CHITARRA - GUITAR

FUNK / R&B GUITAR Creative Solos, Grooves & Sounds, THADDEUS HOGARTH Berklee. CD TABLATURE

LIBRO DI MUSICA FUNK CON CD.
SPARTITI PER CHITARRA CON GRAFICO DELLA TASTIERA, ACCORDI, PENTAGRAMMA E TABLATURE.

Creative Solos, Grooves & Sounds
Series: Berklee Guide
Publisher: Berklee Press
Medium: Softcover with CD TAB
Author: Thaddeus Hogarth

Learn deep funk/R&B guitar! These hands-on exercises, licks, and technical discussions will help you play in the style of Kool and the Gang, Prince, James Brown, Sly and the Family Stone, Jimi Hendrix, Curtis Mayfield, Soulive, and other great artists, spanning from old school to contemporary funk/R&B grooves. The CD features demonstration and practice tracks, played by the Boston-based R&B/funk group the Thaddeus Hogarth Band. Guitar tablature, fretboard diagrams, and traditional notation are included. You'll learn how to: play lead lines and build solos; understand and use scales over funk/R&B harmonies; create rhythm-guitar parts that support funk/R&B grooves; bend strings to expand your palette of scales, harmonies, and ornamentation; and much more!

These hands-on exercises, licks, and technical explanations will help you play in the style of Prince, James Brown, Kool and the Gang, Sly and the Family Stone, Jimi Hendrix, Curtis Mayfield, Soulive, and other great artists, spanning from old school to contemporary funk/r&b grooves. The CD features demonstration and practice tracks, played by the Boston-based r&b/funk group, the Thaddeus Hogarth Band. Guitar tablature, fretboard diagrams, and traditional notation are included. You will learn how to:

• Play lead lines and build solos
• Understand and use scales over funk/r&b harmonies
• Create rhythm-guitar parts that support funk/r&b grooves
• Bend strings to expand your palette of scales, harmonies, and ornamentation
• Use articulations, such as muting, sliding, plucking, and others
• Use characteristic funk/r&b amplification and effects such as distortion, wah-wah, envelope filters, chorus, and more
• Gain facility with all these tools via time-tested exercises

Thaddeus Hogarth is an associate professor of guitar at Berklee College of Music, where he has trained hundreds of guitarists in the art of funk/r&b. He is an active performer and recording artist.

"When I was a young blood, starting out in the Apollo Theater house band, the knowledge the old timers shared with me was invaluable. As I started working through the lessons in this book, it felt like an extension of those glorious soulsters—guiding me like Lewis and Clark, down the trail to Funkland. This will be a priceless tool for the novice, as well as the pro of other disciplines. Bravo."

—Nile Rodgers, Guitarist/Producer/Composer/Arranger (Chic)

"Thaddeus Hogarth has articulated some of the 'secrets of the funk' in an easy to understand, practical manner. It is the only book I've ever seen that approaches funk and r&b with due respect, in its simplicities and complexities. He not only gives great examples but also takes you into the exploratory harmonic possibilities to find your own voice. If you're looking for "That Book" to unlock the inner workings of the groove and what to do on top of it, this is the book to read."

—Billy "Spaceman" Patterson, Guitarist/Composer/Producer/Arranger (James Brown, Sly Stone, Miles Davis, George Clinton)

"A timeless staple of r&b guitar. The format is meticulously detailed, the recorded examples are first rate, and the listening list is a veritable treasure-chest map."

MONTGOMERY WES, Essential Jazz Lines in the Style of. CD TABLATURE

LIBRO DI MUSICA PER CHITARRA CON CD E TABLATURE.

Product Description:
Wes Montgomery took jazz guitar to a new level when he came to the public's attention in the late 1950's. Known for his fluid lines and his big jazz guitar sound, Wes influenced thousands of guitarists in the styles of jazz, blues, and rock. This book will present some of the soloing techniques that Wes used as well has present many melodic ideas (lines) similar to the way he played over the chord progression in many jazz standards. Because the major and minor ii-V-I progression are the most widely used chord progression in jazz standards, the lines in this text will work over these progressions. The accompanying CD contains many play-along tracks (vamps of one chord and vamps around the circle of fourths) that the student should use to practice the material in one key and then master it in all twelve keys. By learning the techniques used by Wes Montgomery, guitarists will add to their own improvising arsenal. As improvising musicians add to their collection of musical ideas, their ability to express themselves completely increases. Have fun studying these ideas and applying them in improvised solos.

