LIBRO CON CD

CHALLENGE THE MASTERS. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA CLASSICA PER CHITARRA ELETTRICA CON CD. 

SPARTITI PER CHITARRA CON : PENTAGRAMMA E TABLATURE. 

Trascrizioni di musica classica. Molti chitarristi rock come Yngwie Malmsteen si sono ispirati ai grandi compositori del passato; siamo certi che questo incontro con il bel Canon in re di Pachelbel (per chitarra solista e accompagnamento), i Capricci di Paganini, Images di Debussy, il Concerto in LA minore di Vivaldi, le Bagatelle di Beethoven, il preludio della Cello Suite VI di Bach, sarà un fertile terreno per la fermentazione e la crescita di molte idee per la vostra musica. Contiene: Mozart; symphony no. 25 -Mozart; quartet no.14 in G major -Mozart; quartet no. 15 in D minor -Mozart; magic flute overture -Mozart; minuet -Bach; orchestral suite no.3 in D major -Bach; orchestral suite no.2 in B minor -Bach; prelude cello suite VI -Bach; prelude cello suite III -Bach; bourree lute suite no.1 -Bach, Brandenburg concerto no.5 in D major -Bach; cello suite VI gavotte 2 -Paganini; caprice no.24 opus 1 -Paganini, caprice no.2 opus 1 (1st excerpt) -Paganini; caprice no.21 opus 1 -Paganini; caprice no.2 opus 1 (2nd excerpt) -Paganini; caprice no.16 opus 1 (1 excerpt) -Paganini; capriccio no.5 opus 1 -Paganini; caprice no. 16 opus 1 (2nd excerpt) -Paganini; caprice no.1 opus 1 -Debussy; 2nd arabesque -Debussy; claire de lune -Debussy; images -Vivaldi; concerto in A minor opus 3 no.8 -Beethoven; bagatelles -Pachelbel; canon in D (guirar 1, guitar 2, background guitar) -Daquin; le coucou -Paganini; caprice no.5 -Paganini;caprice no.16 -Bach; bourree -Mozart; simphony no. 25. CD TAB.

Series: Guitar School
Medium: Softcover with CD
Author: John Tapella

Inspired by the neoclassical movement with such stars as Yngwie Malmsteen and Randy Rhoads, this book provides notes, tab and fingerings to classics by Bach, Mozart, Paganini, Vivaldi, and more! The recordings present fresh interpretations of each piece in the book, complete with explanations and playing tips on the following techniques: Tapping - String Skipping - Position Shifting - Alternate picking - Hybrid picking - Sweep picking - Pedal points. Plug in to the latest rock techniques and tune in to the genius of the classical masters! 35-minute audio accompaniment. 64 pages.

Contents
Minuet composed by Wolfgang Amadeus Mozart, excerpt.
Clair De Lune composed by Claude Debussy, excerpt.
Magic Flute Overture, The composed by Wolfgang Amadeus Mozart, excerpt.
Bagatelles composed by Ludwig Van Beethoven, excerpt.
Bourree - For 2 Guitars composed by Johann Sebastian Bach
Symphony No.25, K.183 composed by Wolfgang Amadeus Mozart, excerpt.
Quartet No.14 In G Major, K.387 composed by Wolfgang Amadeus Mozart, excerpt.
Quartet No.15 In D Minor, K.421 composed by Wolfgang Amadeus Mozart, excerpt.
Orchestral Suite No.3 In D Major composed by Johann Sebastian Bach, excerpt.
Orchestral Suite No.2 In B Minor composed by Johann Sebastian Bach, excerpt.
Prelude Cello Suite VI composed by Johann Sebastian Bach, excerpt.
Prelude Cello Suite III composed by Johann Sebastian Bach, excerpt.
Brandenburg Concerto No. 5 In D Major composed by Johann Sebastian Bach, excerpt.
Cello Suite VI - Gavotte II composed by Johann Sebastian Bach, excerpt.
Caprice No.2, Op 1 composed by Nicolo Paganini, excerpt.
Caprice No.2, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.21, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.2, Op.1 - 2nd Excerpt composed by Nicolo Paganini, excerpt.
Caprice No.16, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.5, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.16, Op.1 - 2nd Excerpt composed by Nicolo Paganini, excerpt.
Caprice No.1, Op.1 composed by Nicolo Paganini, excerpt.
2nd Arabesque composed by Claude Debussy, excerpt.
Images composed by Claude Debussy, excerpt.
Concerto In A Minor, Op.3, No.8 composed by Antonio Vivaldi, excerpt.
Canon In D - For 3 Guitars composed by Johann Pachelbel, excerpt.
Le Coucou - For 2 Guitars composed by Louis-Claude Daquin
Caprice No.5 composed by Nicolo Paganini
Caprice No.16 composed by Nicolo Paganini
Bouree From Lute Suite No.1 composed by Johann Sebastian Bach, excerpt.

