURE

LIBRO DI MUSICA FLAMENCA.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

 

Il tema musicale del film di Leonardo Pieraccioni "il ciclone", 2 the night. 

Artist: Ottmar Liebert
Guitar transcriptions to the album with 13 pieces, 72 pages

Liebert's albums have earned him a top spot on the New Age charts and more than three million listeners have purchased his recordings. He's played around the world to audiences in South America, Australia, New Zealand and Europe. He's done benefit concerts for Concerned Citizens for Nuclear Safety, the Dalai Lama and a group ofTibetan nuns mistreated by the Chinese government. He has opened for Miles Davis and plans a recording with a chamber orchestra and another with guitarist Eric Schermerhorn, who has played with The The and Iggy Pop. "The soul is the antenna, I am the instrument, the guitar is the amplifier," says the slender guitarist, who lives in Santa Fe, New Mexico. "I really feel that when I'm playing, it's an escape for me from my brain. I play from an emotional perspective." Liebert's spirited music is full of passion. Almost all of his songs are originals and without words, and they express universal and deeply personal sorrows and joys. "I'm trying to express something that to me is not easily conveyed by words," he said during a recent interview at Santa Fe's Cross of the Martyrs, a park that overlooks the city and mountainside where the Rockies begin. "Instrumental music to me is so much hipper. Words can be a coarse and fragile way to communicate. If you hear a song, no matter what the music is like, the words become the song. The words always take over. I want to get at this finer sense, where I think songs with words don't get to." It's not that Liebert dislikes the written word. In fact, he's named his band Luna Negra, after the Spanish poet Federico Garcia Lorca. Luna Negra blends layers of sounds with countermelodies, harmonies and intense guitar. It mixes ancient acoustic instruments like the sitar, lute, and drums with modern technology, like the MIDI flamenco guitar, which speaks a musical computer language. Born and raised in Cologne, Germany, by a Hungarian mother and a German-Chinese father, Liebert spent much of his childhood traveling through Europe and Asia with his family. As a youngster, he wanted to be an artist. "I spent a lot of time at the art museum in Cologne, which is a wonderful museum," he said. The work of Pablo Picasso impressed him because of the way the painter constantly changed his style, never sacrificing the quality of his work. But when he picked up the classical guitar at age 12, he unknowingly changed the course of his life. "I asked for a guitar for Christmas, and I got one," he said. "My parents figured I'd never do anything with it, so they gave me a cheap guitar. If I wasn't in school or sleeping, I was playing that guitar." The family didn't have a stereo, telephone or television, so there was plenty of time to work on his music. Eventually, he picked up the electric guitar and at 19, decided he wanted to be a musician. He left Germany to travel by himself through Asia, Russia and Europe, then came to the U.S. In Boston, he joined a band and hung out with musicians. But he grew tired of the East Coast and when a friend asked him to help drive a van cross-country, Liebert jumped at the opportunity. They passed through Santa Fe, and Liebert never left. "Something happened to me when I reached Santa Fe," he said, as the sinking orange sun washed the mountains in brilliant hues of gold, red and purple. "Santa Fe is in many ways responsible for my success." Liebert got a job working in a Santa Fe store and playing classical guitar in the evenings around town. With the help of Frank Howell, a Native American artist and gallery owner in Santa Fe, he made a recording that was sold during Indian Market, an annual Santa Fe event that draws thousands of tourists eagerly seeking pottery, blankets and turquoise jewelry. That recording made its way to several radio disc jockeys on the West Coast, and Liebert was then inundated with phone calls from record companies. "I was surprised," he said. "Some of them even wanted me to change my name and move to LA." Instead, he signed with Higher Octave Music, an independent label in California. The recording he made with Howell became Nouveau Flamenco, which has sold more than two million copies. His third Higher Octave Music CD "Borrasca" also reached #1 on Billboard's New Age Chart, reached Gold Status and was nominated for a Grammy. "Off" time finds him exploring the countryside by mountain bike or on foot. Tooling or hiking along, Liebert tunes in to the ever-fresh and surprising rhythms of Mother Nature. Like Her, his energies are not to be contained, his yearnings beyond the structures of organized religion. "I'm spiritual in an unorganized way," he muses. "I started reading avidly at 12 about religion and philosophy. My thinking has been most influenced by Buddhism and Taoism." "What matters to me is that this is where I am now, and so this is what I should concentrate on. I think that if everybody were to concentrate on this moment - rather than on past and future lives and moments - the world would be a lot better." Liebert's music reflects his philosophy of keeping life lively by not getting stuck in the same old habits, patterns or behaviors. "In one way, I play music so I can learn something from it. If I just did the same thing over and over, it would get boring. You've got to provoke yourself, put yourself in a situation where you do something totally new. If you don't, you will just be stagnant. If you play the same way all the time, you'll bore yourself and your audience. I want to take my listeners on a little journey, a trip of discovery." Liebert's style changes enough to have captured a varied crosssection of society. His fans include rockers, senior citizens, and just about everybody in-between. "It's something strange my music does," he reflected. "All of my music is international, it uses so many different cultures. People normally look at culture as being black or white, and are afraid of mixing cultures. But if people can come away from my concert feeling they've discovered another culture, they may actually like it. Not many people know, for example, that flamenco is a mixture of Gypsy, Indian, Arabic, Jewish and Spanish music." But Liebert never tries to convert his listeners. "I don't want to do any preaching," he said. "This is not a conscious process. I just see myself as being a conductor."

Well, maybe. But to us he's more like a magician who gives his audience a mystical experience of pure, earthly delights.


2 THE NIGHT (OTTMAR LIEBERT) - 1990
3 WOMEN WALKING (OTTMAR LIEBERT)
AFTER THE RAIN (OTTMAR LIEBERT)
BARCELONA NIGHTS (OTTMAR LIEBERT)
FLOWERS OF ROMANCE (OTTMAR LIEBERT)
HEART STILL/BEATING (OTTMAR LIEBERT)
MOON OVER TREES (OTTMAR LIEBERT)
PASSING STORM (OTTMAR LIEBERT)
ROAD 2 HER HOME (OTTMAR LIEBERT)
SANTA FE (OTTMAR LIEBERT)
SHADOWS (OTTMAR LIEBERT)
SURRENDER 2 LOVE (OTTMAR LIEBERT)
WAITING 4 STARS 2 FALL (OTTMAR LIEBERT)

Prezzo: €29,99
€29,99
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