Contents:

Wes Montgomery Introduction
Wes Montgomery and Charlie Parker
Guide Tones
Bebop Scales

Mixolydian Bebop
Dorian Bebop
Major Bebop
3 to 9
Fingering Charts
Playing the Upper Structure of Chords
Targeting
Arpeggios

Transposed Arpeggio Examples
Playing Octaves
Block Chords
Chord Substitution
Solo Development
Minor Ideas
Dominant Seventh Ideas
Short ii-V Ideas
Long ii-V Ideas
Major Ideas
Minor ii-V Ideas
Short ii-V-I Progressions
Long ii-V-I Progressions
Minor ii-V-I Progressions
Turnarounds
Chord Progression...

Etude
Similar to "Misty"
B 12 Bar Blues

CD CONTENTS:
Tuning
Minor Chord Vamp
Minor Moving in Fourths
Dominant Seventh Vamp
Dominant Seventh Moving in Fourths
Short ii-V Vamp
Short ii-V Moving in Fourths
Long ii-V
Long ii-V Moving in Fourths
Major Chord Vamp
Major Chords Moving in Fourths
Minor ii-V Vamp
Minor ii-V Moving in Fourths
Short ii-V-I Vamp
Short ii-V-I Moving in Fourths
Long ii-V-I Vamp
Long ii-V-I Moving in Fourths
Minor ii-V-I Vamp
Minor ii-V-I Moving in Fourths
Turnaround Vamp
Turnaround Moving in Fourths
Etude
Progression similar to "Misty"
Blues

TECHNIQUE EXERCISES FOR GUITAR, Lessons and Licks for Improving Your Speed, Power & Clarity. Mus. Inst. Jean Marc Belkadi. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA CON CD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA TABLATURE. 

TECNICA, VELOCITà, 

Lessons and Licks for Improving Your Speed, Power & Clarity
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Medium: Softcover with CD
Author: Jean Marc Belkadi

Hone your precision, endurance, dexterity, and synchronization skills with loads of interesting exercises to learn and practice. The accompanying CD contains 81 demonstration tracks of all the exercises in the book. 40 pages.

ULTIMATE GUITAR TECHNIQUE, THE COMPLETE GUIDE. Bill LaFleur. Musicians Institute - PRIVATE LESSONS. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE

LIBRO DI MUSICA, ROCK, CLASSICAL, LATIN, FOLK, METAL, JAZZ, 

METODO DI TECNICA PER CHITARRA. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Publisher: Musicians Institute Press

From bends and picking styles to multi-finger tapping and animal sounds, this book/CD pack contains loads of guitar techniques to learn and master. Hone your skills with chop-building exercises, and use the demonstration CD to master every technique in the book. Includes: chop-building exercises - tremolo bar, tapping, harmonics - bends, slurs, slides - picking styles, rakes - fret-hand techniques - pick-hand techniques - lead and rhythm guitar - rock, classical, Latin, folk, metal, jazz and more - tricks and sound effects - standard notation and TABLATURE

JAZZ-ROCK TRIAD IMPROVISING FOR GUITAR, Jean Marc Belkadi. Mus. Inst. 50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

SHEET MUSIC BOOK CD WITH GUITAR TABLATURE.

LIBRO METODO DI MUSICA CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Jazz-Rock Triad Improvising for Guitar
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

In this “private lesson,” MI instructor Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top, red-hot licks and lead phrases! He covers: modal and tonal usage, triad substitution and superimposition techniques, and much more. The book is in standard notation and tab, and the CD features 50 full-band tracks.

Inventory #HL 00695361
ISBN: 9780634001581
UPC: 073999953619
Width: 9.0"
Length: 12.0"
24 pages

PRIVATE LESSONS

JAZZ-ROCK TRIAD IMPROVISING for Guitar
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top phrases.

- CD Includes 50 Full-Band Tracks
- Modal and Tonal Usage
- Triad Substitution and Superimposition Techniques
- Standard Notation and Tablature

ISBN 0-634-00158-2

Introduction
In contemporary music, the use of triads is an important element in improvisation and composition.
They are as prevalent as scales, modes, arpeggios, rhythms, and intervallic ideas.
Like scales and modes, triads can be substituted in tonal and modal music. They can also be
superimposed, creating bitonality or polytonality. Superimposed triads give us synthetic scales
such as hexatonic (6 note scales = 2 triads), or nonatonic scales (9 note scales = 3 triads).
What Is a Triad?
A triad is a three-note chord made up of a root, third, and fifth. There are four triad families:
Major triad: 1-3-5
Minor triad: 1-b3-5
Diminished triad: 1-b3-b5
Augmented tri ad: 1-3-# 5
Of course, in everyday applications triads are played with different inversions:
Root position
1-3-5

Inversion possibilities
3-5-1, 5-1-3, 3-1-5, etc.