BACH J. S., FOR ELECTRIC GUITAR. John Kiefer. 6 pezzi, tra i quali la famosa Toccata e Fuga in re minore di 6 minuti e 20 secondi. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO della MUSICA DI BACH PER CHITARRA ELETTRICA, CON CD. 

SPARTITI PER CHITARRA : 

PENTAGRAMMA E TABLATURE. 

TRASCRIZIONE COMPLETA PER CHITARRA ELETTRICA, DALL'ORIGINALE PER ORGANO, DI TUTTA LA CELEBRE Toccata And Fugue In D Minor Bwv 565 .

Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Although a few of the pieces may be played on a standard acoustic guitar, most require an electric guitar or a guitar with a cutaway. All pieces are in the original keys and their ranges may require notes as high as the twenty-second fret. Written in notation and tablature, these six pieces make great sight reading exercises. The included CD will prove an asset in learning these often challenging pieces.

ABOUT THE AUTHOR
John Kiefer developed an interest in the guitar at a young age. Among his classical guitar teachers were Howard Wallach at San Jactinto College and William Gangel at Southwest Texas State University. Mr. Kiefer is a graduate of the Guitar Institute of Technology in Los Angeles, California, as well as the University of Houston where he received a Bachelor's degree in music composition. He has studied composition with Robert Albury, George Burt at Rice University, and he is currently studying with Michael Horvit and Reynaldo Ochoa at the University of Houston where he is working on a Master's degree in music composition. John is the author of a series of electric guitar transcriptions and companion CDs published by Mel Bay Publications including Classical Music for Electric Guitar, and Christmas Music for Electric Guitar. His guitar compositions include numerous works for classical and electric guitar in various settings. His sex t e t for flute, oboe, bass clarinet, percussion, electric guitar and cello was selected as the winner of the first annual Brown New Music composition competition at Brown University in Providence, Rhode Island where it was performed in the spring of2001. Hex e n bra u for electric guitar and orchestra was premiered in October of 2001 by the Baytown Symphony Orchestra with the composer as soloist. Mr. Kiefer currently teaches at Lee College in Houston, Texas.

PREFACE
Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Even though a few of the pieces may be played on a standard guitar, the others require an electric guitar or a guitar with a cutaway. The highest note used is the D on the 22nd fret of the first string. All pieces are in their original keys. Octaves have been occasionally raised or lowered to suit the range of the guitar. One of the techniques employed in this collection is hybrid picking. Hybrid picking is a right hand technique combining the use of the pick (held by the thumb -p-and the index finger -i-) with the remaining right hand fingers simultaneously. The indications are m - 2nd finger, a - 3rd finger, and c- 4th finger. All slurs (hammer-ons and pull-offs) are indicated on the tablature by an arc between two or more numbers. Glissandos (slides) are notated with a diagonal line. This collection consists of music written for flute (Badinerie), violin (Preludio and Gigue) and organ (Toccata and Fugue in D minor, Fantasia in G, and Praeludium in A minor). In its original setting, the Badinerie (flute part) is accompanied by a small orchestra consisting of two violins, a viola, and basso continuo.

Contents:
Fantasia In G Major Bwv 572 (Tres Vitement) (1:57) -- Johann Sebastian Bach, Transc. By: John Kiefer
Gigue In E (From Partita No.3 Bwv 1006) (2:04) -- Johann Sebastian Bach, Transc. By: John Kiefer
Toccata And Fugue In D Minor (Bwv 565) (6:19) -- Johann Sebastian Bach, Transc. By: John Kiefer
Badinerie (From Suite No. 2 Bwv 1067) (1:24) -- Johann Sebastian Bach, Transc. By: John Kiefer
Praeludium In A Minor (Bwv 543) (2:11) -- Johann Sebastian Bach, Transc. By: John Kiefer
Preludio In E (From Partita No.3 Bwv 1006) (2:16) -- Johann Sebastian Bach, Transc. By: John Kiefer
 

CHRISTMAS FOR FINGERSTYLE PORTRAITS OF. Alex De Grassi, Ed Gerhard, Laurence Juber, Muriel Anderson, e altri. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE . 

LIBRO DI MUSICA  CON CD. 

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE .

Product Description:
Christmas carols get a breath of fresh air in the hands of the twelve master solo guitarists presented in this collection. Their contemporary, yet classic treatment of these pieces is absolutely stunning and charged with emotion. All music in notation and tablature.