Sometimes triads are played with one degree dispersed an octave higher:

regular triads
open triads

This dispersement procedure creates what is referred to as an open triad, and can be applied
to minor, diminished, and augmented triads, as well as major.

Triad Substitution
Triad substitution is where one triad is substituted in place of another. One of the most common
is flat-five-or tri-tone substitution. This is when a triad a flat-fifth degree (tri-tone) away is
substituted for a chord. For example: instead of playing a G major triad over a G7 chord, a Db
major triad (Db is a flat-fifth away from G) is "substituted."

Triad Superimposition
Triad superimposition is where two or more triads are played one after the other, creating a
"dispersed scale" effect of bitonality or polytonality. Of course all triads can be substituted or superimposed
in both tonal and modal music, either using the single-note approach or voiced in chord form.
 

About this Book
The purpose of this book is to help you to create your own ideas using triad concepts. It is
divided into two parts: tonal music (II-V-I chord progressions, Chapters 1 and 2) and modal
music (Chapters 3 and 4). Keep in mind that the examples do not follow a specific order
of difficulty; you can jump in anywhere and work with the licks you like best. You also might want
to listen to the CD first to locate the examples that appeal to you the most.

About the Audio
Throughout this book, the numbers in the audio symbols (+) indicate the CD track number
where each example will be found on the accompanying CD.
Each example is played at full tempo, and most are repeated at half speed. In addition, short
introductory phrases (which are not transcribed in the examples) are sometimes included to provide
a better sense of context and to maintain an improvisational feel.

Acknowledgments
I wish to give special thanks to Marie-Christine Belkadi, Kevin Holmes for editing assistance, all at Hal Leonard Corporation, Frank Gambale and Mike Stern for their support, Keith Wyatt from Musicians Institution, Steve Blutcher from DiMarzio, HHHrrernst Homeyer for his good advice, Marco Biasella and Pierre Pichon for letting me use their equipment, Alain Lasseube-Le frere
Gagarine, Olivier Hermitant for his friendship, and Chris Jero of Yamaha.
This book is dedicated to my dear Grandma, Georgette Bach.

About the Author
Jean-Marc Belkadi started playing guitar at age 14. He graduated from the Toulouse Music
Conservatory in his hometown. In 1984, he left France for the U.S. to study at Musicians
Institute in Los Angeles where he received the Best Guitarist of the Year award.
In 1989 and 1992, he was awarded third and second prize at the Billboard Song Contest.
For three years, he was musical director of the Johnny Hune TV show. He has written three guitar
method books-A Modern Approach to Jazz, Rock, & Fusion Guitar, The Diminished Scale for
Guitar, and Advanced Scale Concepts and Licks for Guitar-and has recorded one solo album.

Table of Contents
About this Book
About the Audio
Introduction

Chapter 1: Substitution and Superimposition Techniques in Tonal Music
Major Key II-V-I Progressions Using Substitution 
Major Key II-V-I Progressions Using Superimposition 
Minor Key II-V-I Progressions Using Substitution 
Minor Key II-V-I Progressions Using Superimposition 
Major Key IImi7b5-V-1 Progressions Using Substitution 
Major Key IImin5-V-1 Progressions Using Superimposition 
Major Key 117-V-1Progressions Using Substitution 
Major Key 117-V-1Progressions Using Superimposition 

Chapter 2: Open Triad Techniques in Tonal Music
Major Key II-V-I Progression Using Open Triads .
Minor Key II-V-I Progression Using Open Triads 
Major Key Ilmi7b5-V-1 Progression Using Open Triads 
Major Key II7-V-1Progression Using Open Triads 

Chapter 3: Substitution and Superimposition Techniques in Modal Music
Ma7 Chord Examples 
Ma7#11 Chord Examples 
Mi7 Chord Examples 
Mi(ma7) Chord Examples
Dominant7 Chord Examples 

Chapter 4: Open Triad Techniques in Modal Music
Ma7 Chord Examples 
Mi7 Chord Examples 
Mi(ma7) Chord Examples 
Mi6 Chord Examples 
Dominant7 and Altered Dominant7 Chord Examples 
Acknowledgments
About the Author
Guitar Notation Legend
Note: Track to tune up.