Picture yourself in Bethlehem asJesus is being I born in a stable. Feel the still, cold air. See the vast black skyfIlledwith stars, and one in particular is shining above the rest. This song, more than any other, seems to take me there. The particular arrangement of Silent Night I've developed for this collection contains an intro, three verses and an ending, most of which sounds rather classical in nature. The second verse, however, moves into a jazz waltz rhythm. In this verse, the trick is to swing all the eighth notes so that the written eighths are actually timed as a quarter and eighth triplet You will also notice the letter "T" quite often in this piece. This indicates notes fretted by the left-hand thumb. Many of the chords that I use, as well as sustaining effects that I'm after, require the use of the thumb. Take special note at letter [AJ. The third set of notes in this measure is made by a partial bar of the index finger, while the bass note (previously fretted by the thumb) continues to sustain. This same figure happens in several other places as well. It may seem a bit awkward at first to finger it this way, but you'll see the point when you get used to it. The grace notes at letter [ID are played with a double rest stroke of the right-hand index and middle fingers. At letter [Q] (and the end of the next measure) you'll encounter "ghost notes." If you listen to the recording, you'll hear something happening at these spots, but it's hard to sayjust what it is. These little "ticks" are used for rhythmic effect and are simply muted pickstrokes. The right hand picks the 4th string while the left hand mutes it, preventing an actual note from sounding. I think you will find this arrangement to be fairly easy to play, and fun, too. It's a great one to pull out of the hat when the situation requires something light. john Standifer has been a multi-instrumentalist, writer, arranger, and producer on nearly a hundred Northwest album projects, demos, and radio commercials over thepast twentyyears. He has recently developed an intensive seminar, which he conducts nationally, called Praise Guitar Workshop. 

Format: Book/CD Set

Song Title: Composer/Source:
An Old English Carol - Billy Mclaughlin
Away In A Manger - Jay Leach
Bells Of Paradise - Laurence Juber
Coventry Carol - Muriel Anderson
God Rest Ye Merry Gentlemen - Harvey Reid
Good King Wenceslas - El Mcmeen
Jesus, Jesus, Rest Your Head - Rick Foster
Lo, How A Rose 'Er Blooming - Gary Lowry
O, Holy Night Adolphe Adam, - Arr. Ed Gerhard
Silent Night - John Standefer
The Holly & The Ivy - Alex De Grassi
What Child Is This / Marietta - Jonathan Burchfield

GOSPEL DOBRO. LIBRO CON CD TABLATURE

LIBRO METODO DI MUSICA GOSPEL CON CD.

SPARTITI PER CHITARRA.

ACCORDI, PENTAGRAMMA E TABLATURE. 

Gospel Dobro (Book/CD Set)
by Ken Eidson and Tom Swatzell
A popular collection of 56 favorite old-time gospel songs artfully arranged for Resophonic guitar by Tom Swatzell and Ken Eidson. All arrangements are in G tuning with notation and tablature.

A popular collection of 56 favorite old-time gospel songs artfully arranged for Resophonic guitar by Tom Swatzell and Ken Eidson. All arrangements are in G tuning with notation and tablature.

6G 5B 4D 3G 2B 1D 

'Tis Burning In My Soul Ken Eidson And Tom Swatzell
'Tis So Sweet Ken Eidson And Tom Swatzell
All The Way My Savior Leads Me Ken Eidson And Tom Swatzell
Almost Persuaded Ken Eidson And Tom Swatzell
Amazing Grace Ken Eidson And Tom Swatzell
At The Cross Ken Eidson And Tom Swatzell
Blessed Assurance Ken Eidson And Tom Swatzell
Blessed Be The Name Of The Lord Ken Eidson And Tom Swatzell
Blessed Quietness Ken Eidson And Tom Swatzell
Death Has No Terrors Ken Eidson And Tom Swatzell
Follow On Ken Eidson And Tom Swatzell
Glory To God, Hallelujah Ken Eidson And Tom Swatzell
Glory To His Name Ken Eidson And Tom Swatzell
Hark, Ten Thousand Harps Ken Eidson And Tom Swatzell
He Leadeth Me Ken Eidson And Tom Swatzell
Hidden Peace Ken Eidson And Tom Swatzell
Higher Ground Ken Eidson And Tom Swatzell
I Am Coming, Lord Ken Eidson And Tom Swatzell
I Am Resolved Ken Eidson And Tom Swatzell
I Know Whom I Have Believed Ken Eidson And Tom Swatzell
I Love To Tell The Story Ken Eidson And Tom Swatzell
I Need Thee Every Hour Ken Eidson And Tom Swatzell
I Surrender All Ken Eidson And Tom Swatzell
I Will Praise Him Ken Eidson And Tom Swatzell
I Will Sing The Wondrous Story Ken Eidson And Tom Swatzell
I'll Live For Him Ken Eidson And Tom Swatzell
Jesus Breaks Every Fetter Ken Eidson And Tom Swatzell
Jesus Calls Us Ken Eidson And Tom Swatzell
Jesus I Come Ken Eidson And Tom Swatzell
Jesus Paid It All Ken Eidson And Tom Swatzell
Jesus Saves Ken Eidson And Tom Swatzell
Jesus, Savior, Pilot Me Ken Eidson And Tom Swatzell
Just A Closer Walk Ken Eidson And Tom Swatzell
Just As I Am Ken Eidson And Tom Swatzell
Kum Ba Yah Ken Eidson And Tom Swatzell
Leaning On The Everlasting Arms Ken Eidson And Tom Swatzell
Lonesome Valley Ken Eidson And Tom Swatzell
More Love To Thee Ken Eidson And Tom Swatzell
Near The Cross Ken Eidson And Tom Swatzell
Near To The Heart Of God Ken Eidson And Tom Swatzell
Nothing But The Blood Ken Eidson And Tom Swatzell
O Store Gud (Sweddish version of "How Great Thou Art" Ken Eidson And Tom Swatzell
Only Trust Him Ken Eidson And Tom Swatzell
Pass Me Not Ken Eidson And Tom Swatzell
Revive Us Again Ken Eidson And Tom Swatzell
Rock Of Ages Ken Eidson And Tom Swatzell
Send The Light Ken Eidson And Tom Swatzell
Softly And Tenderly Ken Eidson And Tom Swatzell
Standing On The Promises Ken Eidson And Tom Swatzell
The Fire Is Burning Ken Eidson And Tom Swatzell
The Hem Of His Garment Ken Eidson And Tom Swatzell
The Lily Of The Valley Ken Eidson And Tom Swatzell
The Solid Rock Ken Eidson And Tom Swatzell
This Is The Day The Lord Hath Made Ken Eidson And Tom Swatzell
We're Marching To Zion Ken Eidson And Tom Swatzell
What A Friend We Have In Jesus Ken Eidson And Tom Swatzell
Where He Leads Me Ken Eidson And Tom Swatzell
Yesterday, Today, Forever Ken Eidson And Tom Swatzell  

HEAVY METAL DRUMS. PROGRESSIVE. Jim Latta. BOOK WITH CD

LIBRO METODO DI MUSICA HEAVY METAL, CON CD. 

SPARTITI PER BATTERIA CON: TABLATURE PER BATTERIA

MANUALE, STUDIO, DIDATTICO, 192 TRACCE AUDIO,  

JIM LATTA insegna al M.I.M.T Institute of Music Teachers. 

Covers all important beats,rhythms and fills used in Heavy Metal drumming.Includes a special section on technique and features drum solos in the styles of METALLICA, IRON MAIDEN, AC/DC, ANTHRAX, GUNS & ROSES and VAN HALEN.

HI-HAT AND CRASH CYMBAL VARIATION AS APPLIED TO HEAVY METAL 

Double bass drum technique

INDICE:

Energia "batterica" nello stile dei:

LARS ULRICH Metallica, 

NICKO McBRAIN Iron Maiden,

STEVE ADLER Guns 'n' Roses,

DAVE LOMBARDO Slayer,

ALEX VAN HALEN Van Halen,

RICK ALLEN Def Leppard,

TOMMY LEE Motley Crue,

CHARLIE BENANTE Anthrax,

SIMON WRIGHT AC/DC.

Covers all important beats,rhythms and fills used in Heavy Metal drumming.Includes a special section on technique and features drum solos in the styles of METALLICA, IRON MAIDEN, AC/DC, ANTHRAX, GUNS & ROSES and VAN HALEN

CONTENTS

Introduction
Explanation of Notation
Notes and Rests
Counting Guide
Analysis of Triplet Rythms
as used in this book
Some Important Hints

LESSON 1
Basic Heavy Metal Rock Beats
(with Drum Fills and Solo)

LESSON 2
Heavy Metal Beats with
Sixteenth Notes for Snare Drum

LESSON 3
Heavy Metal Beats with
Sixteenth Notes for Snare
and Bass Drum

LESSON 4
Heavy Metal Rock Beats featuring
Sixteenth Note (and Rest) Patterns for
Bass Drum

LESSON 5
Beats featuring Sixteenth Note
(and Rest) Patterns for Bass Drum

LESSON 6
Hi-Hat and Crash Cymbal
Variations as applied to
Heavy Metal Styles and Technique .
Hi-Hat Variations, with Openings .
Crashing the Cymbals .

LESSON 7
Double Bass Drum Technique .
Eighth Note Triplets
and Quarter Notes .
Sixteenth Notes and Eighth Notes .
Sixteenth Note Triplets
for Double Bass Drums .
Heavy Metal Rock Beats
for Double Bass Drums .